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Sono stati presi in considerazione sedici articoli del decennio, di cui nove trattano di Lucio Fontana, due sono stati il punto di partenza per lo sviluppo del discorso sulla ceramica e tre hanno fatto emergere l’interessante legame tra la rivista, Gio Ponti e le realtà museali. 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Sono stati presi in considerazione sedici articoli del decennio, di cui nove trattano di Lucio Fontana, due sono stati il punto di partenza per lo sviluppo del discorso sulla ceramica e tre hanno fatto emergere l’interessante legame tra la rivista, Gio Ponti e le realtà museali. Gli altri due sono stati usati per approfondire e fare confronti.\n\n","publication_date":"2022,,","publication_name":"La critica d'arte in Domus tra '48 e '58"},"document_type":"thesis_chapter","pre_hit_view_count_baseline":null,"quality":"high","language":"it","title":"La critica d'arte in Domus tra '48 e '58","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [99578429]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":90137974,"attachmentType":"pdf"}"><img alt="First page of “La critica d'arte in Domus tra '48 e '58”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/90137974/mini_magick20220823-1-9lb1dm.png?1661258765" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">La critica d'arte in Domus tra '48 e '58</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="99578429" href="https://unicatt.academia.edu/MartinaMangia"><img alt="Profile image of Martina Mangia" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/99578429/49353665/37325961/s65_martina.mangia.jpg" />Martina Mangia</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2022, La critica d'arte in Domus tra '48 e '58</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">111 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 85440996; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=85440996"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { const viewCountNumber = Number(viewCount); if (!viewCountNumber) { throw new Error('Failed to parse view count'); } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (viewCountBody) { viewCountBody.textContent = `${commaizedViewCount} views`; } else { throw new Error('Failed to find work views element'); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Attraverso un regesto effettuato sui numeri di «Domus», sono emersi alcuni filoni di critica d'arte particolarmente significativi. Sono stati presi in considerazione sedici articoli del decennio, di cui nove trattano di Lucio Fontana, due sono stati il punto di partenza per lo sviluppo del discorso sulla ceramica e tre hanno fatto emergere l’interessante legame tra la rivista, Gio Ponti e le realtà museali. Gli altri due sono stati usati per approfondire e fare confronti. </p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":90137974,"attachmentType":"pdf","workUrl":"https://www.academia.edu/85440996/La_critica_darte_in_Domus_tra_48_e_58"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":90137974,"attachmentType":"pdf","workUrl":"https://www.academia.edu/85440996/La_critica_darte_in_Domus_tra_48_e_58"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="90137974" data-landing_url="https://www.academia.edu/85440996/La_critica_darte_in_Domus_tra_48_e_58" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="24976228" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/24976228/Dino_Risi_critico_cinematografi_co_L_avventura_editoriale_sul_mensile_Domus_tra_il_1946_e_il_1947">Dino Risi critico cinematografi co. 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Gli anni intorno al ’68 a Piacenza</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="220610" href="https://independent.academia.edu/GianniRomano">Gianni Romano</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Art Non Art. Gli anni intorno al ’68 a Piacenza, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">ISBN 9788874903467 Postmedia Books 2022 __ Il Festival della Non Art, Piacenza 1969, arte pubblica e dintorni ( Cristina Casero ) __ Arte come spazio condiviso. Eventi collettivi e collaborazioni attraverso e oltre Piacenza (1967-1968) ( Alessandra Acocella ) __ La prima rassegna di cinema sperimentale di Piacenza. Un prototipo ricostruito attraverso la critica, la corrispondenza e i documenti d’archivio ( Jennifer Malvezzi )</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Art Non Art. 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Such stories mark up in an evocative way (not diachronically), a period of time spanning from present back to the ‘70s, similar to a still open laboratory. These ‘stories’ are built up behind the shadows of thought and psychoanalytic experience — which have irremediably changed the way of writing history and about history , radically disrupting any more or less conscious practice of acquiescent submission to a subject of knowledge and to a jargon, either imposed or agreed upon, to normalize, expropriate and neutralize. These 'stories' are primarily directed and are still aiming at questioning the institutional grounds of art history and of ‘conventional’ art criticism whenever happens that the art historian or critic either cannot or does not like to understand that he is — literally — the inventor of what he proposes to himself and the others as the matter of his vision and/or interpretation. Similarly, the images, through which he constructs his own quest for the lost or failing time, do not see him facing a given and unquestionably shared object but a signifier which, attractive or repelling it might be, is unavoidable toward the interplay of visible and invisible which, although internal to the psyche, cannot be considered less rigorous.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Storie di critica d'arte","attachmentId":35470528,"attachmentType":"pdf","work_url":"https://www.academia.edu/9188174/Storie_di_critica_darte","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/9188174/Storie_di_critica_darte"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="10025803" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10025803/Longhi_1950_la_buona_critica_darte">Longhi 1950: la buona critica d'arte</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="24149938" href="https://unisob.academia.edu/carmelavargas">carmela vargas</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Il metodo di Roberto Longhi nell'editoriale del 1950 per il numero 1 di "Paragone"</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Longhi 1950: la buona critica d'arte","attachmentId":36158869,"attachmentType":"pdf","work_url":"https://www.academia.edu/10025803/Longhi_1950_la_buona_critica_darte","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10025803/Longhi_1950_la_buona_critica_darte"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="50329828" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/50329828/Una_relazione_tra_individui_liberi_Domus_223_225_1947_e_il_rapporto_arte_architettura_secondo_Ernesto_Nathan_Rogers">Una relazione tra individui liberi: "Domus" 223-225, 1947 e il rapporto arte-architettura secondo Ernesto Nathan Rogers</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27068705" href="https://unibo.academia.edu/StefanoSetti">Stefano Setti</a></div><p class="ds-related-work--metadata ds2-5-body-xs">in "Aistarch", n. 8, 2020, pp. 96-113. Available at: http://www.aistarch.org/rivista8.php, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper explores Ernesto Nathan Rogers’ concept on the relationship between art and architecture. It starts from the analysis of the last issue of Domus under his direction in 1947, widely dedicated to this relationship, with writings by Aalto, the Italian painters Campigli and Guttuso and an in-depth analysis on Max Bill among some others interdisciplinary studies. The paper shows how Rogers accepts and supports the language of Concrete Art (arte concreta) as the only solution for this dilemma between architects and artists. Born in Europe, the Concretismo found a significant development in Argentina where Rogers stayed in 1948 after having published the last Domus and encouraged the Italian “Movimento Spazialista” led by Lucio Fontana, who had returned to Milan from Buenos Aires during the spring of 1947. The circularity of these events proves the legacy of this issue of Domus and emphasizes the difference with Gio Ponti’s subsequent direction of the magazine.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Una relazione tra individui liberi: \"Domus\" 223-225, 1947 e il rapporto arte-architettura secondo Ernesto Nathan Rogers","attachmentId":68357777,"attachmentType":"pdf","work_url":"https://www.academia.edu/50329828/Una_relazione_tra_individui_liberi_Domus_223_225_1947_e_il_rapporto_arte_architettura_secondo_Ernesto_Nathan_Rogers","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/50329828/Una_relazione_tra_individui_liberi_Domus_223_225_1947_e_il_rapporto_arte_architettura_secondo_Ernesto_Nathan_Rogers"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="125332502" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/125332502/Bollettino_dArte_Preview_fasc_58_s_VII_aprile_giugno_2023">Bollettino d'Arte, Preview fasc. 58, s. VII, aprile–giugno 2023</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="59853671" href="https://beniculturali.academia.edu/BollettinodArteMiBAC">Bollettino d'Arte Ministero della Cultura</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Bollettino d'Arte del Minisero della cultura</p><p class="ds-related-work--abstract ds2-5-body-sm">LUIGI TODISCO Additional thoughts on the Tomb of the Diver This paper takes another look at Mario Napoli’s 1970 illustrated reconstruction of the Tomb of the Diver in Paestum, as it probably appeared at the moment of the burial. His drawing emphasises a need to interpret the tomb’s iconographic elements as a cohesive whole. Further analysis of the scene painted on the lid provides additional elements for a symbolic interpretation of the image, particularly concerning the deceased’s aspiration to a blissful life after death. MARINA ANNA LAURA MENGALI Unveiling mediaeval towns: Hidden 12th to 15th century street fronts This paper is the conclusion of extensive research into what today we see as the the facades of mediaeval buildings in historical town centres of various regions of central Italy, including Umbria, Tuscany and northern Lazio. It looks into how Italian towns may have appeared to the eye during the Middle Ages. CLAUDIO SECCARONI Reconstruction of Botticelli’s altarpiece for the church of San Paolino in Florence The August 2015 issue of The Burlington Magazine, a prestigious English monthly periodical, carried an article by Alexander Röstel on Botticelli’s Pietà. Though now in the Alte Pinakothek in Munich, Röstel traced its original site back to the altar of the main chapel of San Paolino, in Florence. Research is based on documentary sources in Florence, describing the altarpiece as a triptych with closable side panels. This paper puts forward an identification for the previously unidentified paintings that once adorned the doors. BENEDETTA MATUCCI Rediscovering ancient gilding and the possibility of a secret portrait This paper focuses on Francesco da Sangallo’s Virgin with Child and Saint Anne, a marble sculptural group in the church of Orsanmichele. It accompanies a diagnostic analysis of traces of gilding on the work, part of a project promoted by the Bargello Museums, that involved the National Institute of Optics and the Institute of Sciences for Cultural Heritage of the National Research Council of Florence. As a supplement to the scientific findings, the paper illustrates examples of Sangallo’s marble gilding techniques, drawn from his body of work, as well as from evidence recently discovered by Alex Röstel. BENEDETTA CANTINI Evidence of gilding on the works of Francesco da Sangallo: Investigation, results and future research The paper examines the analysis of traces of gilding found on Francesco da Sangallo’s sculptural group in the church of Orsanmichele in Florence. Comparing documented artistic techniques with data from a non–invasive diagnostic analysis of the traces of gold on the marble sculptural group, Sangallo’s proved to be original. Detailed ultraviolet light observation revealed the sculptor’s use of gold in the details, which is comparable to techniques Donatello had used in the previous century. Gilding is also evident in another of Sangallo’s works: Cardinal Leonardo Buonafede’s funeral monument in the Certosa del Galluzzo. BARBARA SALVADORI – SILVIA INNOCENTI – SOFIA BRIZZI – JANA STRIOVA Scientific investigations into the marble sculptural group As part of a collaboration between the Bargello Museums and the National Research Council of Florence, traces of colour found on Francesco da Sangallo’s sculptural group have been analysed. It may be that some of the sixteenth–century gilding was removed during later cleaning. A completely non–invasive approach was used, involving complementary elemental (XRF) and molecular (Raman) spectroscopy techniques. Traces of gold leaf came to light, applied to a preparation of materials in use during the sixteenth century, such as cinnabar, red ochre, white lead, and chalk. No evidence for the use of modern pigments was found. FRANCESCO ZAGNONI The portrait of Girolamo Carlo Baciocchi by Lorenzo Bartolini and its replicas This paper traces the history of a marble bust of Girolamo Carlo Baciocchi, son of Elisa Bonaparte and Felice Baciocchi. The piece, by Lorenzo Bartolini (1777–1850), is housed in Versailles and has often been mistaken to be the bust of the King of Rome that the Monegasque sculptor François–Joseph Bosio (1768–1845) presented at the Paris Salon in 1812. This paper disputes this identification, given the discovery of a new marble replica of Bartolini’s portrait in the crypt of the Baciocchi chapel in San Petronio, Bologna, where Girolamo is buried. DAMIANO IACOBONE The completion of the facade of the church–ossuary of Mussoi in Belluno (1935–1949): The architect Alberto Alpago–Novello and the figurative arts The paper focuses on the completion of the church–ossuary of Mussoi in Belluno, in particular the fresco planned for its façade. The subject of the fresco was originally conceived by the church’s designer, the architect Alberto Alpago–Novello (1889–1985). Various artists, including Aldo Carpi, Luigi Tito, Luigi Filocamo, Pino Casarini and Pietro Cortellezzi, had drawn up their own original plans for the work, prior to its conception. Ultimately, the fresco was created by Cortellezzi, and finished in 1949, over a decade after the church’s construction. Though an apparently complicated business, it is a perfect example of the relationship between the exponents of different arts in the interwar period. Prominent architects of the time aspired to artistic complexity in their work. The multiplicity of the stakeholders involved in such a project is also emblematic; from the church’s patronage, being the main benefactor, to the building’s designer, each intent on having their say in the work’s completion. PAOLA D’AGOSTINO The renovation of the Orsanmichele Museum This brief paper illustrates the renovation, safety measures and improved access put in place, and the redesigned layout of the Orsanmichele Complex in Florence, an emblematic landmark steeped in the city’s history of commerce, guilds, arts and religious devotion. The works were finalised in 2023, made possible thanks to an exceptional loan from the Ministry of Culture, as part of its 2017–2018 “Major Cul- tural Heritage Projects” initiative. The winning project, by the two architectural firms Map and Natalini, was chosen by a committee of Ministry officials in 2019. Hand in hand with the building’s renovation, the pieces on display in the complex underwent maintenance and restoration. STEFANIA BISAGLIA – LIA MONTEREALE Compulsory purchase orders prior to export: Safeguarding artworks in case of non–acquisition The paper examines issues concerning Article 70 of Legislative Decree No. 42 of 2004, the “Cultural Heritage and Landscape Code”. It outlines procedures that must be followed by the export offices of the Ministry of Culture in the event of an unsuccessful compulsory purchase order. The Directorate General for Archaeology, Fine Arts, and Landscape has set out interpretative clarifications on the appropriate course of action. The paper outlines the Ministry’s stance, underlining its efforts to strengthen compul- sory purchase procedures in the case of an item being declared of national cultural interest. Under the new guidelines, export offices can present a compulsory purchase order even if only one of the criteria specified in Ministerial Decree No. 537 of 2017 is met. Previously at least two criteria needed to be met before a free movement certificate could be withheld. DANIELE SANGUINETI – NINO SILVESTRI The “refound” Spinola Clock: A masterpiece of sculpted Baroque furnishing for the National Gallery of Liguria The grandiose clock is a rare example of late Baroque furnishings present in Genoese homes. It was first mentioned by Federigo Alizeri in his 1875 Guida illustrativa as standing in the hall of Palazzo Spinola all’Acquasola in Genoa (now the headquarters of the Prefecture on via Roma). Back then, this was the town-house of the Lerma branch of the Marquises of Spinola. Andrea, Giovanni Battista, Antonio and Stefano, the sons of Luigi, had purchased the Palazzo in 1859 from Massimiliano Spinola, Count of Tassarolo. The four had previously resided in Palazzo Lercari Spinola. It seems probable that the furnishings, including the clock, were brought here from their former residence on via degli Orefici. This was Luigi’s family home, where their ancestor Giovanni Filippo Spinola had had some of the living rooms decorated in the very early 18th century by Domenico Parodi’s workshop. Alizeri had attributed the ornamental work to Anton Maria Maragliano, a renowned wood sculptor active in Genoa from the late 17th to early 18th centuries.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Bollettino d'Arte, Preview fasc. 58, s. VII, aprile–giugno 2023","attachmentId":119395997,"attachmentType":"pdf","work_url":"https://www.academia.edu/125332502/Bollettino_dArte_Preview_fasc_58_s_VII_aprile_giugno_2023","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/125332502/Bollettino_dArte_Preview_fasc_58_s_VII_aprile_giugno_2023"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="73987284" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/73987284/LAccademia_di_Belle_Arti_attorno_al_1868">L'Accademia di Belle Arti attorno al 1868</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="42416022" href="https://unive.academia.edu/GCappellazzo">Gianluca Cappellazzo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Storie dell’arte contemporanea, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">This study deals with the situation of the Academy of Fine Arts in Venice in 1868. Particular attention was given to the activities of the different 'schools' of the Institute, analysing both the statistical data and the programs prepared by professors. Two volumes published in 2016, edited by Nico Stringa, on the Academy of Fine Arts have been particularly valuable to reconstruct those topics, as well as the archival material present within the Academy itself. Finally, the points of continuity and discontinuity with the academic years of the first half of the 19th century were highlighted.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'Accademia di Belle Arti attorno al 1868","attachmentId":82305131,"attachmentType":"pdf","work_url":"https://www.academia.edu/73987284/LAccademia_di_Belle_Arti_attorno_al_1868","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/73987284/LAccademia_di_Belle_Arti_attorno_al_1868"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="77536623" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/77536623/_Domus_e_le_altre_Le_riviste_di_architettura_tra_guerra_e_dopoguerra_Intorno_a_una_lettera_di_Gio_Ponti">"Domus" e le altre. Le riviste di architettura tra guerra e dopoguerra. Intorno a una lettera di Gio Ponti</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5165827" href="https://independent.academia.edu/michelamaguolo">michela M maguolo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">La Rivista di Engramma n.175, 2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Domus\" e le altre. Le riviste di architettura tra guerra e dopoguerra. Intorno a una lettera di Gio Ponti","attachmentId":84838294,"attachmentType":"pdf","work_url":"https://www.academia.edu/77536623/_Domus_e_le_altre_Le_riviste_di_architettura_tra_guerra_e_dopoguerra_Intorno_a_una_lettera_di_Gio_Ponti","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/77536623/_Domus_e_le_altre_Le_riviste_di_architettura_tra_guerra_e_dopoguerra_Intorno_a_una_lettera_di_Gio_Ponti"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="104762769" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/104762769/Il_postmoderno_e_la_critica_d_arte_in_Italia_1978_1983_tra_paradigma_tendenza_e_strategia">Il postmoderno e la critica d’arte in Italia 1978-1983 tra paradigma, tendenza e strategia</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="28479193" href="https://unito.academia.edu/SilviaMariaSaraCammarata">Silvia Maria Sara Cammarata</a></div><p class="ds-related-work--metadata ds2-5-body-xs">«Senza Cornice» N°29 , 2023</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Il postmoderno e la critica d’arte in Italia 1978-1983 tra paradigma, tendenza e strategia","attachmentId":104405069,"attachmentType":"pdf","work_url":"https://www.academia.edu/104762769/Il_postmoderno_e_la_critica_d_arte_in_Italia_1978_1983_tra_paradigma_tendenza_e_strategia","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/104762769/Il_postmoderno_e_la_critica_d_arte_in_Italia_1978_1983_tra_paradigma_tendenza_e_strategia"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":90137974,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":90137974,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_90137974" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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Riflessioni e qualche aggiunta a margine di un libro recente, in «Storia della Critica d’Arte», 2021, pp. 9-27.","attachmentId":88837205,"attachmentType":"pdf","work_url":"https://www.academia.edu/83522109/Alla_corte_di_Matteo_di_Capua_1568_circa_1607_tra_palazzi_arti_e_lettere_Riflessioni_e_qualche_aggiunta_a_margine_di_un_libro_recente_in_Storia_della_Critica_d_Arte_2021_pp_9_27","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/83522109/Alla_corte_di_Matteo_di_Capua_1568_circa_1607_tra_palazzi_arti_e_lettere_Riflessioni_e_qualche_aggiunta_a_margine_di_un_libro_recente_in_Storia_della_Critica_d_Arte_2021_pp_9_27"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="11" data-entity-id="40680404" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40680404/Per_uno_smontaggio_critico_delle_cronache_artistiche_nei_cinegiornali_LUCE_in_Michele_Dantini_a_cura_di_LENTRE_DEUX_GUERRES_IN_ITALIA_storia_dellarte_storia_della_critica_storia_politica_Aguaplano_Perugia_2019_pp_141_152">Per uno smontaggio critico delle cronache artistiche nei cinegiornali LUCE, in Michele Dantini (a cura di) L'ENTRE-DEUX-GUERRES IN ITALIA storia dell'arte, storia della critica, storia politica, Aguaplano, Perugia, 2019, pp. 141-152</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1770569" href="https://iulm.academia.edu/TommasoCasini">Tommaso Casini</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="306126" href="https://unistrapg.academia.edu/antonioallegra">antonio allegra</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1714797" href="https://unistrapg.academia.edu/MicheleDantini">Michele Dantini</a></div><p class="ds-related-work--metadata ds2-5-body-xs">L'ENTRE-DEUX-GUERRES IN ITALIA storia dell'arte, storia della critica, storia politica, 2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Per uno smontaggio critico delle cronache artistiche nei cinegiornali LUCE, in Michele Dantini (a cura di) L'ENTRE-DEUX-GUERRES IN ITALIA storia dell'arte, storia della critica, storia politica, Aguaplano, Perugia, 2019, pp. 141-152","attachmentId":60962436,"attachmentType":"pdf","work_url":"https://www.academia.edu/40680404/Per_uno_smontaggio_critico_delle_cronache_artistiche_nei_cinegiornali_LUCE_in_Michele_Dantini_a_cura_di_LENTRE_DEUX_GUERRES_IN_ITALIA_storia_dellarte_storia_della_critica_storia_politica_Aguaplano_Perugia_2019_pp_141_152","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/40680404/Per_uno_smontaggio_critico_delle_cronache_artistiche_nei_cinegiornali_LUCE_in_Michele_Dantini_a_cura_di_LENTRE_DEUX_GUERRES_IN_ITALIA_storia_dellarte_storia_della_critica_storia_politica_Aguaplano_Perugia_2019_pp_141_152"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="12" data-entity-id="27263235" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/27263235/Lartisticit%C3%A0_della_critica_nel_cuore_delle_proposizioni_artistiche_degli_anni_Sessanta_Settanta_E_oltre_The_critic_as_artist_in_the_heart_of_artistic_propositions_during_the_Sixties_and_Seventies_And_beyond">L'artisticità della critica nel cuore delle proposizioni artistiche degli anni Sessanta/Settanta. 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And beyond","attachmentId":47523999,"attachmentType":"pdf","work_url":"https://www.academia.edu/27263235/Lartisticit%C3%A0_della_critica_nel_cuore_delle_proposizioni_artistiche_degli_anni_Sessanta_Settanta_E_oltre_The_critic_as_artist_in_the_heart_of_artistic_propositions_during_the_Sixties_and_Seventies_And_beyond","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/27263235/Lartisticit%C3%A0_della_critica_nel_cuore_delle_proposizioni_artistiche_degli_anni_Sessanta_Settanta_E_oltre_The_critic_as_artist_in_the_heart_of_artistic_propositions_during_the_Sixties_and_Seventies_And_beyond"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" 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VII, luglio–dicembre 2020</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="59853671" href="https://beniculturali.academia.edu/BollettinodArteMiBAC">Bollettino d'Arte Ministero della Cultura</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1268098" href="https://unina2.academia.edu/NicolaBusino">Nicola Busino</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="48537400" href="https://unibo.academia.edu/ABacchi">Andrea Bacchi</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="57902704" href="https://beniculturali.academia.edu/StefanoLOccaso">Stefano L'Occaso</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Bollettino d'Arte, Preview fasc. 47–48, s. 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Archivi, biblioteche e musei in Friuli Venezia Giulia e in Italia, atti del seminario DIUM-MAB “Archivi, biblioteche e musei in Friuli Venezia Giulia e in Italia”, 2021, organizzato dall’Università degli Studi di Udine e da MAB FVG, Forum, Udine, pp. 63-69., 2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Le parole del museo nella stagione della critica postcoloniale","attachmentId":92692114,"attachmentType":"pdf","work_url":"https://www.academia.edu/88781100/Le_parole_del_museo_nella_stagione_della_critica_postcoloniale","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/88781100/Le_parole_del_museo_nella_stagione_della_critica_postcoloniale"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="17" data-entity-id="19669216" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19669216/_Ludovico_Dolce_e_la_nascita_della_critica_d_arte_Un_momento_della_ricezione_della_poetica_aristotelica_nel_Rinascimento_Rivista_di_Estetica_59_2015_163_183">“Ludovico Dolce e la nascita della critica d’arte. 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