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M 2 3’s ‘eddy’ Taps into Larger Feelings of Disruption in Art | Observer
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</div> </div> </div> </header> <div id="content" class="site-content"> <!-- Hashtag Labs Ad observer_leaderboard_atf --> <div class="ad-wrapper ad-bottom-margin ad-leaderboard ad-has-disclaimer htlad-observer_leaderboard_atf" id="observer_leaderboard_atf"></div> <!--a wrapper to include the content + sidebar--> <div id="single-post-wrapper"> <div id="primary" class="content-area"> <main id="main" class="site-main" role="main"> <div class="article-wrap"> <article id="post-1263636" class="post-1263636 post type-post status-publish format-standard has-post-thumbnail channel-galleries channel-arts channel-art-reviews location-new-york-city location-new-york nyo_person-clare-koury nyo_person-quay-quinn-wolf nyo_person-vladislav-markov nyo_person-tenant-of-culture nyo_person-daniel-klaas-beckwith" data-post="" data-title="M 2 3’s ‘eddy’ Taps into Feelings of Disruption in Art and Beyond" data-url="" data-page-url="/2021/01/m-2-3s-eddy-taps-into-feelings-of-disruption-in-art-and-beyond/" data-date="2021-01-22 11:05:55" data-date-iso="2021-01-22T11:05:55-05:00" data-author="Anni Irish" data-coauthors="Anni Irish" data-channels="Galleries, Arts, Art Reviews" data-piped-channels="Galleries|Arts|Art Reviews" > <header class="entry-header"> <div class="entry-teaser"> <a href="https://observer.com/arts/" aria-label="Read more articles on Arts">Arts</a><span> • </span><a href="https://observer.com/art-reviews/" aria-label="Read more articles on Art Reviews">Art Reviews</a> </div> <h1 class="entry-title" itemprop="headline">M 2 3’s ‘eddy’ Taps into Feelings of Disruption in Art and Beyond</h1> <h2 class="dek">eddy is showcasing a group of five very promising young artists, several of which have already established themselves within the art world, while also offering a larger social commentary for this time period.</h2> <div class="entry-meta nyo-social-comments nyo-social-comments-above"> By <span class="author" itemprop="author"><a rel="author" class="url fn n" href="https://observer.com/author/anni-irish/" title="View All Posts by Anni Irish">Anni Irish</a></span> • <span class="entry-date"><time itemprop="datePublished" datetime="2021-01-22">01/22/21 11:05am</time></span> <svg aria-hidden="true" style="position: absolute; width: 0; height: 0; overflow: hidden;" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink"> <defs> <symbol id="icon-envelope" viewBox="0 0 28 28"> <path d="M26 23.5v-12c-0.328 0.375-0.688 0.719-1.078 1.031-2.234 1.719-4.484 3.469-6.656 5.281-1.172 0.984-2.625 2.188-4.25 2.188h-0.031c-1.625 0-3.078-1.203-4.25-2.188-2.172-1.813-4.422-3.563-6.656-5.281-0.391-0.313-0.75-0.656-1.078-1.031v12c0 0.266 0.234 0.5 0.5 0.5h23c0.266 0 0.5-0.234 0.5-0.5zM26 7.078c0-0.391 0.094-1.078-0.5-1.078h-23c-0.266 0-0.5 0.234-0.5 0.5 0 1.781 0.891 3.328 2.297 4.438 2.094 1.641 4.188 3.297 6.266 4.953 0.828 0.672 2.328 2.109 3.422 2.109h0.031c1.094 0 2.594-1.437 3.422-2.109 2.078-1.656 4.172-3.313 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data-social-target="https://observer.com/2021/01/m-2-3s-eddy-taps-into-feelings-of-disruption-in-art-and-beyond/" href="mailto:?subject=M 2 3’s ‘eddy’ Taps into Feelings of Disruption in Art and Beyond&body=https://observer.com/2021/01/m-2-3s-eddy-taps-into-feelings-of-disruption-in-art-and-beyond/" target="_blank" title="Send email"> <svg class="social-icon icon-envelope"><use xlink:href="#icon-filled-envelope"></use></svg> </a> </li> </ul> </div><!-- .entry-meta --> </header><!-- .entry-header --> <div class="entry-content" itemprop="articleBody"> <figure id="attachment_1263658" aria-describedby="caption-attachment-1263658" style="width: 635px" class="wp-caption aligncenter"><img fetchpriority="high" decoding="async" class="wp-image-1263658 size-full" src="https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?quality=80" width="635" height="381" srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg 3000w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=300,180 300w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=768,461 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=635,381 635w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=1536,922 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=2048,1229 2048w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=970,582 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=320,192 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=1920,1152 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?resize=50,30 50w" sizes="(max-width: 600px) 300px, 620px" /><figcaption id="caption-attachment-1263658" class="wp-caption-text">‘eddy’ at M 2 3 Gallery (via M 2 3 Projects) <span class="media-credit">M 2 3 Gallery</span></figcaption></figure> <p><span style="font-weight: 400">Located on Henry Street in the Chinatown neighborhood of Manhattan is</span><a target="_blank" target="_blank" rel="noopener" href="https://www.m23.co/" data-lasso-id="1187543"><span style="font-weight: 400"> M 2 3 Projects</span></a><span style="font-weight: 400">. The gallery space seems to hide in plain sight of other businesses around it and if it weren’t for its frosted windows and front door, it would be easy to miss. However, on a recent gallery trip downtown, a friend and I happened upon the space and were pleasantly surprised by what we saw. </span></p> <section class="wp-block-observer-newsletters observer-newsletters--in-content"> <form class="newsletters-block__container" method="post" action="#" id="newsletter-67f79440a6a8b4.26390699" data-form="subscribe-newsletter" data-recaptcha-key="6LexvRggAAAAAF1HvCWrHtG4UAa7m0WIdyIgstAo" data-form-action="https://observer.com/newsletter-subscribe.json"> <div class="observer-newsletters__in-content-icon"> <svg fill="none" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 51 51" width="50" height="50"><path d="M18.124 15.961C23.25 8.783 30.096 4.967 33.682 7.305a4.04 4.04 0 0 1 1.013.97c0 .028 8.3 16.017 8.3 16.017l4.634 2.989a6.39 6.39 0 0 1 1.793 1.732c.472.684.798 1.45.96 2.253.161.804.154 1.63-.02 2.432a6.075 6.075 0 0 1-.995 2.24l-.209.291c-.977 1.355-2.475 2.288-4.17 2.598a6.827 6.827 0 0 1-4.883-.943L32.662 48.32c-1.095 1.285-3.197 2.564-5.792 1.059a3.834 3.834 0 0 1-1.15-1.093 3.63 3.63 0 0 1-.587-1.444 3.763 3.763 0 0 1 .008-1.55 3.85 3.85 0 0 1 .635-1.427l6.556-9.208s-15.5-1.174-15.557-1.196a3.812 3.812 0 0 1-1.35-.552c-1.842-1.19-2.502-3.688-1.865-7.035.573-3.082 2.2-6.572 4.564-9.914Zm29.349 19.182.208-.292c.334-.467.567-.992.687-1.545a4.09 4.09 0 0 0 .012-1.678 4.18 4.18 0 0 0-.665-1.555 4.407 4.407 0 0 0-1.239-1.193l-4.002-2.592-5.282 7.405 4.002 2.592a4.64 4.64 0 0 0 1.624.655c.581.114 1.18.119 1.764.013a4.65 4.65 0 0 0 1.634-.631 4.42 4.42 0 0 0 1.257-1.179Zm-20.03 9.809a1.96 1.96 0 0 0-.324 1.528c.108.53.433.998.904 1.3.472.302 1.05.413 1.608.31A2.158 2.158 0 0 0 31 47.23l7.42-10.405-2.983-1.93-.788-.06-7.205 10.117Zm7.832-12.009 5.757-8.072-5.491-10.657c-.533 2.993-2.091 6.55-4.582 10.04-2.49 3.49-5.386 6.18-8.108 7.758l12.424.931ZM18.188 31.66c2.768-.171 7.275-3.143 11.092-8.497s5.056-10.42 4.205-12.94a2.354 2.354 0 0 0-.877-1.185 2.55 2.55 0 0 0-1.44-.47c-2.746 0-7.42 2.989-11.347 8.497-2.212 3.099-3.823 6.34-4.263 9.175-.863 5.42 2.63 5.42 2.63 5.42Z" fill="#000"/><path d="M25.364 16.165a5.726 5.726 0 0 1 2.148.01c.708.14 1.38.412 1.976.8.11.073.204.166.276.272a.941.941 0 0 1 .14.73.947.947 0 0 1-.158.347.998.998 0 0 1-.285.263 1.047 1.047 0 0 1-.767.133 1.046 1.046 0 0 1-.364-.15 3.572 3.572 0 0 0-1.25-.503 3.648 3.648 0 0 0-1.355-.01 3.574 3.574 0 0 0-1.257.486c-.381.238-.71.546-.966.906s-.436.763-.528 1.189a3.152 3.152 0 0 0-.01 1.29c.086.427.26.834.51 1.197.25.363.574.675.952.92a.972.972 0 0 1 .382.48c.07.194.074.405.01.602a.969.969 0 0 1-.37.49 1.048 1.048 0 0 1-.601.186 1.026 1.026 0 0 1-.58-.165 5.305 5.305 0 0 1-2.01-2.363 4.999 4.999 0 0 1-.29-3.028 5.165 5.165 0 0 1 1.527-2.67 5.592 5.592 0 0 1 2.83-1.412h.04Zm-8.491-6.914h-.098c-.25 0-.493-.088-.679-.248a.95.95 0 0 1-.329-.617l-.782-7.234a.919.919 0 0 1 .21-.725c.083-.1.188-.185.306-.247a1.05 1.05 0 0 1 1.14.105.974.974 0 0 1 .36.668l.776 7.24a.933.933 0 0 1-.222.707c-.17.199-.414.325-.682.351ZM3.771 7.763c.149-.214.38-.363.644-.414.264-.052.538-.002.764.138l7.06 4.41a.974.974 0 0 1 .396.482.922.922 0 0 1 .014.611.969.969 0 0 1-.376.496 1.05 1.05 0 0 1-.613.182 1.07 1.07 0 0 1-.58-.155l-7.06-4.41a.961.961 0 0 1-.415-.622.928.928 0 0 1 .166-.718ZM1.61 19.54l8.214-1.406c.265-.045.538.011.759.158.221.146.372.37.42.622a.93.93 0 0 1-.166.723c-.154.21-.389.354-.654.4l-8.207 1.405h-.18c-.258.007-.51-.08-.703-.243A.933.933 0 0 1 .97 19.88a1.03 1.03 0 0 1 .646-.358l-.005.017Z" fill="#000"/></svg> </div> <div class="observer-newsletters__in-content-inner"> <header class="newsletters-block__header"> <h2 class="newsletters-block__title"> Sign Up For Our Daily Newsletter </h2> </header> <div class="newsletters-block__form"> <input type="hidden" name="action" value="subscribe_newsletter"> <input type="hidden" name="newsletters[]" value="newsletter-daily" id="newsletter-daily"> <div class="newsletters-block__fields wp-block-button"> <input class="newsletters-block__input" aria-label="Email Address" placeholder="Email Address" type="email" name="email" required=""> <button class="wp-block-button__link in_article_single_newsletter_button" type="submit"> Sign Up </button> </div> <p class="newsletter-block__success"> Thank you for signing up! </p> <p class="newsletter-block__error"></p> <p class="newsletters-block__disclaimer"> By clicking submit, you agree to our <a href="http://observermedia.com/terms">terms of service</a> and acknowledge we may use your information to send you emails, product samples, and promotions on this website and other properties. You can opt out anytime. </p> </div> <a href="https://observer.com/subscribe/" class="newsletters-block__see-all in_article_single_newsletter_see_all_link"> See all of our newsletters </a> </div> </form> </section> <p><span style="font-weight: 400">M 2 3’s latest exhibition </span><i><span style="font-weight: 400">eddy</span></i><span style="font-weight: 400"> is deceptively complex. The exhibition’s title, </span><i><span style="font-weight: 400">eddy</span></i><span style="font-weight: 400">, literally means a spiral, a small vortex, which spins counter to and disrupts the current of the ten works by the five artists that were meticulously curated. <em>eddy</em> features the works of <a href="https://observer.com/person/daniel-klaas-beckwith/" title="Daniel Klaas Beckwith" class="company-link">Daniel Klaas Beckwith</a>, <a href="https://observer.com/person/clare-koury/" title="Clare Koury" class="company-link">Clare Koury</a>, <a href="https://observer.com/person/quay-quinn-wolf/" title="Quay Quinn Wolf" class="company-link">Quay Quinn Wolf</a>, <a target="_blank" target="_blank" rel="noopener" href="https://www.m23.co/vladislav-markov-burnout" data-lasso-id="1187545">Vladislav Markov</a>, and <a target="_blank" target="_blank" rel="noopener" href="https://www.artsy.net/artist/tenant-of-culture" data-lasso-id="1187548">Tenant of Culture</a>. The work is meant to act as a disruption in the gallery space but also more broadly in the world right now with a very specific meaning. The show features a range of work that is both nodding to the minimalist and conceptual art schools of the 1960s but is reconfiguring it for this contemporary moment. With much of the work featured in this exhibit created in 2020, each of these artists’ larger comments on the pandemic seem intrinsically tied to it along with other sociocultural references.</span></p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_1" id="observer_article_instream_mobile_1"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_1" id="observer_article_instream_dsk_1"></div> <p><span style="font-weight: 400">As you enter the gallery space the first piece you encounter is </span><i><span style="font-weight: 400">Environmental Threat</span></i><span style="font-weight: 400"> by </span><a target="_blank" target="_blank" rel="noopener" href="http://www.meyohas.com/daniel-klaas-beckwith" data-lasso-id="1187551"><span style="font-weight: 400">Daniel Klaas Beckwith</span></a><span style="font-weight: 400">. However, it may take a few minutes for you to find it. The installation consists of silk, polyester and metal pins placed on the gallery wall and ceiling hovering roughly above the floor. Reminiscent of a spider’s web, Klass Beckwith has spelled out the phrase “Do you wish to continue?” Referencing gaming culture, this phrase is often encountered when playing video games. However, in this current moment of social and political upheaval in the US, and as the COVID pandemic rages into its tenth month, Beckwith’s question feels even more pertinent. </span></p> <figure id="attachment_1263659" aria-describedby="caption-attachment-1263659" style="width: 635px" class="wp-caption aligncenter"><img decoding="async" class="lazyload wp-image-1263659 size-full" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?quality=80" width="635" height="476" data-srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=50,38 50w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload wp-image-1263659 size-full" src="https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?quality=80" width="635" height="476" srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/douwishtocontinue.jpeg?resize=50,38 50w" sizes="(max-width: 600px) 300px, 620px" /></noscript><figcaption id="caption-attachment-1263659" class="wp-caption-text">‘environmental threat’ (2020) by Daniel Klaas Beckwith (via M 2 3 Projects) <span class="media-credit">M 2 3 Gallery</span></figcaption></figure> <p><i><span style="font-weight: 400">Environmental Threat </span></i><span style="font-weight: 400">gives pause in more than one way. The piece is elegant and taps into a larger ethos of the exhibition. It first has to be located, then you have to figure out what it says, and are forced to confront the larger question that is posed. Klass Beckwith seems to be playing with the framework of things whereas </span><a target="_blank" target="_blank" rel="noopener" href="https://clarekoury.com/" data-lasso-id="1187554"><span style="font-weight: 400">Clare Koury</span></a><span style="font-weight: 400"> has created several works that are working directly with equipment and machinery parts in a way that is ingenious and utilitarian. </span><i><span style="font-weight: 400">Feast of the Ascension </span></i><i><span style="font-weight: 400"> </span></i><span style="font-weight: 400">is mounted to the wall and is filled with an array of comical items ranging from track lights, kernels of corn, to Cosmic brownies, a popular childhood chocolate brownies peppered with multicolored candy bits. Part nostalgic and part function, Koury’s work is drawing on this tension while also referencing the absurd and her personal biography. </span></p> <figure id="attachment_1263657" aria-describedby="caption-attachment-1263657" style="width: 635px" class="wp-caption aligncenter"><img decoding="async" class="lazyload wp-image-1263657 size-full" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?quality=80" width="635" height="692" data-srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg 2744w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=275,300 275w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=768,837 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=550,600 550w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1409,1536 1409w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1878,2048 1878w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=970,1058 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=320,349 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1920,2094 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=46,50 46w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload wp-image-1263657 size-full" src="https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?quality=80" width="635" height="692" srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg 2744w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=275,300 275w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=768,837 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=550,600 550w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1409,1536 1409w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1878,2048 1878w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=970,1058 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=320,349 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=1920,2094 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/install.jpeg?resize=46,50 46w" sizes="(max-width: 600px) 300px, 620px" /></noscript><figcaption id="caption-attachment-1263657" class="wp-caption-text">‘Feast of the Ascension’ (2020) by Clare Koury (via M 2 3 Projects) <span class="media-credit">M 2 3 Gallery</span></figcaption></figure> <p><span style="font-weight: 400">Another by Koury titled </span><i><span style="font-weight: 400">Panic Bars</span></i><span style="font-weight: 400">, uses panic bars and hardware and is installed on the gallery wall. These bars can be found in any standard door design, however this configuration where they are displayed on the wall with hardware exposed gives a new context. The work has a larger social relevance and there is an urgency to it. It is encapsulating the social climate but is also pointing to a larger disruption and context while maintaining the function of hardware in a new way. </span></p> <figure id="attachment_1263656" aria-describedby="caption-attachment-1263656" style="width: 635px" class="wp-caption aligncenter"><img decoding="async" class="lazyload wp-image-1263656 size-full" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?quality=80" width="635" height="847" data-srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=225,300 225w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=768,1024 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=450,600 450w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1152,1536 1152w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1536,2048 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=970,1293 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=320,427 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1920,2560 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=38,50 38w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload wp-image-1263656 size-full" src="https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?quality=80" width="635" height="847" srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=225,300 225w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=768,1024 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=450,600 450w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1152,1536 1152w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1536,2048 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=970,1293 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=320,427 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=1920,2560 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/Fko5KMDQ.jpeg?resize=38,50 38w" sizes="(max-width: 600px) 300px, 620px" /></noscript><figcaption id="caption-attachment-1263656" class="wp-caption-text">‘Panic Bars’ (2020) by Clare Koury (via M 2 3 Projects) <span class="media-credit">M 2 3 Gallery</span></figcaption></figure> <p><i><span style="font-weight: 400">Try to Relax</span></i><span style="font-weight: 400"> by </span><a target="_blank" target="_blank" rel="noopener" href="http://jackbarrettgallery.com/quay-quinn-wolf" data-lasso-id="1187557"><span style="font-weight: 400">Quay Quinn Wolf </span></a><span style="font-weight: 400">is another unexpected work that is taking on a complex subject matter and is recontextualizing the objects it was made with. Using chrome hospital bed side rails that have been fashioned together with steel zip ties as well as a custom strap resembling a seat belt, the assemblage is fusing together several items while also deconstructing them in the process. The piece is clever in its construction and through reconfiguring the meaning of them and the subject matter of the show. The stainless steel zip ties give the piece an elegant flair but also play with the hardness of the side rails and the malleable way they have been wrapped. </span></p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_2" id="observer_article_instream_mobile_2"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_2" id="observer_article_instream_dsk_2"></div> <figure id="attachment_1263655" aria-describedby="caption-attachment-1263655" style="width: 635px" class="wp-caption aligncenter"><img decoding="async" class="lazyload wp-image-1263655 size-full" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?quality=80" width="635" height="476" data-srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=50,38 50w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload wp-image-1263655 size-full" src="https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?quality=80" width="635" height="476" srcset="https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg 2400w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2021/01/MEOcFDYQ.jpeg?resize=50,38 50w" sizes="(max-width: 600px) 300px, 620px" /></noscript><figcaption id="caption-attachment-1263655" class="wp-caption-text">‘Try To Relax’ (2020) by Quay Quinn Wolf (via M 2 3 Projects) <span class="media-credit">M 2 3 Gallery</span></figcaption></figure> <p><span style="font-weight: 400">The piece also features a healing crystal that has been strategically placed on it. Finding creates a scenario that is a bit like a scavenger hunt for the viewer as they scan the piece and its the objects it is made up of to locate the crystal. It also takes on a deeper meaning with the events on January 6th that unfolded at the Capitol with reports of armed insurrectionists who brought plastic zip ties. This play between hard and soft materials is also something the Wolf has come to be known for over the last several years. </span></p> <p><i><span style="font-weight: 400">eddy</span></i><span style="font-weight: 400"> is showcasing a group of five very promising young artists, several of which have already established themselves within the art world, while also offering a larger social commentary for this time period. The show is fused around larger themes of disruption but the thread throughout the whole show is how each of these works is helping to expose larger gaps in an effort to bring attention to them overall. As a conceptual framework the larger purpose and disruptions that occur on large and small scales through the materials used and the subject matter being explored helps to further parse this tension.</span></p> <p><i><span style="font-weight: 400">eddy is on view at M 23 until February 2, 2021. </span></i></p> </p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_3" id="observer_article_instream_mobile_3"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_3" id="observer_article_instream_dsk_3"></div> <img itemprop="image" src="https://observer.com/wp-content/uploads/sites/2/2021/01/installationview.jpeg?quality=80&w=970" alt="M 2 3’s ‘eddy’ Taps into Feelings of Disruption in Art and Beyond" style="display:none;width:0;"> </div><!-- .entry-content --> <footer class="entry-meta"> </footer><!-- .entry-meta --> </article><!-- #post-## --> <div class="breadcrumbs"> <span class="before-text"> Filed Under:</span> <a href="https://observer.com/galleries/" aria-label="Read articles filed under Galleries">Galleries</a>, <a href="https://observer.com/arts/" aria-label="Read articles filed under Arts">Arts</a>, <a href="https://observer.com/art-reviews/" aria-label="Read articles filed under Art Reviews">Art Reviews</a>, <a href="https://observer.com/person/clare-koury/" aria-label="Read articles filed under Clare Koury">Clare Koury</a>, <a href="https://observer.com/person/quay-quinn-wolf/" aria-label="Read articles filed under Quay Quinn Wolf">Quay Quinn Wolf</a>, <a href="https://observer.com/person/vladislav-markov/" aria-label="Read articles filed under Vladislav Markov">Vladislav Markov</a>, <a href="https://observer.com/person/tenant-of-culture/" aria-label="Read articles filed under Tenant of Culture">Tenant of Culture</a>, <a href="https://observer.com/person/daniel-klaas-beckwith/" aria-label="Read articles filed under Daniel Klaas Beckwith">Daniel Klaas Beckwith</a>, <a href="https://observer.com/location/new-york-city/" aria-label="Read articles filed under New York City">New York City</a>, <a href="https://observer.com/location/new-york/" aria-label="Read articles filed under New York">New York</a> </div> <div class="next-container"> <ul> <li> <a class="more-from" href="https://observer.com/2025/03/pop-art-nun-corita-art-center-los-angeles-corita-kent-artist/"> <strong>SEE ALSO</strong>: A New Cultural Center Opens Honoring the Legacy of L.A.’s Pop Art Nun </a> </li> </ul> </div> <!-- /.next-article-button-container --> </div> </main><!-- #main --> </div><!-- #primary --> <div id="secondary" class="widget-area" role="complementary"> <div id="nyo-before-sidebar"> </div> <!-- For the Home page --> <!-- For Article pages --> <aside class="widget sticky-ad ad-widget"> <!-- Hashtag Labs Ad observer_river --> <div class="ad-wrapper ad-bottom-margin ad-river ad-mobile ad-has-disclaimer 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