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rel="home">{ feuilleton }</a></p> <p class="site-description">A journal by artist and designer John Coulthart.</p> </div> </div> <div class="header-image"> <a href="https://www.johncoulthart.com/feuilleton/" rel="home"> <img src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/01/Feuilleton-Twenty-Sixteen-78.jpg" srcset="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/01/Feuilleton-Twenty-Sixteen-78.jpg 1200w, https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/01/Feuilleton-Twenty-Sixteen-78-768x179.jpg 768w" sizes="(max-width: 709px) 85vw, (max-width: 909px) 81vw, (max-width: 1362px) 88vw, 1200px" width="1200" height="280" alt="{ feuilleton }" /> </a> </div> </header> <div id="content" class="site-content"> <div id="primary" class="content-area"> <main id="main" class="site-main"> <header class="page-header"> <h1 class="page-title">Category: <span>{design}</span></h1><div class="taxonomy-description"><p>Design</p> </div> </header> <article id="post-27879" class="post-27879 post type-post status-publish format-standard hentry category-art category-collage category-design category-electronica category-gay category-music category-typography tag-dark-entries tag-gwenael-rattke tag-laurie-spiegel tag-man-parrish tag-patrick-cowley"> <header class="entry-header"> <h2 class="entry-title"><a href="https://www.johncoulthart.com/feuilleton/2025/02/17/gwenael-rattke-record-covers/" rel="bookmark">Gwenaël Rattke record covers</a></h2> </header> <div class="entry-content"> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/rattke04.jpg" alt="rattke04.jpg" /></p> <p><em>Muscle Up (2015) by Patrick Cowley.</em></p> <p>This post is partly a reminder to myself that I’m still missing the last two Patrick Cowley album releases on the <a href="https://www.darkentriesrecords.com/" target="_blank" rel="noopener">Dark Entries</a> label. Dark Entries have distinguished themselves over the past few years by compiling selections from Cowley’s previously unreleased tape archive. Many of the recordings were made in the years before Cowley established himself as a producer of Hi-NRG disco hits, long pieces of instrumental electronic music which are closer to the typical electronica of the 1970s than the club music he became known for. This didn’t prevent his early recordings from being used as soundtracks for gay porn films, however, a connection that Dark Entries acknowledge in the packaging for their first three Cowley releases: <em>School Daze</em> (2013), <em>Muscle Up</em> (2015) and <em>Afternooners</em> (2017). The fourth album in the series, <em>Mechanical Fantasy Box</em> (2019), was released in tandem with <a href="http://www.rattke.com/selected-work#/mechanicalfantasybox/" target="_blank" rel="noopener">a book of the same name</a>, a journal of Cowley’s sexual encounters during the late 70s. The book and the albums from <em>Muscle Up</em> on have all featured art and graphics by <a href="http://www.rattke.com/" target="_blank" rel="noopener">Gwenaël Rattke</a>, a German artist who uses traditional collage methods to repurpose imagery and graphics copied from gay magazines and porn publications of the 1970s and 1980s. The last time I looked at Rattke’s work I wasn’t aware that he’d created more album art so this post gathers a few additional examples along with his designs for Dark Entries.</p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/rattke01.jpg" alt="rattke01.jpg" /></p> <p><em>Lesbians On Ecstasy (2004) by Lesbians On Ecstasy.</em></p> <p>I always like to see an accurate pastiche, and Rattke’s pastiches are close enough to their targets to be mistaken for products of the period they resemble, especially when assisted by fonts like <a href="https://www.discogs.com/lists/Quicksilver-typeface/576159" target="_blank" rel="noopener">Quicksilver</a>, <a href="https://fontsinuse.com/typefaces/6943/stop" target="_blank" rel="noopener">Stop</a>, <a href="https://fontsinuse.com/typefaces/3967/sinaloa" target="_blank" rel="noopener">Sinaloa</a>, and <a href="https://fontsinuse.com/typefaces/10214/motter-tektura" target="_blank" rel="noopener">Motter Textura</a>, all of which are redolent of the disco decade. Creating collages with scissors, paper and what looks in places like Risograph reproduction also helps with the period authenticity. You could create work like this with wholly digital means but if you did you’d have to do spend time disguising the absolute precision of those techniques.</p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/rattke02.jpg" alt="rattke02.jpg" /></p> <p><em>We Know You Know (2007) by Lesbians On Ecstasy.</em></p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/rattke03.jpg" alt="rattke03.jpg" /></p> <p><em>Liquidation (2015) by Liquid G.</em></p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/rattke05.jpg" alt="rattke05.jpg" /></p> <p><em>Patrick Cowley – Afternooners (2017) by Patrick Cowley.</em></p> <p> <a href="https://www.johncoulthart.com/feuilleton/2025/02/17/gwenael-rattke-record-covers/#more-27879" class="more-link">Continue reading<span class="screen-reader-text"> “Gwenaël Rattke record covers”</span></a></p> </div> <footer class="entry-footer"> <span class="byline"><span class="author vcard"><img alt='' src='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=49&d=identicon&r=pg' srcset='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=98&d=identicon&r=pg 2x' class='avatar avatar-49 photo' height='49' width='49' decoding='async'/><span class="screen-reader-text">Author </span> <a class="url fn n" href="https://www.johncoulthart.com/feuilleton/author/admin/">John</a></span></span><span class="posted-on"><span class="screen-reader-text">Posted on </span><a href="https://www.johncoulthart.com/feuilleton/2025/02/17/gwenael-rattke-record-covers/" rel="bookmark"><time class="entry-date published" datetime="2025-02-17T16:30:11+00:00">February 17, 2025</time><time class="updated" datetime="2025-02-17T14:54:46+00:00">February 17, 2025</time></a></span><span class="cat-links"><span class="screen-reader-text">Categories </span><a href="https://www.johncoulthart.com/feuilleton/category/art/" rel="category tag">{art}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/art/collage/" rel="category tag">{collage}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/design/" rel="category tag">{design}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/music/electronica/" rel="category tag">{electronica}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/gay/" rel="category tag">{gay}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/music/" rel="category tag">{music}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/typography/" rel="category tag">{typography}</a></span><span class="tags-links"><span class="screen-reader-text">Tags </span><a href="https://www.johncoulthart.com/feuilleton/tag/dark-entries/" rel="tag">Dark Entries</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/gwenael-rattke/" rel="tag">Gwenaël Rattke</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/laurie-spiegel/" rel="tag">Laurie Spiegel</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/man-parrish/" rel="tag">Man Parrish</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/patrick-cowley/" rel="tag">Patrick Cowley</a></span><span class="comments-link"><a href="https://www.johncoulthart.com/feuilleton/2025/02/17/gwenael-rattke-record-covers/#respond">Leave a comment<span class="screen-reader-text"> on Gwenaël Rattke record covers</span></a></span> </footer> </article> <article id="post-27867" class="post-27867 post type-post status-publish format-standard hentry category-art category-books category-design category-sculpture tag-james-k-colling tag-john-leighton tag-owen-jones"> <header class="entry-header"> <h2 class="entry-title"><a href="https://www.johncoulthart.com/feuilleton/2025/02/12/suggestions-in-design-by-john-leighton/" rel="bookmark">Suggestions in Design by John Leighton</a></h2> </header> <div class="entry-content"> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/leighton01.jpg" alt="leighton01.jpg" /></p> <p>Among the new book arrivals at the Internet Archive is this study of global design and ornamentation, with art by John Leighton and text (or “descriptive and historical letterpress”) by James K. Colling. <em>Suggestions in Design</em> was published in 1880, with the pictorial matter having been available for many years as part of Dover Publications’ Pictorial Archive series. I don’t have a copy of the reprint, however, so this was a useful find. Leighton’s illustrations are black-and-white throughout, and all separated from each other, which is what you want if you’re looking for a design you may use yourself. The illustrations are also carefully done, something you can’t always say about the smaller books of this type.</p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/leighton02.jpg" alt="leighton02.jpg" /></p> <p>The Victorian era is where design history begins. <em>Suggestions in Design</em> follows the structure of Owen Jones’ landmark study, <em><a href="https://www.johncoulthart.com/feuilleton/2014/01/25/the-grammar-of-ornament-revisited/">The Grammar of Ornament</a></em>, ranging across the world and through the ages to demonstrate the evolution of decoration and sculptural form. Leighton ends the book with several pages of his own designs. Browse it <a href="https://archive.org/details/Leighton2683/page/n7/mode/2up" target="_blank" rel="noopener">here</a> or download it <a href="https://archive.org/download/Leighton2683" target="_blank" rel="noopener">here</a>.</p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/leighton03.jpg" alt="leighton03.jpg" /></p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/leighton04.jpg" alt="leighton04.jpg" /></p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/leighton05.jpg" alt="leighton05.jpg" /></p> <p> <a href="https://www.johncoulthart.com/feuilleton/2025/02/12/suggestions-in-design-by-john-leighton/#more-27867" class="more-link">Continue reading<span class="screen-reader-text"> “Suggestions in Design by John Leighton”</span></a></p> </div> <footer class="entry-footer"> <span class="byline"><span class="author vcard"><img alt='' src='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=49&d=identicon&r=pg' srcset='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=98&d=identicon&r=pg 2x' class='avatar avatar-49 photo' height='49' width='49' decoding='async'/><span class="screen-reader-text">Author </span> <a class="url fn n" href="https://www.johncoulthart.com/feuilleton/author/admin/">John</a></span></span><span class="posted-on"><span class="screen-reader-text">Posted on </span><a href="https://www.johncoulthart.com/feuilleton/2025/02/12/suggestions-in-design-by-john-leighton/" rel="bookmark"><time class="entry-date published" datetime="2025-02-12T16:30:06+00:00">February 12, 2025</time><time class="updated" datetime="2025-02-12T16:21:38+00:00">February 12, 2025</time></a></span><span class="cat-links"><span class="screen-reader-text">Categories </span><a href="https://www.johncoulthart.com/feuilleton/category/art/" rel="category tag">{art}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/books/" rel="category tag">{books}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/design/" rel="category tag">{design}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/art/sculpture/" rel="category tag">{sculpture}</a></span><span class="tags-links"><span class="screen-reader-text">Tags </span><a href="https://www.johncoulthart.com/feuilleton/tag/james-k-colling/" rel="tag">James K. Colling</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/john-leighton/" rel="tag">John Leighton</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/owen-jones/" rel="tag">Owen Jones</a></span><span class="comments-link"><a href="https://www.johncoulthart.com/feuilleton/2025/02/12/suggestions-in-design-by-john-leighton/#comments">4 Comments<span class="screen-reader-text"> on Suggestions in Design by John Leighton</span></a></span> </footer> </article> <article id="post-27865" class="post-27865 post type-post status-publish format-standard hentry category-architecture category-art category-design category-film category-television tag-expo-70 tag-kosai-sekine tag-taro-okamoto tag-yusaku-kamekura"> <header class="entry-header"> <h2 class="entry-title"><a href="https://www.johncoulthart.com/feuilleton/2025/02/10/a-day-of-expo-70/" rel="bookmark">A Day of Expo 70</a></h2> </header> <div class="entry-content"> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/kamekura.jpg" alt="kamekura.jpg" /></p> <p><em>Poster design by Yusaku Kamekura.</em></p> <p>More expositiana. <a href="https://www.expo2025.or.jp/en/" target="_blank" rel="noopener">Expo 2025</a> opens in Osaka in April, 55 years after the last expo staged in the city. Looking at the <a href="https://www.expo2025.or.jp/en/" target="_blank" rel="noopener">Expo 2025 website</a> I can’t see the event generating much interest 50 years from now the way that Expo 70 does today. Expo 70 is the only 20th-century exhibition with any substantial cult value, something I’d guess to be a combination of several factors. On the design and architecture fronts the exposition was especially notable, with a <a href="https://www.logohistories.com/p/expo-70-logo-design-history-cherry-blossom" target="_blank" rel="noopener">great logo</a>, great posters, and <a href="https://www.messynessychic.com/2020/02/12/the-1970-osaka-worlds-fair-was-out-of-this-world/" target="_blank" rel="noopener">pavilions that look like a future that never arrived</a>. In the 21st century the Japanese dimension of Expo 70 adds to its attraction; among other things the event is the only exposition whose site gets trashed by battling <em>kaiju</em> monsters, as happens at the end of <em>Gamera vs. Jiger</em>.</p> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/tower.jpg" alt="tower.jpg" /></p> <p><em>The Tower of the Sun from the <a href="https://archive.org/details/expo-70-official-guide" target="_blank" rel="noopener">Expo 70 Official Guide</a>.</em></p> <p>Then there’s the centrepiece of the event site, Taro Okamoto’s <a href="https://en.wikipedia.org/wiki/Tower_of_the_Sun" target="_blank" rel="noopener">Tower of the Sun</a>, which joins the Eiffel Tower, the Brussels Atomium and Seattle’s Space Needle in being an exposition remnant that future generations have decided to preserve. Okamoto’s Tower is the strangest of all the surviving exposition structures, the creation of a multi-talented artist, designer and jazz drummer (!) who exhibited with the Surrealists in Paris in the 1930s. Now that the Tower is now left standing alone in open parkland it seems more like the world’s largest Surrealist sculpture. In 2018 Kôsai Sekine released a feature-length documentary, <a href="https://www.imdb.com/title/tt6153440/" target="_blank" rel="noopener"><em>Tower of the Sun</em></a>, about the artist and the construction of his tower.</p> <p><a href="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo70-big.jpg" target="_blank" rel="noopener"><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo70.jpg" alt="expo70.jpg" /></a></p> <p><em>A Day of Expo 70.</em></p> <p><a href="https://www.youtube.com/watch?v=0UV6-GcJdjw" target="_blank" rel="noopener"><em>A Day of Expo 70</em></a> is a much shorter documentary made to promote New Zealand’s involvement with the exposition. This is one of the longer English-language films made while the expo was still in progress, and one of many films about the event at <a href="https://www.youtube.com/@1970OsakaJapan/featured" target="_blank" rel="noopener">this dedicated YouTube channel</a>. Most of the clips are in Japanese, like <a href="https://www.youtube.com/watch?v=Rr72kYcgfCA" target="_blank" rel="noopener">this three-hour TV special</a>, but still worth seeing for the documentary detail. For French speakers there’s <a href="https://www.youtube.com/watch?v=wup7srQ2wRo" target="_blank" rel="noopener">an hour-long documentary</a> at the Radio Canada archives. And while I usually dislike the pointless upscaling of old film and video material <a href="https://www.youtube.com/watch?v=NH5jyl8bD_k" target="_blank" rel="noopener">this clip</a> shows overhead views of the expo site from the monorail and the cable cars.</p> <p>Previously on { feuilleton }<br /> • <a href="https://www.johncoulthart.com/feuilleton/2025/02/05/impressions-of-expo-67/">Impressions of Expo 67</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2023/08/07/expositiana/">Expositiana</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2023/07/31/the-exposition-moire/">The exposition moiré</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/08/16/angkor-in-paris-1931/">Angkor in Paris, 1931</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/04/02/the-world-of-the-future/">The world of the future</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/04/01/space-needle-usa/">Space Needle USA</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2013/08/17/a-trip-to-the-moon-1901/">A Trip to the Moon, 1901</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2013/02/28/le-panorama-exposition-universelle/">Le Panorama Exposition Universelle</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2008/12/16/exposition-cornucopia/">Exposition cornucopia</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2008/01/14/the-evanescent-city/">The Evanescent City</a></p> </div> <footer class="entry-footer"> <span class="byline"><span class="author vcard"><img alt='' src='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=49&d=identicon&r=pg' srcset='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=98&d=identicon&r=pg 2x' class='avatar avatar-49 photo' height='49' width='49' decoding='async'/><span class="screen-reader-text">Author </span> <a class="url fn n" href="https://www.johncoulthart.com/feuilleton/author/admin/">John</a></span></span><span class="posted-on"><span class="screen-reader-text">Posted on </span><a href="https://www.johncoulthart.com/feuilleton/2025/02/10/a-day-of-expo-70/" rel="bookmark"><time class="entry-date published" datetime="2025-02-10T16:30:03+00:00">February 10, 2025</time><time class="updated" datetime="2025-02-10T15:24:17+00:00">February 10, 2025</time></a></span><span class="cat-links"><span class="screen-reader-text">Categories </span><a href="https://www.johncoulthart.com/feuilleton/category/architecture/" rel="category tag">{architecture}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/art/" rel="category tag">{art}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/design/" rel="category tag">{design}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/film/" rel="category tag">{film}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/television/" rel="category tag">{television}</a></span><span class="tags-links"><span class="screen-reader-text">Tags </span><a href="https://www.johncoulthart.com/feuilleton/tag/expo-70/" rel="tag">Expo '70</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/kosai-sekine/" rel="tag">Kôsai Sekine</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/taro-okamoto/" rel="tag">Taro Okamoto</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/yusaku-kamekura/" rel="tag">Yusaku Kamekura</a></span><span class="comments-link"><a href="https://www.johncoulthart.com/feuilleton/2025/02/10/a-day-of-expo-70/#respond">Leave a comment<span class="screen-reader-text"> on A Day of Expo 70</span></a></span> </footer> </article> <article id="post-27860" class="post-27860 post type-post status-publish format-standard hentry category-art category-design category-electronica category-film category-gay category-music category-photography category-science tag-andrew-heath tag-george-baxter tag-james-balmont tag-leo-marfut tag-les-blank tag-main-group tag-michel-magne tag-mike-ratledge tag-otama-shimai tag-robert-musso tag-sakina-abdou tag-soft-machine tag-ubuweb"> <header class="entry-header"> <h2 class="entry-title"><a href="https://www.johncoulthart.com/feuilleton/2025/02/08/weekend-links-764/" rel="bookmark">Weekend links 764</a></h2> </header> <div class="entry-content"> <p><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/marfut.jpg" alt="marfut.jpg" /></p> <p><em>Bruxelles 1958 Exposition Universelle (1958) by Leo Marfut.</em></p> <p>• “In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same.” Welcome back, <a href="https://www.ubuweb.com/" target="_blank" rel="noopener">Ubuweb</a>.</p> <p>• A catalogue of lots at another <a href="https://bid.vallots.com/auctions/5-1NHC6D/after-dark-ii?limit=36" target="_blank" rel="noopener">After Dark: Gay Art and Culture</a> online auction. Homoerotic art, photos, historic porn. etc.</p> <p>• At Public Domain Review: <a href="https://publicdomainreview.org/collection/crystal-palace-dinosaurs" target="_blank" rel="noopener">George Baxter’s print of Crystal Palace dinosaurs</a> (ca. 1864).</p> <p>• At Spoon & Tamago: Contemporary Nihonga images of hamsters created by <a href="https://www.spoon-tamago.com/otama-shimai-nihonga-hamsters/" target="_blank" rel="noopener">Otama-shimai</a>.</p> <p>• At Discogs: <a href="https://www.discogs.com/digs/music/essential-japanese-ambient/" target="_blank" rel="noopener">James Balmont</a> explores Japan’s ambient boom of the ’80s and ’90s.</p> <p>• Mix of the week: A mix for <em>The Wire</em> by <a href="https://www.thewire.co.uk/audio/tracks/wire-mix-sakina-abdou" target="_blank" rel="noopener">Sakina Abdou</a>.</p> <p>• RIP <a href="https://www.msn.com/en-us/society-culture-and-history/pop-culture/behind-those-dark-glasses-and-unsmiling-visage-he-presented-an-inscrutable-presence-soft-machine-s-mike-ratledge-remembered/ar-AA1yAges" target="_blank" rel="noopener">Mike Ratledge</a>, co-founder of Soft Machine.</p> <p>• New music: <a href="https://driftworks.bandcamp.com/album/signals-and-codes" target="_blank" rel="noopener"><em>Signals And Codes</em></a> by Andrew Heath.</p> <p>• At Dennis Cooper’s it’s <a href="https://denniscooperblog.com/les-blanks-day/" target="_blank" rel="noopener">Les Blank</a>’s Day.</p> <p>• <a href="https://www.youtube.com/watch?v=PJY-EkE5csU" target="_blank" rel="noopener"><em>Signaux Codes Non Identifiés</em></a> (1978) by Michel Magne | <a href="https://www.youtube.com/watch?v=c1ZVO63s8iE" target="_blank" rel="noopener"><em>Code Rays (Codex Dub)</em></a> (1995) by Main | <a href="https://www.youtube.com/watch?v=5s0pXxtO62Q" target="_blank" rel="noopener"><em>Silent Code</em></a> (1999) by Robert Musso</p> </div> <footer class="entry-footer"> <span class="byline"><span class="author vcard"><img alt='' src='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=49&d=identicon&r=pg' srcset='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=98&d=identicon&r=pg 2x' class='avatar avatar-49 photo' height='49' width='49' loading='lazy' decoding='async'/><span class="screen-reader-text">Author </span> <a class="url fn n" href="https://www.johncoulthart.com/feuilleton/author/admin/">John</a></span></span><span class="posted-on"><span class="screen-reader-text">Posted on </span><a href="https://www.johncoulthart.com/feuilleton/2025/02/08/weekend-links-764/" rel="bookmark"><time class="entry-date published" datetime="2025-02-08T19:00:48+00:00">February 8, 2025</time><time class="updated" datetime="2025-02-08T16:07:13+00:00">February 8, 2025</time></a></span><span class="cat-links"><span class="screen-reader-text">Categories </span><a href="https://www.johncoulthart.com/feuilleton/category/art/" rel="category tag">{art}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/design/" rel="category tag">{design}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/music/electronica/" rel="category tag">{electronica}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/film/" rel="category tag">{film}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/gay/" rel="category tag">{gay}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/music/" rel="category tag">{music}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/photography/" rel="category tag">{photography}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/science/" rel="category tag">{science}</a></span><span class="tags-links"><span class="screen-reader-text">Tags </span><a href="https://www.johncoulthart.com/feuilleton/tag/andrew-heath/" rel="tag">Andrew Heath</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/george-baxter/" rel="tag">George Baxter</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/james-balmont/" rel="tag">James Balmont</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/leo-marfut/" rel="tag">Leo Marfut</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/les-blank/" rel="tag">Les Blank</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/main-group/" rel="tag">Main (group)</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/michel-magne/" rel="tag">Michel Magne</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/mike-ratledge/" rel="tag">Mike Ratledge</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/otama-shimai/" rel="tag">Otama-shimai</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/robert-musso/" rel="tag">Robert Musso</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/sakina-abdou/" rel="tag">Sakina Abdou</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/soft-machine/" rel="tag">Soft Machine</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/ubuweb/" rel="tag">Ubuweb</a></span><span class="comments-link"><a href="https://www.johncoulthart.com/feuilleton/2025/02/08/weekend-links-764/#respond">Leave a comment<span class="screen-reader-text"> on Weekend links 764</span></a></span> </footer> </article> <article id="post-27853" class="post-27853 post type-post status-publish format-standard hentry category-architecture category-design category-film tag-buckminster-fuller tag-expositions tag-frei-otto tag-henry-charles-fleischer tag-william-brind"> <header class="entry-header"> <h2 class="entry-title"><a href="https://www.johncoulthart.com/feuilleton/2025/02/05/impressions-of-expo-67/" rel="bookmark">Impressions of Expo 67</a></h2> </header> <div class="entry-content"> <p><a href="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo67-1-big.jpg" target="_blank" rel="noopener"><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo67-1.jpg" alt="expo67-1.jpg" /></a></p> <p>I ought to have included this miniature in <a href="https://www.johncoulthart.com/feuilleton/2023/08/07/expositiana/">the collection of exposition films</a> I posted a couple of years ago. <a href="https://www.youtube.com/watch?v=DxNLy1Z97ys" target="_blank" rel="noopener"><em>Impressions of Expo 67</em></a> was made by William Brind for the National Film Board of Canada. It’s a lot shorter than Henry Charles Fleischer’s <a href="https://archive.org/details/Expo_67" target="_blank" rel="noopener">home-movie record</a> of the Montreal exposition but has the edge over Fleischer’s shaky, hand-held shots by being very smartly shot and edited. Brind also avoids spoiling his film with over-eager narration, what you get is eight minutes of light-rail journeys, international visitors and speculative architecture, all of it scored by a groovy soundtrack.</p> <p><a href="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo67-2-big.jpg" target="_blank" rel="noopener"><img decoding="async" src="https://www.johncoulthart.com/feuilleton/wp-content/uploads/2025/02/expo67-2.jpg" alt="expo67-2.jpg" /></a></p> <p>The architecture had a lot to recommend it at this expo: the inverted pyramid of the Canadian pavilion, Buckminster Fuller’s enormous geodesic dome (one of the few structures still standing today), the “Gyrotron” pyramid, and Frei Otto’s West German pavilion whose membranous roof looks forward to the stadium he designed for the 1972 Olympic Games in Munich. Wikimedia Commons has <a href="https://commons.wikimedia.org/wiki/File:Plan_souvenir_officiel_Expo_67_(recompos%C3%A9)_edit.jpg" target="_blank" rel="noopener">a detailed map of the entire site</a>.</p> <p>Previously on { feuilleton }<br /> • <a href="https://www.johncoulthart.com/feuilleton/2023/08/07/expositiana/">Expositiana</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2023/07/31/the-exposition-moire/">The exposition moiré</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/08/16/angkor-in-paris-1931/">Angkor in Paris, 1931</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/04/02/the-world-of-the-future/">The world of the future</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2014/04/01/space-needle-usa/">Space Needle USA</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2013/08/17/a-trip-to-the-moon-1901/">A Trip to the Moon, 1901</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2013/02/28/le-panorama-exposition-universelle/">Le Panorama Exposition Universelle</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2008/12/16/exposition-cornucopia/">Exposition cornucopia</a><br /> • <a href="https://www.johncoulthart.com/feuilleton/2008/01/14/the-evanescent-city/">The Evanescent City</a></p> </div> <footer class="entry-footer"> <span class="byline"><span class="author vcard"><img alt='' src='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=49&d=identicon&r=pg' srcset='https://secure.gravatar.com/avatar/bde83147cb1879a3bcc969a5f7e305b1?s=98&d=identicon&r=pg 2x' class='avatar avatar-49 photo' height='49' width='49' loading='lazy' decoding='async'/><span class="screen-reader-text">Author </span> <a class="url fn n" href="https://www.johncoulthart.com/feuilleton/author/admin/">John</a></span></span><span class="posted-on"><span class="screen-reader-text">Posted on </span><a href="https://www.johncoulthart.com/feuilleton/2025/02/05/impressions-of-expo-67/" rel="bookmark"><time class="entry-date published" datetime="2025-02-05T16:30:04+00:00">February 5, 2025</time><time class="updated" datetime="2025-02-05T15:27:35+00:00">February 5, 2025</time></a></span><span class="cat-links"><span class="screen-reader-text">Categories </span><a href="https://www.johncoulthart.com/feuilleton/category/architecture/" rel="category tag">{architecture}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/design/" rel="category tag">{design}</a>, <a href="https://www.johncoulthart.com/feuilleton/category/film/" rel="category tag">{film}</a></span><span class="tags-links"><span class="screen-reader-text">Tags </span><a href="https://www.johncoulthart.com/feuilleton/tag/buckminster-fuller/" rel="tag">Buckminster Fuller</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/expositions/" rel="tag">expositions</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/frei-otto/" rel="tag">Frei Otto</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/henry-charles-fleischer/" rel="tag">Henry Charles Fleischer</a>, <a href="https://www.johncoulthart.com/feuilleton/tag/william-brind/" rel="tag">William Brind</a></span><span class="comments-link"><a href="https://www.johncoulthart.com/feuilleton/2025/02/05/impressions-of-expo-67/#comments">4 Comments<span class="screen-reader-text"> on Impressions of Expo 67</span></a></span> </footer> </article> <nav class="navigation pagination" aria-label="Posts pagination"> <h2 class="screen-reader-text">Posts pagination</h2> <div class="nav-links"><span aria-current="page" class="page-numbers current"><span class="meta-nav screen-reader-text">Page </span>1</span> <a class="page-numbers" href="https://www.johncoulthart.com/feuilleton/category/design/page/2/"><span class="meta-nav screen-reader-text">Page </span>2</a> <span class="page-numbers dots">…</span> 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