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Mark Steven Greenfield Made In Cotton Analysis - 303 Words | Bartleby
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class="capitalize brand-primary">Home Page</a></li><li class="display-inline-block"><a href="https://www.bartleby.com/writing/" class="capitalize brand-primary">Research</a></li><li class="display-inline-block"><span class="ash-gray capitalize">Mark Steven Greenfield Made In Cotton Analysis</span></li></ul></nav></div><div class="rhino-slot center" id="essay_ad_top"></div><div class="row columns"></div><div class="row essay-preview-block"><div class="columns small-12 medium-8 large-8 no-padding"><div class="preview-header-row display-flex"><div class="columns small-5 medium-3 large-2 no-padding"><img src="//assets.bartleby.com/1.17/images/placeholders/essay_preview.png" width="100%" alt="preview"/></div><div class="columns small-7 medium-9 large-10 display-flex flex-flow-column"><h1 class="heading-s weight-700 no-margin ">Mark Steven Greenfield Made In Cotton Analysis</h1><div class="grade-essay-card grade-decent-essays"><span>Decent Essays</span></div><ul class="weight-700 padding-left-1 share-block "><li><span class="text-s">303 Words</span></li><li><span class="text-s">2 Pages</span></li></ul><div class="margin-top-auto"><a href="javascript:void(0);" class="button button--orange button--squarish text-m button--orange" id="ShowMoreButtonExtra" data-href="/writing/document/7D9DB334FCB6E7D3" rel="nofollow">Open Document</a></div></div></div></div></div><div id="divPreviewBlock" class="row essay-preview-block "><div class="columns large-8 paper-container paper-container--with-sidebar position-relative border-box-shadow margin-4 padding-2"><div class=""><div class="position-relative margin-4 text-xl"><div id="essay-body-heading-details"></div><script>if (typeof doShowProdHdr === 'function') { document.getElementById("essay-body-heading-details").style.display="none"; document.getElementById("essay-preview-premium-ribbon").style.display="none"; };</script><div class="document__body white-space--break-spaces break-word"><span class="document__preview text-l source-serif "><p class='text-ellipsis-after'>Made in Cotton On November 8, 2017, I attended the Made in Cotton talk with Los Angeles artist Mark Steven Greenfield, he discussed with the audience his humble beginnings and gave the audience a glimpse of his thought process when creating his art. Mr. Greenfield greets the audience and informs our small group that he received his bachelor degree from <a href='/topics/california' style='color:#3174a3'>California</a> State University, Long Beach; and talks about where he work in his time in Los Angeles. In addition, he elaborated about the time when he and his friends received a ticket for painting a mural on a wall, Crenshaw and 51st street due to the fact it was private property. In fact, he shared, how he</p></span></div><div class="paper__gradient paper__gradient--bottom"></div><div class="center paper__cta"><a class="button text-m button--orange" id="ShowMoreButton" rel="nofollow" data-href="/writing/document/7D9DB334FCB6E7D3">Get Access</a></div></div></div></div><div class="columns large-4 hide-for-medium-only hide-for-small-only"><div class="rhino-slot center" id="essay_ad_sidebar"></div><div class="rhino-slot center" id="essay_ad_sidebar_1"></div></div></div><div class="row essay-preview-block essay-related-block "><div class="columns large-12 padding-1 no-padding-large"><div class="columns large-12 paper--related-separator-new"><span class="paper--related-separator-word">Related</span></div><div class="rhino-slot center" id="essay_ad_related"></div><section class=""><ul id="RelatedDocumentCenter" class="unstyled"><li id="related-essay1"><div class="columns small-12 medium-12 large-12 card box-shadow card-grade-essay paper no-padding"><div class="columns small-12 medium-12 hide-for-large position-relative card-grade-essay-grade-col grade-decent-essays"><div><span>Decent Essays</span></div></div><div class="columns small-12 medium-12 position-relative hide-for-large card-grade-essay-words-col padding-left-1-imp"><a href="/essay/Tom-Killions-Monterey-Bay-From-Santa-Cruz-53B4333C361BD93F" class="hide-for-large"><h2 class="heading-s weight-700 brand-secondary">Tom Killion's Monterey Bay From Santa Cruz Pogonip</h2></a><ul><li>523 Words</li><li>3 Pages</li></ul></div><div class="columns small-12 medium-12 large-8 position-relative"><div class="card-grade-essay-preview-col show-for-large"><a href="/essay/Tom-Killions-Monterey-Bay-From-Santa-Cruz-53B4333C361BD93F" class="show-for-large"><h2 class="heading-s weight-700 brand-secondary">Tom Killion's Monterey Bay From Santa Cruz Pogonip</h2></a></div><p class="text-m break-word word-break text-ellipsis-after text-ellipsis-after">This work of art is titled, Monterey Bay from Santa Cruz Pogonip. The artist who created this piece is Tom Killion, and its creation came to be in 2002. The piece is a wood stamp press, these presses are hand carved into wood and linoleum blocks. Each variety of color that is present in the piece, a new block has to be created to ensure that the color doesn’t blend in ways the artist would not want it too. In the framed final piece, the stamp is separated into two different frames to gives focus to the the, Monterey Bay and then Santa Cruz. In this piece, Killion uses this chance to portray Santa Cruz in a landscape narrative, he uses depth to enable the landscape. The piece’s foreground is the mountain in Pogonip, a hiking area in the northern part of Santa Cruz County; then it starts spreading out to a horizontal view of the ocean, and at the bottom of the mountain, Santa Cruz is located. 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Historically quilt makers have used its qualities to communicate political and social messages. For example, the Abolition quilts made during the US Civil war era were inscribed with messages decrying the evils of slavery. 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He describes the High culture being traditional, where art is intentional and used to portray the artist’s inner emotions (9-10). In high culture art, the audience gets a direct message from the artist through his work, there is no subjectivity towards the individual. The next rung in the declining ladder is that of Folk art. Macdonald classifies Folk art to be like High culture art; however, only for the poor and the secluded, its voice coming from people without power yet its purpose specific towards a singular message (11). 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The South 's reliance on cotton creation attached it monetarily to the manor framework and racially to white amazingness. The social culture and political mastery of the moderately little manor gentry disguised subjection 's extraordinary social and financial expenses for whites and also blacks. Most slaves were held by a couple of substantial grower. At the same time most slave-owners had few slaves, and most southern whites had no slaves whatsoever. All things considered, aside from a couple of mountain whites, the majority of southern whites firmly upheld subjection and racial amazingness on the grounds that they esteemed the trust of getting to be slave-owners themselves, and in light of the fact that white racial character provided for them a feeling of prevalence over the blacks. The treatment of the monetarily profitable slaves fluctuated extensively. Inside the limits of the brutal framework, slaves longed for opportunity and attempted to keep up their mankind, including family life. 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