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class="entry-content"> <h1 class="entry-title">July–September 1947 (51.3)</h1> <p>Browse the content of the issue below.</p> </div> <div class="links"><a href="http://www.jstor.org/stable/i221877" target="_blank">Purchase Electronic Issue</a><a href="https://www.archaeological.org/product/aja-back-issues/" target="_blank">Purchase Print Issue</a><a href="/archive/">View Archive</a></div> <div class="post-thumbnail"> <img width="250" height="345" src="https://ajaonline.org/wp-content/uploads/2016/04/AJACover1932-1949.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="AJACover1932-1949" decoding="async" fetchpriority="high" srcset="https://ajaonline.org/wp-content/uploads/2016/04/AJACover1932-1949.jpg 250w, https://ajaonline.org/wp-content/uploads/2016/04/AJACover1932-1949-217x300.jpg 217w" sizes="(max-width: 250px) 100vw, 250px" /> </div> <a class="prev_post" href="https://ajaonline.org/toc/514/" title="Next"><svg class="hidden md:block" width="22" height="12" 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Mirror-Ancient or Modern?</a> (pp. 221–226)<br /> Gisela M.A. Richter and Christine Alexander</p> <p><a href="http://www.jstor.org/stable/501300">Stone Age Cultures in Turkey</a> (pp. 227–232)<br /> 艦evket Aziz Kansu</p> <p><a href="http://www.jstor.org/stable/501301">The Career of Hermonax</a> (pp. 233–247)<br /> Franklin P. Johnson</p> <p><a href="http://www.jstor.org/stable/501302">The Technique of Greek Metal Vases and Its Bearing on Vase Forms in Metal and Pottery</a> (pp. 248–256)<br /> Dorothy Kent Hill</p> <p><a href="http://www.jstor.org/stable/501303">The Ostracism of Xanthippos</a> (pp. 257–262)<br /> A.E. Raubitschek</p> <p><a href="http://www.jstor.org/stable/501304">A Lekythos from Skopelos</a> (pp. 263–266)<br /> G. Bakalakis</p> <p><a href="http://www.jstor.org/stable/501305">A Nolan Amphora of the Kleophrades Painter</a> (pp. 267–268)<br /> Ludwig Budde</p> <p><a href="http://www.jstor.org/stable/501306">Archaeological News</a> (pp. 269–300)<br /> C. Bradford Welles</p> <h2>Correspondence</h2> <p><a href="http://www.jstor.org/stable/501307">Two More Portrait Inscriptions</a> (pp. 301–302)<br /> Franklin P. Johnson</p> <p><a href="http://www.jstor.org/stable/501308">Still Other Portrait Inscriptions?</a> (p. 302)<br /> A.W. van Buren</p> <p><a href="http://www.jstor.org/stable/501309">Further Comment</a> (pp. 302–304)<br /> Jean Berard</p> <p><a href="http://www.jstor.org/stable/501310">Necrologies</a> (pp. 305–308)<br /> Jean Hatzfeld, by Anton E. Raubitschek<br /> Edgar Lee Hewett, by Paul A.F. Walter<br /> Kirsopp Lake, by R.P. Blake<br /> Warren Joseph Moulton, by Stephen B. Luce<br /> Pierre Roussel, by George Daux</p> <p><a href="http://www.jstor.org/stable/501311">Archaeological Digest</a> (pp. 309–324)<br /> C. Bradford Welles</p> <h2>Book Reviews</h2> <p><a href="http://www.jstor.org/stable/501312">Aspects of the Ancient World, Essays and Reviews</a> (pp. 325–326)<br /> By Victor Ehrenberg<br /> Reviewed by John V.A. Fine</p> <p><a href="http://www.jstor.org/stable/501313">Phrygie, Exploration faite et publié sous la direction de M. Albert Gabriel. Tome I, Geologie et Geographie Physique</a> (pp. 326–327)<br /> By Ernest Chaput<br /> Reviewed by George M.A. Hanfmann</p> <p><a href="http://www.jstor.org/stable/501314">Alep, Essai sur le developpement d'une grande ville syrienne des origines au milieu du xixe siecle</a> (pp. 327–328)<br /> By J. Sauvaget<br /> Reviewed by George M.A. Hanfmann</p> <p><a href="http://www.jstor.org/stable/501315">Malatya, Fouilles de la Mission Archéologique Francaise, dirigées par M. Louis Delaporte, Arslantepe, Fascicule I, La Porte des Lions</a> (pp. 328–329)<br /> By Louis Delaporte<br /> Reviewed by George M.A. Hanfmann</p> <p><a href="http://www.jstor.org/stable/501316">Remarques Stylistiques sur les Reliefs de Malatya</a> (pp. 329–330)<br /> By Ekrem Akurgal<br /> Reviewed by George M.A. Hanfmann</p> <p><a href="http://www.jstor.org/stable/501317">Art and Geometry, A Study in Space Intuitions</a> (pp. 330–332)<br /> By William M. Ivins<br /> Reviewed by John L. Caskey and Gaylord M. Merriman</p> <p><a href="http://www.jstor.org/stable/501318">Potter and Painter in Ancient Athens</a> (p. 332)<br /> By J.D. Beazley<br /> Reviewed by Cedric Boulter</p> <p><a href="http://www.jstor.org/stable/501319">Excavations at Olynthus, Part XII, Domestic and Public Architecture</a> (pp. 332–336)<br /> By David M. Robinson<br /> Reviewed by Homer A. Thompson</p> <p><a href="http://www.jstor.org/stable/501320">Themes in Greek and Latin Epitaphs</a> (p. 336)<br /> By Richmond Lattimore<br /> Reviewed by Herbert Bloch</p> <p><a href="http://www.jstor.org/stable/501321">Initiation a l’Etruscologie</a> (p. 337)<br /> By Marcel Renard<br /> Reviewed by Giacinto Matteucig</p> <p><a href="http://www.jstor.org/stable/501322">From Imperium to Auctoritas. A Historical Study of the Aes Coinage in the Roman Empire 49 B.C.–14 A.D.</a> (pp. 337–340)<br /> By Michael Grant<br /> Reviewed by Alfred R. Bellinger</p> <p><a href="http://www.jstor.org/stable/501323">Studien zur Kunstgeschichte der roemischen Republik</a> (pp. 340–343)<br /> By Olof Vessberg<br /> Reviewed by Margarete Bieber</p> <p><a href="http://www.jstor.org/stable/501324">Le Limes de Chalcis</a> (pp. 343–344)<br /> By R. Mouterde and A. Poidebard<br /> Reviewed by Clark Hopkins</p> <p><a href="http://www.jstor.org/stable/501325">Les Monuments funeraires de l’Arlon romain’ Extrait des Annales de l’Institut archéologique du Luxemboury, lxxvi, 1945, by Marcel-Edouard Mariën; Les Monuments funeraires de Buzenol, Extrait du Bulletin des musées d’art et d’histoire, 1943 (i–iii) et 1944 (i–ii), by Marcel-Edouard Mariën; La Sculpture a l’Epoque romaine, by M.-E. Mariën</a> (pp. 344–345)<br /> Reviewed by Phyllis Pray Bober</p> <p><a href="http://www.jstor.org/stable/501326">Dumbarton Oaks Papers, Number 3, Edited for the Dumbarton Oaks Research Library and Collection, Washington, D.C., of Harvard University</a> (pp. 345–346)<br /> By R.P. Blake, W. Koehler, and P.J. Sachs<br /> Reviewed by Lynn White, Jr.</p> <p><a href="http://www.jstor.org/stable/501327">The Mosaics of Haghia Sophia at Istanbul. Third Preliminary Report. Work Done in 1935–1939. The Imperial Portraits of the South Gallery</a> (pp. 346–347)<br /> By Thomas Whittemore<br /> Reviewed by Gerhart B. 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