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Visiting Professor of Ethnomusicology at Goethe University Frankfurt/Main (2017-2019); Junior Professor of Ethnomusicology at Hochschule für Musik und Theater Rostock (2009–2017); Visiting Professor at Universidade Federal de Minas Gerais (2013) and at University of Vienna (2016);<br />PhD at University of Vienna (2008); Habilitation at Hochschule für Musik und Theater Rostock (2016), Venia Legendi (2017); Master in Library and Information Science at Humboldt University Berlin (2018); Website Reviews Editor of the Yearbook for Traditional Music (2011-2017); co-editor of the journal The World of Music (New Series) (2012–2014); author of Die Performance des Mouro in Nordportugal (VWB, Berlin, 2010); guest editor of Transatlantic Musical Flows in the Lusophone World (the world of music (new series) 2/2013) and Kunstmusik–Kolonialismus–Lateinamerika (RMM 4/2017, Verlag Blaue Eule); and co-editor of Beyond Borders: Welt-Musik-Pädagogik. Musikpädagogik und Ethnomusikologie im Diskurs (2013, Wissner Verlag). B. Alge was council member of the Society for Ethnomusicology (2012-2015), and acted as second spokesperson of the FG Vergleichende Musikwissenschaft/Musikethnologie in the German Musicological Society (2014-2018). <br />Memberships: Gesellschaft für Musikforschung, International Council for Traditional Music, Society for Ethnomusicology. <br />Field work experience: Portugal, Brazil, and São Tomé and Príncipe.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://rug.academia.edu/KimKnibbe"><img class="profile-avatar u-positionAbsolute" alt="Kim Knibbe" border="0" onerror="if (this.src != 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class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="291320">View All (17)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="291320" href="https://www.academia.edu/Documents/in/Popular_Folk_Catholicism"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uni-frankfurt.academia.edu/BarbaraAlge","location":"/BarbaraAlge","scheme":"https","host":"uni-frankfurt.academia.edu","port":null,"pathname":"/BarbaraAlge","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Popular/Folk Catholicism"]}" data-trace="false" data-dom-id="Pill-react-component-6075b31c-8e49-4796-a030-a0aa90211817"></div> <div id="Pill-react-component-6075b31c-8e49-4796-a030-a0aa90211817"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="291320" href="https://www.academia.edu/Documents/in/Brazilian_Music"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Brazilian Music"]}" data-trace="false" data-dom-id="Pill-react-component-ecf57494-9f87-47f1-9df2-f79d8a789b8b"></div> <div id="Pill-react-component-ecf57494-9f87-47f1-9df2-f79d8a789b8b"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="291320" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Anthropology Of Dance"]}" data-trace="false" data-dom-id="Pill-react-component-c0e70e57-9413-4e58-8d6d-601455de9a08"></div> <div id="Pill-react-component-c0e70e57-9413-4e58-8d6d-601455de9a08"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="291320" href="https://www.academia.edu/Documents/in/Transatlantic_History"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Transatlantic History"]}" data-trace="false" data-dom-id="Pill-react-component-b97b68c2-c670-4ff1-b6a1-b15e2f565c17"></div> <div id="Pill-react-component-b97b68c2-c670-4ff1-b6a1-b15e2f565c17"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="291320" href="https://www.academia.edu/Documents/in/Portuguese_Music"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Portuguese Music"]}" data-trace="false" data-dom-id="Pill-react-component-1e52f393-8398-4adc-9b69-9ec7a7a40d90"></div> <div id="Pill-react-component-1e52f393-8398-4adc-9b69-9ec7a7a40d90"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>11</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Articles" data-toggle="tab" href="#articles" role="tab" title="Articles"><span>47</span> <span class="ds2-5-body-sm-bold">Articles</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Multimedia" data-toggle="tab" href="#multimedia" role="tab" title="Multimedia "><span>1</span> <span class="ds2-5-body-sm-bold">Multimedia </span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Teaching-Documents" data-toggle="tab" href="#teachingdocuments" role="tab" title="Teaching Documents"><span>4</span> <span class="ds2-5-body-sm-bold">Teaching Documents</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Book-Reviews" data-toggle="tab" href="#bookreviews" role="tab" style="border: none;"><span>17</span> Book Reviews</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Barbara Alge</h3></div><div class="js-work-strip profile--work_container" data-work-id="108256869"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/108256869/Beyond_Borders_Welt_Musik_P%C3%A4dagogik_Musikp%C3%A4dagogik_und_Ethnomusikologie_im_Diskurs"><img alt="Research paper thumbnail of Beyond Borders: Welt-Musik-Pädagogik. 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Musikpädagogik und Ethnomusikologie im Diskurs</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256869"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256869"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256869; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108256869]").text(description); $(".js-view-count[data-work-id=108256869]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108256869; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108256869']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256869]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256869,"title":"Beyond Borders: Welt-Musik-Pädagogik. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256874]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256874,"title":"Gold, Festivals, and Music in Southeast Brazil","internal_url":"https://www.academia.edu/108256874/Gold_Festivals_and_Music_in_Southeast_Brazil","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256872"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108256872/Forschungsdatenmanagement_in_der_Musikethnologie"><img alt="Research paper thumbnail of Forschungsdatenmanagement in der Musikethnologie" class="work-thumbnail" src="https://attachments.academia-assets.com/106686957/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108256872/Forschungsdatenmanagement_in_der_Musikethnologie">Forschungsdatenmanagement in der Musikethnologie</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">am 21.4.2018). 9 GfM, Memorandum der GfM, https://www.musikforschung.de/index.php/ memoranda/scha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">am 21.4.2018). 9 GfM, Memorandum der GfM, <a href="https://www.musikforschung.de/index.php/" rel="nofollow">https://www.musikforschung.de/index.php/</a> memoranda/schaffung-nationaler-forschungsdateninfrastrukturen-nfdi/lang fassung, veröffentlicht am 9.2.2018, Zugriff am 17.2.2018. 10 Re3Data (Registry of Research Data Repositories), <a href="https://www.re3data.org/" rel="nofollow">https://www.re3data.org/</a>, Zugriff am 21.4.2018. Das weltweit umfassende interdisziplinäre Online-Verzeichnis von Forschungsdatenrepositorien re3data soll den Zugang zu Forschungsdaten global erleichtern. Es soll Forschungsdaten-Repositorien vernetzen und standardisieren, auch um data sharing zu fördern (Behnert 2013: 30). Im April 2019 war in diesem Verzeichnis auch das PhA der ÖAW und das Archiv Pacific and Regional Archive for Digital Sources in Endangered Cultures unter dem Schlagwort "ethnomusicology" zu finden. Allerdings bezeichnen sich diese beiden als "Archive" und nicht als "Repositorium". 11 EVIADA, <a href="http://www.eviada.org" rel="nofollow">www.eviada.org</a>, Zugriff am 21.4.2018. 12 Über die Suchmaschine <a href="http://risources.dfg.de/" rel="nofollow">http://risources.dfg.de/</a> konnte ich am 22.4.2018 unter der Suche nach "Geisteswissenschaften, Repositorien" unter den 30 Treffern kein musikwissenschaftliches Repositorium finden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8e900904f55212677de88f75bf6a06d8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686957,"asset_id":108256872,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686957/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256872; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50448914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness"><img alt="Research paper thumbnail of Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness" class="work-thumbnail" src="https://attachments.academia-assets.com/68433046/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness</a></div><div class="wp-workCard_item"><span>Routledge </span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the eighteenth century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil – from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias’s idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town of Morro Vermelho. The book’s innovative feature is its focus on a little-known area to non-Brazilian scholars, and its focus on the colonial and European heritage in Brazil.<br /><br />Morro Vermelho’s cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the center of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias’s concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth.<br /><br />The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic, and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a3bb4a42039999d646f83650d49c68d7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68433046,"asset_id":50448914,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68433046/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50448914"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50448914"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50448914; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50448914]").text(description); $(".js-view-count[data-work-id=50448914]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50448914; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50448914']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a3bb4a42039999d646f83650d49c68d7" } } $('.js-work-strip[data-work-id=50448914]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50448914,"title":"Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness","internal_url":"https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[{"id":68433046,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68433046/thumbnails/1.jpg","file_name":"9780367229856.pdf","download_url":"https://www.academia.edu/attachments/68433046/download_file","bulk_download_file_name":"Gold_Festivals_and_Music_in_Southeast_Br.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68433046/9780367229856-libre.pdf?1627747555=\u0026response-content-disposition=attachment%3B+filename%3DGold_Festivals_and_Music_in_Southeast_Br.pdf\u0026Expires=1740537531\u0026Signature=Rh-8YHPBy0b4hq5qYmcCbqOygK7WnTtXOcqa457IhYzFlT2EyFs-0O4U8BXyetjo7J4Rb415nblmv8-jHsWsbyx1yk4OKQC8Il-SCWynKOR7OMyfIGYzbFj6Rik-z1Mw~L5L46TzjgOdaL4L436BkQ8b2Cmb5gzglvIKzz9Oh~zoRNDeALj1JoKPXepjyUHjQhe6t~Qado-MxJ-Crhhc0gem20lj~AXO9EitJ0ASW~mRq38-Smo1K-feRXLSFXNFlY4Sthtglj71dlwQC7RFbuZYG1LYnLbf-ZYMbroqr6W7wv3rJlrbglRaoJcz4-XDf0N~WxNxFUqeSyzfJHXKjA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="67216134"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67216134/Musikethnographien_im_21_Jahrhundert"><img alt="Research paper thumbnail of Musikethnographien im 21. Jahrhundert" class="work-thumbnail" src="https://attachments.academia-assets.com/78116312/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67216134/Musikethnographien_im_21_Jahrhundert">Musikethnographien im 21. Jahrhundert</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/BarbaraAlge">Barbara Alge</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://hslu.academia.edu/MatthiasLewy">Matthias Lewy</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibe-ch.academia.edu/BrittaSweers">Britta Sweers</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://halle.academia.edu/LindaCimardi">Linda Cimardi</a></span></div><div class="wp-workCard_item"><span>Rombach Wissenschaft, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusico...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eac4fd28704a9cb40681afbd38087012" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78116312,"asset_id":67216134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78116312/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67216134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67216134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67216134; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67216134]").text(description); $(".js-view-count[data-work-id=67216134]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67216134; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='67216134']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eac4fd28704a9cb40681afbd38087012" } } $('.js-work-strip[data-work-id=67216134]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":67216134,"title":"Musikethnographien im 21. 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Exkurse führen dabei auch nach Großbritannien und in die USA, vor allem zum Repositorium Ethnographic Video for Instruction and Analysis Digital Archive in Bloomington. Aktuelle und potentielle Infrastrukturpartner für musikethnologisches Forschungsdatenmanagement in Deutschland, von Archiven über Medienrepositorien von Verlagen bis hin zu Forschungsdatenservices an Hochschulen, werden vor-gestellt. Ferner werden Möglichkeiten des Forschungsdatenmanagements in Zusammenarbeit mit Datenzentren und Datenarchiven und nationalen Lösungen wie dem DARIAH-DE Repositorium aufgezeigt. Zu den wichtigsten Erkenntnissen der Studie gehören spezifische fachliche Probleme der Musikethnologie durch ihren Umgang mit ethnographischem Material und außereuropäischen Musikkulturen, die wiederum spezifische Fragen hinsichtlich Urheberrecht und intellektuellem Eigentum mit sich bringen. Das Buch liefert wertvolle Empfehlungen zur Bereitstellung von Forschungsdaten für musikethnologisch Arbeitende aus der Perspektive der Musikethnologie und Informationswissenschaft.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6a6be888e6fe1a58de4a406e44d28534" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60794902,"asset_id":40521065,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60794902/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40521065"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40521065"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40521065; 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</script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by Barbara Alge</h3></div><div class="js-work-strip profile--work_container" data-work-id="114380403"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/114380403/Zur_Aktualit%C3%A4t_von_Eislers_Hollywood_Liederbuch_als_Spiegel_von_Exil_Erfahrung"><img alt="Research paper thumbnail of Zur Aktualität von Eislers Hollywood-Liederbuch als Spiegel von Exil-Erfahrung" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/114380403/Zur_Aktualit%C3%A4t_von_Eislers_Hollywood_Liederbuch_als_Spiegel_von_Exil_Erfahrung">Zur Aktualität von Eislers Hollywood-Liederbuch als Spiegel von Exil-Erfahrung</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114380403"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114380403"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114380403; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=114380403]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114380403,"title":"Zur Aktualität von Eislers Hollywood-Liederbuch als Spiegel von Exil-Erfahrung","internal_url":"https://www.academia.edu/114380403/Zur_Aktualit%C3%A4t_von_Eislers_Hollywood_Liederbuch_als_Spiegel_von_Exil_Erfahrung","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="114380402"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/114380402/About_Goals_and_Approaches_of_applied_Music_Ethnology_as_an_Expression_of_social_Responsibility"><img alt="Research paper thumbnail of About Goals and Approaches of applied Music Ethnology as an Expression of social Responsibility" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/114380402/About_Goals_and_Approaches_of_applied_Music_Ethnology_as_an_Expression_of_social_Responsibility">About Goals and Approaches of applied Music Ethnology as an Expression of social Responsibility</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article functions as an introduction to the following articles of this themed issue of Die M...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article functions as an introduction to the following articles of this themed issue of Die Musikforschung. It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. The authors do not claim to present a final definition of applied ethnomusicology, but rather aim to demonstrate the potential of this field and to show problems emerging in the course of ethnomusicological projects of an applied character</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114380402"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114380402"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114380402; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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</script> <div class="js-work-strip profile--work_container" data-work-id="114380353"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/114380353/Exhibiting_Ethnomusicology"><img alt="Research paper thumbnail of Exhibiting Ethnomusicology" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/114380353/Exhibiting_Ethnomusicology">Exhibiting Ethnomusicology</a></div><div class="wp-workCard_item"><span>Routledge eBooks</span><span>, Aug 9, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114380353"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114380353"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114380353; 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108256877]").text(description); $(".js-view-count[data-work-id=108256877]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108256877; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108256877']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256877]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256877,"title":"History as memory, heritage, and brand in Morro Vermelho","internal_url":"https://www.academia.edu/108256877/History_as_memory_heritage_and_brand_in_Morro_Vermelho","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256875"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange"><img alt="Research paper thumbnail of The Influence of German Musicology in the Work of Francisco Curt Lange" class="work-thumbnail" src="https://attachments.academia-assets.com/106686959/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange">The Influence of German Musicology in the Work of Francisco Curt Lange</a></div><div class="wp-workCard_item"><span>Opus</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Francisco Curt Lange has been called &quot;the German who discovered America&quot; and &quot;pion...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Francisco Curt Lange has been called &quot;the German who discovered America&quot; and &quot;pioneer, mediator and Nestor of musicology in Latin America&quot;. He is known for his research on colonial music in Latin America and his role as mediator between Latin America and Europe in the realm of Western art music. This article contributes to the understanding of Lange&#39;s complex life trajectory set in Europe, the United States and various countries in Latin America. It also builds on former studies of Lange&#39;s biography by focusing on his exchange with musicologists in the German-speaking world. It examines the role of German musicology in Lange&#39;s work on one hand, and the role of Lange&#39;s work in German-language musicology on the other. In addition to secondary sources, the findings are based mainly on Lange&#39;s correspondence with the German-speaking world which is archived at the Curt Lange Archive at the Federal University of Minas Gerais, Brazil.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da851eb30b1a0a864308c3e8dbd41aee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686959,"asset_id":108256875,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686959/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256875"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256875"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256875; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da851eb30b1a0a864308c3e8dbd41aee" } } $('.js-work-strip[data-work-id=108256875]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256875,"title":"The Influence of German Musicology in the Work of Francisco Curt Lange","internal_url":"https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge","email":"REJiWE5JS2RsZmtIWTFsNVZRT2RQMTdDT1ZEYXVsUHZ1M09RbUpEZEpWUT0tLTEzUmJLcWhrQXFaYXdHc211U1gvUnc9PQ==--7e7849fe33f15827c1451c022662b12fcdd8ae52"},"attachments":[{"id":106686959,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106686959/thumbnails/1.jpg","file_name":"86.pdf","download_url":"https://www.academia.edu/attachments/106686959/download_file","bulk_download_file_name":"The_Influence_of_German_Musicology_in_th.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106686959/86-libre.pdf?1697543465=\u0026response-content-disposition=attachment%3B+filename%3DThe_Influence_of_German_Musicology_in_th.pdf\u0026Expires=1740574171\u0026Signature=GV5eGHsldJet4ygggY4kRWti86NBCFTHQSPhp1pk9lD4SfUeb4hfAN5AplKowHmYiMuK7yjbfz57-2v0LPL9AH9uZcoWasMasBHBBUU3LVjWwYzPPCUWYts3T7pmYOd7wh4MlQB0TvufVy8c368kuHakDlPKD6wGhGLLI6pVBP01TwIGBo2TwFzNVwHgyBRQh1HFHh08-QLGHJjHX1IdnRWjhCJVhrPV~M4wDs5XZ-tlgQzuomGjsrUZKl-MP72zF7JF4f5MLtOskMB6ova71~oqPQO4bWj7z-TW7mBYYLQ9HU0I-RVgihmDJXl8bwuW6jhyOkiOYopTgxPrdrmEkA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":106686958,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106686958/thumbnails/1.jpg","file_name":"86.pdf","download_url":"https://www.academia.edu/attachments/106686958/download_file","bulk_download_file_name":"The_Influence_of_German_Musicology_in_th.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106686958/86-libre.pdf?1697543469=\u0026response-content-disposition=attachment%3B+filename%3DThe_Influence_of_German_Musicology_in_th.pdf\u0026Expires=1740574171\u0026Signature=BSukpgNsPSJCLQEcyhz06Z5e9U58HNGzfQrfCh716Yy~Itemol6wn4rgWY7mYIPJXjInnfvoTW-jWJJ4GHX6WSZ~2ShkwhqFyLmseA5ONvgf~s-zNllWWMLJy1fqaN1vly~DbPobVuery8I6l9ijVVVSUxSrJGLxQY~71HhIg65i~ntiDauC-xD0Yp76M6C2~aDkBz1MOiSwQ6Epo6FPmZoAJDVRy~xKvxUYLwZ6yEy7rnHHhW2wA-DH3H4M3f6c07EddzdQFSh2RqA0bpdcrjaCQkKdvnQDvdfXHB~4s5T9cC9nHA5ekWSNRRLalmTDPB0J2iWMtXHSyQCk2ydXQQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256831"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement"><img alt="Research paper thumbnail of Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement">Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement</a></div><div class="wp-workCard_item"><span>International Forum on Audio-Visual Research - Jahrbuch des Phonogrammarchivs</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In diesem Beitrag stellt die Verfasserin Überlegungen zur Verwaltung ihrer Feldforschungsaufnahme...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In diesem Beitrag stellt die Verfasserin Überlegungen zur Verwaltung ihrer Feldforschungsaufnahmen vor dem Hintergrund aktueller Diskussionen zu Forschungsdatenmanagement an. Unter Verwaltung wird dabei nicht nur der Schritt der Speicherung und Archivierung verstanden, sondern diese beginnt bei der Aufnahme selbst und reicht bis zur Veröffentlichung in Form von Ethnographien als Text. Das Mitdenken der Verwaltung von audiovisuellen „Daten“ beeinflusst, so argumentiert die Verfasserin, die Sammlung des ethnographischen Materials selbst. Während sich der Datenbegriff auf alles bezieht, was in einem Zeichensystem dargestellt werden kann, geht ethnographisches Material über die Aufzeichnung hinaus, indem es auch gelebte Erfahrung und menschliche Interaktion beinhaltet. Fragen nach der „Verwaltung“ dieser Interaktion stellen sich besonders hinsichtlich ethischer Verantwortung im Feld. Neben den Vor- und Nachteilen, die Forschungsdatenmanagement für ethnographisch Arbeitende mit sich bringt, diskutiert der Beitrag auch das Potenzial von Repositorien.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256831"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256831"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256831; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108256831]").text(description); $(".js-view-count[data-work-id=108256831]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108256831; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108256831']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256831]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256831,"title":"Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement","internal_url":"https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256865"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108256865/A_mem%C3%B3ria_colectiva_religiosa_em_dan%C3%A7as_dram%C3%A1tica_de_Penafiel_Sobrado_e_Braga"><img alt="Research paper thumbnail of A memória colectiva religiosa em danças dramática de Penafiel, Sobrado e Braga" class="work-thumbnail" src="https://attachments.academia-assets.com/106686954/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108256865/A_mem%C3%B3ria_colectiva_religiosa_em_dan%C3%A7as_dram%C3%A1tica_de_Penafiel_Sobrado_e_Braga">A memória colectiva religiosa em danças dramática de Penafiel, Sobrado e Braga</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Em 2002, comecei a gravar música popular portuguesa no terreno, para, em seguida, estudar mais pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Em 2002, comecei a gravar música popular portuguesa no terreno, para, em seguida, estudar mais profundamente as danças de paus, de espadas e as danças mouriscas portuguesas a Norte do rio Douro. • Actualmente, concentro-me no Baile dos Ferreiros da procissão do Corpo de Deus, de Penafiel, a Dança dos Mourisqueiros e dos Bugios da festa de S. João Baptista, de Sobrado e a Dança do Rei David da festa de S. João de Braga. Os dois complexos festivos em que estas danças se inserem são, portanto, o Corpo de Deus e o S. João-festas religiosas com grande importância em Portugal. Os critérios para a selecção destes complexos festivos são as danças dramáticas que neles se encontram e, sobretudo, encontraram. Em primeiro lugar, analiso até que ponto se trata, nestas danças dramáticas, de "danças mouriscas", um gênero de dança pan-europeu, e vejo, além disso, até que ponto se encontra nelas uma representação do "mouro". O termo "mouro" é, no meu estudo, categórico para "o infiel, o marginalizado e/ou o louco", e o termo "dança mourisca", utilizo como categoria de manifestações teatrais, coreográficas e festivas em que os mouros são representados. Estas categorias servem-me aqui para uma reflexão sobre a memória colectiva em complexos festivos, principalmente a memória colectiva rehgiosa que une em si diferentes memórias. Mostro também a manipulação da memória e a invenção da tradição, assim como factores de resistência da memória. Além disso, explico, principalmente em teoria, o efeito ou poder dos ritos comemorativos, aos quais pertencem as representações dramáticas estudadas. Não me concentro apenas na representação do "mouro" nas danças, mas discuto também o quadro religioso em que estas representações se manifestam, em primeiro lugar, a procissão do Corpo de Deus. Teoncamen-' Revisão do português por Miguel Rodrigues.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2311639f9fd4ca427e0542488f47f484" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686954,"asset_id":108256865,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686954/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256865"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256865"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256865; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="60089869"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/60089869/%C3%9Cber_Ziele_und_Ans%C3%A4tze_der_angewandten_Musikethnologie_als_Ausdruck_sozialer_Verantwortung"><img alt="Research paper thumbnail of Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung" class="work-thumbnail" src="https://attachments.academia-assets.com/106353411/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/60089869/%C3%9Cber_Ziele_und_Ans%C3%A4tze_der_angewandten_Musikethnologie_als_Ausdruck_sozialer_Verantwortung">Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://univie.academia.edu/JulioMend%C3%ADvil">Julio Mendívil</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/BarbaraAlge">Barbara Alge</a></span></div><div class="wp-workCard_item"><span>Die Musikforschung</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article functions as an introduction to the following articles of this themed issue of Die M...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article functions as an introduction to the following articles of this themed issue of Die Musikforschung. It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. 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Das weltweit umfassende interdisziplinäre Online-Verzeichnis von Forschungsdatenrepositorien re3data soll den Zugang zu Forschungsdaten global erleichtern. Es soll Forschungsdaten-Repositorien vernetzen und standardisieren, auch um data sharing zu fördern (Behnert 2013: 30). Im April 2019 war in diesem Verzeichnis auch das PhA der ÖAW und das Archiv Pacific and Regional Archive for Digital Sources in Endangered Cultures unter dem Schlagwort "ethnomusicology" zu finden. Allerdings bezeichnen sich diese beiden als "Archive" und nicht als "Repositorium". 11 EVIADA, <a href="http://www.eviada.org" rel="nofollow">www.eviada.org</a>, Zugriff am 21.4.2018. 12 Über die Suchmaschine <a href="http://risources.dfg.de/" rel="nofollow">http://risources.dfg.de/</a> konnte ich am 22.4.2018 unter der Suche nach "Geisteswissenschaften, Repositorien" unter den 30 Treffern kein musikwissenschaftliches Repositorium finden.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8e900904f55212677de88f75bf6a06d8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686957,"asset_id":108256872,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686957/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256872; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50448914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness"><img alt="Research paper thumbnail of Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness" class="work-thumbnail" src="https://attachments.academia-assets.com/68433046/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness</a></div><div class="wp-workCard_item"><span>Routledge </span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the eighteenth century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil – from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias’s idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town of Morro Vermelho. The book’s innovative feature is its focus on a little-known area to non-Brazilian scholars, and its focus on the colonial and European heritage in Brazil.<br /><br />Morro Vermelho’s cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the center of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias’s concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth.<br /><br />The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic, and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a3bb4a42039999d646f83650d49c68d7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68433046,"asset_id":50448914,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68433046/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50448914"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50448914"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50448914; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50448914]").text(description); $(".js-view-count[data-work-id=50448914]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50448914; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50448914']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a3bb4a42039999d646f83650d49c68d7" } } $('.js-work-strip[data-work-id=50448914]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50448914,"title":"Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness","internal_url":"https://www.academia.edu/50448914/Gold_Festivals_and_Music_in_Southeast_Brazil_Sounding_Portugueseness","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[{"id":68433046,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68433046/thumbnails/1.jpg","file_name":"9780367229856.pdf","download_url":"https://www.academia.edu/attachments/68433046/download_file","bulk_download_file_name":"Gold_Festivals_and_Music_in_Southeast_Br.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68433046/9780367229856-libre.pdf?1627747555=\u0026response-content-disposition=attachment%3B+filename%3DGold_Festivals_and_Music_in_Southeast_Br.pdf\u0026Expires=1740537531\u0026Signature=Rh-8YHPBy0b4hq5qYmcCbqOygK7WnTtXOcqa457IhYzFlT2EyFs-0O4U8BXyetjo7J4Rb415nblmv8-jHsWsbyx1yk4OKQC8Il-SCWynKOR7OMyfIGYzbFj6Rik-z1Mw~L5L46TzjgOdaL4L436BkQ8b2Cmb5gzglvIKzz9Oh~zoRNDeALj1JoKPXepjyUHjQhe6t~Qado-MxJ-Crhhc0gem20lj~AXO9EitJ0ASW~mRq38-Smo1K-feRXLSFXNFlY4Sthtglj71dlwQC7RFbuZYG1LYnLbf-ZYMbroqr6W7wv3rJlrbglRaoJcz4-XDf0N~WxNxFUqeSyzfJHXKjA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="67216134"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67216134/Musikethnographien_im_21_Jahrhundert"><img alt="Research paper thumbnail of Musikethnographien im 21. Jahrhundert" class="work-thumbnail" src="https://attachments.academia-assets.com/78116312/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67216134/Musikethnographien_im_21_Jahrhundert">Musikethnographien im 21. Jahrhundert</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/BarbaraAlge">Barbara Alge</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://hslu.academia.edu/MatthiasLewy">Matthias Lewy</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibe-ch.academia.edu/BrittaSweers">Britta Sweers</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://halle.academia.edu/LindaCimardi">Linda Cimardi</a></span></div><div class="wp-workCard_item"><span>Rombach Wissenschaft, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusico...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eac4fd28704a9cb40681afbd38087012" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78116312,"asset_id":67216134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78116312/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67216134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67216134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67216134; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67216134]").text(description); $(".js-view-count[data-work-id=67216134]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67216134; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='67216134']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eac4fd28704a9cb40681afbd38087012" } } $('.js-work-strip[data-work-id=67216134]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":67216134,"title":"Musikethnographien im 21. 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Exkurse führen dabei auch nach Großbritannien und in die USA, vor allem zum Repositorium Ethnographic Video for Instruction and Analysis Digital Archive in Bloomington. Aktuelle und potentielle Infrastrukturpartner für musikethnologisches Forschungsdatenmanagement in Deutschland, von Archiven über Medienrepositorien von Verlagen bis hin zu Forschungsdatenservices an Hochschulen, werden vor-gestellt. Ferner werden Möglichkeiten des Forschungsdatenmanagements in Zusammenarbeit mit Datenzentren und Datenarchiven und nationalen Lösungen wie dem DARIAH-DE Repositorium aufgezeigt. Zu den wichtigsten Erkenntnissen der Studie gehören spezifische fachliche Probleme der Musikethnologie durch ihren Umgang mit ethnographischem Material und außereuropäischen Musikkulturen, die wiederum spezifische Fragen hinsichtlich Urheberrecht und intellektuellem Eigentum mit sich bringen. Das Buch liefert wertvolle Empfehlungen zur Bereitstellung von Forschungsdaten für musikethnologisch Arbeitende aus der Perspektive der Musikethnologie und Informationswissenschaft.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6a6be888e6fe1a58de4a406e44d28534" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60794902,"asset_id":40521065,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60794902/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40521065"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40521065"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40521065; 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</script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="758562" id="articles"><div class="js-work-strip profile--work_container" data-work-id="114380403"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/114380403/Zur_Aktualit%C3%A4t_von_Eislers_Hollywood_Liederbuch_als_Spiegel_von_Exil_Erfahrung"><img alt="Research paper thumbnail of Zur Aktualität von Eislers Hollywood-Liederbuch als Spiegel von Exil-Erfahrung" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/114380403/Zur_Aktualit%C3%A4t_von_Eislers_Hollywood_Liederbuch_als_Spiegel_von_Exil_Erfahrung">Zur Aktualität von Eislers Hollywood-Liederbuch als Spiegel von Exil-Erfahrung</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114380403"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114380403"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114380403; 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It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. 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</script> <div class="js-work-strip profile--work_container" data-work-id="114380353"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/114380353/Exhibiting_Ethnomusicology"><img alt="Research paper thumbnail of Exhibiting Ethnomusicology" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/114380353/Exhibiting_Ethnomusicology">Exhibiting Ethnomusicology</a></div><div class="wp-workCard_item"><span>Routledge eBooks</span><span>, Aug 9, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114380353"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114380353"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114380353; 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108256877]").text(description); $(".js-view-count[data-work-id=108256877]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108256877; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108256877']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256877]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256877,"title":"History as memory, heritage, and brand in Morro Vermelho","internal_url":"https://www.academia.edu/108256877/History_as_memory_heritage_and_brand_in_Morro_Vermelho","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256875"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange"><img alt="Research paper thumbnail of The Influence of German Musicology in the Work of Francisco Curt Lange" class="work-thumbnail" src="https://attachments.academia-assets.com/106686959/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange">The Influence of German Musicology in the Work of Francisco Curt Lange</a></div><div class="wp-workCard_item"><span>Opus</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Francisco Curt Lange has been called &quot;the German who discovered America&quot; and &quot;pion...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Francisco Curt Lange has been called &quot;the German who discovered America&quot; and &quot;pioneer, mediator and Nestor of musicology in Latin America&quot;. He is known for his research on colonial music in Latin America and his role as mediator between Latin America and Europe in the realm of Western art music. This article contributes to the understanding of Lange&#39;s complex life trajectory set in Europe, the United States and various countries in Latin America. It also builds on former studies of Lange&#39;s biography by focusing on his exchange with musicologists in the German-speaking world. It examines the role of German musicology in Lange&#39;s work on one hand, and the role of Lange&#39;s work in German-language musicology on the other. In addition to secondary sources, the findings are based mainly on Lange&#39;s correspondence with the German-speaking world which is archived at the Curt Lange Archive at the Federal University of Minas Gerais, Brazil.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da851eb30b1a0a864308c3e8dbd41aee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686959,"asset_id":108256875,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686959/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256875"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256875"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256875; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da851eb30b1a0a864308c3e8dbd41aee" } } $('.js-work-strip[data-work-id=108256875]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256875,"title":"The Influence of German Musicology in the Work of Francisco Curt Lange","internal_url":"https://www.academia.edu/108256875/The_Influence_of_German_Musicology_in_the_Work_of_Francisco_Curt_Lange","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge","email":"REJiWE5JS2RsZmtIWTFsNVZRT2RQMTdDT1ZEYXVsUHZ1M09RbUpEZEpWUT0tLTEzUmJLcWhrQXFaYXdHc211U1gvUnc9PQ==--7e7849fe33f15827c1451c022662b12fcdd8ae52"},"attachments":[{"id":106686959,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106686959/thumbnails/1.jpg","file_name":"86.pdf","download_url":"https://www.academia.edu/attachments/106686959/download_file","bulk_download_file_name":"The_Influence_of_German_Musicology_in_th.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106686959/86-libre.pdf?1697543465=\u0026response-content-disposition=attachment%3B+filename%3DThe_Influence_of_German_Musicology_in_th.pdf\u0026Expires=1740574171\u0026Signature=GV5eGHsldJet4ygggY4kRWti86NBCFTHQSPhp1pk9lD4SfUeb4hfAN5AplKowHmYiMuK7yjbfz57-2v0LPL9AH9uZcoWasMasBHBBUU3LVjWwYzPPCUWYts3T7pmYOd7wh4MlQB0TvufVy8c368kuHakDlPKD6wGhGLLI6pVBP01TwIGBo2TwFzNVwHgyBRQh1HFHh08-QLGHJjHX1IdnRWjhCJVhrPV~M4wDs5XZ-tlgQzuomGjsrUZKl-MP72zF7JF4f5MLtOskMB6ova71~oqPQO4bWj7z-TW7mBYYLQ9HU0I-RVgihmDJXl8bwuW6jhyOkiOYopTgxPrdrmEkA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":106686958,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106686958/thumbnails/1.jpg","file_name":"86.pdf","download_url":"https://www.academia.edu/attachments/106686958/download_file","bulk_download_file_name":"The_Influence_of_German_Musicology_in_th.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106686958/86-libre.pdf?1697543469=\u0026response-content-disposition=attachment%3B+filename%3DThe_Influence_of_German_Musicology_in_th.pdf\u0026Expires=1740574171\u0026Signature=BSukpgNsPSJCLQEcyhz06Z5e9U58HNGzfQrfCh716Yy~Itemol6wn4rgWY7mYIPJXjInnfvoTW-jWJJ4GHX6WSZ~2ShkwhqFyLmseA5ONvgf~s-zNllWWMLJy1fqaN1vly~DbPobVuery8I6l9ijVVVSUxSrJGLxQY~71HhIg65i~ntiDauC-xD0Yp76M6C2~aDkBz1MOiSwQ6Epo6FPmZoAJDVRy~xKvxUYLwZ6yEy7rnHHhW2wA-DH3H4M3f6c07EddzdQFSh2RqA0bpdcrjaCQkKdvnQDvdfXHB~4s5T9cC9nHA5ekWSNRRLalmTDPB0J2iWMtXHSyQCk2ydXQQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256831"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement"><img alt="Research paper thumbnail of Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement">Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement</a></div><div class="wp-workCard_item"><span>International Forum on Audio-Visual Research - Jahrbuch des Phonogrammarchivs</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In diesem Beitrag stellt die Verfasserin Überlegungen zur Verwaltung ihrer Feldforschungsaufnahme...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In diesem Beitrag stellt die Verfasserin Überlegungen zur Verwaltung ihrer Feldforschungsaufnahmen vor dem Hintergrund aktueller Diskussionen zu Forschungsdatenmanagement an. Unter Verwaltung wird dabei nicht nur der Schritt der Speicherung und Archivierung verstanden, sondern diese beginnt bei der Aufnahme selbst und reicht bis zur Veröffentlichung in Form von Ethnographien als Text. Das Mitdenken der Verwaltung von audiovisuellen „Daten“ beeinflusst, so argumentiert die Verfasserin, die Sammlung des ethnographischen Materials selbst. Während sich der Datenbegriff auf alles bezieht, was in einem Zeichensystem dargestellt werden kann, geht ethnographisches Material über die Aufzeichnung hinaus, indem es auch gelebte Erfahrung und menschliche Interaktion beinhaltet. Fragen nach der „Verwaltung“ dieser Interaktion stellen sich besonders hinsichtlich ethischer Verantwortung im Feld. Neben den Vor- und Nachteilen, die Forschungsdatenmanagement für ethnographisch Arbeitende mit sich bringt, diskutiert der Beitrag auch das Potenzial von Repositorien.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256831"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256831"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256831; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108256831]").text(description); $(".js-view-count[data-work-id=108256831]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108256831; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108256831']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108256831]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108256831,"title":"Im Spannungsfeld zwischen Ethnographie und Forschungsdatenmanagement","internal_url":"https://www.academia.edu/108256831/Im_Spannungsfeld_zwischen_Ethnographie_und_Forschungsdatenmanagement","owner_id":291320,"coauthors_can_edit":true,"owner":{"id":291320,"first_name":"Barbara","middle_initials":null,"last_name":"Alge","page_name":"BarbaraAlge","domain_name":"uni-frankfurt","created_at":"2010-12-03T18:38:19.105-08:00","display_name":"Barbara Alge","url":"https://uni-frankfurt.academia.edu/BarbaraAlge"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108256865"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108256865/A_mem%C3%B3ria_colectiva_religiosa_em_dan%C3%A7as_dram%C3%A1tica_de_Penafiel_Sobrado_e_Braga"><img alt="Research paper thumbnail of A memória colectiva religiosa em danças dramática de Penafiel, Sobrado e Braga" class="work-thumbnail" src="https://attachments.academia-assets.com/106686954/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108256865/A_mem%C3%B3ria_colectiva_religiosa_em_dan%C3%A7as_dram%C3%A1tica_de_Penafiel_Sobrado_e_Braga">A memória colectiva religiosa em danças dramática de Penafiel, Sobrado e Braga</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Em 2002, comecei a gravar música popular portuguesa no terreno, para, em seguida, estudar mais pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Em 2002, comecei a gravar música popular portuguesa no terreno, para, em seguida, estudar mais profundamente as danças de paus, de espadas e as danças mouriscas portuguesas a Norte do rio Douro. • Actualmente, concentro-me no Baile dos Ferreiros da procissão do Corpo de Deus, de Penafiel, a Dança dos Mourisqueiros e dos Bugios da festa de S. João Baptista, de Sobrado e a Dança do Rei David da festa de S. João de Braga. Os dois complexos festivos em que estas danças se inserem são, portanto, o Corpo de Deus e o S. João-festas religiosas com grande importância em Portugal. Os critérios para a selecção destes complexos festivos são as danças dramáticas que neles se encontram e, sobretudo, encontraram. Em primeiro lugar, analiso até que ponto se trata, nestas danças dramáticas, de "danças mouriscas", um gênero de dança pan-europeu, e vejo, além disso, até que ponto se encontra nelas uma representação do "mouro". O termo "mouro" é, no meu estudo, categórico para "o infiel, o marginalizado e/ou o louco", e o termo "dança mourisca", utilizo como categoria de manifestações teatrais, coreográficas e festivas em que os mouros são representados. Estas categorias servem-me aqui para uma reflexão sobre a memória colectiva em complexos festivos, principalmente a memória colectiva rehgiosa que une em si diferentes memórias. Mostro também a manipulação da memória e a invenção da tradição, assim como factores de resistência da memória. Além disso, explico, principalmente em teoria, o efeito ou poder dos ritos comemorativos, aos quais pertencem as representações dramáticas estudadas. Não me concentro apenas na representação do "mouro" nas danças, mas discuto também o quadro religioso em que estas representações se manifestam, em primeiro lugar, a procissão do Corpo de Deus. Teoncamen-' Revisão do português por Miguel Rodrigues.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2311639f9fd4ca427e0542488f47f484" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106686954,"asset_id":108256865,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106686954/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108256865"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108256865"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108256865; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="60089869"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/60089869/%C3%9Cber_Ziele_und_Ans%C3%A4tze_der_angewandten_Musikethnologie_als_Ausdruck_sozialer_Verantwortung"><img alt="Research paper thumbnail of Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung" class="work-thumbnail" src="https://attachments.academia-assets.com/106353411/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/60089869/%C3%9Cber_Ziele_und_Ans%C3%A4tze_der_angewandten_Musikethnologie_als_Ausdruck_sozialer_Verantwortung">Über Ziele und Ansätze der angewandten Musikethnologie als Ausdruck sozialer Verantwortung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://univie.academia.edu/JulioMend%C3%ADvil">Julio Mendívil</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/BarbaraAlge">Barbara Alge</a></span></div><div class="wp-workCard_item"><span>Die Musikforschung</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article functions as an introduction to the following articles of this themed issue of Die M...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article functions as an introduction to the following articles of this themed issue of Die Musikforschung. It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. The authors do not claim to present a final definition of applied ethnomusicology, but rather aim to demonstrate the potential of thi...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b9e774a4efb654fa71d8e2b6dff6b9cd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106353411,"asset_id":60089869,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106353411/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="60089869"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="60089869"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 60089869; 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Curation across Cultures and Disciplines, 2024" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/107174359/Exhibiting_Ethnomusicology_Curation_across_Cultures_and_Disciplines_2024">Exhibiting Ethnomusicology. Curation across Cultures and Disciplines, 2024</a></div><div class="wp-workCard_item"><span>The Routledge Companion to Applied Musicology, ed. by Chris Dromey</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter gives a reflexive account of two contrasting collaborative ethnomusicological projec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter gives a reflexive account of two contrasting collaborative ethnomusicological projects that culminated in public exhibitions of work, websites, online archives, and/or public lectures. It provides a set of related concerns, including the management of expectations when presenting material to general rather than academic audiences, ethics, the use of language across cultures and disciplines, and a general lack of self-representation within academia and museums. The chapter contends that such issues are best addressed practically, placing reciprocity at the heart of research and engagement, and working with communities by inviting practitioners and members of the community to be active partners in the research and dissemination of applied-musicological projects. 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It frames the idea of an applied ethnomusicology, understood as an approach guided by principles of social responsibility, and as scholarship, knowledge and understanding put to practical use. The article discusses the emergence and relevance of applied ethnomusicology in Anglophone academia as well as the German-speaking world and gives insight into different fields in which applied ethnomusicology can be practiced: from traditional areas such as musical archives and museums to activism against social justice and for the rights of indigenous people and minorities, activism for musical and cultural sustainability or health, to musicological interventions in conflict situations and, finally, ethnomusicological contributions to music pedagogy. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="1159415" id="multimedia"><div class="js-work-strip profile--work_container" data-work-id="6083824"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/6083824/Data_set_Religious_Festivities_Ritual_Dances_and_Popular_Theatre_in_Portugal_2004_2006_Ethnographic_Video_for_Instruction_and_Analysis"><img alt="Research paper thumbnail of Data set "Religious Festivities, Ritual Dances, and Popular Theatre in Portugal (2004-2006) ", Ethnographic Video for Instruction and Analysis" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/6083824/Data_set_Religious_Festivities_Ritual_Dances_and_Popular_Theatre_in_Portugal_2004_2006_Ethnographic_Video_for_Instruction_and_Analysis">Data set "Religious Festivities, Ritual Dances, and Popular Theatre in Portugal (2004-2006) ", Ethnographic Video for Instruction and Analysis</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This collection consists of audiovisual recordings of Portuguese ritual dances, religious festivi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This collection consists of audiovisual recordings of Portuguese ritual dances, religious festivities and popular theatre including the performances themselves, their festive context and interviews with resource people. The collection represents the following: <br /> <br />the stick dance Pauliteiros from the village Constantim (Miranda do Douro, region of Trás-os-Montes) accompanied by the ritual figures of the Carocho and the Velha in the context of St. John the Evangelist festivity (December 2004), <br /> <br />ritual dances called Dança dos Homens and Dança das Donzelas from Lousa (Castelo-Branco, Beira Baixa) in the context of Our Lady of Neves festivity (May 2005), <br /> <br />the sword dance Baile dos Ferreiros from Penafiel (Douro) in the context of Corpus Christi festivity (May 2005), <br /> <br />a Christian and Moor performance called Bugiada from Sobrado (Valongo, region of Douro) in the context of St. John the Baptist festivity (June 2005), <br /> <br />a Christian and Moor performance called Festa dos Caretos from Torre de Dona Chama (Mirandela, region of Trás-os-Montes) in the context of St. Steven festivity (December 2005), <br /> <br />folia performances in the context of a Holy Ghost festivity (Império) in Santa Maria (Azores) (June 2006), <br /> <br />a ritual dance called Dança do Rei David from Braga (region of Minho) in the context of St. John the Baptist festivity (June 2006), <br /> <br />the sword dance Dança das Espadas from Ribeira Brava (Madeira) in the context of St. Peter festivity (July 2006) and <br /> <br />a popular theatre called Auto da Floripes from Neves (Viana do Castelo, region of Minho) in the context of Our Lady of Neves festivity (August 2006). <br />The main criterion of the recording was that these performances were designated by different authors as "mouriscas". In the 1930s, they were described by the English diplomat and member of the English Folk Dance and Song Society Rodney Gallop and later by folklorists of the Portuguese Estado Novo regime such as Luís Chaves, Rebelo Bonito and others. However, in the context of audiovisual recordings made by Michel Giacometti and the research group under Ernesto Veiga de Oliveira in the 1960s and 1970s, these phenomena were—for unknown reasons—mostly left out. <br /> <br />The recordings build a solid basis for understanding Portuguese popular culture, especially religious festivities and ritual dances, and may serve as sources for cross-cultural studies with similar phenomena internationally. Contrary to Spain and Latin America, Portuguese ritual dances were neglected in ethnomusicological research. The author believes that the recordings are important material for studying the mutual influence between Portugal and Brazil, Portugal and other former Portuguese colonies, as well as for showing the unity between Spanish and Portuguese popular culture and Portuguese cultural phenomena as part of European traditions.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="6083824"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="6083824"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6083824; 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Es geht...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Der Titel des vorliegenden Buches ist äußerst präzise gewählt. ist deshalb hervorzuheben. Es geht in dem Buch tatsächlich darum, was der Titel verspricht. Die Arbeit ist in vier Teile gegliedert (ausgenommen die Einführung ins Thema): eigene Feldforschungen der Autorin 2004–2007, Forschungen anderer, das Konzept des und seine Verbindung zur und letztlich Schlussfolgerungen. Die (oft mit " Maurentanz " bezeichnet) ist ein Tanzdrama im religiösen Kontext, bei dem es um die Performance der Konstrukte muslimische Feinde der Christen, was auch mit der Geschichte Portugals und der iberischen Halbinsel allgemein zu tun hat. Der dem Sieg der Christen. Die Autorin hat dieses Tanzdrama in drei Orten Nordportugals dokumentiert, verglichen und ausführlich untersucht, was auch musikalische und choreographische Transkriptionen viele Entsprechungen zu diesem Phänomen, die die Autorin durchaus thematisiert. Es handelt sich hier aber nicht um eine konservative vergleichende Tanzforschung, die sich etwa auf Schritte, Handbewegungen und musikalische Strukturen beschränkt, sondern die wird als komplexes Phänomen gesehen und seine kulturpolitische Bedeutung einbezogen: " Die Tatsache, dass Tanz nicht nur ein Spiegel der Gesellschaft ist, sondern dass Kultur im Tanz erfunden werden kann, zeigt sich in der indem sie den Blick als Nationalfeinde darstellt " (S. 280). 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