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ಸುಂದರ ಪ್ರಕೃತಿಯ ಮಡಿಲಲ್ಲಿ ರಂಗಾನುಭೂತಿ ಪಡೆದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಮಠದ ಪ್ರವಾಸಿ ಮಂದಿರ, ಹಾಸ್ಟೆಲ್‌ಗಳಲ್ಲಿ ತಂಗಿದ್ದ ರಂಗಪ್ರಿಯರು ವಾರಪೂರ್ತಿ ನಾಟಕ ವೀಕ್ಷಣೆ ಜೊತೆಗೆ ಮಠದ ದಾಸೋಹ ಸವಿಯನ್ನೂ ಸವಿದರು. ನಾಟಕಗಳಷ್ಟೇ ಅಲ್ಲ, ಸಾಮೂಹಿಕ ಪ್ರಾರ್ಥನೆ, ಯೋಗ, ಧ್ಯಾನ, ವಚನ ಗಾಯನ, ಜನಪದ ಸಂಭ್ರಮ, ನೃತ್ಯ ರೂಪಕ, ವಿಚಾರ ಸಂಕಿರಣ, ಕಮ್ಮಟ ಚಿಂತನ–ಮಂಥನಗಳು ಎಲ್ಲರನ್ನೂ ಆವರಿಕೊಂಡವು.\u003C\u002Fp\u003E\u003Cp\u003Eಶಿವ ಸಂಚಾರ ರೆಪರ್ಟರಿಯ ಮೂರು ವಿಶಿಷ್ಟ ನಾಟಕಗಳೂ ಸೇರಿದಂತೆ ಹೊರಗಿನಿಂದ ಬಂದಿದ್ದ ಒಟ್ಟು ಹನ್ನೊಂದು ರಂಗ ಪ್ರಯೋಗಗಳು ಪ್ರೇಕ್ಷಕರನ್ನು ಚಿಂತನೆಗೆ ಹಚ್ಚಿದವು, ವರ್ತಮಾನಕ್ಕೆ ಕನ್ನಡಿ ಹಿಡಿದವು, ಸಾಮರಸ್ಯದ ಪಾಠ ಹೇಳಿದವು. ಮೌಲ್ಯಗಳು ಅವನತಿಯತ್ತ ಸಾಗುತ್ತಿವೆ ಎಂಬ ಆತಂಕದ ಹೊತ್ತಿನಲ್ಲಿ ಒಳಿತಿನ ಮರುಹುಟ್ಟಿನ ಭರವಸೆ ಮೂಡಿಸಿದವು.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002Fef548ba4-502b-46a1-b6ab-a1f7dc54b424","type":"image","family-id":"629e36a0-04b0-4e11-b37d-aa533d51d54d","image-attribution":"","title":"ಶಿವಕುಮಾರ ಬಯಲು ರಂಗಮಂದಿರದಲ್ಲಿ ಕಿಕ್ಕಿರಿದು ತುಂಬಿದ್ದ ಜನ","id":"ef548ba4-502b-46a1-b6ab-a1f7dc54b424","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-11-16\u002F6zqnlxuw\u002Ffile7y2a51kyk4619c2ct5cf.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal3\u002F2024\u002F11-15\u002F0d\u002F20\u002Ffile7y2a51kyk4619c2ct5cf.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002F831127da-5f19-4d45-8f48-b5235ecf67e0","type":"text","family-id":"dd01aceb-c9a7-4534-84ac-30691d023467","title":"","id":"831127da-5f19-4d45-8f48-b5235ecf67e0","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕೋತ್ಸವದ ಪರದೆ ತೆರೆದುಕೊಳ್ಳುತ್ತಿದ್ದಂತೆ ಶಿವ ಸಂಚಾರದ ಕಲಾವಿದರು ಅಭಿನಯಿಸಿದ ‘ತುಲಾಭಾರ’ ಕತ್ತಲು ಕವಿದಿರುವ ಸಮಾಜದಲ್ಲಿ ಜ್ಞಾನದ ದೀವಿಗೆ ಹಚ್ಚುವ ಶಿಕ್ಷಕನೊಬ್ಬನ ಸೇವೆಯ ಸಂಗತಿ ಸಾರಿತು. ಈಗಂತೂ ಗುರು–ಶಿಷ್ಯರ ಸಮ್ಮಿಲನ ಸಮಾರಂಭಗಳು ಸಾಮಾನ್ಯವಾಗುತ್ತಿವೆ. ಶಿಕ್ಷಣ ಕೊಟ್ಟು ಬಡವರ ಬದುಕು ಬದಲಿಸಿದ ಗುರು ‘ಮೈನುದ್ದೀನ್‌ ಖಾಜಿಗೆ ತುಲಾಭಾರ ಸೇವೆ’ ಎಂಬ ಪರಿಕಲ್ಪನೆಯೇ ಸಾಮರಸ್ಯದ ಸಂದೇಶ ಸಾರುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಯಿತು. ದೇವದಾಸಿಯರಿಗೆ ರಾತ್ರಿ ಪಾಠ, ವಯಸ್ಕರ ಶಿಕ್ಷಣ ಮುಂತಾದ ಚಿತ್ರಣಗಳು ಬದಲಾವಣೆಯ ಹಾದಿ ತೋರಿದವು. ಆಕಾಶವಾಣಿ ನಾಟಕವಾಗಿ ಪ್ರಸಿದ್ಧಿ ಪಡೆದಿದ್ದ ಬಿ.ಆರ್‌.ಪೊಲೀಸ್‌ ಪಾಟೀಲ್‌ ಅವರ ‘ತುಲಾಭಾರ’ ಈಗ ವಿಶ್ವೇಶ್ವರಿ ಹಿರೇಮಠ ಅವರಿಂದ ರಂಗರೂಪ ಪಡೆದು ಪ್ರೇಕ್ಷಕರಿಗೆ ಆಪ್ತ ಎನಿಸಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eವರನಟ ಡಾ.ರಾಜ್‌ಕುಮಾರ್‌ ಅಭಿನಯದ ‘ಬಂಗಾರದ ಮನುಷ್ಯ’ ಸಿನಿಮಾ ಆ ದಿನಗಳಲ್ಲಿ ಸಂಚನಲವನ್ನೇ ಸೃಷ್ಟಿಸಿತ್ತು. ದೇಶದ ಬೆನ್ನೆಲುಬು ಕೃಷಿಕನಿಗೆ ದೈವೀಕ ರೂಪ ಕೊಟ್ಟ ಈ ಸಿನಿಮಾ ಸಮಾಜದಲ್ಲಿ ಹಲವು ಬದಲಾವಣೆಗೆ ಕಾರಣವಾಗಿತ್ತು. ಸಿನಿಮಾಕ್ಕೆ ಹೊರತಾಗಿ ಟಿ.ಕೆ.ರಾಮರಾವ್‌ ಅವರ ಕಾಬಂಬರಿ ಆಧಾರಿತ ‘ಬಂಗಾರದ ಮನುಷ್ಯ’ ರಂಗರೂಪ ನಾಟಕೋತ್ಸವದಲ್ಲಿ ಭಿನ್ನವಾಗಿ ಕಂಡಿತು. ಆದರೂ ಗ್ರಾಮೀಣ ರೈತರು, ಪ್ರೇಕ್ಷಕರು ಸಿನಿಮಾ ನೆರಳಿನಲ್ಲೇ ನಾಟಕ ನೋಡಿದರು. \u003C\u002Fp\u003E\u003Cp\u003Eಸಾಣೇಹಳ್ಳಿ ತರಳಬಾಳು ಶಾಖಾ ಮಠದ ಪಂಡಿತಾರಾಧ್ಯ ಶಿವಾಚಾರ್ಯ ಸ್ವಾಮೀಜಿ ಪೀಠಾಧಿಪತಿಯಷ್ಟೇ ಅಲ್ಲ, ರಂಗಕರ್ಮಿಯೂ ಹೌದು. ಅನ್ನ, ಅಕ್ಷರ ದಾಸೋಹದ ಜೊತೆಯಲ್ಲೇ ರಂಗ ಕಾಯಕದಲ್ಲೂ ತೊಡಗಿಸಿಕೊಂಡವರು. ರಾಷ್ಟ್ರೀಯ ನಾಟಕೋತ್ಸವದಲ್ಲಿ ಪಂಡಿತಾರಾಧ್ಯ ಶಿವಾಚಾರ್ಯ ಶ್ರೀಗಳ ವಿರಚಿತ ‘ಕೋಳೂರು ಕೊಡಗೂಸು’ ಹಾಗೂ ‘ಅಕ್ಕ ನಾಗಲಾಂಬಿಕೆ’ ನಾಟಕಗಳು ಪ್ರದರ್ಶನಗೊಂಡವು. ಪೌರಾಣಿಕ ಕತೆಯಾಧಾರಿತವಾದ ಎರಡೂ ನಾಟಕಗಳನ್ನು ಸ್ವಾಮೀಜಿ ವರ್ತಮಾನದ 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ಕಾಲಚಕ್ರ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002F002eb8ad-a5f4-4bf6-997b-75872b0f6316","type":"text","family-id":"a2616825-c887-40c1-bbd7-c853a9d7dee7","title":"","id":"002eb8ad-a5f4-4bf6-997b-75872b0f6316","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮಂಚಿಕೇರಿಯ ರಂಗಸಮೂಹ ಕಲಾವಿದರು ಪ್ರದರ್ಶಿಸಿದ ಹುಲುಗಪ್ಪ ಕಟ್ಟೀಮನಿ ನಿರ್ದೇಶನದ ‘ಕಾಲಚಕ್ರ’ ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸು ಕಲಕಿತು. ಆಧುನಿಕ ಕಾಲದ ಓಟದಲ್ಲಿ ವೃದ್ಧ ಪೋಷಕರನ್ನು ಸಲಹಲು ಮಕ್ಕಳಿಗೆ ಸಮಯವಿಲ್ಲ. ಮಕ್ಕಳು, ಮೊಮ್ಮಕ್ಕಳ ಪ್ರೀತಿಯ ಜೊತೆ ಬದುಕಬೇಕಾದ ಹಿರಿಯರು ವೃದ್ಧಾಶ್ರಮಗಳ ಗೋಡೆಗಳ ನಡುವೆ ಬಂಧಿಯಾದ ಚಿತ್ರಣ ಪ್ರಸ್ತುತ ಜೀವನ ಶೈಲಿಯ ಮೇಲೆ ಬೆಳಕು ಚೆಲ್ಲಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eಮಕ್ಕಳಿಲ್ಲದ ತಂದೆ–ತಾಯಿ ಮಗುವನ್ನು ದತ್ತು ಪಡೆಯುತ್ತಾರೆ. ಆದರೆ ‘ತಂದೆ–ತಾಯಿಯನ್ನು ಕಳೆದುಕೊಂಡ ಮಕ್ಕಳು ವೃದ್ಧರನ್ನೇಕೆ ದತ್ತು ಪಡೆಯಬಾರದು’ ಎಂಬ ಪ್ರಶ್ನೆಯ ಸುತ್ತ ನಾಟಕ ಪ್ರೇಕ್ಷಕರ ಮನಸೂರೆಗೊಂಡಿತು. ರಕ್ತ ಸಂಬಂಧಕ್ಕಿಂತಲೂ ಮಾನವ ಸಂಬಂಧ ಬಲು ದೊಡ್ಡದೆಂಬ ಸಂದೇಶ ಸಾರಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eಭಾಷೆಗಿಂತ ಭಾವನೆ ದೊಡ್ಡದು ಎಂಬ ಧ್ವನಿ ತಮಿಳಿನ ‘ನಡಪಾವಾಡೈ’ ರಂಗಪ್ರಯೋಗದ ಮೂಲಕ ವ್ಯಕ್ತವಾಯಿತು. ಪುದುಚೆರಿ ಕೇಂದ್ರಾಡಳಿತ ಪ್ರದೇಶದ ಹಳ್ಳಿಯೊಂದರಲ್ಲಿ ಹಿರಿಯರು ನಿಧನರಾದಾಗ ಮಹಿಳೆಯರೇ ಅವರ ಅಂತ್ಯಸಂಸ್ಕಾರ, ಅಪರ ಕರ್ಮಾದಿಗಳನ್ನು ನೆರವೇರಿಸುತ್ತಾರೆ. ವಾಸ್ತವದ ಕತೆಯೊಂದಿಗೆ ಸಂಶೋಧನೆಯ ಮೂಲಕ ಕಟ್ಟಲಾದ ಈ ನಾಟಕ ಪ್ರೇಕ್ಷಕರನ್ನು ಸಮಕಾಲೀನ ಸಾಮಾಜಿಕ ಸಂಪ್ರದಾಯಗಳತ್ತ ಕೊಂಡೊಯ್ಯುತ್ತದೆ. ಇಂದಿಗೂ ಸಮಾಜದಲ್ಲಿ ಜೀವಂತಿಕೆಯಾಗಿರುವ ಲಿಂಗ ಸಂವೇದನೆಯ ಪ್ರತಿರೂಪವಾಗಿ ನಿಲ್ಲುತ್ತದೆ. ತಮಿಳಿನ ನಾಟಕವಾದರೂ ಅಭಿನಯದ ಮೂಲಕವೇ ‘ವೆಲಿಪ್ಪಡೈ ಥಿಯೇಟರ್‌ ಮೂವ್‌ಮೆಂಟ್‌’ ಕಲಾವಿದರು ಪ್ರೇಕ್ಷಕರಲ್ಲಿ ಹೊಸ ಭಾವ ಅರಳಿಸುವಲ್ಲಿ ಯಶಸ್ವಿಯಾದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಶ್ರೀಕೃಷ್ಣ ಆಲನಹಳ್ಳಿ ಅವರ ಕಾದಂಬರಿಯಾಧಾರಿತ ‘ಪರಸಂಗದ ಗೆಂಡೆತಿಮ್ಮ’ ನಾಟಕ ಸಿನಿಮಾ ನೆರಳಿನಲ್ಲೇ ಸಾಗಿದರೂ ಬೆಂಗಳೂರಿನ ‘ರೂಪಾಂತರ’ ತಂಡದ ಕಲಾವಿದರ ಉತ್ಸಾಹದ ಅಭಿನಯ ಪ್ರೇಕ್ಷಕರಿಗೆ ಮುದ ನೀಡಿತು. ಶಿವಕುಮಾರ ಕಲಾಸಂಘದ ಹಿರಿಯ ಕಲಾವಿದರು ಅಭಿನಯಿಸಿದ ಶಿವಕುಮಾರ ಶಿವಾಚಾರ್ಯ ಸ್ವಾಮೀಜಿ ಜೀವನಾಧಾರಿತ ‘ಮಹಾಬೆಳಗು’ ನಾಟಕ ಪ್ರೇಕ್ಷಕರಲ್ಲಿ ಭಕ್ತಿ ಭಾವ ಮೂಡಿಸಿತು. \u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002Ff95e8801-6e91-477d-9040-1569714be382","type":"image","family-id":"ad3fb379-a5ef-49e9-b93e-7c055dbc3c23","image-attribution":"","title":"‘ಕೋಳೂರು ಕೊಡಗೂಸು‘ ನಾಟಕದ ದೃಶ್ಯ","id":"f95e8801-6e91-477d-9040-1569714be382","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-11-16\u002F9a843w0p\u002Ffile7y18h722d9t18mwl33d7.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F11-13\u002F20\u002F53\u002Ffile7y18h722d9t18mwl33d7.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002Ffd9d9bcb-b9b5-4860-bbbd-1097c73279d5","type":"text","family-id":"2a65a03b-8bbc-4b40-afda-54e17bd391b8","title":"","id":"fd9d9bcb-b9b5-4860-bbbd-1097c73279d5","metadata":{"content":"ಸತ್ಯ ಅಹಿಂಸೆ ಶಾಂತಿ ಸಹಕಾರ ತತ್ವಗಳ ಸರ್ವೋದಯ ಪರಿಕಲ್ಪನೆ ಈ ಬಾರಿ ನಾಟಕೋತ್ಸವದ ಧ್ಯೇಯವಾಗಿತ್ತು. ಬುದ್ಧ ಬಸವ ಗಾಂಧೀಜಿಯವರು ಪ್ರೀತಿ ಕರುಣೆ ಸಹೋದರತ್ವದ ಮೂಲಕ ಸರ್ವೋದಯಕ್ಕಾಗಿ ಶ್ರಮಿಸಿದ್ದಾರೆ. ಆ ಮೂಲಕ ಸಮಾಜದ ಕಟ್ಟಕಡೆಯ ಮನುಷ್ಯ ಹಾಗೂ ಎಲ್ಲಾ ಜೀವರಾಶಿಗಳಿಗೆ ಒಳಿತು ಮಾಡಿದ್ದಾರೆ. ಅದೇ ಹಾದಿಯಲ್ಲಿ ನಾವೆಲ್ಲರೂ ನಡೆಯಬೇಕು ಎಂಬುದು ನಮ್ಮ ಆಶಯ.","attribution":"–ಪಂಡಿತಾರಾಧ್ಯ ಶಿವಾಚಾರ್ಯ ಸ್ವಾಮೀಜಿ, ತರಳಬಾಳು ಶಾಖಾ ಮಠ ಸಾಣೇಹಳ್ಳಿ"},"subtype":"quote","text":"\u003Cdiv\u003E\u003Cblockquote\u003Eಸತ್ಯ ಅಹಿಂಸೆ ಶಾಂತಿ ಸಹಕಾರ ತತ್ವಗಳ ಸರ್ವೋದಯ ಪರಿಕಲ್ಪನೆ ಈ ಬಾರಿ ನಾಟಕೋತ್ಸವದ ಧ್ಯೇಯವಾಗಿತ್ತು. ಬುದ್ಧ ಬಸವ ಗಾಂಧೀಜಿಯವರು ಪ್ರೀತಿ ಕರುಣೆ ಸಹೋದರತ್ವದ ಮೂಲಕ ಸರ್ವೋದಯಕ್ಕಾಗಿ ಶ್ರಮಿಸಿದ್ದಾರೆ. ಆ ಮೂಲಕ ಸಮಾಜದ ಕಟ್ಟಕಡೆಯ ಮನುಷ್ಯ ಹಾಗೂ ಎಲ್ಲಾ ಜೀವರಾಶಿಗಳಿಗೆ ಒಳಿತು ಮಾಡಿದ್ದಾರೆ. ಅದೇ ಹಾದಿಯಲ್ಲಿ ನಾವೆಲ್ಲರೂ ನಡೆಯಬೇಕು ಎಂಬುದು ನಮ್ಮ ಆಶಯ.\u003C\u002Fblockquote\u003E\u003Cspan class=\"attribution\"\u003E–ಪಂಡಿತಾರಾಧ್ಯ ಶಿವಾಚಾರ್ಯ ಸ್ವಾಮೀಜಿ, ತರಳಬಾಳು ಶಾಖಾ ಮಠ ಸಾಣೇಹಳ್ಳಿ\u003C\u002Fspan\u003E\u003C\u002Fdiv\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002Fc9d739eb-cd6e-4d51-8227-74110908ed78","type":"image","family-id":"fde07170-096e-456c-8d48-eca59eebc4d1","image-attribution":"","title":"ಶಿವಕುಮಾರ ಬಯಲು ರಂಗಮಂದಿರದಲ್ಲಿ ಕಿಕ್ಕಿರಿದು ತುಂಬಿದ್ದ ಜನಸ್ತಗೋಮ","id":"c9d739eb-cd6e-4d51-8227-74110908ed78","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-11-16\u002F335bvzly\u002Ffile7y18hnc5lvlrwciwkzy.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F11-13\u002F19\u002Fd5\u002Ffile7y18hnc5lvlrwciwkzy.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F248aa001-8e65-4c0e-84c7-4ef648c37c39\u002Felement\u002Fdb0a5bc1-6d99-48e7-bb8f-cc2c26ba68ae","type":"text","family-id":"8cebbf4f-53ec-4d83-8037-e582600ceeb8","title":"","id":"db0a5bc1-6d99-48e7-bb8f-cc2c26ba68ae","metadata":{"content":"ಲಾರಿ ಏರಿ ಬಂದರು...","attribution":"ಸಾಣೇಹಳ್ಳಿಯ ಸುಂದರ ಪರಿಸರದಲ್ಲಿ ನಾಟಕ ನೋಡುವುದೇ ಕೆಲವರಿಗೆ ಜೀವನ ಪ್ರೀತಿಯ ಸಂಕೇತವಾಗಿದ್ದು ರಾಜ್ಯದ ವಿವಿಧೆಡೆಯಿಂದ ಅಲ್ಲಿಗೆ ಬಂದಿದ್ದರು. ಆದರೆ ಹೊಸದುರ್ಗ ತಾಲ್ಲೂಕಿನ ಗಡಿಯಲ್ಲಿರುವ ಸಾಣೇಹಳ್ಳಿಗೆ ಬಸ್‌ ಸಂಪರ್ಕವಿಲ್ಲ. ಕಡೂರು ಬಸ್‌ ಹತ್ತಿ ಸಾಣೇಹಳ್ಳಿ ಗೇಟ್‌ನಲ್ಲಿ ಇಳಿದು ಮೂರು ಕಿಲೊಮೀಟರ್‌ ಸಾಗಬೇಕು. ಗಣ್ಯರನ್ನು ಗೇಟ್‌ನಿಂದ ಕರೆದೊಯ್ಯಲು ವಾಹನ ವ್ಯವಸ್ಥೆ ಮಾಡಲಾಗಿತ್ತು. ಸಾಮಾನ್ಯ ಪ್ರೇಕ್ಷಕರು ಗೇಟ್‌ನಿಂದ ಲಾರಿ ಆಪೆ ಆಟೊ ಸೇರಿದಂತೆ ಸಿಕ್ಕಸಿಕ್ಕ ವಾಹನ ಹತ್ತಿ ಸಾಣೇಹಳ್ಳಿ ತಲುಪಿದರು. ಪ್ರಯಾಣದ ಕಷ್ಟದ ನಡುವೆಯೂ ನಾಟಕ ಪ್ರೀತಿ ಅನಾವರಣಗೊಳಿಸಿದರು. ರಾತ್ರಿ 9.30ಕ್ಕೆ ನಾಟಕ ಆರಂಭವಾಗಿ ಮಧ್ಯರಾತ್ರಿ 12 ಗಂಟೆಗೆ ಮುಗಿಯುತ್ತಿತ್ತು."},"subtype":"bigfact","text":"\u003Cdiv\u003E\u003Cdiv class=\"bigfact-title\"\u003Eಲಾರಿ ಏರಿ ಬಂದರು...\u003C\u002Fdiv\u003E\u003Cdiv class=\"bigfact-description\"\u003Eಸಾಣೇಹಳ್ಳಿಯ ಸುಂದರ ಪರಿಸರದಲ್ಲಿ ನಾಟಕ ನೋಡುವುದೇ ಕೆಲವರಿಗೆ ಜೀವನ ಪ್ರೀತಿಯ ಸಂಕೇತವಾಗಿದ್ದು ರಾಜ್ಯದ ವಿವಿಧೆಡೆಯಿಂದ ಅಲ್ಲಿಗೆ ಬಂದಿದ್ದರು. ಆದರೆ ಹೊಸದುರ್ಗ ತಾಲ್ಲೂಕಿನ ಗಡಿಯಲ್ಲಿರುವ ಸಾಣೇಹಳ್ಳಿಗೆ ಬಸ್‌ ಸಂಪರ್ಕವಿಲ್ಲ. ಕಡೂರು ಬಸ್‌ ಹತ್ತಿ ಸಾಣೇಹಳ್ಳಿ ಗೇಟ್‌ನಲ್ಲಿ ಇಳಿದು ಮೂರು ಕಿಲೊಮೀಟರ್‌ ಸಾಗಬೇಕು. ಗಣ್ಯರನ್ನು ಗೇಟ್‌ನಿಂದ ಕರೆದೊಯ್ಯಲು ವಾಹನ ವ್ಯವಸ್ಥೆ ಮಾಡಲಾಗಿತ್ತು. ಸಾಮಾನ್ಯ ಪ್ರೇಕ್ಷಕರು ಗೇಟ್‌ನಿಂದ ಲಾರಿ ಆಪೆ ಆಟೊ ಸೇರಿದಂತೆ ಸಿಕ್ಕಸಿಕ್ಕ ವಾಹನ ಹತ್ತಿ ಸಾಣೇಹಳ್ಳಿ ತಲುಪಿದರು. ಪ್ರಯಾಣದ ಕಷ್ಟದ ನಡುವೆಯೂ ನಾಟಕ ಪ್ರೀತಿ ಅನಾವರಣಗೊಳಿಸಿದರು. ರಾತ್ರಿ 9.30ಕ್ಕೆ ನಾಟಕ ಆರಂಭವಾಗಿ ಮಧ್ಯರಾತ್ರಿ 12 ಗಂಟೆಗೆ ಮುಗಿಯುತ್ತಿತ್ತು.\u003C\u002Fdiv\u003E\u003C\u002Fdiv\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1731765723199,"content-version-id":"7867cc47-3cf8-4613-a2cf-6bf6e2e2a1ac","card-added-at":1731749133235,"status":"draft","id":"1885754b-2597-49e3-973b-48a0252b376b","content-id":"1885754b-2597-49e3-973b-48a0252b376b","version":8,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ಸ್ಯಾನೆ ಚೆಂದಾಗಿತ್ತು ಸಾಣೇಹಳ್ಳಿ ನಾಟಕೋತ್ಸವ","message":"BP-ಸ್ಯಾನೆ ಚೆಂದಾಗಿತ್ತು ಸಾಣೇಹಳ್ಳಿ 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ವಾಹನಗಳನ್ನೇರಿ ಕಲಾವಿದರೊಂದಿಗೆ ಟೆಂಟ್ ಹೂಡಿ ಯಕ್ಷಗಾನ ಆಡಿಸುತ್ತಿದ್ದ ಘಳಿಗೆ... ಮೊಬೈಲ್ ಯುಗದಲ್ಲಿ, ಕಾರ್ಪೊರೇಟ್ ಜಗತ್ತಿಗೆ ತಕ್ಕಂತೆಯೂ ಪ್ರದರ್ಶನಕ್ಕೆ ಕುಂದುಬಾರದಂತೆ ಕಲೆ ಪ್ರದರ್ಶಿಸುವ ಪರಿ... ಹೀಗೆ ಬದಲಾದ ಕಾಲಕ್ಕೆ ತಕ್ಕಂತೆ ವ್ಯವಸ್ಥೆಗಳನ್ನು ಬಳಸಿಕೊಳ್ಳುತ್ತಲೇ ಯಕ್ಷಗಾನ ಕಲೆಯ ಉಳಿವಿಗೆ ನಿರಂತರತೆ ಕಾದುಕೊಂಡು ಬಂದ ‘ಶ್ರೀ ಇಡಗುಂಜಿ ಮಹಾಗಣಪತಿ ಯಕ್ಷಗಾನ ಮಂಡಳಿ’ಗೆ (‘ಶ್ರೀ ಇಡಗುಂಜಿ ಮೇಳ’ ಎಂಬುದಾಗಿ ಹೆಚ್ಚು ಚಾಲ್ತಿಯಲ್ಲಿದೆ) 91ರ ಹರೆಯ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F05c197d8-922c-4eae-9270-6631479fba72","type":"text","family-id":"6968a6b3-6626-474d-9ce6-c02c6197fb13","title":"","id":"05c197d8-922c-4eae-9270-6631479fba72","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಕೆರೆಮನೆ’ ಎಂಬ ಉತ್ತರ ಕನ್ನಡ ಜಿಲ್ಲೆಯ ಹೊನ್ನಾವರ ತಾಲ್ಲೂಕಿನ ಪುಟ್ಟ ಗ್ರಾಮವು ಜಾಗತಿಕ ಮಟ್ಟದಲ್ಲಿ ಗುರುತಿಸಿಕೊಳ್ಳಲು ಕಾರಣವಾದ ಇಡಗುಂಜಿ ಮೇಳಕ್ಕೆ ಯುನೆಸ್ಕೊ ಮಾನ್ಯತೆ ಸಿಕ್ಕಿದೆ. ಪುಟ್ಟ ಗ್ರಾಮವನ್ನು ವಿಶ್ವಕ್ಕೆ ಪರಿಚಯಿಸಿದ್ದಲ್ಲದೆ, ಯಕ್ಷಗಾನ ಕಲೆಗೆ ವಿಶ್ವ ಮಾನ್ಯತೆ ದೊರಯಲು ಕಾರಣವಾಗಿದೆ. ರಾಜ್ಯ, ರಾಷ್ಟ್ರದ ಅತ್ಯಲ್ಪ ಭಾಗಕ್ಕೆ ಪರಿಚಿತವಾಗಿದ್ದ ‘ಯಕ್ಷಗಾನ ಕಲೆ’ ಜಗದಗಲಕ್ಕೆ ಪಸರಿಸಲು ನಾಂದಿ ಹಾಡಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F7483084b-4037-4116-9a7c-53eaa2dfcaa0","type":"text","family-id":"1c76dd0c-d3d3-4592-9294-0520fa06f90f","title":"","id":"7483084b-4037-4116-9a7c-53eaa2dfcaa0","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಯಕ್ಷಗಾನ ಕ್ಷೇತ್ರದ ಯುಗಪುರುಷ ಎಂದೇ ಖ್ಯಾತಿ ಪಡೆದಿದ್ದ ದಿವಂಗತ ಕೆರೆಮನೆ ಶಿವರಾಮ ಹೆಗಡೆ ಇಡಗುಂಜಿ ಮೇಳ ಕಟ್ಟಿದವರು. 1934ರಲ್ಲಿ ಯಕ್ಷಗಾನ ಕಲೆಯನ್ನು ಪೋಷಿಸಲು, ಕಲಾವಿದರನ್ನು ಬೆಳೆಸಲು ಅವರು ಆರಂಭಿಸಿದ ಮೇಳಕ್ಕೆ ಈಗ 91ರ ಹರೆಯ. ಒಂಬತ್ತು ದಶಕ ಕಳೆದರೂ ಮೇಳದ ಖ್ಯಾತಿ ಕುಗ್ಗಿಲ್ಲ, ಯಕ್ಷಗಾನ ಲೋಕಕ್ಕೆ ವರ್ಷದಿಂದ ವರ್ಷಕ್ಕೆ ಹೊಸತನವನ್ನು ಕಟ್ಟಿಕೊಡುತ್ತ, ಹಳೆತನವನ್ನು ಉಳಿಸಿಕೊಳ್ಳುತ್ತಲೇ ನವನವೀನ ಕಲಾವಿದರನ್ನು ಪರಿಚಯಿಸುತ್ತ ಸಾಗಿಬಂದ ಮೇಳದ ಸಾಧನೆ ಸೋಜಿಗವೇ ಸರಿ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002Fefb86a77-3245-43cc-b6d1-d65da3f46172","type":"text","family-id":"657d038c-a63e-4a3f-914b-0503ab72e72f","title":"","id":"efb86a77-3245-43cc-b6d1-d65da3f46172","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸ್ವಾತಂತ್ರ್ಯ ಹೋರಾಟ ನಡೆಯುತ್ತಿದ್ದ ದಿನಗಳಲ್ಲಿ ಕಲೆಯೊಂದರ ಉಳಿವಿಗೆ ಶ್ರಮಿಸುತ್ತಲೇ ಸ್ವಾತಂತ್ರ್ಯ ಹೋರಾಟಕ್ಕೂ ಯಕ್ಷಗಾನದ ಮೂಲಕ ಬಲ ತುಂಬಿದ ಕೆರೆಮನೆ ಕುಟುಂಬ ಈ ಕ್ಷೇತ್ರದಲ್ಲಿ ಅಚ್ಚಳಿಯದ ಹೆಸರು ಮಾಡಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F4f3ef8ba-2b67-4b47-983c-0c22515b1ce3","type":"text","family-id":"2de2e4db-b17b-48ec-8099-9a09dd32eb0a","title":"","id":"4f3ef8ba-2b67-4b47-983c-0c22515b1ce3","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಶಿವರಾಮ ಹೆಗಡೆ ನಂತರ ಅವರ ಮಗ ಕೆರೆಮನೆ ಶಂಭು ಹೆಗಡೆ ಹಲವು ದಶಕ ಮೇಳವನ್ನು ಯಶಸ್ವಿಯಾಗಿ ಮುನ್ನಡೆಸಿದರು. ಈಗ ಅವರ ಮಗ ಕೆರೆಮನೆ ಶಿವಾನಂದ ಹೆಗಡೆ ಮೇಳದ ಸಾರಥಿಯಾಗಿದ್ದಾರೆ. ಅವರ ಮಗ ಕೆರೆಮನೆ ಶ್ರೀಧರ ಹೆಗಡೆ ಕೂಡ ಉನ್ನತ ವ್ಯಾಸಂಗ ಮುಗಿಸಿ, ಊರಿಗೆ ಮರಳಿ ಯಕ್ಷ ಕೈಂಕರ್ಯಕ್ಕೆ ದುಡಿಯುತ್ತಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002Fb753b7fb-f2cb-43fb-acac-24f648f96091","type":"text","family-id":"36f9cd12-3de6-45e7-a36a-6a08a5569850","title":"","id":"b753b7fb-f2cb-43fb-acac-24f648f96091","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಒಂಬತ್ತು ದಶಕಗಳಲ್ಲಿ 9,000ಕ್ಕಿಂತ ಹೆಚ್ಚು ಯಕ್ಷಗಾನ ಪ್ರದರ್ಶನ ನೀಡಿರುವ ಮೇಳವು ನೂರಾರು ಕಲಾವಿದರನ್ನು ಪೋಷಿಸಿದೆ. ಕನ್ನಡನಾಡಿನ, ಬಡಗು ತಿಟ್ಟಿನ ಕಲೆಯನ್ನು ದೇಶದ ವಿವಿಧೆಡೆ ಹಾಗೂ ವಿದೇಶಗಳಲ್ಲಿಯೂ ಪ್ರದರ್ಶಿಸಿದ್ದು ಮೇಳದ ಸಾಧನೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002Fdee7b2d8-3ef6-4b72-a7c2-123ce0e2a38b","type":"text","family-id":"5e646167-8d22-424f-a4cd-9a3479fbec9a","title":"","id":"dee7b2d8-3ef6-4b72-a7c2-123ce0e2a38b","metadata":{},"subtype":null,"text":"\u003Cp\u003E15ಕ್ಕೂ ಹೆಚ್ಚು ಕಲಾವಿದರು ಮೇಳದಲ್ಲಿ ದುಡಿಯುತ್ತಿದ್ದಾರೆ. ವರ್ಷದ ಬಹುಪಾಲು ದಿನವೂ ಒಂದಲ್ಲ ಒಂದು ವೇದಿಕೆಯಲ್ಲಿ ಯಕ್ಷ ವೇಷ ಧರಿಸಿ, ಕುಣಿಯುತ್ತಲೇ ಇರುವುದು ಇವರ ಕಾಯಕ. ದುಡಿಮೆಯ ಜೊತೆ ಜೊತೆಗೆ ಯಕ್ಷಗಾನ ಕಲೆಯನ್ನು ಪೋಷಿಸುತ್ತ ಮೇಳಕ್ಕೆ ಬಲ ತುಂಬುತ್ತಿದ್ದಾರೆ. ಇನ್ನೊಂದರ್ಥದಲ್ಲಿ ಮೇಳ ಇವರಿಗೆ ಜೀವನಾಡಿಯಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F5396154d-033f-4ff6-8615-7f62ba00abfb","type":"text","family-id":"8144e802-a125-4d15-8114-c39817e96cba","title":"","id":"5396154d-033f-4ff6-8615-7f62ba00abfb","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಯಕ್ಷಗಾನ ಕ್ಷೇತ್ರಕ್ಕೆ ನಮ್ಮ ಕುಟುಂಬದ ನಾಲ್ಕು ತಲೆಮಾರು ಸಂಪೂರ್ಣ ಜೀವನ ಅರ್ಪಿಸಿದೆ. ಕುಟುಂಬ ಅಂದರೆ ಕೇವಲ ಅಜ್ಜ, ಅಪ್ಪ, ಮಗ ಅಲ್ಲ. ಕ್ಷೇತ್ರದಲ್ಲಿ ದುಡಿಯುವ ಕಲಾವಿದರೆಲ್ಲರೂ ಕುಟುಂಬದ ಸದಸ್ಯರೆಂದು ಭಾವಿಸುತ್ತೇವೆ. ಇದನ್ನೇ ನಮ್ಮ ಪೂರ್ವಜರು ಕಲಿಸಿಕೊಟ್ಟಿದ್ದು. ಇಡಗುಂಜಿ ಮೇಳದ ಯಶಸ್ಸಿಗೆ ಈ ಆಶಯವೇ ಮುಖ್ಯ ಕಾರಣ’ ಎನ್ನುತ್ತಾರೆ ಇಡಗುಂಜಿ ಮಹಾಗಣಪತಿ ಯಕ್ಷಗಾನ ಮೇಳದ ನಿರ್ದೇಶಕ ಕೆರೆಮನೆ ಶಿವಾನಂದ ಹೆಗಡೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F514beca0-9b2b-4cd2-bb43-eba88ae84d68","type":"text","family-id":"7a129a97-47ae-4ccb-abb1-6eab87477cff","title":"","id":"514beca0-9b2b-4cd2-bb43-eba88ae84d68","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಅಜ್ಜ ಶಿವರಾಮ ಹೆಗಡೆ ಸ್ವಾತಂತ್ರ್ಯ ಹೋರಾಟ ನಡೆಯುತ್ತಿದ್ದ ದಿನಗಳಲ್ಲಿ ಬಡಗು ತಿಟ್ಟಿನ ಯಕ್ಷಗಾನ ಕಲೆಯನ್ನು ಪೋಷಿಸಲು ಸಮಾನ ಮನಸ್ಕ ಕಲಾವಿದರನ್ನು ಸೇರಿಸಿಕೊಂಡು ಮೇಳ ಕಟ್ಟಿದರು. ಅವರೇ ರಚಿಸಿದ ಹಲವು ಯಕ್ಷ ಪ್ರಸಂಗಗಳನ್ನು ಪ್ರದರ್ಶಿಸುತ್ತ, ಹಲವು ಕಲಾವಿದರನ್ನು ಬೆಳೆಸಿದರು. ಅವರ ಬಳಿಕ ತಂದೆ ಶಂಭು ಹೆಗಡೆ ಮೇಳವನ್ನು ಬ್ರ್ಯಾಂಡ್ ಆಗಿಸಿದರು. ಅವರ ಕಲಾಸಕ್ತಿ, ಪ್ರತಿಭೆ ಯಕ್ಷಗಾನ ಕ್ಷೇತ್ರವನ್ನು ದೇಶದ ಉದ್ದಗಲಕ್ಕೆ ಪರಿಚಯಿಸಲು ನೆರವಾಯಿತು’ ಎನ್ನುತ್ತ ಮೇಳದ ಯಶೋಗಾಥೆ ವಿವರಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8a807684-3b8c-4108-97cf-db1b82ad2055\u002Felement\u002F3440572f-b373-4c61-b7a6-d12f33e38372","type":"text","family-id":"5890727c-5b11-46c5-a06a-45c08c0d98d4","title":"","id":"3440572f-b373-4c61-b7a6-d12f33e38372","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಚಲನಚಿತ್ರದಲ್ಲಿ, ಕ್ರಿಕೆಟ್ ಅಂಗಳದಲ್ಲಿ ಖ್ಯಾತನಾಮ ಜೋಡಿ ಸೆಲೆಬ್ರೆಟಿಗಳು, ಆಟಗಾರರಿದ್ದರೆ ಪ್ರೇಕ್ಷಕ ಎವೆಯಿಕ್ಕದೆ ನೋಡುತ್ತಾನೆ. ಆಗ ನನ್ನಜ್ಜ ಕೆರೆಮನೆ ಶಿವರಾಮ ಹೆಗಡೆ ಕುಣಿತ, ಮಾವಿನಕೆರೆಯ ಯಾಜಿ ಭಾಗವತರ ಕಂಠಸಿರಿಗೆ, ಅಪ್ಪ ಕೆರೆಮನೆ ಶಂಭು ಹೆಗಡೆ ಕುಣಿತ ಮತ್ತು ನೆಬ್ಬೂರು ನಾರಾಯಣ ಭಾಗವತರ ಕಂಠ ಮಾಧುರ್ಯಕ್ಕೆ ಪ್ರೇಕ್ಷಕ ಮನಸೋಲುತ್ತಿದ್ದ. ಈಗಲೂ ಮೇಳದಲ್ಲಿ ಪ್ರೇಕ್ಷಕ ವರ್ಗ ಸೆಳೆಯಬಲ್ಲ ಕಲಾವಿದರಿದ್ದಾರೆ. ಆದರೆ, ಕಳೆದ ನಾಲ್ಕು ದಶಕಗಳಿಂದ ಈಚೆಗೆ ಯಕ್ಷಗಾನ ಮಿತಿ ಮೀರಿದ ವಿಕೃತಿ ಕಂಡಿದೆ. ಪೌರಾಣಿಕ ಕಥೆಗಳ ಹೊರತಾಗಿ ಹೊಸ ಪ್ರಸಂಗಗಳ ಹಾವಳಿ ಆಘಾತವನ್ನೇ ಉಂಟುಮಾಡಿದವು. ಇವುಗಳ ನಡುವೆಯೂ ಇಡಗುಂಜಿ ಮೇಳವು ದೀರ್ಘ ಪರಂಪರೆಗೆ ಧಕ್ಕೆ ತರಲು ಅವಕಾಶ ಕೊಡಲಿಲ್ಲ. ಪೌರಾಣಿಕ ಚೌಕಟ್ಟಿನ ಆಖ್ಯಾನಗಳೇ ಮೇಳ ಉಳಿಸಿದವು, ಕಲೆಯ ಮೂಲಸತ್ವವನ್ನೂ ಜೀವಂತವಿರಿಸುವ ಪ್ರಯತ್ನಕ್ಕೆ ಕುಂದು ಬರಲಿಲ್ಲ. ಇದನ್ನೇ ಯುನೆಸ್ಕೊ 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href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1731200640000,"hero-image-caption":"ಉತ್ತರ ಕನ್ನಡ ಜಿಲ್ಲೆ ಇಡಗುಂಜಿಯ ಮಹಾಗಣಪತಿ ಯಕ್ಷಗಾನ ಮಂಡಳಿಯ ಕಲಾವಿದರು ಯಕ್ಷಗಾನ ಪ್ರದರ್ಶನದಲ್ಲಿ ತೊಡಗಿರುವುದು","version":7,"story-template":"syndicated","sequence-no":null,"created-at":1731164779047,"authors":[{"slug":"ganapathi-hegde","social":{"facebook":{"url":"https:\u002F\u002Fwww.facebook.com\u002Fganeshhegde68"}},"name":"ಗಣಪತಿ 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ನೆಲ-ನೆಲೆ\nರಂಗ ಶಂಕರ","push-notification-title":null,"external-id":"doc7xz8b0dm3ax4qcqjl5i","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"4ad0abb3-588f-4c64-b42d-374c55a99ed8","hero-image-s3-key":"prajavani\u002F2024-11-09\u002Fik7zwsqr\u002Ffile7x91hh9b8mu11sfscjet.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002Ff961719c-50f1-4469-a662-c1832458fe49","type":"text","family-id":"0bdebf72-5f3c-4891-83ab-c82db204f6d8","title":"","id":"f961719c-50f1-4469-a662-c1832458fe49","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಬೆಂಗಳೂರಿನ ‘ರಂಗ ಶಂಕರ’ ಹವ್ಯಾಸಿ ರಂಗಭೂಮಿಗೆ ನೆಲೆಯನ್ನು ಒದಗಿಸಿದೆ. ತನ್ನ ರಚನಾತ್ಮಕ ಮತ್ತು ಸೃಜನಶೀಲ ಕೆಲಸಗಳ ಮೂಲಕ ಈಗಾಗಲೇ ಇಪ್ಪತ್ತು ವರ್ಷಗಳನ್ನು ಪೂರೈಸಿದೆ. ಹೀಗೆ ಭಾರತೀಯ ರಂಗಭೂಮಿಯಲ್ಲಿ ವಿಶಿಷ್ಟ ಸ್ಥಾನವನ್ನೂ ಪಡೆದುಕೊಂಡಿದೆ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003E***\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F4efa39cd-a6de-4ac2-82e5-c743b520d7e3","type":"text","family-id":"5569c2dd-8531-42a5-9dd3-566abad85edf","title":"","id":"4efa39cd-a6de-4ac2-82e5-c743b520d7e3","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಭಾರತೀಯ ರಂಗಭೂಮಿಗೆ ಬೆಂಗಳೂರಿನ ಮಹತ್ವದ ಕೊಡುಗೆ ‘ರಂಗ ಶಂಕರ’. ತನ್ನ ಕಟ್ಟುವಿಕೆ ಮತ್ತು ರಚನಾತ್ಮಕ ಕೆಲಸಗಳ ಮೂಲಕ ಇದು ರಂಗಾಸಕ್ತರ ಗಮನ ಸೆಳೆದಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F3888b874-0466-4f78-9d04-4364e1ef3656","type":"text","family-id":"202b1569-87d1-4015-badf-76c4c35ff5c9","title":"","id":"3888b874-0466-4f78-9d04-4364e1ef3656","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕನ್ನಡ ಸಿನಿಮಾ ಮಾತ್ರವಲ್ಲದೆ, ಕರ್ನಾಟಕದ ಹಲವೆಡೆ ವಿನೂತನ ಯೋಜನೆಗಳನ್ನು ಜಾರಿಗೆ ತರುವ ಕನಸು ಕಂಡವರು ನಟ ಶಂಕರನಾಗ್‌. ‘ರಂಗ ಶಂಕರ’ ಶಂಕರನಾಗ್‌ ಅವರ ಹತ್ತು ಹಲವು ಕನಸುಗಳಲ್ಲಿ ಒಂದು. ಕನಸು ಕಾಣುವುದು ಸಹಜ. ಆದರೆ ಕಂಡ ಕನಸನ್ನು ನನಸು ಮಾಡುವುದು ಸುಲಭವಲ್ಲ. ಹವ್ಯಾಸಿ ರಂಗಭೂಮಿಗೆ ಕಾಯಕಲ್ಪ ಉದ್ದೇಶದಿಂದ ಶಂಕರನಾಗ್ ಕಂಡ ಕನಸು ಅದು. ಆಪ್ತ ಗೆಳೆಯ, ಸಂಗಾತಿ ಶಂಕರ್‌ ಜೊತೆ ಕಂಡ ಕನಸನ್ನು ನನಸಾಗಿಸಿದವರು ಅರುಂಧತಿ ನಾಗ್‌.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F1fb19ef4-e4af-42d1-a7f9-84a17f54b288","type":"text","family-id":"cdb1dbdb-dc4b-42e1-894e-4b08dbff6239","title":"","id":"1fb19ef4-e4af-42d1-a7f9-84a17f54b288","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಾರ್ನಾಡರ ‘ಅಂಜುಮಲ್ಲಿಗೆ’ ಮೂಲಕ ಕನ್ನಡ ರಂಗಭೂಮಿಗೆ ಬಂದ ಅರುಂಧತಿ, ಅದಕ್ಕೂ ಮುನ್ನ ಗುಜರಾತಿ ಮತ್ತು ಮರಾಠಿ ರಂಗದ ಮೇಲೆ ಕಾಣಿಸಿಕೊಂಡು ಅಭಿನಯಿಸಿದ್ದರು. ದೆಹಲಿಯಲ್ಲಿ ಹುಟ್ಟಿ ಮುಂಬೈನಲ್ಲಿ ಬೆಳೆದ ಅರುಂಧತಿ ಅವರು ಕಾಲೇಜು ವಿದ್ಯಾರ್ಥಿಯಾಗಿದ್ದಾಗಲೇ ರಂಗಭೂಮಿ ಪ್ರವೇಶಿಸಿದ್ದರು. ತಿಂಗಳಿಗೆ ನಲವತ್ತಕ್ಕೂ ಹೆಚ್ಚು ರಂಗಪ್ರದರ್ಶನಗಳಲ್ಲಿ ನಟಿಸುವಷ್ಟು ಬಿಜಿಯಾಗಿದ್ದರು. ಅರುಂಧತಿ ಇಪ್ಟಾ (ಇಂಡಿಯನ್‌ ಪೀಪಲ್ಸ್‌ ಥಿಯೇಟರ್‌ ಅಸೋಸಿಯೇಷನ್‌)ದಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿದ್ದ ದಿನಗಳಲ್ಲಿಯೇ ಶಂಕರ್‌ನಾಗ್‌ ಪರಿಚಯವಾಯಿತು. ರಂಗ ಚಟುವಟಿಕೆ ನಡೆಸಲು ಶಂಕರ್‌ನಾಗ್‌ ಆರಂಭಿಸಿದ ‘ಸಂಕೇತ್’ದ ನಾಟಕಗಳಲ್ಲಿ ನಟಿಸುವ ಕಾರಣಕ್ಕಾಗಿ ಅರುಂಧತಿ ಬೆಂಗಳೂರಿಗೆ ಬಂದರು. ನಂತರ ಶಂಕರ್‌ನಾಗ್‌ ಜೊತೆಯಲ್ಲಿಯೇ ನೆಲೆ ನಿಂತರು. ಅರುಂಧತಿ ಕೇವಲ ನಟಿ ಮತ್ತು ಕಲಾವಿದೆ ಮಾತ್ರ ಅಲ್ಲ, ಅವರೊಬ್ಬ ರಂಗತಜ್ಞೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002Fd2577c59-3a4b-4ce5-b3fd-46a30f7fa5c7","type":"text","family-id":"1dc61c63-743a-4044-923a-d03e54cf7ebb","title":"","id":"d2577c59-3a4b-4ce5-b3fd-46a30f7fa5c7","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ರಂಗ ಶಂಕರ’ದ ಬಗ್ಗೆ ಬರೆಯಲು ಹೊರಟಾಗ ‘ಸಂಕೇತ್‌’ ಬಗ್ಗೆ ಬರೆಯದೇ ಇರಲು ಸಾಧ್ಯವೇ ಇಲ್ಲ. ಮುಂಬೈನಲ್ಲಿ ರಂಗಚಟುವಟಿಕೆಗಳಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ತೊಡಗಿಸಿಕೊಂಡಿದ್ದ ಶಂಕರನಾಗ್, ಸಿನಿಮಾಕ್ಕಾಗಿ ಬೆಂಗಳೂರಿಗೆ ಬಂದರು. ಬೆಂಗಳೂರಿನಲ್ಲಿಯೂ ರಂಗಚಟುವಟಿಕೆ ನಡೆಸುವ ಉದ್ದೇಶದಿಂದ ‘ಸಂಕೇತ್‌’ ಆರಂಭಿಸಿದರು. ಗಿರೀಶ ಕಾರ್ನಾಡರ ‘ಅಂಜುಮಲ್ಲಿಗೆ’ ಸಂಕೇತ್‌ ಆಡಿದ ಮೊದಲ ನಾಟಕವಾದರೆ, ಶಂಕರನಾಗ್‌ ನಿರ್ದೇಶನದ ‘ನಾಗಮಂಡಲ’ ಕೊನೆಯ ನಾಟಕವಾಯಿತು. ಇವೆರಡರ ನಡುವೆ ‘ನೋಡಿ ಸ್ವಾಮಿ ನಾವಿರೋದು ಹೀಗೆ’, ‘ಸಂಧ್ಯಾಛಾಯಾ’ ಸೇರಿದಂತೆ ಹಲವು ಪ್ರಯೋಗಗಳನ್ನು‘ಸಂಕೇತ್‌’ ನೀಡಿತು. ಶಂಕರ್‌ನಾಗ್‌ ನಿಧನದ ನಂತರ ಅರುಂಧತಿ ಮತ್ತು ಸುರೇಂದ್ರನಾಥ್‌ ಅವರು ಹಳೆಯ ನಾಟಕಗಳ ಗೊಡವೆಗೆ ಹೋಗದೆ ಹೊಸ ನಾಟಕಗಳನ್ನು ಆಡುವ ಪರಿಪಾಠ ಆರಂಭಿಸಿದರು. ‘ಶಂಕರ್ ಬದುಕಿದ್ದ ಸಂದರ್ಭದಲ್ಲಿಯೇ ಚರ್ಚಿಸಿದ್ದ ಇಬ್ಸೆನ್‌ನ ‘ಎನಿಮಿ ಆಫ್‌ ದ ಪೀಪಲ್‌’ ಮತ್ತು ‘ಹುಲಗೂರಿನ ಹುಲಿಯವ್ವ’ ಮಾತ್ರ ರಂಗದ ಮೇಲೆ ತರಲಾಯಿತು’ ಎನ್ನುತ್ತಾರೆ ಅರುಂಧತಿ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002Fe078a203-0d18-4ae3-9923-eee50c961868","type":"text","family-id":"92653b24-a8ef-4857-909b-8ab025ac5cd7","title":"","id":"e078a203-0d18-4ae3-9923-eee50c961868","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ನಾಗಮಂಡಲ’ದ ಪ್ರದರ್ಶನ ಚಿತ್ರಕಲಾ ಪರಿಷತ್ತಿನಲ್ಲಿ ಏರ್ಪಾಡಾಗಿತ್ತು. ಅಲ್ಲಿಯೇ ಹವ್ಯಾಸಿ ರಂಗತಂಡಗಳಿಗೆ ಅನುಕೂಲ ಆಗುವ ರೀತಿಯಲ್ಲಿ ಶಾಶ್ವತ ಲೈಟಿಂಗ್‌ ವ್ಯವಸ್ಥೆಗೆ ಶಂಕರ್‌ನಾಗ್‌ ಕೋರಿದ್ದರು. ಅದಕ್ಕೆ ಅನುಮತಿ ದೊರೆಯದ್ದರಿಂದ ಶಂಕರ್‌ನಾಗ್‌ ಸುಚಿತ್ರ ಫಿಲಂ ಸೊಸೈಟಿಯಲ್ಲಿಯ ಪೀರ್‌ ರಂಗಮಂದಿರ ಇರುವ ಕಡೆಯಲ್ಲಿ ರಂಗಚಟುವಟಿಕೆಗೆ ಮಾಡಿದ ಮನವಿಗೂ ಸಕಾರಾತ್ಮಕ ಪ್ರತಿಕ್ರಿಯೆ ಬಂದಿರಲಿಲ್ಲ. ಈ ದಿನಗಳಲ್ಲಿಯೇ ಶಂಕರ್‌ನಾಗ್‌ ಹವ್ಯಾಸಿ ತಂಡಗಳಿಗಾಗಿಯೇ ರಂಗಭೂಮಿಯನ್ನು ರೂಪಿಸುವ ಕನಸನ್ನು ಕಂಡಿದ್ದರು. ಅದನ್ನವರು ತನ್ನ ಸಂಗಾತಿಯ ಜೊತೆಗೆ ಹಂಚಿಕೊಂಡಿದ್ದರು. ‘ಜೋಕುಮಾರಸ್ವಾಮಿ’ ಚಿತ್ರದ ಮುಹೂರ್ತಕ್ಕಾಗಿ ತೆರಳುವ ಸಂದರ್ಭದಲ್ಲಿ ನಡೆದ ರಸ್ತೆ ಅಪಘಾತದ ದುರಂತದಲ್ಲಿ ಶಂಕರ್‌ ಹಠಾತ್ ನಿರ್ಗಮಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F527af1dc-9399-403f-a523-55caf86f4520","type":"text","family-id":"19190a50-f602-4e3f-b363-45abe9d7a6be","title":"","id":"527af1dc-9399-403f-a523-55caf86f4520","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮುಂಬೈನಲ್ಲಿ ಇರುವ ‘ಪೃಥ್ವಿ ಥಿಯೇಟರ್‌’ ಮಾದರಿಯಲ್ಲಿ ಬೆಂಗಳೂರಿನಲ್ಲಿಯೂ ನಾಟಕಕ್ಕೇ ಮೀಸಲಾದ ರಂಗಮಂದಿರ ಇರಬೇಕು ಎಂಬುದು ಶಂಕರ್‌ನಾಗ್‌ ಕಂಡ ಕನಸು. ಆ ಕನಸು ಅರುಂಧತಿ ಅವರದ್ದೂ ಆಗಿತ್ತು. ಈ ಕನಸಿನ ಹಾದಿಗುಂಟ ನಡೆದ ಅರುಂಧತಿ ಅದಕ್ಕಾಗಿ ಹತ್ತಾರು ವರ್ಷ ಕಷ್ಟ ಪಡಬೇಕಾಯಿತು. ಅರುಂಧತಿ ಅವರು ‘ರಂಗ ಶಂಕರ’ದ ಯೋಜನೆಯನ್ನು ಹಂಚಿಕೊಂಡಾಗ ಬಹುತೇಕರು ‘ಇದಾಗುವ ಮಾತಲ್ಲ’ ಎಂದೇ ಪ್ರತಿಕ್ರಿಯಿಸಿದ್ದರು. ಆದರೆ, ಅರುಂಧತಿ ಅವರು ಛಲ ಬಿಡದ ಸತತ ಪ್ರಯತ್ನದಿಂದ ಕನಸನ್ನ ನನಸಾಗಿಸಿದರು. ಈಗ ಅದೊಂದು ‘ಪವಾಡ’ದಂತೆ ಕಾಣಿಸುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F417dc4b9-8317-44d2-925c-bad1d5e53105","type":"text","family-id":"125c9004-2cf9-4288-9bf1-9d1e0177b588","title":"","id":"417dc4b9-8317-44d2-925c-bad1d5e53105","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಲವತ್ತೈದು ದಿನಗಳ ನಾಟಕೋತ್ಸವ ಮೂಲಕ ಆರಂಭವಾದ ರಂಗಪ್ರದರ್ಶನವು ಕಳೆದ ಇಪ್ಪತ್ತು ವರ್ಷಗಳ ಅವಧಿಯಲ್ಲಿ ಅವಿರತವಾಗಿ ನಡೆದು ಬರುತ್ತಿದೆ. ಎಂಟು ಸಾವಿರ ನಾಟಕ ಪ್ರದರ್ಶನ ನಡೆದಿರುವುದು ಅಚ್ಚರಿಯ ಸಂಗತಿ ಮಾತ್ರವಲ್ಲ, ಅದೊಂದು ದಾಖಲೆ ಕೂಡ. ಹೌದು ‘ರಂಗ ಶಂಕರ’ ಕಳೆದ ಇಪ್ಪತ್ತು ವರ್ಷಗಳ ಅವಧಿಯಲ್ಲಿ ಈ ಸಾಧನೆ ಮಾಡಿದೆ. ದಿನಕ್ಕೆ ಕನಿಷ್ಠ ಒಂದರಂತೆ ವರ್ಷಕ್ಕೆ 400 ಪ್ರದರ್ಶನ ನಡೆಸಿರುವುದು ವಿಶೇಷವೇ ಸರಿ. ನಿಯಮಿತವಾಗಿ ಪ್ರತಿದಿನ ಸಂಜೆ 7.30ಕ್ಕೆ ಒಂದು ಪ್ರದರ್ಶನ ನೀಡಲಾಗುತ್ತದೆ. ಶನಿವಾರ ಮತ್ತು ಭಾನುವಾರಗಳಂದು ಹೆಚ್ಚುವರಿ ಮ್ಯಾಟನಿ ಶೋ 3.30ಕ್ಕೆ. ಈ ಪೈಕಿ ಕನ್ನಡ ನಾಟಕಗಳ ಪ್ರಯೋಗಗಳೇ ಹೆಚ್ಚು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002F8dca0bd6-a9b2-46db-bf30-b57474ced55f","type":"text","family-id":"71a2a4c1-275d-423d-a52a-792f12e3ecef","title":"","id":"8dca0bd6-a9b2-46db-bf30-b57474ced55f","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಆಧುನಿಕ ತಂತ್ರಜ್ಞಾನ ಬಳಸಿ ರೂಪಿಸಲಾಗಿರುವ ಧ್ವನಿ ವ್ಯವಸ್ಥೆ ‘ರಂಗ ಶಂಕರ’ದ ವಿಶೇಷಗಳಲ್ಲಿ ಒಂದು. ಹಾಗೆಯೇ ಸಮಯ ಪ್ರಜ್ಞೆ ‘ರಂಗ ಶಂಕರ’ದ ಮತ್ತೊಂದು ವಿಶೇಷ. ನಿಗದಿತ ಸಮಯಕ್ಕೆ ಸರಿಯಾಗಿ ಪ್ರದರ್ಶನ ಆರಂಭಿಸುವುದು. ಶೋ ಆರಂಭವಾದ ನಂತರ ಬಂದವರು ಯಾರೇ ಆಗಿದ್ದರೂ ಒಳಹೋಗಲು ಬಿಡುವುದಿಲ್ಲ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4ad0abb3-588f-4c64-b42d-374c55a99ed8\u002Felement\u002Fafad56c6-f7da-42d8-9718-c0991a20b0b4","type":"text","family-id":"0bdb1d44-e58a-498f-a93a-92c16404932d","title":"","id":"afad56c6-f7da-42d8-9718-c0991a20b0b4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕೋಟಿಗಟ್ಟಲೆ ಖರ್ಚು ಮಾಡಿ ನಿರ್ಮಾಣವಾಗುವ ರಂಗಮಂದಿರದ ಬಾಡಿಗೆ ಕೂಡ ಸಾವಿರಾರು ರೂಪಾಯಿಗಳಲ್ಲಿರುತ್ತದೆ ಎಂದು 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ರಕ್ತರಾತ್ರಿ","push-notification-title":null,"external-id":"doc7xs1300cro2z7vlyfmo","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"14c443a4-eb1f-4261-ac5a-be0587d50351","hero-image-s3-key":"prajavani\u002F2024-10-26\u002Fm4tfnv51\u002Ffile7xrziuimj2x1d9z9xmb.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F56b21151-0cff-4a0b-b884-dffea08c8515","type":"text","family-id":"eaec95d4-8555-4a27-bea3-d0369ad90a4f","title":"","id":"56b21151-0cff-4a0b-b884-dffea08c8515","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಂದಗಲ್‌ ಹನಮಂತರಾಯರು ‘ರಕ್ತರಾತ್ರಿ’ ನಾಟಕವನ್ನು ರಚಿಸಿ ಶತಮಾನವೇ ಕಳೆದರೂ ಅದರ ಜನಪ್ರಿಯತೆ ಕೊಂಚವೂ ಕಡಿಮೆಯಾಗಿಲ್ಲ. ಈ ಅವಧಿಯಲ್ಲಿ ಸಾವಿರಾರು ಪ್ರಯೋಗಗಳನ್ನು ಕಂಡ ಹೆಗ್ಗಳಿಕೆ ಈ ನಾಟಕಕ್ಕಿದೆ. ಪಾರಂಪರಿಕ ರಂಗಭೂಮಿ ತನ್ನ ಉಚ್ಛ್ರಾಯ ಕಾಲವನ್ನು ಕಂಡಿದ್ದೇ ಕಂದಗಲ್‌ ಅವರಂತಹ ನಾಟಕಕಾರರಿಂದ. ಗುಬ್ಬಿ ವೀರಣ್ಣ, ಹುಲಿಮನೆ ಸೀತಾರಾಮ ಶಾಸ್ತ್ರಿ ಅವರಂಥ ಮಹಾನ್‌ ಕಲಾವಿದರಿಂದ. ಅವರೇ ಸೃಷ್ಟಿಸಿಕೊಂಡ ಅಸಂಖ್ಯಾತ ಸಹೃದಯ ಪ್ರೇಕ್ಷಕರಿಂದ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F5e09240d-2832-4b75-b606-fabb713e3177","type":"text","family-id":"114bea59-b4ab-4e11-9f25-7b73573de578","title":"","id":"5e09240d-2832-4b75-b606-fabb713e3177","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇತ್ತೀಚೆಗೆ ಉತ್ತರ ಕನ್ನಡ ಜಿಲ್ಲೆಯ ಸಿದ್ದಾಪುರದ ರಂಗಸೌಗಂಧ ಕಲಾ ಸಂಘಟನೆಯ ಆಶ್ರಯದಲ್ಲಿ ಸ್ಥಳೀಯ ಕಲಾವಿದರರು ಮೂರನೇ ಬಾರಿಗೆ ‘ರಕ್ತರಾತ್ರಿ’ ನಾಟವನ್ನು ಕಿಕ್ಕಿರಿದ ಪ್ರೇಕ್ಷಕರ ಸಮ್ಮುಖದಲ್ಲಿ ಅಭಿನಯಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002Fe180a655-8742-4e51-912d-933a5d4822ec","type":"text","family-id":"df227216-9bb0-4410-888b-f98d83757964","title":"","id":"e180a655-8742-4e51-912d-933a5d4822ec","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ರಕ್ತರಾತ್ರಿ’ ನಾಟಕ ‘ಕುರುಕ್ಷೇತ್ರ’ದ ಕೊನೆಯ ಒಂದೆರಡು ದಿನಗಳ 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ಸಹಕರಿಸಿತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F69742e9a-fd0d-449b-85e8-ff412cced931","type":"text","family-id":"82c039eb-645c-4e7f-be62-a155f9011872","title":"","id":"69742e9a-fd0d-449b-85e8-ff412cced931","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಆ ಕಾಲದ ಭಾರವಾದ ಅದ್ದೂರಿ ರಂಗ ಪರಿಕರಗಳ ಬದಲು, ಬಿಳಿ ಪರದೆಯ ಮೇಲೆ ಮೂಡಿಸಿದ ವೈವಿಧ್ಯಮಯ ವರ್ಣರಂಚಿತ ದೃಶ್ಯ ಚಿತ್ರಗಳು, ನಾಟಕವನ್ನು ಮತ್ತಷ್ಟು ಶ್ರೀಮಂತಗೊಳಿಸಿತು. ಮನಸೆಳೆಯುವ ಆಭರಣಗಳು, ಅದ್ದೂರಿ ವಸ್ತ್ರವೈವಿಧ್ಯ, ಆಯುಧಗಳನ್ನು ಸ್ಥಳೀಯ ಕಲಾವಿದರಿಂದಲೇ ಸಿದ್ಧಗೊಳಿಸಿ ಅಳವಡಿಸಿದ ಸಂಘಟನೆಯ ಆಸಕ್ತಿ ಶ್ಲಾಘನೀಯ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F712c2aac-2204-4fc8-a816-be89d5dc167a","type":"text","family-id":"c752a44b-9d47-40ce-9c1b-163f80500de8","title":"","id":"712c2aac-2204-4fc8-a816-be89d5dc167a","metadata":null,"subtype":null,"text":"\u003Cp\u003Eವರ್ತಮಾನದ ರಂಗ ಪ್ರವಾಹ ಸಾಕಷ್ಟು ದೂರ ಹರಿದು ಬಂದಿದೆ. ಆಧುನಿಕ ಬದುಕು, ಜೀವನ ವಿಧಾನ, ವರ್ತನೆ, ಪ್ರವೃತ್ತಿ ಆಸಕ್ತಿ, ಅಭಿರುಚಿಗಳನ್ನೆಲ್ಲ ಕಲಸು ಮೇಲೋಗರವಾಗಿಸಿದೆ. ಪರಂಪರೆಯ ಸ್ಮೃತಿ ತೆಳುವಾಗಿದೆ. ಶತಮಾನಗಳಷ್ಟು ಹಿಂದಿನ ಭಾಷಾವೈಭವ, ಅಭಿನಯ ವೈವಿಧ್ಯ, ಭಾವತೀವ್ರತೆಗಳೆಲ್ಲ ಮರವೆಗೆ ಸರಿಸುತ್ತಿರುವ ವಿಚಿತ್ರ ಸನ್ನಿವೇಶದಲ್ಲಿ ವಾಸ್ತವಿಕ ರಂಗಭೂಮಿಗೆ ನಿರ್ದಿಷ್ಟ ಆಶಯ, ಆಕೃತಿ, ಧೋರಣೆಗಳೇ ರೂಪುಗೊಳ್ಳದ ಅಥವಾ ವಿವಿಧ ಸಿದ್ಧಾಂತಗಳ ಗೊಂದಲದ ಗೂಡಾಗಿರುವ ಆಧುನಿಕ ರಂಗಭೂಮಿಯ ನಡುವೆ ಇಂಥ ಅಪರೂಪದ ಪ್ರಯೋಗ ಸಾಂಸ್ಕೃತಿಕ ಚಟುವಟಿಕೆಗಳಿಗೊಂದು ಎಚ್ಚರದ ಸಂದೇಶ ನೀಡಬಲ್ಲಷ್ಟು ಶಕ್ತಿಯನ್ನು ಇನ್ನೂ ಕಾಯ್ದುಕೊಂಡಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F8431b06a-86d8-4cc9-ad31-3f93e51c53e9","type":"text","family-id":"052f4b42-e64a-4ca0-ae10-0f5ecd62657f","title":"","id":"8431b06a-86d8-4cc9-ad31-3f93e51c53e9","metadata":null,"subtype":null,"text":"\u003Cp\u003Eರಂಗಸೌಗಂಧ ಪಾರಂಪರಿಕ ರಂಗಭೂಮಿಯ ದಿಗ್ಗಜ ಹುಲಿಮನೆ ಸೀತಾರಾಮ ಶಾಸ್ತ್ರಿಯವರ ನೆನಪಿನಲ್ಲಿ ಜನ್ಮತಾಳಿ, ಸಾಂಪ್ರದಾಯಿಕ ರಂಗದ ಪುನರ್ಮನನಕ್ಕೆ ತನ್ನನ್ನು ಅರ್ಪಿಸಿಕೊಂಡು, ಗತವೈಭವವನ್ನು ಪುನಃಸೃಷ್ಟಿಸಲು ಹೆಣಗುತ್ತಿರುವುದು ಮಹತ್ವದ ಬೆಳವಣಿಗೆ. ಇಲ್ಲಿಯ ನಟರು ಮೂಲತಃ ಕೃಷಿಕರು. ಕಳೆ ಕೊಳೆ ಮಳೆಯ ಅತ್ಯಧಿಕ ಸವಾಲುಗಳ ನಡುವೆಯೂ ತಿಂಗಳು ಕಾಲ ಅಭ್ಯಸಿಸುತ್ತ, ಪರಂಪರೆಯ ಪರಿಮಳ ಬೀರುವ ಮಹತ್ವಾಕಾಂಕ್ಷೆಯಲ್ಲಿ, ತಮ್ಮದೇ ಹಣ ಖರ್ಚು ಮಾಡಿ ಉಚಿತ ಪ್ರಯೋಗ ನೀಡುತ್ತಿರುವುದು ಅನನ್ಯ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F851bc081-4d00-42f2-ae6a-91c546936c21","type":"text","family-id":"23e9f2e6-d34f-4cda-b4cc-66800f9dd773","title":"","id":"851bc081-4d00-42f2-ae6a-91c546936c21","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಈ ನಾಟಕವು ದ್ವೇಷ, ಕಪಟ, ಶೋಷಣೆ, ಅನ್ಯಾಯ, ಯುದ್ಧ, ಹತ್ಯೆಯಂಥ ಭಯಾನಕ ಕ್ಷಣಗಳನ್ನು ಸೃಷ್ಟಿಸುತ್ತಲೇ ತಾಯ್ತನದ ಮಾರ್ದವ, ಮಾನವತೆಯ ಮಹತ್ವ ಮತ್ತು ದೈವಿಕತೆಯ ಮಿಂಚುಗಳನ್ನು ಪರಿಣಾಮಕಾರಿಯಾಗಿ ಬಿಂಬಿಸುತ್ತದೆ. ದ್ವೇಷ ಮತ್ತು ಪಶ್ಚಾತ್ತಾಪಗಳ ನಡುವೆ ಹೊಯ್ದಾಡುತ್ತದೆ. ಇಲ್ಲಿ ಯಾವ ಪಾತ್ರಧಾರಿಗಳೂ ವೃತ್ತಿ ನಟರಲ್ಲ. ಶ್ರಮ ಆಸಕ್ತಿ ಉತ್ಸಾಹ, ಪರಂಪರಾನಿಷ್ಠೆಯ ಬಲದಲ್ಲಿ ಧೈರ್ಯದಿಂದ ರಂಗ ಪ್ರವೇಶ ಮಾಡಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002Fe1aa4ea4-dcfa-466b-a178-683135c7f56c","type":"text","family-id":"b0a3403e-4903-482f-b09f-7bfeee665f62","title":"","id":"e1aa4ea4-dcfa-466b-a178-683135c7f56c","metadata":null,"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದ ಸಂಭಾಷಣೆಗಳು ದೀರ್ಘವಾದರೂ ಕಾವ್ಯಾತ್ಮಕ ತಾತ್ವಿಕ ಆಧ್ಯಾತ್ಮಿಕ ಸತ್ವವನ್ನು ಮೈಗೂಡಿಸಿಕೊಂಡಿರುವುದರಿಂದ ಕುತೂಹಲ ಕೆರಳಿಸುತ್ತವೆ. ನವರಸಪೂರ್ಣ ನುಡಿಗಟ್ಟು, ಭಾವಾಭಿನಯ, ಅಂಗಾಭಿನಯ, ವಿವಿಧ ರಸಗಳ ಅಭಿವ್ಯಕ್ತಿಗೆ ಸಾಕಷ್ಟು ಅವಕಾಶವನ್ನೊದಗಿಸಿವೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F19841ebb-e9d3-4d0a-b174-16947bd02834","type":"text","family-id":"69e97041-b8e2-44ca-b7df-56a14f8afed2","title":"","id":"19841ebb-e9d3-4d0a-b174-16947bd02834","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಇಲ್ಲಿಯೂ ಸಹ ಸಂಭಾಷಣೆಯ ಪ್ರಸ್ತುತಿಯಲ್ಲಿ ಇನ್ನಷ್ಟು ಭಾವ ವೈವಿಧ್ಯ ಏರಿಳಿತಗಳ ಕೊರತೆ ಎದ್ದು ತೋರಿತು. ಭಾವಕ್ಕೆ ತಕ್ಕ ಅಂಗಭಾಷೆ ಮತ್ತು ಚಲನೆಯೊದಗಿದ್ದರೆ ಇನ್ನಷ್ಟು ಅರ್ಥಪೂರ್ಣತೆ ಒದಗುತ್ತಿತ್ತು. ಪ್ರತೀ ದೃಶ್ಯದ ನಡುವಣ ಕತ್ತಲೆಯ ದೃಶ್ಯಗಳನ್ನು ಇನ್ನೂ ಅರ್ಥಪೂರ್ಣವಾಗಿ ದೃಶ್ಯದ ವೈವಿಧ್ಯಮಯ, ದುರಂತ, ಸಂಘರ್ಷಗಳ ಸಂಕೇತವಾಗಿ ದುಡಿಸಿಕೊಳ್ಳಬಹುದು. ಗಣಪತಿ ಹೆಗಡೆ (ನಿರ್ದೇಶನ), ರಾಜೇಂದ್ರ ಕೊಳಗಿ (ಸಂಗೀತ ನಿರ್ದೇಶನ), ಸಂಗೀತ ಮತ್ತು ಧ್ವನಿ (ಜಯರಾಮ ಭಟ್‌ ಹೆಗ್ಗಾರಳ್ಳಿ) ಕಸಬುದಾರಿಕೆ ಶ್ಲಾಘನೀಯ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F14c443a4-eb1f-4261-ac5a-be0587d50351\u002Felement\u002F327594f5-491d-4411-a7b1-601f0cb60b73","type":"text","family-id":"7cc6d869-f655-485e-8be9-72b5031b65b8","title":"","id":"327594f5-491d-4411-a7b1-601f0cb60b73","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಗಣಪತಿ, ಗುಂಜಗೋಡ, ಪ್ರವೀಣಾ ಹೆಗಡೆ, ಪೂರ್ಣಚಂದ್ರ ಹೆಗಡೆ, ಶ್ರೀಪಾದ ಕೋಡನಮನೆ, ನಾಗಪತಿ ಭಟ್‌ ವಡ್ಡಿನಗದ್ದೆ, ಅಜಿತ ಭಟ್‌ ಹೆಗ್ಗಾರಳ್ಳಿ, ಶಮಂತ ಹೆಗಡೆ, ಶುಭಾ ರಮೇಶ ಮುಂತಾದವರ ರಂಗಪ್ರಜ್ಞೆಯುಳ್ಳ ಭಾವಾಭಿವ್ಯಕ್ತಿ ಖುಷಿ ನೀಡಿತು.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ 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ದೃಶ್ಯ","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F10-26\u002Fdc\u002Fe5\u002Ffile7xrziuimj2x1d9z9xmb.jpg","width":1337,"height":891,"focus-point":[669,446]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fdram-rakta-ratri-kuvempu-3023470","story-version-id":"56252d8b-0d89-492f-b0de-6349fa929ce4","content-type":"story","content-updated-at":1729986780593,"author-id":1745292,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1729986780000,"hero-image-caption":"ನಾಟಕದ ದೃಶ್ಯ","version":5,"story-template":"syndicated","sequence-no":null,"created-at":1729948314459,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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ಮಲ್ಲತ್ತಹಳ್ಳಿಯ ಕಲಾಗ್ರಾಮದಲ್ಲಿ ಸಂಜೆ 6.30ಕ್ಕೆ ‘ರಕ್ತ ವಿಲಾಪ’ ನಾಟಕ ಪ್ರದರ್ಶನ ನಡೆಯಲಿದೆ.\n\n","claim-reviews":{"story":null}},"assignee-id":1764499,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","tags":[{"id":5524087,"name":"Theater Fest","meta-description":null,"meta-title":null,"slug":"theater-fest","tag-type":"Tag"}],"headline":"ತಿಂಗಳ ನಾಟಕ ಸಂಭ್ರಮ ಅ.19ಕ್ಕೆ","storyline-id":null,"votes":{},"story-content-id":"b0b1a8db-eb29-4fa0-9791-1aadd3614ea0","slug":"entertainment\u002Ftheatre\u002Fdrama-festival-of-the-month-at-on-october19-3013291","last-published-at":1729314462587,"public-identifier":"3013291","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null}],"read-time":1,"access-level-value":null,"content-created-at":1729314322703,"is-embargoed":false,"owner-name":"Shwetha Kumari","custom-slug":"Drama Festival of the Month at on october19","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":1200,"height":851,"mime-type":"image\u002Fjpeg","file-size":70418,"file-name":"file7xnvhobcd6d45m09lbj.jpg","focus-point":[594,402]},"comments":null,"word-count":103,"story-features":{"push-notification":{"is-scheduled":false,"publish-at":null}},"entities":{},"published-at":1729314462587,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"b0b1a8db-eb29-4fa0-9791-1aadd3614ea0","hero-image-s3-key":"prajavani\u002F2024-10-19\u002Fzt0mwqoj\u002Ffile7xnvhobcd6d45m09lbj.jpg","contributors":null,"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Fb0b1a8db-eb29-4fa0-9791-1aadd3614ea0\u002Felement\u002F2a7a49a8-8ab6-46b7-9418-6feff9be3892","type":"text","family-id":"27338c32-445b-4b51-9c8e-ffd70e367281","title":"","id":"2a7a49a8-8ab6-46b7-9418-6feff9be3892","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕರ್ನಾಟಕ ನಾಟಕ ಅಕಾಡೆಮಿಯಿಂದ ಅಕ್ಟೋಬರ್‌ 19ರಂದು ಮಲ್ಲತ್ತಹಳ್ಳಿಯ ಕಲಾಗ್ರಾಮದಲ್ಲಿ ಸಂಜೆ 6.30ಕ್ಕೆ ‘ರಕ್ತ ವಿಲಾಪ’ ನಾಟಕ ಪ್ರದರ್ಶನ ನಡೆಯಲಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ನಾಟಕವನ್ನು ಪ್ರವೀಣ್‌ ರೆಡ್ಡಿ ಗುಂಜಹಳ್ಳಿ ಅವರು ನಿರ್ದೇಶಿಸಿದ್ದು, ರಾಯಚೂರು ಸಮುದಾಯ ತಂಡ ಪ್ರಸ್ತುತಪಡಿಸಲಿದೆ. ಅತಿಥಿಯಾಗಿ ಸಾಹಿತಿ ಎಸ್.ಜಿ. ಸಿದ್ಧರಾಮಯ್ಯ ಭಾಗವಹಿಸಲಿದ್ದಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eರಕ್ತ ವಿಲಾಪ ಕುರಿತು:\u003C\u002Fstrong\u003E  ಕಾಲಗರ್ಭದಿಂದ ಸತ್ಯವನ್ನು ಹೆಕ್ಕಿ ತೆಗೆಯಲು ಹಂಬಲಿಸುವ ಸಂಶೋಧಕನ ತಳಮಳಗಳನ್ನು ‘ರಕ್ತ ವಿಲಾಪ’ ನಾಟಕ ಅನನ್ಯವಾಗಿ ಅಭಿವ್ಯಕ್ತಿಸಿದೆ. ಸತ್ಯವೆಂಬ ಅಗ್ನಿದಿವ್ಯವನ್ನು ಹಿಡಿಯಲು ಯತ್ನಿಸಿ ಮೈ ಸುಟ್ಟುಕೊಂಡ ಜ್ಞಾನಿಗಳ ಪರಂಪರೆಯೇ ಲೋಕದಲ್ಲಿದೆ. ಲೋಕವು ತಾನು ಕಟ್ಟಿಕೊಂಡು ಬಂದ ನಂಬಿಕೆಗಳ ಗುಳ್ಳೆಯೊಡೆಯುವುದನ್ನು ಸಹಿಸದು. ಸತ್ಯದ ಸೂಜಿಮೊನೆ ಸುಮ್ಮನಿರುವುದನ್ನು ಅರಿಯದು. ಸತ್ಯವನ್ನು ಕಾಣಲು ಮನಸ್ಸು ಮೊದಲು ಸುಳ್ಳುಗಳಿಂದ ಬಿಡುಗಡೆ ಹೊಂದಬೇಕು. ಸತ್ಯವು ಸ್ವತಃ ಚಲನಶೀಲವಾದಾಗ ಮಾತ್ರ ನಮ್ಮನ್ನು ಜಂಗಮಗೊಳಿಸಬಲ್ಲದು. ಭಕ್ತರ ಹೆಸರಲ್ಲಿ ವೀರಾವೇಶ ತಾಳಿ ಅಸ್ತ್ರ ಹಿಡಿದವರ ಮಿದುಳು ಕತ್ತಲಾಗಿದ್ದರೆ, ಬೆಳಕನ್ನು ಹುಡುಕುತ್ತಾ ಕಾಲದ ಸುರಂಗ ಮಾರ್ಗದಲ್ಲಿ ಏಕಾಂಗಿ ಅಲೆವ ಸತ್ಯಶೋಧಕ ಸಾವಿನಲ್ಲಿ ಮೌನ ತಾಳಿದ್ದಾನೆ.  ಈ ನಾಟಕ ಹಲವು ಪ್ರಶ್ನೆಗಳೊಂದಿಗೆ ತೀವ್ರವಾಗಿ 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ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1729314452515,"content-version-id":"270d103d-47dd-45cb-b98a-485599e8d83b","card-added-at":1729314322707,"status":"draft","id":"50cddcd6-b038-4672-a040-3dc0f7bd4c0d","content-id":"50cddcd6-b038-4672-a040-3dc0f7bd4c0d","version":4,"metadata":{"social-share":{"shareable":false,"title":"ತಿಂಗಳ ನಾಟಕ ಸಂಭ್ರಮ ಅ.19ಕ್ಕೆ","message":null,"image":{"key":"prajavani\u002F2024-10-19\u002Fzt0mwqoj\u002Ffile7xnvhobcd6d45m09lbj.jpg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":1200,"height":851,"mime-type":"image\u002Fjpeg","file-size":70418,"file-name":"file7xnvhobcd6d45m09lbj.jpg","focus-point":[594,402]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fdrama-festival-of-the-month-at-on-october19-3013291","story-version-id":"36674b34-092f-4d32-aa85-4b1432a74184","content-type":"story","content-updated-at":1729314462715,"author-id":1745292,"owner-id":1764499,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1729314462587,"hero-image-caption":null,"version":4,"story-template":"text","sequence-no":null,"created-at":1729314452484,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":null,"assignee-name":"Shwetha Kumari"}},{"id":"26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ | ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ: ರಾಜಕಾರಣಕ್ಕೆ ನಿಲುವುಗನ್ನಡಿ"]},"story":{"updated-at":1727536854542,"seo":{"meta-description":"80 ರ ದಶಕದ ರಂಗಭೂಮಿ ಕ್ಷೇತ್ರದಲ್ಲಿ ಸಂಚಲನೆ ಮೂಡಿಸಿದ್ದ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕದ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ಪಾತ್ರದ ಮೂಲಕವೇ ದಾಖಲೆಗಳನ್ನು ನಿರ್ಮಿಸಿ, ‘ಶಾಶ್ವತ ಮುಖ್ಯಮಂತ್ರಿ’ ಎಂಬ ಹಿರಿಮೆಗೆ ಪಾತ್ರರಾಗಿರುವ ಮುಖ್ಯಮಂತ್ರಿ ಚಂದ್ರು, ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ಯಾಗಿ ರಂಗದ ಮೇಲೆ ಬಂದಿದ್ದಾರೆ.","meta-keywords":["Mukhyamantri Chandru"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಕೆ.ನರಸಿಂಹ ಮೂರ್ತಿ","tags":[{"id":5512144,"name":"Mukhyamantri Chandru","meta-description":null,"meta-title":null,"slug":"mukhyamantri-chandru","tag-type":"Tag"}],"headline":"ರಂಗಭೂಮಿ | ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ: ರಾಜಕಾರಣಕ್ಕೆ ನಿಲುವುಗನ್ನಡಿ","storyline-id":null,"votes":{},"story-content-id":"26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d","slug":"entertainment\u002Ftheatre\u002Fmukhyamantri-chandru-drama-2984862","last-published-at":1727569800000,"public-identifier":"2984862","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null}],"read-time":3,"access-level-value":null,"content-created-at":1727429712492,"is-embargoed":false,"owner-name":"syndication","custom-slug":"Mukhyamantri Chandru drama","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F09-27\u002F4c\u002F60\u002Ffile7xd23diiqdkawbmrgrc.jpeg","width":1600,"height":1066,"focus-point":[863,378]},"comments":null,"word-count":446,"story-features":null,"entities":{},"published-at":1727569800000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":"‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’; ರಾಜಕಾರಣಕ್ಕೆ ನಿಲುವುಗನ್ನಡಿ","push-notification-title":null,"external-id":"doc7xd24r4e5zkbwymokfp","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d","hero-image-s3-key":"prajavani\u002F2024-09-27\u002Fs140d9ok\u002Ffile7xd23diiqdkawbmrgrc.jpeg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F7d601cbd-44b1-4e30-946b-e2e00eb7bb99","type":"text","family-id":"a296860b-9f54-4826-8b5f-4529f6b87411","title":"","id":"7d601cbd-44b1-4e30-946b-e2e00eb7bb99","metadata":{},"subtype":null,"text":"\u003Cp\u003E80 ರ ದಶಕದ ರಂಗಭೂಮಿ ಕ್ಷೇತ್ರದಲ್ಲಿ ಸಂಚಲನೆ ಮೂಡಿಸಿದ್ದ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕದ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ಪಾತ್ರದ ಮೂಲಕವೇ ದಾಖಲೆಗಳನ್ನು ನಿರ್ಮಿಸಿ, ‘ಶಾಶ್ವತ ಮುಖ್ಯಮಂತ್ರಿ’ ಎಂಬ ಹಿರಿಮೆಗೆ ಪಾತ್ರರಾಗಿರುವ ಮುಖ್ಯಮಂತ್ರಿ ಚಂದ್ರು, ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ಯಾಗಿ ರಂಗದ ಮೇಲೆ ಬಂದಿದ್ದಾರೆ.\u003C\u002Fp\u003E \u003Cp\u003E44 ವರ್ಷಗಳ ಬಳಿಕವೂ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕವನ್ನು ‍‍‍ಪ್ರೇಕ್ಷಕರು ಕಿಕ್ಕಿರಿದು ನೋಡುತ್ತಿದ್ದಾರೆ. ಆದರೂ, ಹೊಸತೇನಾದರೂ ಮಾಡಬೇಕೆಂಬ ಹಂಬಲದಿಂದ, ಸಮಕಾಲೀನ ರಾಜಕಾರಣದ ಹೂರಣ ಹೊತ್ತು ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ ಮೂಡಿದೆ. ಇದು ರಾಜಕೀಯ ಆತ್ಮಾವಲೋಕನ ಮತ್ತು ವಿಡಂಬನೆಯೇ ಪ್ರಧಾನವಾದ ನಾಟಕ. ಈ ಕಾಲದ ರಾಜಕಾರಣ, ರಾಜಕಾರಣಿಗಳಿಗೆ ಹಿಡಿದ ನಿಲುವುಗನ್ನಡಿ. ಹಳೆಯ ‘ಮುಖ್ಯಮಂತ್ರಿ’ ಜೊತೆಗೆ ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ಯನ್ನು ಹೋಲಿಸುವ ಅವಕಾಶವೂ ಇದೆ.\u003C\u002Fp\u003E \u003Cp\u003E‘ಮುಖ್ಯಮಂತ್ರಿ ನಾಟಕದಲ್ಲಿ ಹೇಗಾದರೂ ಮಾಡಿ ಕುರ್ಚಿ ಉಳಿಸಿಕೊಳ್ಳಬೇಕೆಂಬ ಚತುರ, ಪಿತೂರಿಗಾರ ಮುಖ್ಯಮಂತ್ರಿ ಕೃಷ್ಣ ದ್ವೈಪಾಯನ ಕೌಲ್‌ ಅರ್ಥಾತ್‌ ಕೆ.ಡಿ. ಕೌಲ್ ಕಂಡರೆ, ಇಲ್ಲಿ, ಪ್ರಜಾತಂತ್ರದ ದಾರಿಯಲ್ಲಿ ನಡೆಯಲು ಬಯಸಿದ, ಸ್ಥಾನವನ್ನು ತ್ಯಜಿಸಲು ನಿರ್ಧರಿಸುವ ಮುಖ್ಯಮಂತ್ರಿ ಶೀಲವಂತನಿದ್ದಾನೆ. 71ರ ಇಳಿವಯಸ್ಸಿನಲ್ಲಿ ಚಂದ್ರು ಅವರದ್ದು ಪ್ರಬುದ್ಧ ಹಾಗೂ ಎಂದಿನ ಲೀಲಾಜಾಲ ಅಭಿನಯ.\u003C\u002Fp\u003E \u003Cp\u003E‘ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕವನ್ನು ಅಭಿನಯಿಸಿರುವ ಬೆಂಗಳೂರಿನ ‘ಕಲಾ ಗಂಗೋತ್ರಿ’ ಹವ್ಯಾಸಿ ತಂಡದ ಕಲಾವಿದರೇ ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕದಲ್ಲಿ ಅಭಿನಯಿಸಿದ್ದಾರೆ. ಅಂದು ಆ ನಾಟಕವನ್ನು ನಿರ್ದೇಶಿಸಿದ್ದ ಬಿ.ವಿ.ರಾಜರಾಂ ಇದನ್ನೂ ನಿರ್ದೇಶಿಸಿದ್ದಾರೆ. ರಣಜಿತ್‌ ಕಪೂರ್‌ ಅವರ ಹಿಂದಿ ನಾಟಕವನ್ನು ಟಿ.ಎಸ್‌.ಲೋಹಿತಾಶ್ವ ಅನುವಾದಿಸಿದ್ದರು.\u003C\u002Fp\u003E \u003Cp\u003Eಸಾಮಾಜಿಕ, ಪೌರಾಣಿಕ ನಾಟಕಗಳ ಮೂಲಕ ಕನ್ನಡ ರಂಗಭೂಮಿ ಕ್ಷೇತ್ರದಲ್ಲಿ ವಿಶಿಷ್ಟ ಸ್ಥಾನ ಗಳಿಸಿರುವ ವಿಮರ್ಶಕ, ನಾಟಕಕಾರ ಕೆ.ವೈ.ನಾರಾಯಣಸ್ವಾಮಿ, ‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ಯನ್ನು ರಚಿಸಿರುವುದು ವಿಶೇಷ. ಮೊದಲ ರಾಜಕೀಯ ನಾಟಕದಲ್ಲೇ ಅವರ ಪ್ರತಿಭೆ ಹೊಸ ದಿಕ್ಕಿಗೆ ವಿಸ್ತರಿಸಿದೆ. ತಂಡವು ಹೇಳಿಕೊಳ್ಳುವಂತೆ, ’ಇದು ದೇಶದ 75 ವರ್ಷಗಳ ರಾಜಕೀಯ ವ್ಯವಸ್ಥೆಯನ್ನು ಅರ್ಥ ಮಾಡಿಕೊಳ್ಳುವ ಯತ್ನ’.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Fbe42c3ff-e217-4b86-9e97-33131ea2b11b","type":"text","family-id":"58859f37-4c6e-4399-991d-4b816e3db855","title":"","id":"be42c3ff-e217-4b86-9e97-33131ea2b11b","metadata":{},"subtype":null,"text":"\u003Cp\u003Eತನ್ನ ಸಚಿವ ಸಂಪುಟದಲ್ಲಿ ನಡೆದ ಅಪಾರ ಭ್ರಷ್ಟಾಚಾರವನ್ನು ತಡೆಯಲು ಆಗಲಿಲ್ಲವೆಂಬ ಹತಾಶೆ, ಪಶ್ಚಾತ್ತಾಪದಿಂದ ಕೊರಗುವ ಹಂಗಾಮಿ ಮುಖ್ಯಮಂತ್ರಿ ಶೀಲವಂತ, ನಾಲ್ಕನೇ ಬಾರಿ ಮುಖ್ಯಮಂತ್ರಿಯಾಗಲು ನಿರಾಕರಿಸಿ, ಆದರ್ಶ ರಾಜಕಾರಣದ ಪ್ರತಿನಿಧಿಯಾಗಿ ಎದುರಿಸುವ ತೊಳಲಾಟಗಳು ಹಾಗೂ ಮುಖ್ಯಮಂತ್ರಿ ಹುದ್ದೆಗಾಗಿ ಆಕಾಂಕ್ಷಿಗಳು ನಡೆಸುವ ಪಿತೂರಿಯೇ ನಾಟಕದ ಕೇಂದ್ರ ವಸ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F30567380-487d-4675-918c-bb42c22a5194","type":"text","family-id":"c98f38a1-1ef1-4179-a9bb-2a83d7389c18","title":"","id":"30567380-487d-4675-918c-bb42c22a5194","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದುದ್ದಕ್ಕೂ ಶಾಂತವೇರಿ ಗೋಪಾಲಗೌಡರು ಸೇರಿದಂತೆ ಹಿಂದಿನ, ಇಂದಿನ ಪ್ರಸಿದ್ಧ ರಾಜಕಾರಣಿಗಳ ವ್ಯಕ್ತಿತ್ವದ ನೆರಳೂ ಕಾಣುವುದರಿಂದಲೇ ಇದಕ್ಕೆ ಸಮಕಾಲೀನ ಮಹತ್ವವೂ ಸಿಕ್ಕಿದೆ. ಜನವಿರೋಧಿ ಆಡಳಿತದಿಂದ ಬಳಲುವ ಹೋರಾಟಗಾರರು, ರೈತರು, ಅಲ್ಪಸಂಖ್ಯಾತರ ಅಸಹಾಯಕತೆ, ಮಾಧ್ಯಮಗಳ ಓಲೈಕೆಯೂ ಎದುರಾಗುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Fb1be740a-cf1e-414a-a2de-9316d4b81f68","type":"text","family-id":"c74c8d91-59db-42c9-9f1d-40b4d6b4e43c","title":"","id":"b1be740a-cf1e-414a-a2de-9316d4b81f68","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇಲ್ಲಿ ರಾಜಕೀಯ ವಿಡಂಬನೆಯೇ ಪ್ರಧಾನ. ಹೀಗಾಗಿ ಚುರುಕು ಮುಟ್ಟಿಸುವ, ವ್ಯಂಗ್ಯ ಒಳಗೊಂಡ ಪಂಚಿಂಗ್ ಸಂಭಾಷಣೆಗಳೇ ಜೀವಾಳ. ಚಂದ್ರು ಅವರೊಂದಿಗೆ ಮಂಜುನಾಥ ಹೆಗಡೆ, ಬಿ.ವಿ.ರಾಜಾರಾಂ, ಶ್ರೀನಿವಾಸ ಮೇಷ್ಟ್ರು ಅವರಂಥ ಹಿರಿಯ ನಟರ ಸಲೀಸಾದ ಅಭಿನಯವು ಅದನ್ನು ನಾಟಕೀಯವಾಗಿ ಮೇಲಕ್ಕೆತ್ತುತ್ತದೆ. ಈ ನಟರ ಉತ್ಸಾಹವೇ ನಾಟಕದ ಹೈಲೈಟ್. ಆದರೂ, 25ಕ್ಕೂ ಹೆಚ್ಚು ಪಾತ್ರಗಳ ನಿರಂತರ ಸಂಭಾಷಣೆಯಿಂದ ಒಮ್ಮೊಮ್ಮೆ ವಾಚ್ಯವೆನಿಸುವುದೂ ಉಂಟು. ಮಾತಿಗೇ ಇಲ್ಲಿ ಮಹತ್ವ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Fa44a3a8a-cef8-4d7e-9db5-398d0ee7f161","type":"text","family-id":"251128fd-6622-4c53-8053-59635d80725d","title":"","id":"a44a3a8a-cef8-4d7e-9db5-398d0ee7f161","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕೆಲವೇ ಕುರ್ಚಿ, ಮೇಜುಗಳು ಹಾಗೂ ಸಾಂಕೇತಿಕ ಭಿತ್ತಿಫಲಕಗಳ ರಂಗಸಜ್ಜಿಕೆ ಗಮನ ಸೆಳೆಯುತ್ತದೆ. ಕೆಲವು ಪಾತ್ರಗಳಿಗೆ ಸಹಜತೆ ಮೀರಿ ಮೇಕಪ್‌ ಮಾಡಿದ್ದು ಕಣ್ಣಿಗೆ ರಾಚುತ್ತದೆ. ಬೆಳಕಿನ ವಿನ್ಯಾಸದಲ್ಲಿ ವೈವಿಧ್ಯತೆ ಕೊಂಚ ಕಡಿಮೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F455d573f-8193-4083-b6fc-fe5ebe5ced5c","type":"text","family-id":"7f8a1cef-506f-40b0-87d1-d793b328c437","title":"","id":"455d573f-8193-4083-b6fc-fe5ebe5ced5c","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದಲ್ಲೊಂದು ವೈರುಧ್ಯವೂ ಇದೆ. ‘ಸತ್ಯಂ ವದ, ಧರ್ಮಂ ಚರ’ (ಸತ್ಯವನ್ನು ಮಾತನಾಡಿ, ನೀತಿವಂತ ಜೀವನವನ್ನು ನಡೆಸು) ಎಂಬುದು ನಾಣ್ಣುಡಿ. ಅದರ ಮೊದಲ ಭಾಗವನ್ನು ‘ಸತ್ಯಂ ವಧ’ ಎಂದು ಬದಲಾಯಿಸಿ, ನಾಟಕದ ಶೀರ್ಷಿಕೆಯ ಅಡಿಸಾಲಾಗಿ ಬಳಸಲಾಗಿದೆ. ಎಂದರೆ ಸತ್ಯವನ್ನು ವಧೆ ಮಾಡು, ಕೊಲ್ಲು ಎಂದರ್ಥ. ಇನ್ನೂ ಮುದ್ರಣದ ಹಂತದಲ್ಲಿರುವ ನಾಟಕದ ಪಠ್ಯದಲ್ಲಿ, ಕೋರ್ಟಿನ ಕಲಾಪದ ನಡುವೆಯೇ ಗುಂಡು ಹಾರಿಸಿ ಶೀಲವಂತನನ್ನ ಕೊಲ್ಲುವುದೇ ಕೊನೇ ದೃಶ್ಯವಾಗಿ ಬರುತ್ತದೆ. ಸ್ವಾರ್ಥಿ ರಾಜಕಾರಣವು ಸತ್ಯವನ್ನು ಕೊಲ್ಲುತ್ತದೆ ಎಂಬುದು ಇಲ್ಲಿ ಗ್ರಹಿಸಬೇಕಾದ ಅರ್ಥ. ಆದರೆ, ರಂಗ ಪ್ರಯೋಗದಲ್ಲಿ ಕೊನೆಗೆ ಶೀಲವಂತನೇ ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿಯಾಗುತ್ತಾನೆ!\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F83bff329-e57c-43e4-8826-8cf1fcd8fc2f","type":"text","family-id":"92eab11c-626f-4a60-865b-6e748cc90daa","title":"","id":"83bff329-e57c-43e4-8826-8cf1fcd8fc2f","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ನಾನು ರಾಜಕೀಯ ಅಪರಾಧಿ.‌ ಮತ್ತೆ ಸಿಎಂ ಆಗುವುದಿಲ್ಲ. ಸಿಎಂ ಅನ್ನು ಆಯ್ಕೆ ಮಾಡುವ‌ ಅಧಿಕಾರವೂ ಇಲ್ಲ’ ಎಂದು ತನ್ನ ಅವಧಿಯ ಎಲ್ಲ ಹಗರಣಗಳ ತನಿಖೆ ನಡೆಸಬೇಕೆಂದು ಕೋರ್ಟಿಗೆ ಪತ್ರ ಬರೆಯುವ ಶೀಲವಂತ, ಕೊನೆಯಲ್ಲಿ ಮುಗುಳ್ನಗುತ್ತಾ ಮತ್ತೆ ಅದೇ ಸ್ಥಾನಕ್ಕೆ ಮರಳುವಲ್ಲಿ ತಾರ್ಕಿಕ ಸಮರ್ಥನೆಯೂ ಕಾಣುವುದಿಲ್ಲ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Fe9ef0139-ad6c-4573-953a-2a9872ea1516","type":"image","family-id":"2b558851-a8da-4fe7-8920-be5fb62f4e72","image-attribution":"","title":"‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕ","id":"e9ef0139-ad6c-4573-953a-2a9872ea1516","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-09-27\u002Fr5msdqm7\u002Ffile7xd23pe6jd3diawwgrc.jpeg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F09-27\u002Ff1\u002Fa9\u002Ffile7xd23pe6jd3diawwgrc.jpeg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F8916e23f-8d1f-4786-b58c-7d98d8e0e2e1","type":"text","family-id":"cc263fe0-eef1-44eb-a327-92cc08d4a51e","title":"","id":"8916e23f-8d1f-4786-b58c-7d98d8e0e2e1","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಹೀಗಾಗಿ, ನಾಟಕದ ಅಂತ್ಯಕ್ಕೂ, ಶೀರ್ಷಿಕೆಯ ಅಡಿ ಸಾಲು ಸೂಚಿಸುವ ಆಶಯಕ್ಕೂ ಹೊಂದಿಕೆಯಾಗುವುದಿಲ್ಲ. ದುರಂತದ ಆಶಯಕ್ಕೆ ತಕ್ಕಂತೆಯೇ ನಾಟಕದ ದೃಶ್ಯಾವಳಿಗಳನ್ನು ಕಟ್ಟಿಕೊಟ್ಟ ನಾಟಕಕಾರರ ಉದ್ದೇಶವನ್ನು, ನಟ, ನಿರ್ದೇಶಕರ ‘ಸುಖಾಂತ್ಯವೇ ಮುಖ್ಯ’ ಎಂಬ ಭಾವನಾತ್ಮಕ ನಿಲುವು ಮರೆ ಮಾಡಿದೆ. ನಾಟಕದ ಒಟ್ಟಾರೆ ತಾತ್ವಿಕತೆಯ ಕುರಿತು ಇಡೀ ತಂಡದಲ್ಲಿ ಒಂದೇ ನಿಲುವಿಲ್ಲದಿರುವುದೂ ಇದಕ್ಕೆ ಕಾರಣವಿರಬಹುದು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Faf410427-1ae7-48e6-a807-009137ee30fa","type":"text","family-id":"ca3570e1-40ad-4a2c-aa70-b3a0cba0baaa","title":"","id":"af410427-1ae7-48e6-a807-009137ee30fa","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅದರಿಂದಲೇ, ‘ಭ್ರಷ್ಟಾಚಾರ, ಸ್ವಾರ್ಥ, ಹಗೆತನಗಳಿಂದ ತುಂಬಿರುವ ರಾಜಕೀಯ ವರ್ತಮಾನದಲ್ಲಿ ‍‍ಪ್ರಜಾಪ್ರಭುತ್ವದ ಬಗ್ಗೆ ಸ್ವಲ್ಪ ಮಟ್ಟಿಗೆ ‍‍ಪಾಪಪ್ರಜ್ಞೆಯನ್ನು ಜಾಗೃತಗೊಳಿಸಬೇಕು’ ಎಂಬ ತಂಡದ ಆಶಯಕ್ಕೆ ತಕ್ಕ ಮಹತ್ವವೂ ದೊರಕಿಲ್ಲ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002Fbadfbb6c-dee1-4f7a-a0fb-fceec664003a","type":"image","family-id":"5ce3197e-6301-4b55-8a0c-398524405daf","image-attribution":"","title":"‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕದಲ್ಲಿ ಮುಖ್ಯಮಂತ್ರಿ ಚಂದ್ರು","id":"badfbb6c-dee1-4f7a-a0fb-fceec664003a","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-09-27\u002Fvb4syrbf\u002Ffile7xd244p2cqw51yyi1pn.jpeg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F09-27\u002Fd2\u002F89\u002Ffile7xd244p2cqw51yyi1pn.jpeg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F26cac8ce-27f9-4fdb-b8b2-bdfa0f6cdf1d\u002Felement\u002F898a382d-7403-4a5c-9fa6-13fa8fc0af32","type":"text","family-id":"d8357fab-4577-4cad-927c-3c9777278f34","title":"","id":"898a382d-7403-4a5c-9fa6-13fa8fc0af32","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೈಸೂರಿನ ‘ನಟನ’ ವೇದಿಕೆಯಲ್ಲಿ ಕಿಕ್ಕಿರಿದ ಪ್ರೇಕ್ಷಕರ ನಡುವೆ ಪ್ರದರ್ಶನ ಕಂಡ ರಂಗಪ್ರಯೋಗವನ್ನು ‘ಕಲಾ ಗಂಗೋತ್ರಿ’ ತಂಡ ಪರಿಷ್ಕರಿಸಲು ಚಿಂತಿಸುತ್ತಿರುವುದು ಸಮಾಧಾನಕರ ಅಂಶ.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1727536851955,"content-version-id":"162e65e4-18b0-445e-bfff-cbf39ba70644","card-added-at":1727429712981,"status":"draft","id":"56593c51-5a0f-4986-9124-33bde98cb26a","content-id":"56593c51-5a0f-4986-9124-33bde98cb26a","version":12,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ | ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ: ರಾಜಕಾರಣಕ್ಕೆ ನಿಲುವುಗನ್ನಡಿ","message":"‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’; ರಾಜಕಾರಣಕ್ಕೆ ನಿಲುವುಗನ್ನಡಿ","image":{"key":"prajavani\u002F2024-09-27\u002Fr5msdqm7\u002Ffile7xd23pe6jd3diawwgrc.jpeg","url":null,"attribution":"","caption":null,"alt-text":null,"metadata":null}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fmukhyamantri-chandru-drama-2984862","story-version-id":"2947749f-c29b-471a-bff8-01723d979ef9","content-type":"story","content-updated-at":1727569800333,"author-id":1747036,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1727569800000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ಮತ್ತೆ ಮುಖ್ಯಮಂತ್ರಿ’ ನಾಟಕದಲ್ಲಿ ಮುಖ್ಯಮಂತ್ರಿ ಚಂದ್ರು ಮತ್ತು ಎಂ.ಎಸ್‌.ವಿದ್ಯಾ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":15,"story-template":"syndicated","sequence-no":null,"created-at":1727536851947,"authors":[{"slug":"ke-nrsinh-muurti","social":{},"name":"ಕೆ.ನರಸಿಂಹ 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","push-notification-title":null,"external-id":"doc7xa259uya7czr6lui60","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"d38cc437-7402-4bd7-bde6-8dfaa73fe632","hero-image-s3-key":"prajavani\u002F2024-09-21\u002Ftlxgm181\u002Ffile7x9gariqiuh1kf31d41j.png","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Fd38cc437-7402-4bd7-bde6-8dfaa73fe632\u002Felement\u002F2054fbca-bdcd-4b11-83f8-9777e5021956","type":"text","family-id":"085ebd60-9a14-4bb9-89b6-6fd44b3fee25","title":"","id":"2054fbca-bdcd-4b11-83f8-9777e5021956","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಎಲ್ಲರೂ ತಮಗೆ ಬೇಕಾದ ಉತ್ತರದ ಅಪೇಕ್ಷೆಯಲ್ಲಿರುವಾಗ ಸತ್ಯ ವಿಫಲವಾಗುತ್ತದೆ.’ ಇತ್ತೀಚೆಗೆ ಬೆನಕ ನಾಟಕ ತಂಡವು ತನ್ನ ಐವತ್ತನೇ ವರ್ಷದ ಆಚರಣೆಯ ಸಂದರ್ಭದಲ್ಲಿ ಬೆಂಗಳೂರಿನಲ್ಲಿ ಪ್ರದರ್ಶಿಸಿದ ನಾಟಕ ‘ಬಾಬಾ ಕಾರಂತ’ದಲ್ಲಿ ಬಿ.ವಿ.ಕಾರಂತ ಪಾತ್ರಧಾರಿ ಹೇಳುವ ಮಾತಿದು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd38cc437-7402-4bd7-bde6-8dfaa73fe632\u002Felement\u002Fe12bfa5d-1893-4e5a-95a3-58e6c15d3f82","type":"text","family-id":"83759a6a-cb09-4246-818a-e3727ba87264","title":"","id":"e12bfa5d-1893-4e5a-95a3-58e6c15d3f82","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ಮಾತಿಗೆ ಅನುಗುಣವಾದ ರೀತಿಯಲ್ಲಿ ಸರ್ವರಿಗೂ ಪ್ರಿಯವಾಗುವಂತೆ ನಾಟಕ ಕಟ್ಟಲಾಗಿದೆ. ಸಮಕಾಲೀನ ವ್ಯಕ್ತಿ ಅಥವಾ ಘಟನೆಯನ್ನು ಯಾವುದೇ ಕಲಾ ಮಾಧ್ಯಮದಲ್ಲಿ ಹಿಡಿದಿಡಬೇಕಾದರೆ ಅವರ ಕೊಡುಗೆಯ ಬಗ್ಗೆಯೇ ಹೆಚ್ಚು ಒತ್ತುಕೊಡುವ ಭಾವನಾತ್ಮಕ ಒತ್ತಡಗಳಿಂದಾಗಿ, ನಿಷ್ಠೂರ ಚರಿತ್ರೆಯ ಹಂಗು ತೊರೆಯುವುದು ಲೋಕಾರೂಢಿ. ಹೀಗಾಗಿ ಈ ಪ್ರಯೋಗವು ಬಿ.ವಿ. ಕಾರಂತರ ‘ಸೃಜನಾತ್ಮಕ ಕಲಾವಿದ’ನ ವೈರುದ್ಧ್ಯಗಳನ್ನು, ಅದರಿಂದ ಉಂಟಾಗುವ ಸಮಸ್ಯೆಗಳನ್ನು ಬಹಳ ಕರುಣೆಯಿಂದ ನೋಡುತ್ತಾ, ಅವುಗಳಿಂದ ಉಂಟಾದ ವಿವಾದಾತ್ಮಕ ವಿಷಯಗಳನ್ನು ಹೆಚ್ಚು ತಡವದೆ, ನಯವಾಗಿ ನೇವರಿಸಿ ಮುಂದೆ ಸಾಗಿಬಿಡುತ್ತದೆ. ಅವರ ಸಾಧನೆಗಳನ್ನು ಎತ್ತಿಹಿಡಿಯುವತ್ತಲೇ ಹೆಚ್ಚು ಗಮನಕೊಡುತ್ತದೆ. ವೈದೇಹಿ ರಚಿಸಿದ ಬಿ.ವಿ. ಕಾರಂತರ ಜೀವನ ಚರಿತ್ರೆ ಮತ್ತು ಪ್ರೇಮಾ ಕಾರಂತರ ಆತ್ಮಕಥೆಯನ್ನು ಆಧರಿಸಿ ಟಿ.ಎಸ್. ನಾಗಾಭರಣ, ಕೃಷ್ಣಪ್ರಸಾದ ಮತ್ತು ಶ್ರೀಪತಿ ಮಂಜನಬೈಲು ರಚಿಸಿದ ಈ ನಾಟಕವನ್ನು ಟಿ.ಎಸ್.ನಾಗಾಭರಣ ನಿರ್ದೇಶಿಸಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd38cc437-7402-4bd7-bde6-8dfaa73fe632\u002Felement\u002Fc036dc13-67a3-485d-8c21-ee601d3bc592","type":"text","family-id":"9e3378e3-faac-4612-8144-7fc15bc96536","title":"","id":"c036dc13-67a3-485d-8c21-ee601d3bc592","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕ ಆರಂಭವಾಗುವುದು ‘ಗೋಕುಲ ನಿರ್ಗಮನ’ ನಾಟಕದ ಸಂಗೀತದೊಂದಿಗೆ, ಒಂದು ರೀತಿಯ ರಮ್ಯ ವಿಷಾದದ ಅಲೆಗಳೊಂದಿಗೆ. ನಂತರ ಕಾರಂತರು ಮಕ್ಕಳಿಗೆ ನಾಟಕ ಕಲಿಸುವ ದೃಶ್ಯ. ಆದಾದ ನಂತರ ಕಾರಂತರ ಆತ್ಮಚರಿತ್ರೆಯನ್ನು ಬರೆದ ಲೇಖಕಿಯ ಪಾತ್ರವನ್ನೇ ರಂಗದ ಮೇಲೆ ತರಲಾಗಿದೆ. ಲೇಖಕಿ ವೈದೇಹಿಯವರಿಗೆ ಕಾರಂತರು ತಮ್ಮ ಕಥೆಯನ್ನು ಹೇಳುವ ತಂತ್ರದ ಮೂಲಕ ನಾಟಕ ಮುಂದುವರೆಯುತ್ತದೆ. ಕಾರಂತರ ಬಾಲ್ಯದ ಚೇಷ್ಟೆಗಳು, ತುಡುಗುತನ ಇತ್ಯಾದಿ ಘಟನೆಗಳು ಲವಲವಿಕೆಯಿಂದ ಸಾಗುತ್ತವೆ. ನಂತರದ ತರುಣ ಕಾರಂತ ಗುಬ್ಬಿ ಕಂಪನಿಯಲ್ಲಿ ಕೆಲಸ ಮಾಡುವುದು, ಕಂಪನಿಯ ಮಾಲೀಕರು ಹಣಕಾಸಿನ ಸಹಾಯ ಮಾಡುವುದು ಇವೆಲ್ಲವೂ ಚಕಚಕನೆ ಸಾಗುತ್ತವೆ. ಬಳಿಕ ಕಾರಂತರು ಕಾಶಿಗೆ ಓದಲು ಹೋಗುತ್ತಾರೆ. ಅಲ್ಲಿ ಸಾಹಿತಿ ಹಜಾರಿ ಪ್ರಸಾದ್‌, ಕಾರಂತರ ಆತ್ಮೀಯರಾಗುತ್ತಾರೆ. ಒಂದು ವರ್ಷ ಪಿಎಚ್‌.ಡಿ ಮಾಡುವಷ್ಟರಲ್ಲಿ ಸ್ಕಾಲರ್‌ ಶಿಪ್‌ ನಿಂತುಹೋಗುತ್ತದೆ. ಇದರ ಮಧ್ಯೆ ಬೆಂಗಳೂರಿನ ಲಾಲ್‌ಬಾಗ್‌ನಲ್ಲಿ ಪ್ರೇಮಾ ಕಾರಂತರ ಮೊದಲ ಭೇಟಿ ನಡೆದಿರುತ್ತದೆ. ಆ ಸಂದರ್ಭದಲ್ಲಿ ಬರುವ ‘ಎಲ್ಲವಳೆಲ್ಲವಳು, ನಿಲದಾಡವ ಕಂಗಳ ಸೊಲ್ಲವಳು’ ಎಂಬ ಹಿನ್ನೆಲೆ ಹಾಡನ್ನು ಬಿಟ್ಟರೆ ಹೆಚ್ಚೇನೂ ರೊಮ್ಯಾಂಟಿಕ್‌ ಸಂಗತಿಗಳು ನಡೆಯದೆ ವ್ಯಾವಹಾರಿಕ ಒಪ್ಪಂದದ ರೀತಿ ಇಬ್ಬರೂ ಮದುವೆ ಮಾತುಕತೆ ನಡೆಸಿದರಲ್ಲ ಎಂದು ಅಚ್ಚರಿ ಪಡುತ್ತಿರುವಾಗಲೇ, ಚಿಟಕಿ ಹೊಡೆಯುವಷ್ಟರಲ್ಲಿ ಮದುವೆಯ ದೃಶ್ಯವೂ ಮುಗಿದುಹೋಗುತ್ತದೆ. ಕಾರಂತರು ಎನ್ಎಸ್‌ಡಿಯಲ್ಲಿ ಕಲಿಯುವಾಗ ಅದರ ಅವಧಿ ಎರಡು ವರ್ಷಗಳಿರುತ್ತದೆ. ಇವರು ತಮ್ಮ ಮಿತ್ರರೊಂದಿಗೆ ಸೇರಿ ಪ್ರಧಾನಿ ನೆಹರೂ ಅವರನ್ನು ಭೇಟಿ ಮಾಡಿ ಅದನ್ನು ಮೂರು ವರ್ಷಗಳಿಗೆ ಹೆಚ್ಚಿಸುವ ದೃಶ್ಯ ಚೆನ್ನಾಗಿದೆ. ಹಾಗೆ ಹೆಚ್ಚಿಸಲು ಒಂದು ಕಾರಣ ಅವರಿಗೆ ಪ್ರತಿ ತಿಂಗಳು ಸಿಗುತ್ತಿದ್ದ ಇನ್ನೂರು ರೂಪಾಯಿ ಭತ್ಯೆ, ಇನ್ನೊಂದು ವರ್ಷಕ್ಕೆ ಮುಂದುವರೆಯುವುದೂ ಆಗಿತ್ತು. ಬಳಿಕ ಕಾರಂತರು ಮೊದಲು ನಿರ್ದೇಶಿಸಿದ ಮೊದಲ ಹಿಂದಿ ನಾಟಕ ‘ಹಯವದನ’.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd38cc437-7402-4bd7-bde6-8dfaa73fe632\u002Felement\u002F31f60289-2f20-4bd7-b20e-5a4e6e3072bb","type":"text","family-id":"8a80ed8e-9657-403e-896b-1b80e3bdae05","title":"","id":"31f60289-2f20-4bd7-b20e-5a4e6e3072bb","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಆನಂತರ ಕರ್ನಾಟಕಕ್ಕೆ ಬಂದ ಕಾರಂತರು ‘ಸತ್ತವರ ನೆರಳು’ ನಾಟಕ ಮಾಡಿಸುತ್ತಾರೆ. ಮುಂದೆ ಎನ್‌ಎಸ್‌ಡಿಗೆ ನಿರ್ದೇಶಕರಾಗಿ ಹೋಗುತ್ತಾರೆ. ಅಲ್ಲಿ ಅವರು ಅನೇಕ ಕಷ್ಟಗಳನ್ನು ಅನುಭವಿಸುತ್ತಾರೆ. ವಿದ್ಯಾರ್ಥಿಗಳು ಇವರ ವಿರುದ್ಧ ದಂಗೆ ಏಳುತ್ತಾರೆ. ಕಾರಂತರು ಅಲ್ಲಿಂದ ಭೋಪಾಲ್‌ಗೆ ಹೋಗುತ್ತಾರೆ. ಅಲ್ಲಿ ಮೊದಲಿನಿಂದಲೇ ಅವರ ಬಗ್ಗೆ ಒಂದಷ್ಟು ಅಸಹನೆ ಇರುವ ಗುಂಪೊಂದು ಬೆಳೆಯುತ್ತದೆ. ಕಾರಂತರಿಗೆ ‘ಆತ್ಮೀಯ’ಳಾಗಿದ್ದ ಪ್ರತಿಭಾನ್ವಿತ ನಟಿ ವಿಭಾ ಮಿಶ್ರಾ ತನ್ನ ಸಿಟ್ಟಿನ ಆವೇಗದಲ್ಲಿ ಬೆಂಕಿ ಹಚ್ಚಿಕೊಂಡ ಮತ್ತು ಕಾರಂತರನ್ನು ಆ ಪ್ರಕರಣದಲ್ಲಿ ಬಲಿಪಶು ಮಾಡಿದ ಒಂದು ದೃಶ್ಯವಿದೆ. ದೇಶದಾದ್ಯಂತ ಬಹಳ ಸದ್ದು ಮಾಡಿದ್ದ ಈ ಪ್ರಕರಣವನ್ನು ಈ ಪ್ರಯೋಗದಲ್ಲಿ ಸಾಕಷ್ಟು ತಣ್ಣಗೆ, ನಿರ್ವಿ ಕಾರವಾಗಿ ಒಂದು ಪತ್ರಿಕಾ ವರದಿಯಂತೆ ತೋರಿಸಲಾಗಿದೆ. ಆ ಗಂಭೀರ ದುರಂತಕ್ಕೆ ಅನುವು ಮಾಡುವ ಯಾವುದೇ ಸಂಘರ್ಷಗಳು ಎಲ್ಲೂ ಸ್ಪಷ್ಟವಾಗಿ ಕಾಣದೆ, ಆ ದೃಶ್ಯ ಬಹುತೇಕ ಮಾತುಕತೆಯಲ್ಲೇ ಘಟಿಸುತ್ತದೆ. ಇಡೀ ನಾಟಕದಲ್ಲಿ ಈ ರೀತಿಯ ಎಲ್ಲ ಸಂದರ್ಭಗಳಲ್ಲಿ, ಉದಾಹರಣೆಗೆ ಎನ್‌ಎಸ್‌ಡಿಯ ವಿದ್ಯಾರ್ಥಿಗಳ ದಂಗೆ, ರಂಗಾಯಣದ ಕಲಾವಿದರೊಂದಿಗಿನ ಸೈದ್ಧಾಂತಿಕ ತಿಕ್ಕಾಟ ಮಾತ್ರವಲ್ಲದೆ, ಕಾರಂತರ ಸರೀಕರೊಂದಿಗಿನ ಜಗಳ, ಅವರ ವ್ಯಸನಗಳು, ಅವರ ಒಳಗಿನ ತುಮುಲಗಳು ಮಾತ್ರವಲ್ಲದೆ, ಕಾರಂತ-ಪ್ರೇಮ ಕಾರಂತರ ಮೊದಲ ಭೇಟಿಯ ಪ್ರಸಂಗವನ್ನು ನಿರ್ದೇಶಕರು ಮೆದುಗೊಳಿಸಿ ನಿಭಾಯಿಸಿದ್ದಾರೆ. ಹೀಗಾಗಿ ನಾಟಕದ ತೀವ್ರತೆ ಹೆಚ್ಚಾಗಬಹುದಾಗಿದ್ದ ಸಾಧ್ಯತೆಯನ್ನು ಗಣನೀಯವಾಗಿ ತಡೆದಿದೆ. ನಾಟಕವು, ಬಹುತೇಕ ಕಾರಂತರ ರಂಗ ಕಾಯಕಗಳ ಉತ್ತಮಿಕೆಯನ್ನು ಸಕಾರಣವಾಗಿ ಆನಂದಿಸುವ ಡಾಕ್ಯುಮೆಂಟರಿಯಾಗಿದ್ದು ಅದನ್ನು ಚೆನ್ನಾಗಿ ನಿರ್ದೇಶಕರು ಅಚ್ಚುಕಟ್ಟಾಗಿ ನಿಭಾಯಿಸಿದ್ದಾರೆ. ಕಾರಂತರ ಸಂಗೀತ ನಿರ್ದೇಶನದ ಹಾಡುಗಳು ಇಲ್ಲಿ ವಿಫುಲವಾಗಿದ್ದು, ಪ್ರೇಕ್ಷಕರನ್ನು ಬೇರೆಯೇ ಲೋಕಕ್ಕೆ ಒಯ್ಯುತ್ತವೆ. ಕಾರಂತರ ರಂಗ ಸಂಗೀತದ ವಿಸ್ಮಯಕಾರಿ ಶಬ್ದ ವಿನ್ಯಾಸದ ಪ್ರಸ್ತುತಿ ನಾಟಕದ ಅತ್ಯಂತ ಪ್ರಶಂಸನೀಯ ಅಂಶ. ನಾಟಕದ ಅಂತ್ಯವನ್ನು ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸಿಗೆ ತಟ್ಟುವ ಭಾವುಕವಾಗಿ 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ಗುಮಾನಿ ಸತ್ಯವಾದಾಗ ಹೆಂಡ್ತಿಯ ಅನಿರೀಕ್ಷಿತ ದಾಳಿಯಿಂದಾಗಿ ಸಾವನ್ನಪ್ಪಿದವ. ನಾಲ್ಕನೆಯ ಪಾತ್ರ. 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ತಿಂದೀನೇನಲೆ‘ ಎಂದು ಜರೆಯುವ ಹರಿ ಪಾತ್ರ ವೇದಿಕೆಗೆ ಬಂದರೆ ನಗೆಯುಕ್ಕಿ ಬರುತ್ತಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002F9a8c1a22-dfa7-47a6-a0bf-acbe2af822f8","type":"text","family-id":"bfb1a322-b91d-4989-9fa2-dcdaa4aaccd3","title":"","id":"9a8c1a22-dfa7-47a6-a0bf-acbe2af822f8","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಗಲಗಲಿ ಒಳಗಬಂದ್ರು, ಶಾಭಾಷ್‌ ಗಲಗಲಿ, ಬರೋಬ್ಬರಿ ವಿಳಾಸಕ್ಕ ಬಂದೀರಿ, ಒಂದು ಎರಡು ಮೂರು, ಗಲಗಲಿಯವರಿಗೆ ಹೆಣ್ಮಕ್ಕಳು ಕಂಡ್ರು. ಗಲಗಲಿಯವರು ಹೆಣ್ಮಕ್ಕಳ ಮಾತು ಕೇಳ್ತಾರ, ಹೆಣ್ಮಕ್ಕಳು ಗಲಗಲಿಯವರಿಗೆ ಹಚ್ಕೊಂಡಾರ, ಹೆಗಲಿಗೆ ಒರಗ್ಯಾರ ಅಂದ್ರ ಗಲಗಲಿ ಮ್ಯಾಲೆ ಪ್ರೀತಿ ಇದ್ದಂಗ ಐತಿ, ಇದೇ ಬರೋಬ್ಬರಿ ಟೈಮು, ಕೇಳೇಬಿಡ್ತೀನಿ.. ಒಂದು ಪಾಲಸಿ ಮಾಡ್ತೀರೇನು? ಇನ್‌ಸೈಡ್‌ ಔಟ್‌ನಂತೆ, ಲೌಡ್‌ ಥಿಂಕಿಂಗ್‌ನಂತೆ ಮನದ ಮಾತುಗಳೆಲ್ಲ ತುಟಿನಡುವೆ ಗೊಣಗುತ್ತಲೇ ಗಲಗಲ ಮಾತನಾಡುವ ಗಲಗಲಿಯ ಪಾತ್ರ 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ಪಾತ್ರ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002Faf584ad6-b6c4-4877-9018-00182046eed6","type":"text","family-id":"e1b10594-7234-49a6-8fc1-300dbdf11297","title":"","id":"af584ad6-b6c4-4877-9018-00182046eed6","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಸಹಿ ರೀ ಸಹಿ’ ನಾಟಕದ ಜೀವ ಮತ್ತು ಆತ್ಮಗಳು ಈ ಪಾತ್ರಗಳು. ಇವೆಲ್ಲ ಪಾತ್ರಗಳನ್ನೇ ಯಶ್ವಂತ್‌ ಸರದೇಶಪಾಂಡೆ ಸಲೀಸಾಗಿ ನಟಿಸಿದರು, ನೀರಿನ ಹರಿವಿನಂತೆ. ಹರಿಯುವ ನೀರನ್ನು ಯಾವ ಪಾತ್ರೆಗೆ ತುಂಬಿಸಿದರೂ ಆ ಪಾತ್ರೆಯ ಪಾತ್ರವನ್ನೇ ತಾಳುವಂತೆ! ಪ್ರತಿ ಪಾತ್ರಕ್ಕೂ ಅದರದ್ದೇ ಆದ ಮ್ಯಾನರಿಸಂ ಇದೆ, ರಿದಂ ಇದೆ. ಒಂದರೆ ಚಣವೂ ಗಮನ ಅತ್ತಿತ್ತ ಆಗದಂತೆ ಧ್ಯಾನಿಗನಂತೆ ಪ್ರಸ್ತುತಪಡಿಸುತ್ತ ಹೋಗುತ್ತಾರೆ. ನಾಲ್ಕೂಪಾತ್ರಗಳೂ ಒಟ್ಟಿಗೆ ವೇದಿಕೆಯ ಮೇಲೆ ತರುವುದು ಹೇಗೆ? ಅದಕ್ಕೂ ಯಶ್ವಂತ್‌ ಅವರ ವಿಶೇಷ ರಂಗ ತಂತ್ರವಿದೆ. ಅದನ್ನು ನೋಡಿಯೇ ಆನಂದಿಸಬೇಕು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002Fb194c51f-b9d7-468c-aceb-754a66843c86","type":"text","family-id":"50c1da3f-8e68-4c44-89d3-63c3009b193c","title":"","id":"b194c51f-b9d7-468c-aceb-754a66843c86","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮರಾಠಿ ಮೂಲದ ‘ಸಹಿ ರೀ ಸಹಿ’ ನಾಟಕವನ್ನು ಯಶ್ವಂತ್‌ ಸರದೇಶಪಾಂಡೆಯವರ ಸಿಗ್ನೆಚರ್‌ ಧಾಟಿ ಧಾರವಾಡಿಗರ ಕನ್ನಡದಲ್ಲಿ ಅನುವಾದಿಸಿ, ರಂಗರೂಪಕ್ಕೆ ತರಲಾಗಿದೆ. ಕೇದಾರ್‌ ಶಿಂದೆ ಅವರ ರಚಿತ ಮತ್ತು ನಿರ್ದೇಶಿತ ಈ ನಾಟಕ ಮರಾಠಿ ನೆಲದಲ್ಲಿ 4444  ಪ್ರಯೋಗಗಳನ್ನು ಕಂಡಿವೆ. ಕಾಣುತ್ತಲೇ ಇದೆ. ಅಲ್ಲಿ ಖ್ಯಾತ ರಂಗಭೂಮಿ ಕಲಾವಿದ ಭಾರತ್‌ ಜಾಧವ್‌ ಮದನ್‌ ಸುಖಾತ್ಮೆಯ ಪಾತ್ರ ನಿರ್ವಹಿಸುತ್ತಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002F9beba9c0-d743-4236-81e8-2fd675c0810e","type":"text","family-id":"fab0decb-fde0-4ebf-b638-b31121b0f1b1","title":"","id":"9beba9c0-d743-4236-81e8-2fd675c0810e","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸಿರಿವಂತ ಉದ್ಯಮಿಯೊಬ್ಬ ಸಂದೇಹಾಸ್ಪದ ರೀತಿಯಲ್ಲಿ ಕಾಣೆಯಾಗುತ್ತಾನೆ. ಮೂರು ತಿಂಗಳ ನಂತರ ವಕೀಲರು ಅವರ ಮೂರು ಉಯಿಲುಗಳೊಂದಿಗೆ ಬರುತ್ತಾರೆ. ಒಂದರಲ್ಲಿ ಎರಡನೆಯ ಹೆಂಡತಿ ವಾರಸುದಾರಳೆಂದು, ಇನ್ನೊಂದರಲ್ಲಿ ಮೊದಲ ಹೆಂಡತಿ ಮತ್ತು ಪುತ್ರಿಯನ್ನೂ, ಮತ್ತೊಂದರಲ್ಲಿ ದೂರದ ಸಂಬಂಧಿ ಪಾಟೀಲ ಅವರನ್ನೂ ವಾರಸುದಾರರಾಗಿ ಬರೆದಿರುತ್ತಾರೆ. ಆದರೆ ಯಾವುದಕ್ಕೂ ಅವರ ಸಹಿ ಇರುವುದಿಲ್ಲ. ಯಾವುದು ಅಂತಿಮವಾಗಿ ಬರೆದಿದ್ದು ಎಂಬ ಸ್ಪಷ್ಟತೆಯೂ ಇರುವುದಿಲ್ಲ. ಮದನ್‌ ಆತ್ಮಸುಖೆಯನ್ನೇ ಹೋಲುವ ಹರಿ, ಗಲಗಲಿ ಮತ್ತು ರಂಗ ಅವರನ್ನು ಈ ಮೂರು ಪಕ್ಷದವರು ತಮ್ಮ ಪಾಲಿನ ಮದನ್‌ ಆಗಿ ಕಾಣಿಸಿಕೊಳ್ಳಲು ಒಲಿಸುತ್ತಾರೆ. ಕೊನೆಯ ಅಂಕದಲ್ಲಿ ಈ ಮೂರು ಪಾತ್ರಗಳೊಂದಿಗೆ ನಿಜದ ಮದನ್‌ ಆತ್ಮಸುಖೆಯೂ ಪ್ರತ್ಯಕ್ಷವಾದಾಗ ಆಗುವ ಅವಾಂತರಗಳೇ ಈ ನಾಟಕದ ಕತೆಯಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002Fb2a657cd-9cd3-4145-b548-e8291148cea3","type":"text","family-id":"690463c8-30a1-4f76-af22-9a31202b97c1","title":"","id":"b2a657cd-9cd3-4145-b548-e8291148cea3","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕೇವಲ ಮನರಂಜನೆಯಷ್ಟೇ ಈ ನಾಟಕದ ಉದ್ದೇಶವಾಗಿರುವಂತೆ ಕಂಡರೂ ದುರಾಸೆ ಮಾನವನನ್ನು ಯಾವ ದಿಕ್ಕಿಗಾದರೂ ಕೊಂಡೊಯ್ಯಬಹುದು ಎಂಬಂತೆ ನಿರೂಪಿತವಾಗುತ್ತ ಹೋಗುತ್ತದೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002F12e9752c-e1d9-4d13-8063-409d7d73ff80","type":"text","family-id":"48974946-7b7f-4823-9d09-4ad375ff7624","title":"","id":"12e9752c-e1d9-4d13-8063-409d7d73ff80","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಪಾತ್ರಗಳೆಲ್ಲವೂ ನಿಜದ ವ್ಯಕ್ತಿತ್ವವೇ ಹಂಗೆ ಎನ್ನುವಂತೆ ಮೈಗಿಳಿಸಿಕೊಂಡಿದ್ದಾರೆ ಕಲಾವಿದರು. ಅವರ ಆಂಗಿಕ ಅಭಿನಯ, ಅಭಿವ್ಯಕ್ತಿ, ಉಚ್ಚಾರ ಎಲ್ಲವೂ.. ನಟನೆಯೇ ಅಲ್ಲ ಅನಿಸುವಷ್ಟು ಸಹಜ. ಸಹಜವಾಗಿರುವ ನಟನೆಯೇ ಇದು ಎನ್ನುವಷ್ಟು ತಾದಾತ್ಮ್ಯ. ಇದಕ್ಕೆ ಮೊದಲ ಹೆಂಡತಿಯ ಪಾತ್ರ ನಿರ್ವಹಿಸಿದ ಪ್ರಿಯಾ ಕುಲಕರ್ಣಿ, ವಕೀಲ ಬಾಚಯ್ಯನ ಪಾತ್ರ ನಿರ್ವಹಿಸಿದ ಕೃಷ್ಣಮೂರ್ತಿ ಗಾಂವ್ಕರ್‌, ಮದನ್‌ ಪಾತ್ರದ ಅಣ್ಣನಾಗಿರುವ ಅರವಿಂದ ಪಾಟೀಲ, ಕುಡುಕನ ಪಾತ್ರದಲ್ಲಿ ರವಿ ಕುಲಕರ್ಣಿ, ಮಗಳ ಪಾತ್ರದಲ್ಲಿ ಅರ್ಪಿತಾ, ಎರಡನೆಯ ಹೆಂಡ್ತಿ ಪಾತ್ರದಲ್ಲಿ ಶಿಲ್ಪಾ ಪಾಂಡೆ ಜೀವ ತುಂಬಿದರು. ನಾಟಕದಲ್ಲಿ ಸಣ್ಣ ಸಣ್ಣ ಪಾತ್ರಗಳ ನಾಜೂಕುತನ ಮತ್ತು ಬಾರೀಕಿಗೆ ಕೊಂಕು ಬಾರದಂತೆ ಸಹಾಯಕ ಪಾತ್ರದಲ್ಲಿ ಸುಮಂತ್‌ ಕುಲಕರ್ಣಿ, ಶೇಖರ್‌ ಪಾಟೀಲ ಮಿಂಚಿದರು. ಇವರೆಲ್ಲರ ಮುಂದೆ ತೀರ ತುಸುವೆನಿಸುವಷ್ಟು, ಪಿಎ ಪಾತ್ರವಹಿಸಿದ ಪ್ರದೀಪ ಮುಧೋಳ ಪೇಲವವೆನಿಸಿದರು. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002F97e65914-d3b9-4d9d-9afe-69e94e905ffa","type":"text","family-id":"631d848e-115d-4108-b826-1a77d7750c30","title":"","id":"97e65914-d3b9-4d9d-9afe-69e94e905ffa","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಉಳಿದಂತೆ ಇಡೀ ನಾಟಕ ನಕ್ಕು ನಗಿಸುತ್ತಲೇ, ಮನರಂಜನೆಯ ಹೆಸರಿನಲ್ಲಿಯೇ ದುಡ್ಡು, ಆಸ್ತಿ ಸಿಗುವುದು ಎಂದಾದಾಗ ಮನುಷ್ಯ ತೋರುವ ಸಣ್ತನಗಳತ್ತ ಗಮನಸೆಳೆಯುತ್ತದೆ. ಎಲ್ಲಿಯೂ ಅಪಹಾಸ್ಯವಿಲ್ಲದೇ, ಸಮಾಜದ ಸಣ್ತನಗಳನ್ನು ವಿಡಂಬನಾತ್ಮಕವಾಗಿ ನೋಡುವ ಈ ನಾಟಕ ಮತ್ತೆ ಮತ್ತೆ ನೋಡಿಸಿಕೊಳ್ಳುತ್ತದೆ. ಪ್ರತಿಸಲವೂ ಅಷ್ಟೇ ನಕ್ಕು ಬರುವವರು ಇರುವುದರಿಂದಲೇ ಕನ್ನಡದಲ್ಲಿಯೂ 500ಕ್ಕೂ ಹೆಚ್ಚಿನ ಪ್ರದರ್ಶನ ಕಂಡಿದೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fa7e12c2d-4632-4e35-bea7-0d357ec738ed\u002Felement\u002F3d5e21aa-bed3-42a7-bbb2-f7844e5011c4","type":"text","family-id":"dbb7d30c-c129-4763-92dc-fca9e127ddc1","title":"","id":"3d5e21aa-bed3-42a7-bbb2-f7844e5011c4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೊದಲ ದೃಶ್ಯದಲ್ಲಿ ಕಿರಿಯ ಹೆಂಡತಿ ಮೋಸ ಮಾಡುವುದನ್ನು ಕಂಡಾಗ ಮದನ್‌ ಆತ್ಮಸುಖೆ ಮುಡಿ ಹಿಡಿದು ಬೈಯ್ಯುವಾಗ ಮಾತ್ರ ತುಸು ಇರುಸುಮುರುಸಾಗುವುದು ನಿಜ. ಅದೊಂದೇ ನಾಟಕಕ್ಕೆ ದೃಷ್ಟಿಬೊಟ್ಟು. v\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca 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href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1726351860000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಸಹಿ ರೀ ಸಹಿ ನಾಟಕದ 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87ನೇ ಪ್ರದರ್ಶನ ಕಾಣುತ್ತಿದೆ. 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dance rangaboomi dram stage artist Vasundhara Doreswamy","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":142177,"file-name":"K23.jpg","focus-point":[525,297]},"comments":null,"word-count":429,"story-features":{"push-notification":{"is-scheduled":false,"publish-at":null}},"entities":{},"published-at":1724542200000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಚಿತ್ರ: ಶಶಿಕಿರಣ್‌\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","bullet-type":"123","hero-image-alt-text":null,"id":"f20a7bd0-97fd-44f2-bf3f-1ad1ac485229","hero-image-s3-key":"prajavani\u002F2024-08-24\u002F88c9iwqm\u002FK23.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Ff20a7bd0-97fd-44f2-bf3f-1ad1ac485229\u002Felement\u002Fd4049a85-c5a9-4ab4-96a7-cd86b9559187","type":"text","family-id":"9f756fc7-3ddd-4f97-95e1-c489e6f6bd75","title":"","id":"d4049a85-c5a9-4ab4-96a7-cd86b9559187","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ನೃತ್ಯವೆಂದರೆ ಅದು ನನಗೆ ದೇವರು ಕೊಟ್ಟಿರುವ ವರ. ಅದನ್ನು ನನ್ನ ದೇಹದಲ್ಲಿ, ಮನಸ್ಸಿನಲ್ಲಿ ಉಳಿಸಿಕೊಳ್ಳುವ ಸಲುವಾಗಿ ನಾನು ಏನನ್ನಾದರೂ ಮಾಡಲು ಸಿದ್ಧಳಿರಬೇಕು, ಅಷ್ಟು ಸಮರ್ಪಣಾ ಮನೋಭಾವ ಇದ್ದರೆ ಮಾತ್ರ ಕಲೆಯ ಸಿದ್ಧಿಯು ಸಾಧ್ಯವಾಗುತ್ತದೆ. ಹಾಗಾಗಿ ಭರತನಾಟ್ಯಕ್ಕೆ ಪೂರಕವಾಗಿ ನಾನು ಯೋಗಾಸನವನ್ನು ಅಭ್ಯಾಸ ಮಾಡಿಕೊಂಡೆ. ಸಮರ ಕಲೆಗಳನ್ನು ಕಲಿತೆ. ನನ್ನೊಳಗಿನ ನೃತ್ಯವನ್ನು ನಿತ್ಯವೂ ಚಂದಗಾಣಿಸಲು ಬೇಕಾದ ಎಲ್ಲ ಪ್ರಯತ್ನ ಮಾಡಲು ನಾನು ಸದಾ ಹಾತೊರೆಯುತ್ತಿರುತ್ತೇನೆ’ ಎಂದು ಹೇಳಿದವರು ಪ್ರಸಿದ್ಧ ನೃತ್ಯಕಲಾವಿದೆ ವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ. ಅವರ ಈ ಮಾತಿಗೆ ಪುಷ್ಟಿ ನೀಡುವಂತಿತ್ತು ಅವರು ಪ್ರಸ್ತುತಪಡಿಸಿದ ವೀರರಸ ಪ್ರಧಾನವಾದ, ‘ಕಿತ್ತೂರು ರಾಣಿ ಚೆನ್ನಮ್ಮ’ ಎಂಬ ಏಕವ್ಯಕ್ತಿ ನೃತ್ಯ ನಾಟಕ. ಅವರ ಆರು ದಶಕಗಳ ನೃತ್ಯ, ನಾಟಕ, ಸಮರ ಕಲೆಗಳ ಕಲಿಕೆಯು ರಸಪಾಕವಾಗಿ ಈ ಪ್ರದರ್ಶನವು ಮೂಡಿಬಂತು.\u003C\u002Fp\u003E\u003Cp\u003Eಕನ್ನಡನಾಡಿನ ವೀರ ಮಹಿಳೆ ಕಿತ್ತೂರು ರಾಣಿ ಚೆನ್ನಮ್ಮಳ ಜೀವನ ವೃತ್ತಾಂತವನ್ನು, ಬ್ರಿಟಿಷರ ವಿರುದ್ಧ ಅಕೆ ಸಾರಿದ ಕೆಚ್ಚೆದೆಯ ಹೋರಾಟವನ್ನು ಕಲಾವಿದೆಯು ಯಶಸ್ವಿಯಾಗಿ ರಂಗದ ಮೇಲೆ ಪ್ರಸ್ತುತಪಡಿಸಿದರು. ಭರತನಾಟ್ಯದ ತಾಳಲಯದ ತಳಹದಿ, ರಂಗಭೂಮಿಯ ವಾಚಿಕದ ತೋರಣ, ಯೋಗಾಸನದ ಕಿಂಚಿತ್‌ ಅಲಂಕಾರ, ಸಮರ ಕಲೆಯ ಸಮ್ಮಿಲನದೊಂದಿಗೆ ಇಡೀ ರಂಗಪ್ರಸ್ತುತಿಯು ಪ್ರೇಕ್ಷಕರ ಮನ ಸೆಳೆಯಿತು. ಪ್ರದರ್ಶನದುದ್ದಕ್ಕೂ ಶ್ಲಾಘನೆಯ ಕರತಾಡನ, ಅಂತಿಮವಾಗಿ ಸಭಿಕರೆಲ್ಲರೂ ಗೌರವಪೂರ್ವಕವಾಗಿ ನೀಡಿದ ಚಪ್ಪಾಳೆಯ ಅಭಿನಂದನೆಯನ್ನು ವಿನಯದಿಂದ ಸ್ವೀಕರಿಸಿದರು ವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ.\u003C\u002Fp\u003E\u003Cp\u003Eಬಾಲಕಿ ಚೆನ್ನಮ್ಮಳ ಆಟಪಾಠ ಆಸಕ್ತಿಯನ್ನು ಚಿಗರೆಗಂಗಳ ಚಲನೆಯೊಂದಿಗೆ ಚುರುಕು ಹೆಜ್ಜೆಗಾರಿಕೆಯಲ್ಲಿ ಅಭಿವ್ಯಕ್ತಿಗೊಳಿಸಿದ ಕಲಾವಿದೆ, ಯೌವ್ವನದಲ್ಲಿ ಆಕೆಗೆ ಯುದ್ಧ ಕೌಶಲ ಕಲಿಯಲು ಇದ್ದ ಆಸಕ್ತಿಯನ್ನು ಅಷ್ಟೇ ಗಂಭೀರವಾಗಿ ಪ್ರಸ್ತುತಪಡಿಸಿದರು. ನೃತ್ತ, ನಡಿಗೆ, ನಿಲುವು ಮತ್ತು ಮುಖಭಾವದಲ್ಲಿ, ಚೆನ್ನಮ್ಮಾಜಿ ನಿಧಾನವಾಗಿ ಪ್ರಬುದ್ಧತೆಯತ್ತ ಸಾಗುವ ಚಲನೆಯನ್ನು ಅಭಿವ್ಯಕ್ತಿಗೊಳಿಸಿದರು. ರಾಜಾ ಮಲ್ಲಸರ್ಜನೊಂದಿಗೆ ನಡೆದ ವಿವಾಹ ಪ್ರಸಂಗದಲ್ಲಿ ಔಚಿತ್ಯಪೂರ್ಣ ಶೃಂಗಾರದ ಝಲಕ್ ಗೋಚರಿಸಿದರೆ, ಮಗನನ್ನು ಕಳೆದುಕೊಂಡ ತಾಯಿಯ ದುಃಖಿತ ಭಾವವು ಕರುಣಾರಸವನ್ನು ಅನಾವರಣಗೊಳಿಸಿತು. ವೀರರಸದಲ್ಲಿ ಅಭಿನಯ ವೈಭವದ ಉತ್ತುಂಗಕ್ಕೆ ಏರಿದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಹಾಗೆ ನೋಡಿದರೆ ಅವರು ಒಟ್ಟು ಈ ಪ್ರಸ್ತುತಿಯನ್ನು ಹೆಣೆದಿರುವ ವಿನ್ಯಾಸವೇ ಬಹುವೈವಿಧ್ಯತೆಯಿಂದ ಕೂಡಿತ್ತು. ಚೆನ್ನಮ್ಮಾಜಿಯ ವಿವಾಹ ಪ್ರಸಂಗದವರೆಗೆ ಸಂತೋಷ ಪ್ರಧಾನವಾದ ‌‌ಭಾವಗಳಿಗೆ ಆದ್ಯತೆ ನೀಡಿ ಭರಪೂರ ನೃತ್ತವನ್ನು ಉಣಬಡಿಸಿದರು. ಮಗುವನ್ನು ಕಳೆದುಕೊಂಡ ಬಳಿಕ ಈಶ್ವರನನ್ನು ಮೊರೆ ಹೋಗುವ ಸಂದರ್ಭದಲ್ಲಿ ಶಂಕರಾಭರಣ ರಾಗದಲ್ಲಿ ‘ಚಂದ್ರಚೂಡ ಶಿವ ಶಂಕರ...’ ಹಾಡು ಸಭಿಕರು ಭಕ್ತಿರಸದಲ್ಲಿ ತಲ್ಲೀನರಾಗುವಂತೆ ಮಾಡಿತು. ಅವರ ಈ ನೃತ್ಯವಿಲಾಸಕ್ಕೆ ಸೊಗಸಾಗಿ ಜೊತೆಯಾದುದು ಯೋಗಾಸನದ ಭಾವಭಂಗಿಗಳು. ಸಾಂಸಾರಿಕ ಜಂಜಾಟದ ಹೊಸ್ತಿಲನ್ನು ದಾಟಿ, ಪ್ರಜೆಗಳನ್ನು ರಕ್ಷಿಸುವ ಉದ್ದೇಶದಿಂದ ರಾಜಕೀಯಕ್ಕೆ ಮುಖಮಾಡಲು ನಿರ್ಧರಿಸುವ ಚೆನ್ನಮ್ಮಾಜಿಯ ನಿರ್ಧಾರ, ಅಲೋಚನೆಯ ಪರಿವರ್ತನೆಯನ್ನು ನೃತ್ತದಲ್ಲಿಯೇ ಕಲಾವಿದೆ ಪ್ರೇಕ್ಷಕರಿಗೆ ತಿಳಿಸಿಕೊಟ್ಟರು.\u003C\u002Fp\u003E\u003Cp\u003Eನೃತ್ಯಪ್ರಸ್ತುತಿಯೊಂದರಲ್ಲಿ ರಂಗಗತಿಗಳ ಬಳಕೆಯು ಸಾಂದರ್ಭಿಕವಾಗಿ ಹಾದುಹೋಗುವುದು ವಾಡಿಕೆ. ಆದರೆ ವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ ಅವರು ಕಿತ್ತೂರು ರಾಣಿಯ ಧೈರ್ಯಸ್ಥೈರ್ಯ ಮತ್ತು ಮಹಾರಾಣಿಯ ಆಳ್ವಿಕೆಯ ಗಾಂಭೀರ್ಯವನ್ನು ಅಭಿವ್ಯಕ್ತಿಗೊಳಿಸಲು ‘ತುರಗಗತಿ’ಯನ್ನು ರಾಣಿಯ ಮನೋಸ್ಥಿತಿಗೆ ಪೂರಕವಾಗಿ ವಿವಿಧ ವೇಗಗಳಲ್ಲಿ ಬಳಸಿಕೊಂಡರು. ಚೆನ್ನಮ್ಮಾಜಿಯು ಯುದ್ಧಕೌಶಲ ಕಲಿಯುವ ಸಂದರ್ಭದಲ್ಲಿ, ಆಕೆ ಕಾರ್ಯೋನ್ಮುಖಳಾಗಬೇಕಾದ ತುರ್ತು, ರಾಣಿಯ ವೈಭವ, ಯುದ್ಧದ ಸಿದ್ಧತೆ...ಹೀಗೆ ವಿವಿಧ ಲಯಗಳಲ್ಲಿ ಕಲಾವಿದೆಯ ಹೆಜ್ಜೆಗಾರಿಕೆಯು, ರಾಣಿ ಪಾತ್ರದ ವರ್ಚಸ್ಸನ್ನು ಉನ್ನತಿಗೇರಿಸುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಯಿತು. ವಿದ್ವಾನ್‌ ಡಿ.ಎಸ್‌. ಶ್ರೀವತ್ಸ ಅವರ ಹಿನ್ನೆಲೆ ಸಂಗೀತವೂ ಪರಿಣಾಮಕಾರಿಯಾಗಿ ಸಾಥ್‌ ಕೊಟ್ಟಿರುವುದನ್ನು ಮರೆಯುವಂತಿಲ್ಲ.\u003C\u002Fp\u003E\u003Cp\u003Eರಾಜಾ ಮಲ್ಲಸರ್ಜನ ರಾಣಿಯಾಗಿ, ಶಿವಭಕ್ತೆಯಾಗಿ, ಯುದ್ಧ ಸನ್ನದ್ಧಳಾದ ಹೋರಾಟಗಾರ್ತಿಯಾಗಿ ಚೆನ್ನಮ್ಮಾಜಿಯ ಪಾತ್ರವನ್ನು ಆಹಾರ್ಯದಲ್ಲಿಯೂ ವಿಭಿನ್ನವಾಗಿ ತೋರಿಸಿದ್ದು ಮತ್ತೊಂದು ವಿಶೇಷ. ಯುದ್ಧದ ದಿರಿಸು, ಕತ್ತಿ ಗುರಾಣಿಗಳು ಮತ್ತು ಕಿರೀಟದ ಬಳಕೆಯು ಭಾವಾಭಿವ್ಯಕ್ತಿಗೆ ವೇಗವರ್ಧಕದಂತಿತ್ತು. ವಸುಂಧರಾ ಅವರು ಕೇರಳದ ಕಳರಿಪಯಟ್ಟು ಕಲೆ ಹಾಗೂ ಮಣಿಪುರದ ತಾಂಗ್ತಾ ಕಲೆಯನ್ನೂ ಕಲಿತವರಾದ್ದರಿಂದ ಯುದ್ಧದ ಸನ್ನಿವೇಶಗಳು ನೃತ್ಯದೊಳಗೆ ಮಿಳಿತವಾಗಿ ಮೂಡಿಬಂತು. ಒಂದು ಗಂಟೆ ಅವಧಿಯ ಪ್ರಸ್ತುತಿಯಲ್ಲಿ ಕಲಾವಿದೆಯ ಸುದೀರ್ಘವಾದ ಕಲಾ ಸಾಧನೆಯು ರತ್ನಪ್ರಕಾಶದಂತೆ ಹೊಳೆಯಿತೆನ್ನಬೇಕು. ಡಾ.ಜ್ಯೋತಿಶಂಕರ್‌ ಅವರ ರಂಗಕೃತಿಗೆ ನೃತ್ಯಸಾಧ್ಯತೆಗಳನ್ನು ಅನಾವರಣಗೊಳಿಸುತ್ತ, ಕಲಾವಿದೆಯು ಆಂಗಿಕ ಅಭಿನಯದಲ್ಲಿ ಭಾವಪೋಷಣೆ ಮಾಡುತ್ತ ಪ್ರೇಕ್ಷಕರೊಡನೆ ಕಥಾನುಸಂಧಾನ ಸಾಧಿಸಿಕೊಂಡರು. ಮಣಿಪಾಲ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಸಾಂಸ್ಕೃತಿಕ ವಿಭಾಗವು ಟಿ.ಎಂ.ಎ ಪೈ ಸಭಾಂಗಣದಲ್ಲಿ ಗುರುವಾರ  ಈ ಕಾರ್ಯಕ್ರಮ ಆಯೋಜಿಸಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ಕಾರ್ಯಕ್ರಮದ ನಂತರ ಸಂವಾದದಲ್ಲಿಯೂ ವಸುಂಧರಾ ಭಾಗವಹಿಸಿದರು. ಪಂದನಲ್ಲೂರು ಶೈಲಿಯಲ್ಲಿ ನೃತ್ಯಾಭ್ಯಾಸವನ್ನು ಮಾಡಿದ್ದರೂ ನಂತರದ ದಿನಗಳಲ್ಲಿ ತಾವು ತಮ್ಮದೇ ಆದ ‘ವಸುಂಧರಾ ಬಾಣಿ’ ಶೈಲಿಯನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸಿಕೊಂಡ ಬಗೆಯನ್ನು ಪ್ರಾತ್ಯಕ್ಷಿಕೆ ಸಹಿತ ವಿವರಿಸಿದರು. ಮೂಲಶೈಲಿಗೆ ಧಕ್ಕೆ ಬಾರದಂತೆ ತಮ್ಮ ನಿಲುವಿಗೆ ಪೂರಕವಾಗಿ ಲಾಲಿತ್ಯಪೂರ್ಣ ಶೈಲಿಯೊಂದನ್ನು ತಾವು ಕಂಡುಕೊಂಡ ಬಗೆಯನ್ನು ವಿವರಿಸಿದರು. ಮೈಸೂರಿನಲ್ಲಿ ವಸುಂಧರಾ ಪರ್ಫಾರ್ಮಿಂಗ್‌ ಆರ್ಟ್ಸ್‌ ಸೆಂಟರ್‌ನಲ್ಲಿ ಇಂತಹ ಹತ್ತಾರು ಪರಿಕಲ್ಪನೆಗಳನ್ನು ಹೆಣೆಯುತ್ತ, ತಾವೂ ನೃತ್ಯಕಾರ್ಯಕ್ರಮಗಳನ್ನು ಕೊಡುವುದಕ್ಕೆ ಹೇಗೆ ಸಾಧ್ಯ ಎಂದು ವಿದ್ಯಾರ್ಥಿನಿಯೊಬ್ಬರು ಪ್ರಶ್ನಿಸಿದರು. ‘ಪ್ರತಿಯೊಂದು ಪರಿಕಲ್ಪನೆಯ ಹಿಂದೆಯೂ ನನ್ನ ನಿರಂತರವಾದ ಓದು ಇದೆ. ಪುಸ್ತಕಗಳು ನನ್ನ ಸಂಗಾತಿ’ ಎಂದು ವಸುಂಧರಾ ಉತ್ತರಿಸಿದರು. \u003C\u002Fp\u003E "},{"description":"","page-url":"\u002Fstory\u002Ff20a7bd0-97fd-44f2-bf3f-1ad1ac485229\u002Felement\u002Fa80c169d-027c-49e2-bbb2-e7ee6ec3e6a3","type":"composite","family-id":"2ac2dd3c-52c3-4e06-b8f1-4ba2873fa804","story-elements":[{"description":"","image-metadata":{"width":997,"height":1200,"mime-type":"image\u002Fjpeg","file-size":236071,"file-name":"K22.jpg"},"type":"image","family-id":"e9fcfb7e-747a-4ac2-8485-9a7494a17f32","image-attribution":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಚಿತ್ರ: ಶಶಿಕಿರಣ್‌\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","title":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ 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href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1724507095531,"content-version-id":"6d26cfb1-7154-462b-a545-2542b632df10","card-added-at":1724504184278,"status":"draft","id":"78f7ca79-028e-462a-b98a-782f18e7e427","content-id":"78f7ca79-028e-462a-b98a-782f18e7e427","version":15,"metadata":{"social-share":{"shareable":false,"title":"‘ಕಿತ್ತೂರು ರಾಣಿ ಚೆನ್ನಮ್ಮ’ ನಾಟಕ: ವೀರರಸ ಪ್ರಸ್ತುತಿಗೆ ಲಾಲಿತ್ಯವೇ ಆಭರಣ","message":null,"image":{"key":"prajavani\u002F2024-08-24\u002F88c9iwqm\u002FK23.jpg","url":null,"attribution":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಚಿತ್ರ: ಶಶಿಕಿರಣ್‌\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ಕಿತ್ತೂರು ರಾಣಿ ಚೆನ್ನಮ್ಮ’ ಏಕವ್ಯಕ್ತಿ ನೃತ್ಯ ನಾಟಕದಲ್ಲಿ ವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ  \u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":142177,"file-name":"K23.jpg","focus-point":[525,297]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fdrama-events-cultural-dance-rangaboomi-dram-stage-artist-vasundhara-doreswamy-2940094","story-version-id":"cc3a3b86-cfdf-4374-b7f6-50344e205a65","content-type":"story","content-updated-at":1724542200325,"author-id":1747183,"owner-id":1763820,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1724542200000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ಕಿತ್ತೂರು ರಾಣಿ ಚೆನ್ನಮ್ಮ’ ಏಕವ್ಯಕ್ತಿ ನೃತ್ಯ ನಾಟಕದಲ್ಲಿ ವಸುಂಧರಾ ದೊರೆಸ್ವಾಮಿ 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ಜಗತ್ತು)","id":125715},"data":null}],"read-time":2,"access-level-value":null,"content-created-at":1723899971577,"is-embargoed":false,"owner-name":"syndication","custom-slug":"Dram-Prakash Raj Poetry is a mirror to the violence of time","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal6\u002F2024\u002F08-11\u002F52\u002F42\u002Ffile7wp34itk52010ogva7sd.jpg","width":1575,"height":1051,"focus-point":[864,245]},"comments":null,"word-count":519,"story-features":null,"entities":{},"published-at":1723937100000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":"BP-ಕಾಲದ ಹಿಂಸೆಗೆ ಕಾವ್ಯಕನ್ನಡಿ","push-notification-title":null,"external-id":"doc7ws2pvysrk1ki1l43ty","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"df450e06-3476-437a-a4d5-996c20d0bd3d","hero-image-s3-key":"prajavani\u002F2024-08-17\u002Ffchmxu0x\u002Ffile7wp34itk52010ogva7sd.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002Fd60e1136-8bcd-45b5-8675-a29a6755b5d8","type":"text","family-id":"a5e7d44e-e040-4992-b66d-14386029fd64","title":"","id":"d60e1136-8bcd-45b5-8675-a29a6755b5d8","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಾಲದ ಪ್ರಜ್ಞೆಯೇ ಕಲಾಪ್ರಜ್ಞೆ ಎಂಬಂತೆ ಬುಕ್‌ಬ್ರಹ್ಮ ಸಾಹಿತ್ಯೋತ್ಸವದಲ್ಲಿ ನಿರ್ದಿಗಂತ ತಂಡದಿಂದ ‘ಭಾಷೆ ಬೇರೆಯಾದರೂ ಭಾವವೊಂದೇ’ ಎಂಬ ಕಾವ್ಯಕಥಾರಂಗದ ಪ್ರಸ್ತುತಿಯಿತ್ತು. ಕನ್ನಡ, ತಮಿಳು, ಮಲಯಾಳಂ, ತೆಲುಗು ಕವಿತೆಗಳನ್ನು ಆಯಾ ಭಾಷೆಯಲ್ಲಿಯೇ ವಾಚಿಸುತ್ತ, ಭಾರತದ ಹಲವು ಭಾಷೆಯ ಅನುವಾದಗಳು, ಜಾಗತಿಕ ಕಾವ್ಯದ ತುಣುಕುಗಳು, ಅಲ್ಲಲ್ಲಿ ಕೆಲ ಕಥೆಯ ಪ್ರಸಂಗಗಳನ್ನು ಕನ್ನಡದಲ್ಲಿ ನಿರೂಪಿಸಲಾಯಿತು. ಇದೊಂದು ವಿಶಿಷ್ಟ ಸಂಯೋಜನೆ. ಕವಿತೆ, ಕಥೆ, ಹಾಡು ಮತ್ತು ಸಂಗೀತದ ಕೂಡುಕುಟುಂಬ. ಇದರ ಮುಖ್ಯ ಆಶಯ ಯುದ್ಧ, ಹಿಂಸೆ, ಅಸಮಾನತೆ ಮತ್ತು ಕೋಮುವಾದವನ್ನು ಎದುರುಗೊಳ್ಳವುದು. ನಮ್ಮ ಕಾಲದ ಹಿಂಸೆಗೆ, ತಲ್ಲಣಗಳಿಗೆ ಕನ್ನಡಿ ಹಿಡಿಯುವುದು. ಇದಕ್ಕಾಗಿ ಬ್ರೆಕ್ಟ್, ನೆರೂದಾ, ಗೌರೀಶ್ ಕಾಯ್ಕಿಣಿ, ಎ.ಕೆ.ರಾಮಾನುಜನ್, ಅಯ್ಯಪ್ಪ ಪಣಿಕ್ಕರ್, ಕ್ವಾಸಿರ್ ಹಸನ್, ಶ್ರೀಶ್ರೀ, ನಿಖಿಲ್ ಸಜ್ಜನ್, ಫೈಜ್ ಅಹಮ್ಮದ್ ಫೈಜ್, ಗುಲ್ಜಾರ್, ಆದವನ್, ಮುಕುಂದ ನಾಗರಾಜನ್, ವಿಡುಗಲೈ, ಬೋಳುವಾರು ಮಹಮ್ಮದ್ ಕುಂಞ, ಎಂ.ಡಿ.ವಕ್ಕುಂದ, ಸುಧಾ ಆಡುಕಳ ಮತ್ತು ಸಂವರ್ತ್ ಸಾಹಿಲ್ವಿ ಅವರ ರಚನೆಗಳನ್ನು ರಂಗಕ್ಕೆ ಅಳವಡಿಸಲಾಗಿತ್ತು. ಈ ಕಾವ್ಯ ಕೊಲಾಜ್ ಮಾನವೀಯ ಲೋಕದ ಹಂಬಲದಲ್ಲಿತ್ತು. ಕವಿತೆಯ ಮೂಲಕವೇ ಅಭಿವ್ಯಕ್ತಿ ಪಡೆದಿದ್ದರಿಂದ ಇದೊಂದು ಮಹತ್ವದ ವಿಭಿನ್ನ ಪ್ರಯೋಗ. ಇಡೀ ಪ್ರಸ್ತುತಿಯ ಶರೀರ ಕಾವ್ಯಮಯವಾಗಿದ್ದರೆ, ಆತ್ಮವು ವೈಚಾರಿಕವಾಗಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002Ff5eac5d2-04f5-42cf-aebf-4bda3fb697f1","type":"text","family-id":"cc3df6b2-b815-4a65-b520-24d8ad534d03","title":"","id":"f5eac5d2-04f5-42cf-aebf-4bda3fb697f1","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇದರ ಕೇಂದ್ರದಲ್ಲಿದ್ದವರು ಬಹುಭಾಷಾ ನಟ ಪ್ರಕಾಶ್ ರಾಜ್‌. ಅವರ ವಿಶಿಷ್ಟ ವಾಚನ ಶೈಲಿ, ಕವಿತೆಗಳ ತೀವ್ರಲೋಕ ಮತ್ತು ಹಿತಮಿತ ಸಂಗೀತದ ಸ್ಪರ್ಶ ಬೆರಗುಗೊಳಿಸಿದವು. ಒಂದು ಕವಿತೆಯಿಂದ ಇನ್ನೊಂದು ಕವಿತೆಗೆ ಸಾಗುತ್ತ, ಪ್ರೇಕ್ಷಕರನ್ನು ಒಳಗೊಳ್ಳುತ್ತ ಯೋಚನೆಗೆ ತೊಡಗಿಸಿದರು. ಪ್ರಕಾಶ್‌ ಕವಿತೆಗಳ ಓದಿನ ಮೂಲಕವೇ ರಂಗದಲ್ಲಿ ತುಂಬು ಕ್ರಿಯಾಶೀಲತೆಯನ್ನು ಉಂಟುಮಾಡಿದ್ದರು. ಇಲ್ಲಿನ ಕವಿತೆಗಳೇ ಹಲವು ಕತೆಗಳನ್ನು ಮಂಡಿಸಿದ್ದವು. ನೋವಿನ, ಸಂಕಟದ ಕತೆಗಳಿವು. ಯುದ್ಧದ ಚೀತ್ಕಾರ ಮತ್ತು ನಿರರ್ಥಕತೆಯ ಕತೆಗಳು. ಮನುಷ್ಯರ ಒಳಗಿನ ಪ್ರೇಮ ಮತ್ತು ಕನಸುಗಳು ಗಾಯಗೊಂಡ ಕತೆಗಳು. ಕವಿ ಇಂಥ ಗಾಯಗಳ ಸಂಗಾತಿ. ಇಲ್ಲಿನ ಅಧಿಕಾರದ ರಾಜಕಾರಣ ಮತ್ತು ಧರ್ಮ ಉಂಟು ಮಾಡಿರುವ ಗಾಯ, ಮನುಷ್ಯರು ತಮಗೆ ತಾವೇ ಮಾಡಿಕೊಂಡ ಗಾಯಗಳನ್ನು ಮಾಯಿಸಿಕೊಳ್ಳಲು ಶತಮಾನಗಳಿಂದಲೂ ನಡೆಯುತ್ತಿರುವ ಚಡಪಡಿಕೆ ಇಲ್ಲಿನ ಕವಿತೆಗಳಲ್ಲಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002F1c61e4ad-b7a0-45c9-9a55-633dd9abb4d6","type":"text","family-id":"c3aef296-c168-4bbb-80cf-6e8f6ad4cc21","title":"","id":"1c61e4ad-b7a0-45c9-9a55-633dd9abb4d6","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ತುಂಬಾ ಸರಳ ಅಸಮಾನತೆಯ, ಅನ್ಯಾಯದ ಜಗತ್ತನ್ನು ಬದಲಾಯಿಸೋದು. ಹೆಚ್ಚೇನೂ ಬೇಕಾಗಿಲ್ಲ ನಾವೆಲ್ಲಾ ಒಂದಾಗಿದ್ದರೆ ಸಾಕು’ ಎಂಬ ಆರಂಭದ ಮಾತು ಮುಂದಿನ ಕವಿತೆಗಳನ್ನು ಪೋಣಿಸಿದ ಸೂತ್ರವಾಗಿತ್ತು. ಜಾತಿ, ಧರ್ಮ, ಭಾಷೆ, ಲಿಂಗ, ಅಂತಸ್ತು, ಅಧಿಕಾರವು ನಿರ್ಮಿಸಿರುವ ಗೋಡೆಗಳು. ದೇಶ ದೇಶಗಳ ನಡುವೆ ಎದ್ದಿರುವ ಗೋಡೆಗಳು, ಮನುಷ್ಯರ ನಡುವೆ ನಿಂತಿರುವ ಗೋಡೆಗಳು, ರಕ್ತದ ಕಲೆ ಅಂಟಿಕೊಂಡಿರುವ ಗೋಡೆಗಳು. ಕಣ್ಣಿಗೆ ಕಾಣುವ ಗೋಡೆಗಳು, ಅದೃಶ್ಯ ಗೋಡೆಗಳು. ಎಷ್ಟೆಲ್ಲಾ ಗೋಡೆಗಳನ್ನು ದಾಟಿ ಮನುಷ್ಯರು ಮುನ್ನಡೆಯಬೇಕಾಗಿದೆ. ತನ್ನ ಬಿಡುಗಡೆಗಾಗಿ ತನ್ನದೇ ಆಂತರ್ಯದ ದನಿ ಆಲಿಸಬೇಕಾಗಿದೆ. ಈ ಎಚ್ಚರವನ್ನು ಧ್ವನಿಸುವಂತೆ ಕಾವ್ಯದ ಪ್ರಸ್ತುತಿಯಿತ್ತು. ಕವಿತೆಗಳ ಆಯ್ಕೆಯೂ ಒಂದು ಸವಾಲು. ಪುಟ್ಟ ಕವಿತೆಗಳು ಪ್ರೇಕ್ಷಕರನ್ನು ತಲುಪುವ ಮೊದಲೇ ಮುಗಿದುಹೋಗುತ್ತವೆ. ದೀರ್ಘ ಕವಿತೆಗಳು ಪ್ರೇಕ್ಷಕರನ್ನು ತಲುಪುವಷ್ಟರಲ್ಲಿ ದಣಿದುಹೋಗುತ್ತವೆ. ಇದರ ವಿನ್ಯಾಸ ಮತ್ತು ನಿರ್ದೇಶನ ಕೈಗೊಂಡ ಶ್ರೀಪಾದ ಭಟ್ಟರು ಕವಿತೆಗಳ ಆಯ್ಕೆ ಮತ್ತು ಪ್ರಮಾಣದಲ್ಲಿ ಸೂಕ್ಷ್ಮತೆ ಮೆರೆದಿದ್ದಾರೆ. ಜಟಿಲ, ಸಂಕೀರ್ಣವಲ್ಲದ ಆದರೆ ರಾಜಕೀಯ ಪ್ರಜ್ಞೆಯುಳ್ಳ ಕವಿತೆಗಳಿವು. ಸಂವಹನಕ್ಕೆ ತೊಡಕಾಗದ ಇವುಗಳ ಶೈಲಿ ಪ್ರೇಕ್ಷಕರನ್ನು ಬಹುಬೇಗ ತಲುಪುತ್ತಿತ್ತು. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002Fd652e9dd-60cb-4401-b5f5-f9a0a553b6c8","type":"text","family-id":"09705f2d-adae-425c-b1a6-100a52ef8967","title":"","id":"d652e9dd-60cb-4401-b5f5-f9a0a553b6c8","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಪ್ರದರ್ಶನದಲ್ಲಿ ಧರ್ಮ ಮತ್ತೆ ಮತ್ತೆ ಉಲ್ಲೇಖಗೊಂಡಿತ್ತು. ಯಾವುದು ಧರ್ಮ? ದಯವೇ ಧರ್ಮವೊ? ಅಥವಾ ಯಾರನ್ನಾದರೂ ಕೊಂದು ಉಳಿಸಿಕೊಳ್ಳಬೇಕಾದ ಧರ್ಮವೊಂದಿದೆಯೊ? ಎಂಬ ಕೆ.ಪಿ.ಪೂರ್ಣಚಂದ್ರ ತೇಜಸ್ವಿಯವರ ಮಾತು ರಂಗಕ್ಕಿಳಿದಿತ್ತು. ಧರ್ಮಗಳ ನಡುವೆ ಪರಸ್ಪರ ಬೆಳೆದು ನಿಂತಿರುವ ಫೋಬಿಯಾ. ಈ ಭಯವನ್ನು ಹಬ್ಬಿಸುತ್ತಿರುವ ಗುಂಪುಗಳು, ಇದಕ್ಕಾಗಿ ಸೃಷ್ಟಿಸಲಾಗುತ್ತಿರುವ ಹೊಸ ಹೊಸ ನಿರೂಪಣೆಗಳ ನಡುವೆ ಕಾವ್ಯದ ನಿರೂಪಣೆಗಳು ಸಜ್ಜುಗೊಳ್ಳುತ್ತಿದ್ದವು. ಮನುಷ್ಯರಾಳದ ಈ ಭಯವೇ ದ್ವೇಷವನ್ನು ಹುಟ್ಟುಹಾಕುವುದು. ಯುದ್ಧಗಳನ್ನು ಸಂಭ್ರಮಿಸುವುದು. ಇದನ್ನು ಮೀರಲು ಇರುವ ಹಲವು ದಾರಿಗಳನ್ನು ತಡಕಾಡುತ್ತಿರುವಂತಿತ್ತು ಪ್ರದರ್ಶನ. ‘ಗೆದ್ದವರ ಪಾಳಯದಲ್ಲೂ ಸೋತವರ ಪಾಳಯದಲ್ಲೂ ಸತ್ತವರು ಸಾಮಾನ್ಯ ಜನರೇ ಆಗಿದ್ದರು’ ಎಂಬ ಬ್ರೆಕ್ಟ್ ಕವಿತೆ, ‘ಸೋತವನು ಚಕ್ರವರ್ತಿಯಾದ, ಗೆದ್ದವನು ಗೊಮ್ಮಟನಾದ’ ಭರತ ಬಾಹುಬಲಿಯ ಕವಿತೆ, ‘ಹಕ್ಕಿಗಳ ಕಲರವ ಕೇಳಬೇಕೆಂದರೆ ಯುದ್ಧ ವಿಮಾನಗಳ ಸದ್ದಡಗಬೇಕು’ ಎಂಬ ಕವಿತೆಗಳು ರಂಗದ ಮೇಲೆ ಕಾಲೂರಿ ನಿಂತಿದ್ದವು. ಪ್ರದರ್ಶನ ಮುಗಿದ ಮೇಲೂ ಅನುರಣಿಸುತ್ತಿದ್ದವು. ಉದ್ದಕ್ಕೂ ದ್ವೇಷ, ಹಿಂಸೆಯ ಎದುರು ಪ್ರೇಮ ಒಂದು ಭಾವವಾಗಿ, ಸಹಿಷ್ಣುತೆ ಒಂದು ನಂಬಿಕೆಯಾಗಿ, ಅಹಿಂಸೆ ಒಂದು ಮೌಲ್ಯವಾಗಿ ಕಲ್ಪಿಸಿಕೊಳ್ಳಲಾಗಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002Fb6e5a590-590c-4a99-b7d7-e76f510dc093","type":"text","family-id":"ea530f79-9fb6-4c9c-84b0-864b3d0d1a40","title":"","id":"b6e5a590-590c-4a99-b7d7-e76f510dc093","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕವಿತೆಗಳನ್ನು ತಮ್ಮ ಗಡಸು ಕಂಠದಲ್ಲಿ ವಾಚಿಸುತ್ತ, ನಾಟಕೀಯವಾಗಿ ನಿರೂಪಿಸುತ್ತ, ಭಾಷೆಯ ಒತ್ತು, ಲಯ, ಮಾತಿನ ಸಹಜತೆಗೆ ಹತ್ತಿರವಾಗುತ್ತ ವೈವಿಧ್ಯಮಯವಾಗಿ ಕವಿತೆಗಳ ಲೋಕವನ್ನು ಪ್ರಕಾಶ್‌ ತೆರೆದಿಟ್ಟರು. ಪ್ರಶ್ನೆ, ವ್ಯಂಗ್ಯ, ಮೌನ, ಚೀರಾಟ, ವಿಷಾದದ ನಗುವನ್ನು ಉದ್ದಕ್ಕೂ ಬಳಸಿಕೊಂಡರು. ಈ ಪ್ರದರ್ಶನದಲ್ಲಿ ದೇಹದ ಭಂಗಿಗಳಿಗೆ ಅಷ್ಟು ಅವಕಾಶವಿರಲಿಲ್ಲ. ಮಾಂಸದೂಟದ ಕವಿತೆಯೊಂದರಲ್ಲಿ ಕೆಲಹೊತ್ತು ಕೆಳಗೆ ಕೂತು ಹಾವಭಾವಗಳನ್ನು ಪ್ರದರ್ಶಿಸಿದ್ದನ್ನು ಬಿಟ್ಟರೆ ಉಳಿದಂತೆ ಅವರ ಕಂಠವೇ ನಟನಾಗಿ, ದೇಹ ಪ್ರೇಕ್ಷಕನಾಗಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fdf450e06-3476-437a-a4d5-996c20d0bd3d\u002Felement\u002F4b8d6bf9-3afe-41bd-9eed-fbd837f65f31","type":"text","family-id":"d002fa39-933e-474e-8c3b-7435ad7f0be7","title":"","id":"4b8d6bf9-3afe-41bd-9eed-fbd837f65f31","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇಲ್ಲಿನ ಕವಿತೆಗಳು ಗ್ರಾಂಥಿಕ ಭಾಷೆಗೆ ಒಲಿದುಕೊಂಡಿದ್ದವು. ಪ್ರಕಾಶ್ ತರಹದ ಪಳಗಿದ ನಟರು ಇಂಥ ಕವಿತೆಗಳನ್ನು ಕಂಠಕ್ಕೆ ತಂದುಕೊಂಡಾಗ ಆಡುಮಾತಿನ ವರಸೆಗೆ ಬದಲಾಯಿಸಿಕೊಳ್ಳುವರು. ಬರಹದ ಲಯಗಳನ್ನು ಮಾತಿನ ಲಯಗಳಿಗೆ ಇಳಿಸಿದ್ದರು. ನಟನ ಮಾತು, ಮಾತಿನ ನಟನೆ ಎರಡೂ ಆಪ್ಯಾಯಮಾನವಾಗಿತ್ತು. ಹಲವು ಭಾಷೆಗಳಲ್ಲಿ ಇದನ್ನು ಏಕಕಾಲಕ್ಕೆ ಸಾಧಿಸುವುದು ಒಂದು ದೊಡ್ಡ ಸವಾಲು. ಅದನ್ನು ಅವರು ಯಶಸ್ವಿಯಾಗಿ ಎದುರಿಸಿದ್ದರು. ಜೊತೆಗೆ ಸಂಗೀತದ ಸಾಹಚರ್ಯ, ಆಲಾಪ, ಹಾಡಿನ ತುಣುಕುಗಳು (ಶಾಲೋಮ್ ಸನ್ನುತಾ, ಮುನ್ನಾ ಮೈಸೂರು) ಕಾವ್ಯಕಥಾರಂಗಕ್ಕೆ ಇನ್ನಷ್ಟು ತ್ರಾಣ ತುಂಬಿದ್ದವು. ರಂಗದ ಹಿಂಭಾಗದಲ್ಲಿದ್ದ ಚಿತ್ರಗಳಲ್ಲಿ ಮುಳ್ಳು ತಂತಿ ಬೇಲಿ ದಾಟಿನಿಂತ ಹೆಣ್ಣುಮಗಳು, ಹಲವು ಭಾಷೆಗಳ ಶಾಬ್ದಿಕ ಮರ, ಯುದ್ಧದ ವರದಿಗಳನ್ನು ಹೊತ್ತುನಿಂತ ಸುದ್ದಿಪತ್ರಿಕೆಯ ಶೀರ್ಷಿಕೆಗಳು ಕಾವ್ಯಕಥಾರಂಗದ ದೃಶ್ಯಕಾವ್ಯದಂತಿದ್ದವು. ಇಂಥದ್ದೊಂದು ಪ್ರದರ್ಶನದ ಮೂಲಕ ನಿರ್ದಿಗಂತವು ಕಾವ್ಯದ ಅನುಭೂತಿಯನ್ನೂ, ಕಾಲದ ಅನುಭೂತಿಯನ್ನೂ ಒಟ್ಟಿಗೆ ಮೂಡಿಸಿತ್ತು.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca 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ಏರುಪ್ರಾಯದ ರಂಗಕರ್ಮಿ ವರವಿ ಫಕೀರಪ್ಪ ತೀರಿಕೊಂಡಿದ್ದಾರೆ. ಏಳು ದಶಕಗಳ ಕಾಲ ವೃತ್ತಿ ರಂಗಭೂಮಿಯ ನಿಡಿದಾದ ರಂಗ ಬದುಕು ಬಾಳಿದವರು. ನಾಟಕ ಕಂಪನಿಗಳ ಸುವರ್ಣ ಕಾಲದಲ್ಲಿ ನಟ, ನಿರ್ದೇಶಕ, ನಾಟಕಕಾರ–ಹೀಗೆ ರಂಗ ಸಂಸ್ಕೃತಿಯ ವಿವಿಧ ಆಯಾಮಗಳ ಮೂಲಕ ಅಕ್ಷರಶಃ ಸ್ವಯಂ ಪ್ರತಿಭೆಯಿಂದಲೇ ರಂಗವೈಭವ ಮೆರೆದವರು. ಅಗಾಧ ಜ್ಞಾಪಕಶಕ್ತಿಯ ಅವರ ರಂಗ ನೆನಪುಗಳೆಂದರೆ ಸಮಗ್ರ ಕನ್ನಡ ರಂಗಭೂಮಿಯ ಜೀವಕೋಶದ ಅನಾವರಣ. ಅದು ವೃತ್ತಿ ಮತ್ತು ಹವ್ಯಾಸಿ ರಂಗಗಳ ಆನುಷಂಗಿಕ ಫಲವೂ ಹೌದು. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F82a62c57-6f25-49a3-b8fe-a5dc09dfb4e5","type":"text","family-id":"36d45fba-9982-49d1-9c56-aeac7d47b4b8","title":"","id":"82a62c57-6f25-49a3-b8fe-a5dc09dfb4e5","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮಹಾಂತೇಶ ಶಾಸ್ತ್ರೀ, ಮಾಂಡ್ರೆ, ಧುತ್ತರಗಿ, ಕಂದಗಲ್ಲ, ಹೂಗಾರ, ಹಿರಣ್ಣಯ್ಯ, ಜೋಶಿ, ಓಬಳೇಶ್, ಅನಕೃ, ಕಟ್ಟೀಮನಿ... ಹೀಗೆ ವಿದ್ವಜ್ಜನರ ಅಪೂರ್ವ ಒಡನಾಟ. ಅದರಿಂದ ಅಪಾರ ರಂಗಜ್ಞಾನ ಸಂಪನ್ನತೆ ಪ್ರಾಪ್ತವಾದುದನ್ನು ಹೇಳುವಲ್ಲಿ ಫಕೀರಪ್ಪಗೆ ಉಲ್ಲಸಿತ ಉಮೇದು. ಕಂದಗಲ್ಲ ಹಣಮಂತರಾಯರ ‘ರಕ್ತರಾತ್ರಿ’ ನಾಟಕ ರೂಪುಗೊಂಡ ಕತೆಯನ್ನು ಫಕೀರಪ್ಪ ಹೇಳುತ್ತಿದ್ದರೆ, ವರ್ಣಮಯ ನಾಟಕವೊಂದನ್ನು ಕಣ್ತುಂಬಿಸಿಕೊಂಡ ಅನುಭವ. ಅವರ ನಿರೂಪಣಾ ಚಾತುರ್ಯ ಅನನ್ಯವಾದುದು. ಅಷ್ಟೇ ಯಾಕೆ ತನ್ನ ಹೆಸರಿನ ‘ಫಕೀರ ಪ್ರಜ್ಞೆ’ ಕುರಿತೇ ಸೊಗಸಾಗಿ ವಿವರಿಸುತ್ತಿದ್ದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F16b49ea7-b04a-4a89-8798-7a894e6a8b11","type":"text","family-id":"38d0f410-26d4-411d-953e-5a998059bac5","title":"","id":"16b49ea7-b04a-4a89-8798-7a894e6a8b11","metadata":{},"subtype":null,"text":"\u003Cp\u003Eರಂಗಭೂಮಿ ಎಂದರೆ ಪ್ರದರ್ಶನ ಮತ್ತು ನಟನೆ ಮಾತ್ರವಲ್ಲ, ಅದರಾಚೆಯ ಸಮಾಜಮುಖಿ ಸಜೀವ ಸತ್ಯಗಳ ಪ್ರಸ್ತುತಿ ಎಂಬುದನ್ನು ಪ್ರತಿಪಾದಿಸುತ್ತಿದ್ದ ರಂಗಜ್ಞಾನಿ ಫಕೀರಪ್ಪ. ಅಂತಹ ಕೆಲವು ಪ್ರಯೋಗಗಳನ್ನು ಬೆಂಗಳೂರು ಸೇರಿದಂತೆ ಇಳಕಲ್ ಮತ್ತಿತರೆ ಕಡೆ ಮಾಡಿದ್ದುಂಟು. ತನ್ನದೇ ರಚನೆಯ ಉಮರ ಖಯಾಮ್, ಅನುಭಾವಿ ಅಲ್ಲಮ, ಅಕ್ಬರ್ ಬೀರಬಲ್ ಮತ್ತಿತರ ರಂಗ ಪ್ರಯೋಗಗಳ ಮೂಲಕ ಗಂಭೀರ ವಿಶ್ಲೇಷಣೆಗೆ ತೊಡಗುತ್ತಿದ್ದರು. ಅವರೊಬ್ಬ ಪರಿಪಕ್ವ ರಂಗಕರ್ಮಿ. ಅವರ ರಂಗನಾಟಕಗಳು ಮತ್ತು ಆನುಭಾವಿಕ ವಿಚಾರಗಳನ್ನು ಗಮನಿಸುತ್ತಿದ್ದ ಯಜಮಾನ ಶ್ರೀಹರಿ ಖೋಡೆಯವರು ಫಕೀರಪ್ಪ ಅವರಿಗೆ ಗೌರವ ಸಂಭಾವನೆ ಕೊಟ್ಟು ವರುಷಾನುಗಟ್ಟಲೇ ತಮ್ಮ ಒಡನಾಟದ ಅನುಸಂಧಾನ ಹೊಂದಿದ್ದರೆಂದರೆ ಸುಮ್ಮನಲ್ಲ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002Feed3e828-55f3-45ce-8e71-cd6f99821d28","type":"text","family-id":"5178b232-b796-4bae-bca0-cb0bae5cfcee","title":"","id":"eed3e828-55f3-45ce-8e71-cd6f99821d28","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಖೋಡೆಯವರು ಬೆಂಗಳೂರು ದೂರದರ್ಶನಕ್ಕಾಗಿ ‘ಶಿಶುನಾಳ ಶರೀಫ’ ಮೆಗಾ ಸೀರಿಯಲ್ ನಿರೂಪಿಸುವಾಗ ಫಕೀರಪ್ಪನವರ ಸಲಹೆಗಳು ಮುಖ್ಯವಾಗಿರುತ್ತಿದ್ದವು. ಖೋಡೆಯವರು ತೀರಿಹೋದ ತರುವಾಯ ಫಕೀರಪ್ಪ ಹುಟ್ಟೂರು ಗದಗ ಜಿಲ್ಲೆಯ ಶಿರಹಟ್ಟಿ ತಾಲ್ಲೂಕಿನ ವರವಿಗೆ ಹೋಗಿ ನೆಲೆಸುತ್ತಾರೆ. ಕೋಮು ಸಾಮರಸ್ಯಕ್ಕೆ ಹೆಸರಾದ ವರವಿ ಭಾವೈಕ್ಯದ ನೆಲ. ಆ ಊರಿನಲ್ಲಿ ಫಕೀರಪ್ಪನವರ ಹೆಸರಿನ ರಂಗಮಂದಿರವಿದೆ. ವರವಿಗೆ ಆಗಮಿಸುವ ನಾಟಕ ಕಂಪನಿ ಕಲಾವಿದರಿಗೆ ಫಕೀರಪ್ಪನವರ ಮನೆಯಲ್ಲೇ ತಿಂಗಳುಗಟ್ಟಲೆ ಆತಿಥ್ಯ.  \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002Fa2590547-a3f1-4fa0-b47a-a9ef50f14674","type":"text","family-id":"1f3e9455-fd02-40bd-8c44-f1c4d372fb0f","title":"","id":"a2590547-a3f1-4fa0-b47a-a9ef50f14674","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಫಕೀರಪ್ಪ ಶಾಸ್ತ್ರಬದ್ಧ ಶಿಕ್ಷಣ ಪಡೆದವರಲ್ಲ. ನಾಟಕಗಳ ಚೋಪಡಿ (ಸ್ಕ್ರಿಪ್ಟ್) ಓದುವಷ್ಟು ಕಲಿತವರು. ಆದರೆ ಸಾಹಿತ್ಯದ ಓದಿನಲ್ಲಿ ಮಾತ್ರ ಅವರದು ಎತ್ತಿದ ಕೈ. ಕುಮಾರವ್ಯಾಸನಿಂದ ಕುವೆಂಪುವರೆಗೆ ಹಾಳತವಾದ ಅಧ್ಯಯನದ ಹರಹು. ಕಟ್ಟೀಮನಿ, ಅನಕೃ, ಕಾದಂಬರಿಗಳೆಂದರೆ ಪಂಚಪ್ರಾಣ. ಬೀಚಿಯವರ ಜತೆಗಿನ ‘ಮದ್ಯರಾತ್ರಿ’ಗಳ ಸತ್ಸಂಗವು ಫಕೀರಪ್ಪಗೆ ನಾಟಕ ಕಂಪನಿಯಷ್ಟೇ ಗುಡ್ ಕಂಪನಿ. ಫಕೀರಪ್ಪ ನುಡಿಸುವ ಹಾರ್ಮೋನಿಯಂ, ತಬಲಾ, ಪಿಟೀಲು, ಹಾಡುವ ಕಂದಪದ್ಯಗಳು, ಇಂತಹ ಅನೇಕ ರೋಚಕದ ಕಥನಗಳಿವೆ. ಇದೆಲ್ಲವೂ ಅವರ ಆಪ್ತಮಿತ್ರ ಮತ್ತು ಹೆಸರಾಂತ ಕಲಾವಿದ ನಮ್ಮ ನಡುವಿನ ಶೃಂಗೇರಿ ರಾಮಣ್ಣನವರ ಸ್ನೇಹದ ಒಡಲು ತುಂಬಿಕೊಂಡಿವೆ. ಫಕೀರಣ್ಣ ‘ರಂಗವಿದ್ವಾಂಸ’ನಾಗಿದ್ದರೆಂದೇ ಹೇಳುತ್ತಾರೆ ರಾಮಣ್ಣ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F88ce32ff-83c5-43a6-841d-84ec90d73c49","type":"text","family-id":"1729ba42-4e51-4820-8135-76e9869aae62","title":"","id":"88ce32ff-83c5-43a6-841d-84ec90d73c49","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸ್ಪಷ್ಟ ಮತ್ತು ಅಸ್ಖಲಿತ ಸಂಭಾಷಣೆಗಳ ಕಂಚಿನ ಕಂಠಕ್ಕೆ ಸಾವಿನ ಕಡೇ ಕ್ಷಣದವರೆಗೂ ಕಂಟಕ ಅನ್ನುವುದೇ ಇರಲಿಲ್ಲ. ಪಾತ್ರ ಯಾವುದೇ ಇರಲಿ ಅಲ್ಲಿ ಫಕೀರಪ್ಪ ಎಂಬ ರಂಗಛಾಪು ಇರಲೇಬೇಕು. ಅದರಲ್ಲೂ ಮಹಾಂತೇಶ ಶಾಸ್ತ್ರಿಗಳ ಎಲ್ಲಾ ನಾಟಕಗಳ ಎಲ್ಲಾ ಪಾತ್ರಗಳನ್ನು ಆವಾಹಿಸಿಕೊಂಡ ಹೆಗ್ಗಳಿಕೆ. ‘ಕುಂಕುಮ’ದಂತಹ ಹೃನ್ಮನ ಮುಟ್ಟುವ ನಾಟಕದಲ್ಲಿ ಅಭಿನಯಿಸಿದ ಹೆಮ್ಮೆ ತನ್ನದೆಂದು ಹೇಳುತ್ತಿದ್ದರು. ಅಷ್ಟಕ್ಕೂ ಅವರು ವಿನೋದ ಪ್ರಜ್ಞೆಗೆ ಹೇಳಿ ಮಾಡಿಸಿದ ಹೆಸರು. ಅಷ್ಟೇನು ಎತ್ತರವಲ್ಲದ ಪುಟ್ಟ ಶರೀರ, ಗಟ್ಟಿಮುಟ್ಟಾದ ಶಾರೀರ. ಯಾವಾಗಲೂ ಶುಭ್ರ ಶ್ವೇತವರ್ಣದ ಧೋತರ, ಜುಬ್ಬಾ ಉಡುಪು. ಹಿಂದಕ್ಕೆ ಬಾಚಿದ ತಲೆಗೂದಲು. ತಲೆ ಇದ್ದರೆ ಸಾಕು ಬೈತಲೆ ಯಾತಕೆಂಬ ತರ್ಕದ ಮಾತು. ಕಣ್ಣುಗಳು ಮಂಜಾಗುವ ತನಕ ಓದಿನ ಹಂಬಲ ಹಿಂದಾಗಲಿಲ್ಲ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F3d732e81-b65e-457e-b19b-0976a82137d1","type":"text","family-id":"77386e22-8c01-4281-b11b-ff36379375eb","title":"","id":"3d732e81-b65e-457e-b19b-0976a82137d1","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಣ್ಣು ಕಿವಿ ನಾಲಗೆಗಳ ಕುರಿತು ಇರಬೇಕಾದ ಕಟ್ಟೆಚ್ಚರದ ರಂಗಶಿಸ್ತು. ಪ್ರದರ್ಶನಕ್ಕೆ ಸಿದ್ಧಗೊಂಡ ರಂಗಪಠ್ಯ ಪರಿಷ್ಕಾರ ಮಾಡುವಲ್ಲಿ ಫಕೀರಪ್ಪ ನಿಷ್ಣಾತ. ವರ್ತಮಾನದ ಫುಲ್ ಕಾಮೆಡಿ ಟ್ಯಾಗ್ ಲೈನ್ ನಾಟಕಗಳ ಕುರಿತು ತೀವ್ರ ವಿಷಾದವಿತ್ತು. ಈಗಿನ ನಟಿಯರಿಗೂ ಆಗಿನ ಅಭಿನೇತ್ರಿಯರಿಗೂ, ಅಂದಿನ ವಿನೋದಕ್ಕೂ ಇಂದಿನ ಹಾಸ್ಯಕ್ಕೂ ಇರುವ ಫರಕುಗಳ ಕುರಿತು ವ್ಯಾಖ್ಯಾನ. ನರಸಿಂಹರಾಜು, ಧೀರೇಂದ್ರ ಗೋಪಾಲ, ದಿನೇಶ್, ಮಾಸ್ಟರ್ ಹಿರಣ್ಣಯ್ಯ ಜತೆಗಿನ ಮರೆಯಲಾಗದ ದ್ಯಾಸಗಳು. ವರನಟ ರಾಜಕುಮಾರ್ ಅವರ ಬನಶಂಕರಿ ಜಾತ್ರೆ ಕ್ಯಾಂಪ್ ನಾಟಕಗಳು, ಪೌರಾಣಿಕ ನಾಟಕಗಳು, ಮಧುರ ರಂಗಗೀತೆಗಳ ಸಂಗೀತಮಯ ನಾಟಕಗಳು. ಹೀಗೆ ಮನದ ತುಂಬಾ ಬನದಂತೆ ತುಂಬಿ ತುಳುಕುವ ರಂಗ ಪರಂಪರೆಗಳ ರಂಗವಲ್ಲಿ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F659929ae-baa4-4fb4-bb72-53b8f973e531","type":"text","family-id":"ff52c9c1-5ae4-4243-8eed-a70ad45ec0d2","title":"","id":"659929ae-baa4-4fb4-bb72-53b8f973e531","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅರವತ್ತರ ದಶಕದ ಅಂತಿಮ ದಿನಗಳು. ಕಲಬುರ್ಗಿಯಲ್ಲಿ ತನ್ನ ರಂಗಗುರು ಓಬಳೇಶ ಕಂಪನಿ ಕ್ಯಾಂಪ್. ಖಾದಿಸೀರೆ, ಮುಂಡೇಮಗ ನಾಟಕಗಳ ಭರ್ಜರಿ ಭರಾಟೆ. ಅಂದಿನ ಮುಖ್ಯಮಂತ್ರಿ ವೀರೇಂದ್ರ ಪಾಟೀಲ ಅವರಿ ಖಾಯಶ್ ಪಟ್ಟು ನಾಟಕ ನೋಡಿ, ಮೆಚ್ಚಿ ಬಂಗಾರದುಂಗರ ಉಡುಗೊರೆಯಾಗಿ ನೀಡುತ್ತಾರೆ. ಇಂತಹ ಹತ್ತಾರು ನೆನಪುಗಳು ಇನ್ನೂ ನಿನ್ನೆಯಷ್ಟೇ ಜರುಗಿದಷ್ಟು ತಾಜಾತನದ ಪ್ರಸ್ತುತಿ. ಅದು ಫಕೀರಪ್ಪ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F3e000fd8-a89f-4c17-a771-c4ae4f651d78\u002Felement\u002F934c0a7d-46d0-48a3-8fc4-412ee5a8b2bd","type":"text","family-id":"3784a767-fbdf-49d2-b8b1-f05602f02c86","title":"","id":"934c0a7d-46d0-48a3-8fc4-412ee5a8b2bd","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸುಳ್ಳದ ದೇಸಾಯರ ಕಂಪನಿ, ಸೂಡಿ ಶೆಟ್ಟರ್ ಕಂಪನಿ, ಗುಡಗೇರಿ ಕಂಪನಿ, ಗುಬ್ಬಿ ಕಂಪನಿ, ಓಬಳೇಶ್ ಕಂಪನಿ, ಹಿರಣ್ಣಯ್ಯ ಮಿತ್ರ ಮಂಡಳಿ ಹೀಗೆ ಅವರು ರಂಗಸೇವೆ ಮಾಡಿ ಪ್ರಮುಖ ನಾಟಕ ಮಂಡಳಿಗಳು. 1977ರಲ್ಲಿ ‘ರಾಘವೇಂದ್ರ ವಿಜಯ ನಾಟ್ಯಸಂಘ’ಎಂಬ ಸ್ವಂತ ನಾಟಕ ಕಂಪನಿ ಸ್ಥಾಪಿಸಿ ಹತ್ತು ವರುಷಗಳಿಗೂ ಹೆಚ್ಚು ಕಾಲ ನಡೆಸುತ್ತಾರೆ. ವ್ಯವಹಾರ ಜ್ಞಾನದ ಕೊರತೆಯಿಂದಾಗಿ ನಿಂತು ಹೋಯಿತು. ಹವ್ಯಾಸಿ ರಂಗ ಚಟುವಟಿಕೆಗಳು ನಿತಾಂತವಾಗಿ ಮುನ್ನಡೆದವು. ಹುಬ್ಬಳ್ಳಿ ಸಿದ್ಧಾರೂಢ, ಕೊಪ್ಪಳ ಗವಿಸಿದ್ಧೇಶ್ವರ, ಕಲಬುರ್ಗಿ ಶರಣ ಬಸವೇಶ್ವರ ಎಂಬ ಮಹಾತ್ಮೆ ಹೆಸರಿನ ನಾಟಕಗಳು ಅವರಿಗೆ ಹೆಸರು ಮತ್ತು ಹಣ ತಂದು ಕೊಟ್ಟವು. ಕರ್ನಾಟಕ ಸರ್ಕಾರದ ಪ್ರತಿಷ್ಠಿತ ಗುಬ್ಬಿ ವೀರಣ್ಣ ಪ್ರಶಸ್ತಿ ಸೇರಿದಂತೆ ಸಂಘ ಸಂಸ್ಥೆಗಳು ನೀಡಿದ ಹತ್ತಾರು ಪ್ರಶಸ್ತಿಗಳಿಗೆ ಭಾಜನರು.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1723294895680,"content-version-id":"6b9d9509-8eb1-4de3-ba4e-12538291660f","card-added-at":1723287922830,"status":"draft","id":"c2e61e55-d377-43d3-ae03-bc4c3276a7fe","content-id":"c2e61e55-d377-43d3-ae03-bc4c3276a7fe","version":6,"metadata":{"social-share":{"shareable":false,"title":"ಫಕೀರಪ್ಪ ಎಂಬ 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href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1723334760000,"hero-image-caption":"ಫಕೀರಪ್ಪ","version":6,"story-template":"syndicated","sequence-no":null,"created-at":1723294895671,"authors":[{"slug":"mllikaarjun-kddkooll","social":{},"name":"ಮಲ್ಲಿಕಾರ್ಜುನ 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ಮಿಲ್ಕಿ ವೇ ಗೆಲಾಕ್ಸಿಯ ಮಟ್ಟಕ್ಕೆ ವಿಸ್ತರಿಸಿಕೊಳ್ಳುವ ಆಶೆ, ಕನಸು, ಆತ್ಮವಿಶ್ವಾಸ ಮತ್ತು ಅದಕ್ಕೆ ಅಗತ್ಯವಾದ ಸತ್ವದ ಆಧಾರಗಳನ್ನು ದೊಡ್ಡಮಟ್ಟದಲ್ಲಿಯೇ ಹೊಂದಿರುವ ಪ್ರತಿಭಾಬೀಜಗಳ ಪ್ರತಿನಿಧೀಕರಣದಂತೆ ಈ ಮೂರು ಪಾತ್ರಗಳಿವೆ. ಬಾಬ್ ಮಾರ್ಲಿ ಪಾತ್ರದಲ್ಲಿ ಚಂದ್ರಶೇಖರ್ ಕೆ., ಶಿಕ್ಷಕಿ-ಸಾಹಿತ್ಯ ಪ್ರೇಮಿ ‘ನದಿ’ಯ ಪಾತ್ರದಲ್ಲಿ ಶ್ವೇತಾರಾಣಿ ಎಚ್‌.ಕೆ. ಮತ್ತು ಶಾಕ್ಯ ಪಾತ್ರದಲ್ಲಿ ಭರತ್ ಡಿಂಗ್ರಿ ಸಜೀವವಾಗಿ ನಟಿಸಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002F59a215a7-c1f4-4cc1-b840-ddd175cbc7bf","type":"text","family-id":"05ff9f61-9d3b-4535-bccd-eb6a28b90a3e","title":"","id":"59a215a7-c1f4-4cc1-b840-ddd175cbc7bf","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅವರು ದನದ ಮಾಂಸ ತಿಂದರೆಂಬ ಕಾರಣಕ್ಕೆ ಮನೆ ಬಿಡಿಸಲಾಗುತ್ತಿರುವ ದೃಶ್ಯದೊಂದಿಗೆ ನಾಟಕ ಆರಂಭವಾಗುತ್ತದೆ. ಬುದ್ಧಿಯು, ಮಾಂಸ ತಿನ್ನುವ ಆಸೆಯನ್ನು ಅದುಮಿಟ್ಟಾದರೂ ಸರಿ, ಭವಿಷ್ಯ ಕಟ್ಟಿಕೊಳ್ಳಬೇಕೆಂದು ಹಂಬಲಿಸಿದರೆ; ಮನಸ್ಸು- ಆ ಆಸೆಯನ್ನು ಪೂರೈಸಿಕೊಂಡೇ ಭವಿಷ್ಯದತ್ತ ಸಾಗಬಹುದಾದ ಆಶಾವಾದವನ್ನು ಪ್ರಕಟಿಸುತ್ತದೆ. ಅಂತೂ ಅವರೆಲ್ಲ ಮನಸಿನ ಮಾತಿನಂತೆ ಮಾಂಸ ತಿಂದು, ಬೇರೊಂದು ಮನೆ ಹುಡುಕಿಕೊಳ್ಳಲು ತಯಾರಾಗುವ ದೃಶ್ಯದೊಂದಿಗೆ ನಾಟಕ ಮುಗಿಯುತ್ತದೆ. ಆಗ ಥಿಯೇಟರ್ ಹೊರಗಿನ ಕಂಬಗಳಿಗೆ, ಬಾಗಿಲಿಗೆ ಅಂಟಿಸಿರುವ ‘ಮನೆ ಬೇಕಾಗಿದೆ’ ಎಂಬ ಹಾಳೆಗಳೂ ರಂಗಪರಿಕರಗಳಾಗಿ ಪ್ರೇಕ್ಷಕನಿಗೆ ತಾಕಿ ರಂಗದ ಹೊರಗೂ ಒಂದು ಆತ್ಯಂತಿಕ ವಿಷಾದ ಭಾವವು ಉದ್ದೀಪಿತವಾಗುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002F17185e5a-72f9-43d0-97f7-a558809dbf19","type":"text","family-id":"a61ffc87-5963-4b08-bf67-2c22b6eefdd2","title":"","id":"17185e5a-72f9-43d0-97f7-a558809dbf19","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ನಾಟಕದ ವಸ್ತು ಹಳೆಯದೇ. ಅದನ್ನು ನಿರೂಪಿಸಲು ಬಳಸಿರುವ ಭಾಷೆ, ತಂತ್ರ, ಶೈಲಿ ಮತ್ತು ಪರಿಕರಗಳು ಹೊಸತು. ಇಡೀ ನಾಟಕದ ಭಾಷೆ ದೈನಂದಿನ ನುಡಿಗಟ್ಟಿನಲ್ಲಿ ಮಾತಾಡುತ್ತಲೇ ಕಾವ್ಯಾತ್ಮಕ ಎತ್ತರಕ್ಕೆ ಏರುತ್ತದೆ. ಅಂಬೇಡ್ಕರ್‌ ಮಾತು, ಎನ್‌ಕೆಯ ಕವಿತೆ, ಅಲ್ಲಮನ ವಚನ, ರೋಹಿತ್ ವೇಮುಲ ಪತ್ರದ ಸಾಲುಗಳು ನಾಟಕದ ಅನುಭವವನ್ನು ಅದರ ಉದ್ದೇಶಿತ ವೃತ್ತದಾಚೆಗೂ ವಿಸ್ತರಿಸುವಲ್ಲಿ ನೆರವಾಗುತ್ತವೆ. ಒಂದು ವಿಶಿಷ್ಟ ಹದದ ರೂಪಕಾತ್ಮಕ ಭಾಷೆಯನ್ನು ಹೊಸದಾಗಿ ಕಟ್ಟಿಕೊಂಡಿರುವ ಬಗೆಯು ನಾಟಕಕ್ಕೆ ಹೊಸಶಕ್ತಿಯನ್ನು ನೀಡಿದೆ. ಅಬ್ಬರ, ಅತಿ ವಾಚ್ಯತೆ, ಘೋಷಣೆ, ರೋದನೆ, ಅತಿರಂಜನೆ, ಪ್ರತಿರೋಧ ಮತ್ತು ಪ್ರತಿಭಟನೆಗಳ ಸವಕಲು ಮಾರ್ಗದೆಡೆ ವಾಲಬಹುದಾದ ಸಾಧ್ಯತೆಯಿದ್ದ ವಸ್ತುವನ್ನು ಬಲು ಜತನದಿಂದ ಸರಿಸಿ ಅದರ ಆತ್ಮಕ್ಕೆ ಊನವಾಗದಂತೆ ಕಲಾತ್ಮಕವಾಗಿ ಮಂಡಿಸಲಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002Fff6ff9f0-6951-481b-8201-0a2c60ff725c","type":"text","family-id":"18759f70-f6a1-4868-96eb-237f249e81c2","title":"","id":"ff6ff9f0-6951-481b-8201-0a2c60ff725c","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ಶೋಷಿತ ಸಂಕಥನದ ಆತ್ಮಕ್ಕೆ ಸಾತ್ವಿಕ ವ್ಯಂಗ್ಯ ಮತ್ತು ತಾತ್ವಿಕ ವಿರೋಧಗಳ ಶರೀರಧಾರಣೆ ಮಾಡಿ; ಕಾವ್ಯಾತ್ಮಕವಾದ ಭಾಷೆಯಲ್ಲಿ ನುಡಿಸಲು ಹಚ್ಚಲಾಗಿದೆ. ಈ ಭಾಷೆಯೇ ನಾಟಕಕ್ಕೆ ಹೊಸ ಹೊಳಪನ್ನು ನೀಡಿದೆ. ವಿಷಾದಗಾಥೆ ಮಾತ್ರವಾಗಬಹುದಾಗಿದ್ದ ನಾಟಕವನ್ನು ವಿಚಾರೋದ್ದೀಪಕವಾಗಿ ಬೆಳೆಸಿದೆ. ರೂಪಕಾತ್ಮಕವಾಗಿಯೂ ಗೆಲ್ಲಿಸಿದೆ. ಮಿಂಚುಹುಳು, ಚಿನ್ನದ ಕೊಕ್ಕಿನ ಹದ್ದು, ಮಾರಿಜಾತ್ರೆಯ ಬಲಿಪಶು.. ಎಲ್ಲ ರೂಪಕಗಳು ನಾಟಕದ ಧ್ವನಿಶಕ್ತಿಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಮುಖ್ಯವಾಗಿ ಇಡೀ ನಾಟಕದಲ್ಲಿ ಮಾತಿನಷ್ಟೇ ಪರಿಣಾಮಕಾರಿಯಾಗಿ ಮೌನವನ್ನೂ ದುಡಿಸಿಕೊಂಡಿರುವ ಪರಿ ಮಾತ್ರ ಅನನ್ಯವಾಗಿದೆ. ಕೆಲವೆಡೆ ಪ್ರಕಟವಾಗಿರುವ ಮೊನಚಾದ ವ್ಯಂಗ್ಯ ಪರಿಣಾಮಕಾರಿಯಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002F8b753268-0803-4011-8df9-21d1d7bcb2ff","type":"text","family-id":"e8b87415-e8f2-4105-9f24-46efd10a096a","title":"","id":"8b753268-0803-4011-8df9-21d1d7bcb2ff","metadata":{},"subtype":null,"text":"\u003Cp\u003Eತಾಳೆ ಗರಿ, ಗಿಟಾರ್, ಗಣೆ, ದನದ ಮಾಂಸ, ಕಕ್ಕೆ ಹೂವು, ದೇವದಾಸಿ ನೃತ್ಯ.. ಪ್ರತಿಯೊಂದೂ ರಂಗಾನುಭೂತಿಯ ವಿಸ್ತರಣೆಗಾಗಿ ದುಡಿದಿವೆ. ಇವುಗಳ ಬಳಕೆಯಲ್ಲೇ ಅಡಗಿರುವ ಸಮಾಜೋ-ರಾಜಕೀಯ ಹೇಳಿಕೆ ಕೂಡ ಪ್ರೇಕ್ಷಕರು ತಮಗೆ ತಾವೇ ಕೇಳಿಕೊಳ್ಳಬೇಕಾದ ಪ್ರಶ್ನೆಯೊಂದನ್ನು ಅವರ ಎದೆಯೊಳಗೇ ನಾಟಿಸುವಂತೆ ಬಂದಿವೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002F131c5f7f-32fb-4f71-baa0-485773b008be","type":"text","family-id":"642de531-b886-49a7-aca2-c24370c02970","title":"","id":"131c5f7f-32fb-4f71-baa0-485773b008be","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮತ್ತೆ ಮತ್ತೆ ಗುನುಗುವಂತಿರುವ ಮೂರೂ ಹಾಡುಗಳು ಕ್ರಮವಾಗಿ ಜನಪದೀಯ, ಸಿನಿಮೀಯ ಮತ್ತು ಜಮೈಕನ್ ರ‍್ಯಾಗೀ ಮಟ್ಟುಗಳಲ್ಲಿವೆ. ‘ಎಲ್ಲೀಗಂಟ..’ ಎಂಬ ಕೊನೆಯ ಹಾಡಿನ ರಾಗವು ಆವರಿಸಿಕೊಳ್ಳುವಂತಿದ್ದರೂ, ನಾಟಕದ ಆಶಯದ ಘೋಷವಾಕ್ಯವಾಗಿ ತುಸು ವಾಚ್ಯದತ್ತಲೇ ಹೆಚ್ಚು ವಾಲಿದೆ. ದೃಶ್ಯದಿಂದ ದೃಶ್ಯಕ್ಕೆ ಬೆಳೆಯುತ್ತ, ಆವರಿಸಿಕೊಳ್ಳುತ್ತ ಸಾಗುವ ಈ ಏಕಾಂಕವನ್ನು ಪುನಃ ಆಶಯವೊಂದಕ್ಕೆ ಕಟ್ಟಿಹಾಕುವ, ವಾಚ್ಯದಲ್ಲಿಯೇ ಅದನ್ನು ಪ್ರಕಟಿಸುವ-ಸೆಳೆತಕ್ಕೆ ಒಳಗಾದಂತೆ ಮತ್ತು ಈ ನಿರ್ಧಾರಕ ಮಾತಿನಿಂದಾಗಿ ಪ್ರೇಕ್ಷಕನ ಅಂತರಾವಲೋಕನೆಗೆ, ಆತ್ಮವಿಮರ್ಶೆಗೆ ತಡೆಯುಂಟಾದಂತೆ ಭಾಸವಾಗುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd5bd0d29-19e1-4e41-a05b-f6c9876aa1e0\u002Felement\u002F4d63b853-cf56-450c-8829-f2c57e3f6014","type":"text","family-id":"a3f965fe-1ee8-4aaa-bea0-ef7b8f3046b3","title":"","id":"4d63b853-cf56-450c-8829-f2c57e3f6014","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಒಂದು ಮಟ್ಟಿಗಿನ ವಿಮೋಚನೆಗೆ ನಗರಗಳು ನೆರವಾದುದನ್ನು ಹೇಳುತ್ತಲೇ, ಅದರಾಚೆಗಿನ ಬೆಳವಣಿಗೆಗೆ ಸಂಬಂಧಿಸಿದಂತೆ ಅವಕ್ಕಿರುವ ಅಸೂಯೆ-ಅಸಮಾಧಾನಗಳನ್ನೂ ಇಲ್ಲಿ ಹೇಳಲಾಗಿದೆ. ಜಮೈಕನ್ ಕಂಪೋಸರ್-ಸಿಂಗರ್ ಬಾಬ್ ಮಾರ್ಲಿಯ ಹೆಸರೂ ಇಲ್ಲಿ ಒಂದು ಅರ್ಥಪೂರ್ಣ ರೂಪಕವಾಗಿ ಬಳಕೆಯಾಗಿದೆ. ನಾಟಕದ ಕೊನೆಯಲ್ಲಿ ಕೋಡಿಹಳ್ಳಿಯ ಬಾಲವನ್ನು ಕಿತ್ತೆಸೆದು ಮಿಲ್ಕಿವೇ ಗೆಲಾಕ್ಸಿಯನ್ನು ಬಾಬ್ 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\u003C\u002Fp\u003E\u003Cp\u003E‘ನಾನು ಈಗಷ್ಟೇ ರಂಗಭೂಮಿಗೆ ಮರಳಿ ಬಂದಿದ್ದೇನೆ. ಮಾಡಬೇಕಾದ ಕೆಲಸ ಬೆಟ್ಟದಷ್ಟಿದೆ. ನನಗಿಂತಲೂ ಅರ್ಹರು ರಂಗಭೂಮಿಯಲ್ಲಿ ಇರುವುದರಿಂದ, ಈ ಪುರಸ್ಕಾರವನ್ನು ಸ್ವೀಕರಿಸಲು ನನ್ನ ಮನಃಸಾಕ್ಷಿ ಒಪ್ಪುತ್ತಿಲ್ಲ’ ಎಂದು ಪ್ರಕಾಶ್ ರಾಜ್ ಅವರು ಶುಕ್ರವಾರ್ ‘ಎಕ್ಸ್‌’ ಮಾಡಿದ್ದಾರೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಸಾಮಾಜಿಕ ನ್ಯಾಯಕ್ಕಾಗಿ ಲಿಂಗತ್ವ ಮತ್ತು ಲೈಂಗಿಕತೆ ಅಲ್ಪಸಂಖ್ಯಾತರ ಮೈತ್ರಿಕೂಟ ಇಲ್ಲಿ ಶುಕ್ರವಾರ ಆಯೋಜಿಸಿದ್ದ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿಯೂ ಈ ಬಗ್ಗೆ ಪ್ರಸ್ತಾಪಿಸಿದ ಪ್ರಕಾಶ್ ರಾಜ್, ‘ರಂಗಭೂಮಿ ಉಳಿಸಿ, ಬೆಳೆಸಿದ ಉತ್ತಮ ಅರ್ಹ ಕಲಾವಿದರಿಗೆ ಈ ಪ್ರಶಸ್ತಿ ನೀಡಬೇಕು’ ಎಂದು ವೇದಿಕೆ ಮೇಲಿದ್ದ ನಾಟಕ ಅಕಾಡೆಮಿ ಅಧ್ಯಕ್ಷ ನಾಗರಾಜ ಮೂರ್ತಿ ಅವರಿಗೆ ಮನವಿ ಮಾಡಿದರು. \u003C\u002Fp\u003E\u003Cp\u003E‘ಪ್ರಕಾಶ್ ರಾಜ್ ಅವರ ಜತೆಗೆ ಇನ್ನೊಮ್ಮೆ ಮಾತನಾಡಿ, ಪ್ರಶಸ್ತಿ ಸ್ವೀಕರಿಸುವಂತೆ ಅವರನ್ನು ಒಪ್ಪಿಸಲಾಗುವುದು. ಇಷ್ಟಾಗಿಯೂ ಅವರು ನಿರಾಕರಿಸಿದರೆ ಬೇರೆಯವರನ್ನು ಆಯ್ಕೆ ಮಾಡಲಾಗುತ್ತದೆ’ ಎಂದು ಕೆ.ವಿ. ನಾಗರಾಜ ಮೂರ್ತಿ ‘ಪ್ರಜಾವಾಣಿ’ಗೆ ತಿಳಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":995,"height":300,"mime-type":"image\u002Fjpeg","file-size":51054,"file-name":"prakash.jpg"},"page-url":"\u002Fstory\u002F2743eb32-ebe5-498e-8e28-3c19812cad44\u002Felement\u002Fb89d65b7-771b-4b91-8b70-d811aac9f2fe","type":"image","family-id":"3bf42277-c5d8-4fd6-8119-f5da19ef8575","image-attribution":"","title":"","id":"b89d65b7-771b-4b91-8b70-d811aac9f2fe","alt-text":"","hyperlink":null,"image-s3-key":"prajavani\u002F2024-08-09\u002Flv918ges\u002Fprakash.jpg","metadata":{},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F2743eb32-ebe5-498e-8e28-3c19812cad44\u002Felement\u002F0da91711-674c-4089-9f1b-889118f6205c","type":"text","family-id":"4e5b535a-e65f-4597-a642-c2b3718a8734","title":"","id":"0da91711-674c-4089-9f1b-889118f6205c","metadata":{"linked-story-id":"36cb056c-c52e-4238-8eca-e2c74d41dd0d","linked-story":{"updated-at":1714574365604,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","headline":"ನಟ ಪ್ರಕಾಶ್ 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ಮಾರ್ಲಿ ಫ್ರಮ್ ಕೋಡಿಹಳ್ಳಿ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eಬಾಬ್‌ ಮಾರ್ಲಿ ಫ್ರಂ ಕೋಡಿಹಳ್ಳಿ ನಾಟಕವು ಆಗಸ್ಟ್‌ 3ರಂದು ಶನಿವಾರ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಪಠ್ಯ ಆಕರ: ಎನ್.ಕೆ.ಹನುಮಂತಯ್ಯ, ಚಂದ್ರಶೇಖರ್‌ ಕೆ. ರಚನೆ, ವಿನ್ಯಾಸ ನಿರ್ದೇಶನ: ಲಕ್ಷ್ಮಣ್‌ ಕೆ.ಪಿ. ಡ್ರಮಟರ್ಗ್‌ ವಿ.ಎಲ್‌. ನರಸಿಂಹಮೂರ್ತಿ. ಬೆಳಕು: ಮಂಜುನಾರಾಯಣ, ಸಚಿನ್‌. \u003C\u002Fp\u003E\u003Cp\u003Eಸ್ಥಳ: ರವೀಂದ್ರ ಕಲಾಕ್ಷೇತ್ರ  ಸಮಯ: ಸಂಜೆ  7ಕ್ಕೆ. ಟಿಕೆಟ್ ದರ ₹150.\u003C\u002Fp\u003E\u003Cp\u003Eಮಾಹಿತಿಗೆ: 72596 07639  \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F5444c308-f158-433b-bf7e-08adb436e886\u002Felement\u002Fe6150a63-aa2a-4126-9f7e-c506098bbada","type":"text","family-id":"0de4375f-435f-4c21-8fab-b0028c7d674a","title":"","id":"e6150a63-aa2a-4126-9f7e-c506098bbada","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಶ್ರಮ ಸಂಸ್ಕೃತಿ ನಾಟಕೋತ್ಸವ\u003C\u002Fstrong\u003E \u003C\u002Fp\u003E\u003Cp\u003Eಕಾಂ. ಸೂರ್ಯನಾರಾಯಣ ರಾವ್ ಜನ್ಮಶತಮಾನೋತ್ಸವ ಆಚರಣಾ ಸಮಿತಿಯಿಂದ ಆಗಸ್ಟ್‌ 6ರಂದು ಶ್ರಮ ಸಂಸ್ಕೃತಿ ನಾಟಕೋತ್ಸವ 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ಪವನ ಸಾಣ್ಮನೆ. ಸತ್ಯಭಾಮೆ: ಶ್ರೀಧರ ಉಪ್ಪೂರು. ಸುಭದ್ರೆ: ಶ್ರೀಧರ್‌ ಕುಡ್ಲ. ದೂತ: ರವೀಂದ್ರ ದೇವಾಡಿಗ. \u003C\u002Fp\u003E\u003Cp\u003Eದೇವಿದಾಸ ವಿರಚಿತ ಬಬ್ರುವಾಹನ ಪ್ರಸಂಗ: ಬಬ್ರುವಾಹನ: ಕಾರ್ತಿಕ್‌ ಕಣ್ಣಿಮನೆ. ಮಂತ್ರಿ: ಜಾಗನಹಳ್ಳಿ ನಿರಂಜನ. ದೂತ: ಪುರಂದರ ಮೂಡ್ಕಣಿ. ಚಿತ್ರಾಂಗದೆ: ಸಂತೋಷ್‌ ಕುಲಾಲ್‌. ಸಖಿ: ಶ್ರೀಧರ ಕುಡ್ಲ. ಅರ್ಜುನ: ವಿನಯ್‌ ಬೆರೊಳ್ಳಿ. ವೃಷಕೇತು: ಪವನ್ ಸಾಣ್ಮನೆ. ಪ್ರದ್ಯುಮ್ನ: ಭಾಸ್ಕರ್‌ ಮರಾಠೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಸ್ಥಳ: ರವೀಂದ್ರ ಕಲಾಕ್ಷೇತ್ರ. ರಾತ್ರಿ 10ಕ್ಕೆ \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F5444c308-f158-433b-bf7e-08adb436e886\u002Felement\u002F84dc8c5b-6b46-46cb-a3b7-ac4800c3c599","type":"text","family-id":"1388e753-c621-4c5d-aa0b-23a6c9eea332","title":"","id":"84dc8c5b-6b46-46cb-a3b7-ac4800c3c599","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003E7ಕ್ಕೆ ‘ಧರ್ಮನಟಿ’\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eಡಾ.ಸಿದ್ಧಲಿಂಗ ಪಟ್ಟಣಶೆಟ್ಟಿ ಅನುವಾದಿತ ನಾಟಕ ‘ಸೂರ್ಯಾ ಸ್ತದಿಂದ ಸೂರ್ಯೋದಯದವರೆಗೆ’ ರಂಗರೂಪಗೊಂಡು 90 ನಿಮಿಷಗಳ ಸಂಗೀತಮಯ ನಾಟಕ‘ಧರ್ಮನಟಿ’ಯಾಗಿ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ.  ಈ ನಾಟಕದ ವಸ್ತು ಹೆಣ್ಣಿನ ಅಸ್ಮಿತೆಯನ್ನು ಪ್ರಶ್ನಿಸುತ್ತದೆಯಲ್ಲದೇ, ಅಂದಿನ ಹಾಗೂ ಇಂದಿನ ಸಾಮಾಜಿಕ ಮತ್ತು ರಾಜಕೀಯ ಸಂಕೀರ್ಣತೆಯನ್ನು ಚರ್ಚಿಸುತ್ತದೆ. ಇದಲ್ಲದೇ ಪುರುಷ ಮತ್ತು ಸ್ತ್ರೀಯರ ಭಿನ್ನತೆ ಮತ್ತು ಅಪೂರ್ಣತೆ ಮೂಲಕ ಪೂರ್ಣತೆಯನ್ನು ಪಡೆಯುವ ಅವರ ಆಂತರಿಕ ಹೋರಾಟವನ್ನು ವಿಶ್ಲೇಷಿಸುತ್ತದೆ. ನಿರ್ದೇಶನ ಆಸಿಫ್‌ ಕ್ಷತ್ರಿಯ. ನಟನೆ: ಶ್ವೇತ ಶ್ರೀನಿವಾಸ. ಸಂಗೀತ: ಭಿನ್ನ ಷಡ್ಜ.\u003C\u002Fp\u003E\u003Cp\u003Eಸ್ಥಳ: ರಂಗಶಂಕರ. ಸಂಜೆ 7.30ಕ್ಕೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮಾಹಿತಿಗೆ: 8050157443 \u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1722609587412,"content-version-id":"ecb0c98e-9dbe-460e-95b5-8f17cc97a831","card-added-at":1722609319250,"status":"draft","id":"c9413be5-c2d0-4831-ac74-40f51ff2d12d","content-id":"c9413be5-c2d0-4831-ac74-40f51ff2d12d","version":6,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ಈ ವಾರ ಎಲ್ಲೆಲ್ಲಿ ನಾಟಕ ಪ್ರದರ್ಶನ?","message":null,"image":{"key":"prajavani\u002F2024-08\u002F3f8bc500-3d4c-4101-9623-332ab2a183fe\u002Ffile7wc5lq6r1w3rsufpf1k.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E\u003Cstrong\u003Eಬಾಬ್ ಮಾರ್ಲಿ ಫ್ರಮ್ ಕೋಡಿಹಳ್ಳಿ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":137578,"file-name":"file7wc5lq6r1w3rsufpf1k.jpg","focus-point":[614,310]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fhere-is-the-date-of-drama-held-in-bengaluru-2911894","story-version-id":"45324a26-426e-4533-abc2-f9c605f6e567","content-type":"story","content-updated-at":1722645299307,"author-id":1745292,"owner-id":1792297,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1722645300000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E\u003Cstrong\u003Eಬಾಬ್ ಮಾರ್ಲಿ ಫ್ರಮ್ ಕೋಡಿಹಳ್ಳಿ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":6,"story-template":"text","sequence-no":null,"created-at":1722609587405,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":1722645300000,"assignee-name":"Pavitra Bhat"}},{"id":"01b470b1-264a-4368-a25d-ce3032b8651a","score":null,"type":"story","item":{"headline":["ಮೊದಲ ಓದು: ರಂಗಭೂಮಿಯ ಅಪ್ರತಿಮ ಸಾಧಕಿ ‘ರಾಮಿ’"]},"story":{"updated-at":1721491559953,"seo":{"meta-description":"ಮೈಸೂರು ರಂಗಭೂಮಿಯಲ್ಲಿ ರಂಗನಟಿಯಾಗಿ, ನಿರ್ದೇಶಕಿಯಾಗಿ ಸಾಕಷ್ಟು ಹೆಸರು ಮಾಡಿರುವ ರಾಮೇಶ್ವರಿ ವರ್ಮ ಅವರ ರಂಗಭೂಮಿಯ ಜೊತೆಗಿನ ನಂಟಿನ ಬಗೆಗಿನ ಮಾಹಿತಿಯು ‘ಬಿಟ್ಟೇನೆಂದರೂ ಬಿಡದು-ಈ ಮಾಯೆ’ ಪುಸ್ತಕದಲ್ಲಿದೆ. ","meta-keywords":["Theater"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","tags":[{"id":5513289,"name":"Theater","meta-description":null,"meta-title":null,"slug":"theater","tag-type":"Tag"}],"headline":"ಮೊದಲ ಓದು: ರಂಗಭೂಮಿಯ ಅಪ್ರತಿಮ ಸಾಧಕಿ ‘ರಾಮಿ’","storyline-id":null,"votes":{},"story-content-id":"01b470b1-264a-4368-a25d-ce3032b8651a","slug":"art-culture\u002Fbooks\u002Fbittendaru-bidadi-maye-book-review-2892821","last-published-at":1721515740000,"public-identifier":"2892821","subheadline":"ಬಿಟ್ಟೇನೆಂದರೂ ಬಿಡದು-ಈ ಮಾಯೆ’ ಪುಸ್ತಕದಲ್ಲಿದೆ. ","alternative":{},"sections":[{"domain-slug":null,"slug":"books","name":"Books","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fart-culture\u002Fbooks","id":53648,"parent-id":51450,"display-name":"ಸಾದರ ಸ್ವೀಕಾರ","collection":{"slug":"books","name":"Books","id":128778},"data":null},{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null}],"read-time":1,"access-level-value":null,"content-created-at":1721473219739,"is-embargoed":false,"owner-name":"syndication","custom-slug":"bittendaru bidadi maye book review","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F07-20\u002F8a\u002F2f\u002Ffile7wdmc5o2h8yjil5lkty.jpg","width":1260,"height":2117,"focus-point":[729,360]},"comments":null,"word-count":171,"story-features":null,"entities":{},"published-at":1721515740000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":"BP-ರಂಗಭೂಮಿಯ ಅಪ್ರತಿಮ ಸಾಧಕಿ 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ಪುಸ್ತಕದಲ್ಲಿದೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F01b470b1-264a-4368-a25d-ce3032b8651a\u002Felement\u002F8e3d1e9e-816b-45ed-8490-7fc62ea38a7a","type":"text","family-id":"b30bb66b-d1ea-4fc0-91e5-d788dcea5fb5","title":"","id":"8e3d1e9e-816b-45ed-8490-7fc62ea38a7a","metadata":{},"subtype":null,"text":"\u003Cp\u003Eರಂಗಭೂಮಿ ಒಂದು ವಿಸ್ಮಯ ಜಗತ್ತು. ಈ ಜಗತ್ತನ್ನು ಒಮ್ಮೆ ಒಳಹೊಕ್ಕರೆ ಹೊರಬಹುದು ಕಷ್ಟ ಎನ್ನುವ ರಾಮೇಶ್ವರಿ ವರ್ಮ, ಪರಿಚಯದವರ ಪಾಲಿನ ‘ರಾಮಿ’ ಆಗಿದ್ದರು. ರಂಗಭೂಮಿಯಲ್ಲಿ 60ಕ್ಕೂ ಅಧಿಕ ವರ್ಷಗಳ ಕಾಲ ರಂಗನಟಿಯಾಗಿ, ನಿರ್ದೇಶಕಿಯಾಗಿ, ಸಂಘಟಕಿಯಾಗಿ ರಂಗ ಪಯಣ ನಡೆಸಿದ್ದಾರೆ. ಅದರ ಚಿತ್ರಣ ಈ ಪುಸ್ತಕದ ಉದ್ದಕ್ಕೂ ಇದೆ‌. ಅಲ್ಲಿನ ಅನುಭವಗಳು ಹಾಗೂ ದಿಗ್ಗಜ ನಿರ್ದೇಶಕರ ನಾಟಕಗಳಲ್ಲಿ ನಟಿಸಿದ ನೆನಪುಗಳನ್ನು ಮೆಲುಕು 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ದೇಶದ ದ್ರುಪದ ರಾಜನ ಮಗಳು. ಯಜ್ಞಬಲದಿಂದ ಮೂಡಿಬಂದ ಚಿರಯೌವನೆ. ಮಹಾಭಾರತದ ಕಥೆ ಕಾಲತೀತವಾದರೂ ಮಾನವ ಸಹಜ ಆಮಿಷಗಳು, ನಿಸರ್ಗ ಸಹಜ, ಕಾಲಧರ್ಮಕ್ಕೆ ಅನುಗುಣವಾಗಿ ಪ್ರತಿಯೊಬ್ಬರಿಗೂ ಜೀವನ ಸಂಧ್ಯಾಕಾಲ ಆವರಿಸುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮಹಾಭಾರತ ಯುದ್ಧ ನಂತರದ ಸಂದರ್ಭದಲ್ಲಿ ದ್ರೌಪದಿಯು ತನ್ನ ವರ್ಣರಂಜಿತ ಬದುಕಿನ ಪುಟಗಳನ್ನು ತೆರೆದು ನೋಡಿದಾಗ ಅವಳ ಬದುಕು ಜೀವನ ಜೋಕಾಲಿಯಾಗದೆ ಉರಿಯ ಉಯ್ಯಾಲೆಯಾಗಿರುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fcf64677d-0e04-4d16-a38e-a8cbfd603db4\u002Felement\u002F9b824f7e-eae3-488f-a9fc-514dae6be5b2","type":"text","family-id":"6f0c0b1e-82d3-44da-aa5a-8e9beef3fe3f","title":"","id":"9b824f7e-eae3-488f-a9fc-514dae6be5b2","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇದು ಕವಿ, ನಾಟಕಕಾರ ಎಚ್‌.ಎಸ್. ವೆಂಕಟೇಶಮೂರ್ತಿ ರಚಿಸಿರುವ ‘ಉರಿಯ ಉಯ್ಯಾಲೆ’ ಎಂಬ ಏಕವ್ಯಕ್ತಿ ನಾಟಕದ ಕಥಾವಸ್ತು. ಈ ನಾಟಕವನ್ನು ಧಾರವಾಡದ ಅಭಿನಯ ಭಾರತಿ ತಂಡದವರು ಇತ್ತೀಚೆಗೆ ಧಾರವಾಡದ ಸೃಜನ ರಂಗಮಂದಿರದಲ್ಲಿ ವಸಂತ ನಾಟಕೋತ್ಸವದ ಅಂಗವಾಗಿ ಪ್ರದರ್ಶಿಸಿ, ಪ್ರೇಕ್ಷಕರನ್ನು ಭಾವನಾಲೋಕಕ್ಕೆ ಸೆಳೆದು ಮೆಚ್ಚುಗೆ ಗಳಿಸಿತು. ಹಿರಿಯ ರಂಗ ನಿರ್ದೇಶಕ ಶ್ರೀಪತಿ ಮಂಜನಬೈಲು \u003Cbr\u003Eಅವರ ಸಮರ್ಥ ನಿರ್ದೇಶನದಲ್ಲಿ ಕಲಾವಿದೆ ಜ್ಯೋತಿ ಮೋಹ‌ನ್ ದೀಕ್ಷಿತ್ ಅವರು ದ್ರೌಪದಿಯ ಜೀವನದ ಏರಿಳಿತಗಳನ್ನು ಸಮರ್ಥವಾಗಿ ಬಿಂಬಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fcf64677d-0e04-4d16-a38e-a8cbfd603db4\u002Felement\u002F423d3691-ad7e-4180-8a8d-f6e3bcf0d1e9","type":"text","family-id":"1f483ae0-5c37-4968-a1b1-db7e579a79cc","title":"","id":"423d3691-ad7e-4180-8a8d-f6e3bcf0d1e9","metadata":{},"subtype":null,"text":"\u003Cp\u003Eದ್ರೌಪದಿಯು ಪಂಚ ಪಾಂಡವರೊಡನೆ ಸಹಬಾಳ್ವೆ ನಡೆಯಿಸಿ, ಅವರವರ ಭಾವಕ್ಕನುಗುಣವಾಗಿ ಸ್ಪಂದಿಸಿ ವಿಷಾದ ಭಾವದಿಂದ ತನ್ನ ಅಂತರಂಗವನ್ನು ಕೆಣಕಿ ನೋಡುತ್ತಾಳೆ. ಯುದ್ಧ ನಂತರದ ಜೀವನ ಶೂನ್ಯತೆ ಆವರಿಸ ತೊಡಗಿದಾಗ, ಕನ್ನಡಿಯಲ್ಲಿ ತನ್ನ ಬಿಂಬವನ್ನು ನೋಡಿಕೊಳ್ಳುತ್ತಾ ‘‘ಕೃಷ್ಣೆ ನಿನಗೆ ವಯಸ್ಸಾಯ್ತು, ನೀನು ಮುದುಕಿಯಾದೆ’’ ಎಂದು ತನ್ನನ್ನೇ ತಾನು ಛೇಡಿಸಿ ಕೊಳ್ಳುತ್ತಾಳೆ. ಸ್ವರ್ಗಾರೋಹಣ ಪಾಂಡವರೆಲ್ಲರೂ ಹೊರಡುವ ಸಂದರ್ಭದಲ್ಲಿ ಚಳಿಗಾಳಿ ತಡೆಯಲು ಬಟ್ಟೆ ಬರೆ ಹೊಂದಿಸಿಕೊಳ್ಳವ ತವಕದೊಂದಿಗೆ ನಾಟಕ ಅನಾವರಣಗೊಳ್ಳುತ್ತದೆ. ಆಗ ದ್ರೌಪದಿಯ ನೆನಪಿನಚಿತ್ರಗಳು ಮೆರವಣಿಗೆಯಂತೆ ಸಾಗಿ ಬರುತ್ತವೆ. ನಾಟಕದ ಸುದೀರ್ಘ ಸ್ವಗತ ಸಂಭಾಷಣೆಗಳು ಹಲವು ಭಾವಗಳಿಗೆ ಬಣ್ಣ ಹಚ್ಚುತ್ತಾ ಶ್ರವ್ಯ ದೃಶ್ಯಗಳ ಮೂಲಕ ನಮ್ಮ ಅಂತಃಕರಣದೊಡನೆ ಅನುಸಂಧಾನ ಮಾಡುತ್ತವೆ. ಆಂಗಿಕ ವಾಚಕಗಳ ಸೂಕ್ತ ಸಮನ್ವಯ, ಸರಳ ರಂಗ ವಿನ್ಯಾಸ, ಹಿತಮಿತವಾದ ಬೆಳಕಿನ ಸಂಯೋಜನೆ ಹಾಗೂ ಅರ್ಥಪೂರ್ಣ ಭಾವಸ್ಪೂರಕ ಸಂಗೀತ ಸಂಯೋಜನೆಯಲ್ಲಿ ನಿರ್ದೇಶಕರ ಜಾಣ್ಮೆ ಎದ್ದು ಕಾಣುತ್ತಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fcf64677d-0e04-4d16-a38e-a8cbfd603db4\u002Felement\u002Fab6ac31b-db15-4f7d-be35-28c1d9732f2d","type":"text","family-id":"928d170d-8a03-43b6-8763-b8e744db69d1","title":"","id":"ab6ac31b-db15-4f7d-be35-28c1d9732f2d","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದ ಉದ್ದಕ್ಕೂ ಎರಡೇ ಸೀರೆಗಳ ಬಳಕೆ ಅರ್ಥಪೂರ್ಣ ಎನಿಸಿ ಗಮನ ಸೆಳೆಯುತ್ತವೆ. ದ್ರೌಪದಿಯ ಸ್ವಯಂವರದ ಸಂಭ್ರಮಕ್ಕೆ ಒಂದು ಸೀರೆ ಹಾಗೂ ದ್ರೌಪದಿ ವಸ್ತ್ರಾಪಹರಣ ಸಂದರ್ಭದಲ್ಲಿ ಅಕ್ಷಯಂಬರವಾಗುವ ಮತ್ತೊಂದು ಸೀರೆಯ ಬಳಕೆ ಜೀವನದ ಈಗ ಈ ಭಾವಗಳನ್ನು 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href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1721486711476,"hero-image-caption":"ಏಕವ್ಯಕ್ತಿ ನಾಟಕದಲ್ಲಿ ದ್ರೌಪದಿ ಪಾತ್ರಧಾರಿ","version":7,"story-template":"syndicated","sequence-no":null,"created-at":1721486708611,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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","push-notification-title":null,"external-id":"doc7wbmtie0d7r19jofnnt0","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"19c5b53e-d0c1-4ef9-94a0-76b86b30a594","hero-image-s3-key":"prajavani\u002F2024-07\u002Fe9e077c7-070f-4fde-b280-2fb1fd4f4220\u002Ffile7wd361lfdeh67y5ie79.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F19c5b53e-d0c1-4ef9-94a0-76b86b30a594\u002Felement\u002F8266da0f-9a6b-4efc-be05-9671a13b5a3c","type":"text","family-id":"376f844c-f782-4727-86ba-9905b3613cd9","title":"","id":"8266da0f-9a6b-4efc-be05-9671a13b5a3c","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಬೆಂಗಳೂರು\u003C\u002Fstrong\u003E: ನಾಟಕಕಾರ ವೆಂಕಟೇಶ್ ಪ್ರಸಾದ್ ಅವರು ಅನುವಾದಿಸಿ, ನಿರ್ದೇಶಿಸಿದ ’ಕಾಕದೋಷ‘ ನಾಟಕ ರಂಗಶಂಕರದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F19c5b53e-d0c1-4ef9-94a0-76b86b30a594\u002Felement\u002Fe4be4b81-b6e6-40e5-ba53-f16939627b01","type":"text","family-id":"ab0b41d3-957d-45ac-8619-24747322d5c0","title":"","id":"e4be4b81-b6e6-40e5-ba53-f16939627b01","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೊದಲ ಬಾರಿಗೆ 2019ರಲ್ಲಿ ಲಂಡನ್‌ನಲ್ಲಿ ಈ ನಾಟಕ ಪ್ರದರ್ಶನಗೊಂಡಿತ್ತು. ಇದೇ ಮೊದಲ ಬಾರಿಗೆ ಭಾರತದೊಳಗೆ ಕನ್ನಡದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಳ್ಳುತ್ತಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F19c5b53e-d0c1-4ef9-94a0-76b86b30a594\u002Felement\u002Ff7049e2f-2958-4888-8105-e48ce10dce7e","type":"text","family-id":"5c696414-9a14-4d1f-b06d-c71dfd40e0eb","title":"","id":"f7049e2f-2958-4888-8105-e48ce10dce7e","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೂಲತಃ  ಇಂಗ್ಲಿಷ್‌ನ ಪ್ರಖ್ಯಾತ ನಾಟಕಕಾರ ಹೆನ್ರಿಕ್ ಇಬ್ಸೆನ್‌ನ ’ಘೋಸ್ಟ್’ ನಾಟಕದ ಎಳೆಯನ್ನು ಆಧರಿಸಿ ಭಾರತದಲ್ಲಿ 2012ರಲ್ಲಿ ನಡೆದ ನಿಜಘಟನೆಯ ಕುರಿತು ಅನುಪಮಾ ಚಂದ್ರಶೇಖರ್ ಬರೆದ ‘ ವೆನ್ ದ ಕ್ರೌನ್ ವಿಸಿಟ್’ ನಾಟಕವನ್ನು ವೆಂಕಟೇಶ್ ಪ್ರಸಾದ್ ‘ಕಾಕದೋಷ‘ ಹೆಸರಿನಲ್ಲಿ ಕನ್ನಡಕ್ಕೆ ತಂದಿದ್ದಾರೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F19c5b53e-d0c1-4ef9-94a0-76b86b30a594\u002Felement\u002Fe589f324-c2da-422b-8497-83a0dfb25994","type":"text","family-id":"4faf51b8-f805-43b8-b8db-d93504182339","title":"","id":"e589f324-c2da-422b-8497-83a0dfb25994","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಬೆಂಗಳೂರಿನ ಸಾಂಪ್ರದಾಯಿಕ ಕುಟುಂಬದ ಶಾರದ, ಗಂಡನನ್ನು ಕಳೆದುಕೊಂಡಿದ್ದಾಳೆ. ಮುಂಬೈನಲ್ಲಿ ಕೆಲಸ ಮಾಡುತ್ತಿರುವ ಮಗ ಅಕ್ಷಯ್‌ನೇ ಅವಳಿಗೆ ಆಸರೆ. ಹಳೆ ತಲೆಮಾರಿನ ಅತ್ತೆ ಸೀತಮ್ಮ ಹಾಗೂ ಹೊಸ ತಲೆಮಾರಿನ ಮಗ ಅಕ್ಷಯ್ ನಡುವೆ ನಿಂತಿರುವ ಶಾರದೆಗೆ ಸಂದಿಗ್ದ ಪರಿಸ್ಥಿತಿಯೊಂದು ಎದುರಾಗುತ್ತದೆ. ಅಮಾನುಷ ಕೃತ್ಯವೊಂದರಲ್ಲಿ ಭಾಗಿಯಾಗಿ ಮಗ ಮನೆ ಸೇರಿದಾಗ ಶಾರದಳ ಮುಂದಿರುವ ಆಯ್ಕೆಗಳೇನು ಎಂಬುದೇ ನಾಟಕದ 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‘ಕಾಕದೋಷ’\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":1200,"height":819,"mime-type":"image\u002Fjpeg","file-size":91285,"file-name":"file7wd361lfdeh67y5ie79.jpg","focus-point":[617,452]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fkaakadosha-at-rangashanakra-on-aug1-2887136","story-version-id":"146d6946-3290-40a3-a06b-4fa2641aa1c0","content-type":"story","content-updated-at":1721438160434,"author-id":1745292,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca 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","meta-keywords":["Drama","Rangashankara"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","tags":[{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"},{"id":5519514,"name":"Rangashankara","meta-description":null,"meta-title":null,"slug":"rangashankara","tag-type":"Tag"}],"headline":"ರಂಗಭೂಮಿ: ಜತೆಗಿರುವನು ಚಂದಿರ, ಅಣ್ಣನ ನೆನಪು ನಾಟಕ ಪ್ರದರ್ಶನ ಇಲ್ಲಿ","storyline-id":null,"votes":{},"story-content-id":"d9c5893f-9dfa-4e89-8d8e-71847b150b00","slug":"entertainment\u002Ftheatre\u002Fjotegiruvanu-chamdira-drama-on-23rd-july-2888607","last-published-at":1721435880000,"public-identifier":"2888607","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ 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ಪ್ರದರ್ಶನ","push-notification-title":null,"external-id":"doc7wc55sbqfcm1muxymhdb","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"d9c5893f-9dfa-4e89-8d8e-71847b150b00","hero-image-s3-key":"prajavani\u002F2024-03\u002Fe483a615-f0b4-464a-981e-781be26e7748\u002Ffile7uo2jm58lwh1hz1c4p1g.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Fd9c5893f-9dfa-4e89-8d8e-71847b150b00\u002Felement\u002F049af9e2-bc6c-48bd-8012-1a96b21209e5","type":"text","family-id":"5fa33c90-934e-4335-b010-516c4de1fac1","title":"","id":"049af9e2-bc6c-48bd-8012-1a96b21209e5","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸಂಕಲ್ಪ, ಮೈಸೂರು ಅರ್ಪಿಸುವ ’ಜತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕವು ಬೆಂಗಳೂರಿನ ರಂಗಶಂಕರದಲ್ಲಿ 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ಹಗುರಾಗುದು.\u003C\u002Fp\u003E\u003Cp\u003Eಸಾಗದ ದಾರಿಯನ್ನು ಕಂಡು ದಣಿವಾಗುತ್ತದೆ. ದಣಿವಾಗುತ್ತದೆ ಎಂಬ ಕಾರಣಕ್ಕೆ ಹಾರಾಡುವ ಬಯಕೆಯನ್ನು ಬಿಡುವಂತೆಯೂ ಇಲ್ಲ.  ಕತ್ತಲ ದಾರಿಯಲ್ಲಿ ಮಿಂಚುಹುಳುಗಳಿಗಾಗಿ ಜೀವ ಆತುಕೊಳ್ಳಬೇಕಾಗುತ್ತದೆ. ಆಗ ಕತ್ತಲೊಂದು ಸಂಭ್ರಮ; ಬೆಳಕೊಂದು ಸಂಭ್ರಮ ಹೀಗೆ ಗುರುತಿನ ಸುತ್ತ ಇರುವ ಹಲವು ಸಂಕೀರ್ಣ ವಿರೋಧಭಾಸಗಳನ್ನು ಎದುರುಗೊಳ್ಳುವ ಕಥನಗಳ ಗೊಂಚಲು  ‘ಬಾಬ್ ಮಾರ್ಲಿ ಫ್ರಮ್  ಕೋಡಿಹಳ್ಳಿ’\u003C\u002Fp\u003E\u003Cp\u003Eಇಲ್ಲಿ ಬಾಬಾ ಸಾಹೇಬ್ ಅಂಬೇಡ್ಕರ್ ಅವರ ‘ವೇಟಿಂಗ್ ಫಾರ್ ವೀಸಾ’ ಒಂದು ರೂಪಕವಾಗಿ ಕಂಡು ಅವರು ನಿಜಕ್ಕೂ ಪ್ರವೇಶ ಕೇಳುತ್ತಿರುವುದು ಎಲ್ಲಿಗೆ ? ಅನ್ನುವ ಪ್ರಶ್ನೆ ಮುಖ್ಯವಾಗುತ್ತದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಪಠ್ಯ ಆಕರ: ಎನ್.ಕೆ.ಹನುಮಂತಯ್ಯ, ಚಂದ್ರಶೇಖರ್‌ ಕೆ.\u003C\u002Fp\u003E\u003Cp\u003Eರಚನೆ, ವಿನ್ಯಾಸ ನಿರ್ದೇಶನ: ಲಕ್ಷ್ಮಣ್‌್ ಕೆ.ಪಿ\u003C\u002Fp\u003E\u003Cp\u003Eನಾಟಕ: ವಿ.ಎಲ್‌. ನರಸಿಂಹಮೂರ್ತಿ\u003C\u002Fp\u003E\u003Cp\u003Eದಿನಾಂಕ: ಜುಲೈ 20, ಶನಿವಾರ \u003C\u002Fp\u003E\u003Cp\u003Eಸ್ಥಳ: ರಂಗಶಂಕರ  ಸಮಯ: ಸಂಜೆ 3.30– 7.30 (ಬುಕ್‌ ಮೈ ಶೋನಲ್ಲಿ ಟಿಕೆಟ್‌ಗಳು ಲಭ್ಯ 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href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1721396844487,"content-version-id":"7fd7fd22-951e-4e1b-960f-c8ff2ceb4335","card-added-at":1721220635509,"status":"draft","id":"a750941b-4c3c-462f-a530-ffdeca09d0d7","content-id":"a750941b-4c3c-462f-a530-ffdeca09d0d7","version":8,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ಜತೆಗಿರುವನು ಚಂದಿರ, ಅಣ್ಣನ ನೆನಪು ನಾಟಕ ಪ್ರದರ್ಶನ ಇಲ್ಲಿ","message":"‘ಜತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕ ಪ್ರದರ್ಶನ","image":{"key":"prajavani\u002F2024-03\u002Fe483a615-f0b4-464a-981e-781be26e7748\u002Ffile7uo2jm58lwh1hz1c4p1g.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಜತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕ ಪ್ರದರ್ಶನದ 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href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1721435880000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಜತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕ ಪ್ರದರ್ಶನದ ದೃಶ್ಯ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":9,"story-template":"syndicated","sequence-no":null,"created-at":1721396844478,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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ವಿಕ್ರಮ ವಿಸಾಜಿ ಮಾಡಿದ್ದಾರೆ. ರಾಯಚೂರು ಸಮುದಾಯ ತಂಡ ನಾಟಕದ ಆಶಯಕ್ಕೆ ಜೀವ ತುಂಬಿದೆ.","meta-keywords":["Drama","Drama Presentation","Theater","Theater Fest","Theater Artist"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","tags":[{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"},{"id":5511528,"name":"Theater Artist","meta-description":null,"meta-title":null,"slug":"theater-artist","tag-type":"Tag"},{"id":5513289,"name":"Theater","meta-description":null,"meta-title":null,"slug":"theater","tag-type":"Tag"},{"id":5517055,"name":"Drama Presentation","meta-description":null,"meta-title":null,"slug":"drama-presentation","tag-type":"Tag"},{"id":5524087,"name":"Theater Fest","meta-description":null,"meta-title":null,"slug":"theater-fest","tag-type":"Tag"}],"headline":"ರಂಗಭೂಮಿ: ಸಮಕಾಲೀನ ತಲ್ಲಣದ ರಕ್ತ 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ವಿಲಾಪ","push-notification-title":null,"external-id":"doc7wa2wyenn0y1kngruoaq","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"67b93c3c-a933-4c5d-8298-5b00a7d1aac4","hero-image-s3-key":"prajavani\u002F2024-07\u002F18908633-c8ed-46e6-b3f6-813a60f2a17e\u002Ffile7w9iorbpl3r1hc9q5e9z.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F634e81dc-1eb8-43e6-8f6c-faaed61f61a0","type":"text","family-id":"36418209-0f8d-40d0-b5ef-5ce24c2d8243","title":"","id":"634e81dc-1eb8-43e6-8f6c-faaed61f61a0","metadata":{"content":"ಸಂಶೋಧಕ ಎಂ.ಎಂ.ಕಲಬುರ್ಗಿ ಅವರ ಹತ್ಯೆಯನ್ನೇ ಮೂಲದ್ರವ್ಯವಾಗಿ ಇಟ್ಟುಕೊಂಡ ಬರೆಯಲಾದ ನಾಟಕ ಇದು. ಸಮಕಾಲೀನ ತಲ್ಲಣಗಳಿಗೆ ಕನ್ನಡಿ ಹಿಡಿಯುವ ಪ್ರಯತ್ನವನ್ನು ಕವಿ, ನಾಟಕಕಾರ ವಿಕ್ರಮ ವಿಸಾಜಿ ಮಾಡಿದ್ದಾರೆ. ರಾಯಚೂರು ಸಮುದಾಯ ತಂಡ ನಾಟಕದ ಆಶಯಕ್ಕೆ ಜೀವ ತುಂಬಿದೆ."},"subtype":"blurb","text":"\u003Cblockquote\u003Eಸಂಶೋಧಕ ಎಂ.ಎಂ.ಕಲಬುರ್ಗಿ ಅವರ ಹತ್ಯೆಯನ್ನೇ ಮೂಲದ್ರವ್ಯವಾಗಿ ಇಟ್ಟುಕೊಂಡ ಬರೆಯಲಾದ ನಾಟಕ ಇದು. ಸಮಕಾಲೀನ ತಲ್ಲಣಗಳಿಗೆ ಕನ್ನಡಿ ಹಿಡಿಯುವ ಪ್ರಯತ್ನವನ್ನು ಕವಿ, ನಾಟಕಕಾರ ವಿಕ್ರಮ ವಿಸಾಜಿ ಮಾಡಿದ್ದಾರೆ. ರಾಯಚೂರು ಸಮುದಾಯ ತಂಡ ನಾಟಕದ ಆಶಯಕ್ಕೆ ಜೀವ ತುಂಬಿದೆ.\u003C\u002Fblockquote\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F83c4aeaf-2a0b-4405-987e-c0b9d3618842","type":"text","family-id":"3e2f5840-822f-41d1-a011-958d1d7b0199","title":"","id":"83c4aeaf-2a0b-4405-987e-c0b9d3618842","metadata":{},"subtype":null,"text":"\u003Cp\u003Eವಿಕ್ರಮ ವಿಸಾಜಿ ಬರೆದಿರುವ ‘ರಕ್ತ ವಿಲಾಪ’ ನಾಟಕ ಇತ್ತೀಚಿಗೆ ಕಲಬುರಗಿಯಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಂಡಿತು. ‘ರಾಯಚೂರು ಸಮುದಾಯ’ಕ್ಕಾಗಿ ಪ್ರವೀಣ ರೆಡ್ಡಿ ನಿರ್ದೇಶಿಸಿ,  ಸಂಶೋಧಕನ ಪಾತ್ರಕ್ಕೆ ಜೀವತುಂಬಿ ಅಭಿನಯಿಸಿದರು. ಎಂ.ಎಂ.ಕಲಬುರ್ಗಿ ಅವರ ಹತ್ಯೆಯ ಸುತ್ತ ಹೆಣೆದಿರುವ ಈ ನಾಟಕ ಸಂಶೋಧಕರೊಬ್ಬರ ಸತ್ಯದ ಹುಡುಕಾಟವನ್ನು ಬಿಂಬಿಸುವಂಥದ್ದು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F48371bb3-dce8-4436-9230-854b9f77c8a1","type":"text","family-id":"5fa38dd9-d3a2-4274-adf0-3b038f7631aa","title":"","id":"48371bb3-dce8-4436-9230-854b9f77c8a1","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇದು ಅಭಿವ್ಯಕ್ತಿ ಸ್ವಾತಂತ್ರ್ಯಕ್ಕಾಗಿ ಹಂಬಲಿಸುವವರ ಕುರಿತಾದ ನಾಟಕ. ಸತ್ಯದ ದುರ್ಗಮ ದಾರಿಯ ನೋವು, ಹತಾಶೆ, ಸಂಕಟ ಮತ್ತು ಎಂಥದ್ದೊ ಸುಖದ ಪಯಣ ಕೂಡ ಹೌದು. ಕಾಲ ಕೆಳಗಿನ ಬೆಂಕಿಗಿಂತ ಕಣ್ಣ ಮುಂದಿನ ಬೆಳಕು ದೊಡ್ಡದು ಎಂಬ ಎಂ.ಎಂ.ಕಲಬುರ್ಗಿ ಅವರ ಆಶಯವನ್ನು ಸೂಕ್ಷ್ಮವಾಗಿ ವಿಸ್ತರಿಸುವ ಕೆಲಸವನ್ನು ಈ ನಾಟಕ ಮಾಡಿತು. ಸತ್ಯದ ಇಂಥ ಹುಡುಕಾಟಗಳು ಕೆಲವೊಮ್ಮೆ ದುರಂತ ಅಂತ್ಯವನ್ನು ಕಾಣುತ್ತವೆ. ದುರಂತ ಮತ್ತು ಇದಕ್ಕೆ ಕಾರಣವಾದ ವ್ಯವಸ್ಥೆಯನ್ನು ನಾಟಕವು ಸಮರ್ಥವಾಗಿ ಕಟ್ಟಿಕೊಟ್ಟಿದೆ. ಸಂಶೋಧಕನ ತುಮುಲಗಳನ್ನು ಪ್ರವೀಣ ರೆಡ್ಡಿ ಅವರು ಕ್ಷಣಕ್ಷಣಕ್ಕೂ ತಮ್ಮ ನಟನೆಯಿಂದ ಗಾಢವಾಗಿಸುತ್ತಲೇ ಹೋದದ್ದು ವಿಶೇಷ. ಸಂಶೋಧಕನಿಗೆ ಪೈಪೋಟಿ ಎಂಬಂತೆ ಯುವಕನ ಪಾತ್ರವನ್ನು ಸಾಗರ್ ಇಟೇಕರ್ ನಿರ್ವಹಿಸಿದರು. ಧರ್ಮ, ಸಮಾಜ, ರಾಜಕಾರಣದ ಅಂಕುಡೊಂಕುಗಳನ್ನು ಚರ್ಚಿಸುತ್ತಾ, ಪ್ರಶ್ನೆ, ತುಮುಲಗಳು, ವಾದ, ವಿವಾದ, ಸಂವಾದ, ವಾಗ್ವಾದಗಳು ಪಾತ್ರಗಳ ನಡುವಿನ ಚಕಮಕಿಗಳು ಪ್ರೇಕ್ಷಕರನ್ನು ಹಿಡಿದು ಕೂರಿಸಿದವು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F6cfe7fb0-c726-4447-884c-9d43a847d45c","type":"text","family-id":"82d7c5f9-24db-4fd4-a09e-32174a5a2c1e","title":"","id":"6cfe7fb0-c726-4447-884c-9d43a847d45c","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ಪ್ರದರ್ಶನ ನಾಟಕಕಾರ ಮತ್ತು ನಿರ್ದೇಶಕನ ನಡುವಿನ ಜುಗಲ್ ಬಂದಿಯಾಗಿ ಕಂಡುಬರುತ್ತಿತ್ತು. ನಾಟಕಕಾರನ ಪದ ಪ್ರಯೋಗ, ಪರಿಣಾಮಕಾರಿ ಸಂಭಾಷಣೆ, ದೃಶ್ಯ ಜೋಡಣೆ ಒಂದೆಡೆಯಾದರೆ, ಇತ್ತ ನಾಟಕದ ಘನತೆಗೆ ಧಕ್ಕೆ ಬಾರದ ಹಾಗೆ ನಿರ್ದೇಶಕರು ಅಷ್ಟೇ ನಿಪುಣತೆಯಿಂದ ಅಭಿನಯ, ಹಾಡು, ನೃತ್ಯ, ಸಂಗೀತ, ಬೆಳಕು ಬಳಸಿಕೊಂಡು ರಂಗತಂತ್ರಗಳ ಮೂಲಕ ಬಿಗಿಯಾಗಿ ರಂಗರೂಪವನ್ನು ಕಟ್ಟಿಕೊಟ್ಟರು. ಪ್ರತಿಕ್ಷಣವೂ ಪ್ರೇಕ್ಷಕರನ್ನು ಆಲೋಚನೆಗೆ ಹಚ್ಚಿದ್ದು ಇದರ ಸಕಾರಾತ್ಮಕ ಸಂಗತಿ. ಕೆಲವೊಮ್ಮೆ ಸಂಶೋಧಕನ ಮಾತುಗಳು ದೀರ್ಘವೆನಿಸುತ್ತಿದ್ದವು. ಇವುಗಳನ್ನು ಕೊಂಚ ಸಂಕ್ಷಿಪ್ತಗೊಳಿಸಬಹುದಿತ್ತು. ಆದರೆ, ಇದು ಮನರಂಜನೆಯ ನಾಟಕವಲ್ಲ, ನಮ್ಮನ್ನು ತಬ್ಬಿಬ್ಬುಗೊಳಿಸುವ ನಾಟಕ. ವ್ಯವಸ್ಥೆಯ ಆಳದಲ್ಲಿ ಹುದುಗಿರುವ ಹಿಂಸೆಯ ಮುಖವಾಡಗಳನ್ನು ಬಿಚ್ಚಿಡುವ ನಾಟಕ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002Fbcc2e5e0-c065-4918-9498-c80b0252dae8","type":"text","family-id":"ed609b26-61ae-44ad-affc-f617fb6b1352","title":"","id":"bcc2e5e0-c065-4918-9498-c80b0252dae8","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ನೋವು ನನ್ನ ತಾಯಿ, ಸ್ಥಾಯಿ’ ಎಂಬ ಸಂಶೋಧಕನ ಮಾತು ಎಲ್ಲಾ ಹೋರಾಟಗಾರರಿಗೆ ಬರೆದ ಭಾಷ್ಯದಂತಿತ್ತು. ಕೆಲವೊಮ್ಮೆ ಈ ನಾಟಕದಲ್ಲಿಯ ನಟರ ವಯಸ್ಸು, ದೇಹ, ಧ್ವನಿ ಅಲ್ಲಲ್ಲಿ ಹೊಂದಾಣಿಕೆಯಾಗದೇ ಹೋಗುತ್ತಿತ್ತು. ವಿಶೇಷವಾಗಿ ನಾಲ್ಕು ಸಮಕಾಲೀನ ಸಂಶೋಧಕರ ಮಾತುಕತೆಯ ಸನ್ನಿವೇಶದಲ್ಲಿ ಇನ್ನಷ್ಟು ಪಕ್ವತೆಯ ಅಗತ್ಯವಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F573afb94-29fa-49c6-988b-9e55e5c64b15","type":"text","family-id":"266227f8-6427-4800-b5f9-aa20d8a15220","title":"","id":"573afb94-29fa-49c6-988b-9e55e5c64b15","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದ ಭಾಷೆ ಸಂಶೋಧಕನ ಚಡಪಡಿಕೆಯನ್ನು ಸೂಕ್ಷ್ಮವಾಗಿ ತೋರಿಸುತ್ತಿತ್ತು. ಸಂಶೋಧಕನ ಅನೇಕ ತಾತ್ವಿಕ ಮಾತುಗಳನ್ನು ಗ್ರಹಿಸಲು ಸಾಧ್ಯವಾಗದ ನ್ಯಾಯಾಧೀಶರು ‘ವಕೀಲರೇ ನನಗನ್ನಿಸುತ್ತೆ, ನಮ್ಮೆಲ್ಲರ ಭಾಷೆಯ ಶಕ್ತಿ ಕುಂದುಬಿಟ್ಟಿದೆ. ಗೊತ್ತಾಗಲಾರದ ಎಷ್ಟೆಲ್ಲ ವಿಧಾನಗಳಿವೆ ನೋಡಿ. ಭಾಷೆ ಯಾವೆಲ್ಲ ಸ್ತರದಲ್ಲಿ ಕೆಲಸ ಮಾಡುತ್ತಿದೆ. ಭಾಷೆಯ ಮೂಲೆಮೂಲೆಗೆ ಹೋಗಿ ಅರ್ಥ ಮಾಡಿಕೊಳ್ಳೊ ಸಾಮರ್ಥ್ಯ ಬಹುಶಃ ನ್ಯಾಯಾಲಯಕ್ಕೂ ಇಲ್ವೇನೊ’ ಎಂದು ನುಡಿದದ್ದು ಸತ್ಯದ ಸಂಕೀರ್ಣ ಸ್ಥಿತಿಗೆ ಸಂಕೇತವಾಗಿತ್ತು. ‘ರಕ್ತದಾಗ ದೇಶಭಕ್ತಿ ಇರೋದಿಲ್ಲ, ಬೆವರಿನ್ಯಾಗ ಇರತಾದ. ಎಷ್ಟು ಬೆವರು ಸುರಿಸಿ ದುಡಿತಿ ಅಷ್ಟು ದೊಡ್ಡ ದೇಶಭಕ್ತ ಆಗ್ತಿ’ ಎಂಬ ಮಾತು ಸಮಕಾಲೀನ ಹಲವು ತಲ್ಲಣಗಳಿಗೆ ಪ್ರತಿಕ್ರಿಯೆ ಎನ್ನುವಂತಿದೆ. ಸಮಕಾಲೀನ ವಸ್ತುವೊಂದನ್ನು ಆಯ್ದುಕೊಂಡು ಅದರ ಅಕಾಡೆಮಿಕ್ ಭಾರಗಳನ್ನು ಕಳಚಿ ಪ್ರೇಕ್ಷಕರೆದುರು ಇಟ್ಟಿದ್ದು ನಾಟಕಕಾರ, ನಿರ್ದೇಶಕ ಮತ್ತು ಕಲಾವಿದರ ಗೆಲುವು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002Fbcf10384-3e22-49c9-aba1-e468ed50952a","type":"text","family-id":"5cfc6fe3-e7da-46d7-a78a-0695855c39e0","title":"","id":"bcf10384-3e22-49c9-aba1-e468ed50952a","metadata":{},"subtype":null,"text":"\u003Cp\u003Eರಂಗ ಪ್ರದರ್ಶನದ ತಾಂತ್ರಿಕ ನೆಲೆಗಟ್ಟಿನಲ್ಲಿ ಇಲ್ಲಿ ಬಳಕೆಯಾದ ಸಂಗೀತ ಮುಖ್ಯ ನೆಲೆಗೆ ಬಂದು ನಿಲ್ಲುತ್ತದೆ. ಇನ್ಸಾಫ್‌ ಪಟೇಲ್‌ ಅವರ ಸಂಗೀತ ಸಂಯೋಜನೆ ಪ್ರೇಕ್ಷಕರನ್ನು ಮಂತ್ರಮುಗ್ಧರಾಗಿಸಿತು. ಅತ್ಯಂತ ಕಡಿಮೆ ವಾದ್ಯಗಳ ಈ ಸಂಯೋಜನೆ ನಾಟಕದ ದೀರ್ಘ ಸಂಭಾಷಣೆಗಳ ಏಕತಾನತೆಯನ್ನು ಮಣಿಸಿತ್ತು. ಆರಂಭದ ಹಾಡನ್ನು ನಾಟಕದುದ್ದಕ್ಕೂ ದೃಶ್ಯದಿಂದ ದೃಶ್ಯಕ್ಕೆ ಬ್ರಿಡ್ಜ್ ಮ್ಯೂಜಿಕ್ ರೂಪದಲ್ಲಿ ಬಳಸಿದ ರೀತಿ, ಅದಕ್ಕೆ ತಕ್ಕಂತೆ ವಸ್ತ್ರವಿನ್ಯಾಸ, ಪೂರಕವಾದ ದೃಶ್ಯ ಮತ್ತು ನೃತ್ಯ ಸಂಯೋಜನೆಯಿತ್ತು. ಲಕ್ಷ್ಮಣ ಮಂಡಲಗೇರ ಅವರು ಬೆಳಕಿನ ದೃಶ್ಯ-ಸಾದೃಶ್ಯಗಳನ್ನು  ಒಂದು ಭಾವವಾಗಿ ಕಾಣಿಸಿದ್ದಾರೆ. ದೃಶ್ಯ ಜೋಡಣೆಗೆ ಪೂರಕವಾಗಿ ಬಂದ ಬೆಳಕಿನ ಸಂಯೋಜನೆ ಕಾವ್ಯಾತ್ಮಕ ರೂಪು ಪಡೆದಿತ್ತು. ನಿರ್ಮಲಾ ಅವರು ನಾಟಕದಲ್ಲಿ ನ್ಯಾಯಾಧೀಶರ ಪಾತ್ರವನ್ನು ಅಚ್ಚುಕಟ್ಟಾಗಿ ನಿಭಾಯಿಸಿದರು. ಕಲಬುರಗಿ ಸಮುದಾಯದ ಈ ಆಯೋಜನೆ ಪ್ರೇಕ್ಷಕರ ಮೆಚ್ಚುಗೆಗೆ ಪಾತ್ರವಾಯಿತು.\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":1913,"height":1276,"focus-point":[1090,451]},"page-url":"\u002Fstory\u002F67b93c3c-a933-4c5d-8298-5b00a7d1aac4\u002Felement\u002F36a87bcd-e86c-4085-b480-d5958deb7f5e","type":"image","family-id":"c0ad348d-565e-480e-967b-7e4986761a9d","image-attribution":"","title":"ನಾಟಕದಲ್ಲಿ ಯುವಕ ಮತ್ತು ಸಂಶೋಧಕನ 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href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1720885654452,"content-version-id":"d4dfbfb0-88ba-4f6c-8c87-a45110865b9f","card-added-at":1720873844606,"status":"draft","id":"191f1ce3-a1ae-44fc-953d-0af1b6d39b9c","content-id":"191f1ce3-a1ae-44fc-953d-0af1b6d39b9c","version":3,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ಸಮಕಾಲೀನ ತಲ್ಲಣದ ರಕ್ತ ವಿಲಾಪ","message":"BP-ಸಮಕಾಲೀನ ತಲ್ಲಣದ ರಕ್ತ 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href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1720913400000,"hero-image-caption":"ರಕ್ತ ವಿಲಾಪ ನಾಟಕದ ದೃಶ್ಯ","version":8,"story-template":"syndicated","sequence-no":null,"created-at":1720885654441,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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ಮೂರು ವರ್ಷಗಳಿಂದ ‘ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ’ವನ್ನು ಆಯೋಜಿಸುತ್ತ ಬಂದಿದೆ.","claim-reviews":{"story":null}},"assignee-id":1745628,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","tags":[{"id":5513699,"name":"Drama festival","meta-description":null,"meta-title":null,"slug":"drama-festival","tag-type":"Tag"}],"headline":"ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ; ಅಂತಿಮ ಹಂತದ ಸ್ಪರ್ಧೆ ನಾಳೆ ","storyline-id":null,"votes":{},"story-content-id":"97037384-9b1a-4fb1-b3dc-5e0249703da1","slug":"entertainment\u002Ftheatre\u002Fbengaluru-short-drama-festival-2883043","last-published-at":1720827000000,"public-identifier":"2883043","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ 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01.jpg","focus-point":[600,400]},"comments":null,"word-count":182,"story-features":{"push-notification":{"is-scheduled":false,"publish-at":null}},"entities":{},"published-at":1720827000000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"97037384-9b1a-4fb1-b3dc-5e0249703da1","hero-image-s3-key":"prajavani\u002F2024-07\u002Faf5ec2cc-f18b-4a46-b048-71578b1ca303\u002FDrama 01.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F97037384-9b1a-4fb1-b3dc-5e0249703da1\u002Felement\u002Ffdf4e0d2-2e29-49a5-8d0a-f86b64b227cf","type":"text","family-id":"8683a705-2ab0-45bc-8dd9-8cc13204a6b0","title":"","id":"fdf4e0d2-2e29-49a5-8d0a-f86b64b227cf","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಪ್ರವರ ಥಿಯೇಟರ್ ಮತ್ತು ಅಶ್ವ ಘೋಷ ಥಿಯೇಟರ್‌ ಟ್ರಸ್ಟ್ ಜಂಟಿಯಾಗಿ ಕಳೆದ ಮೂರು ವರ್ಷಗಳಿಂದ ‘ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ’ವನ್ನು ಆಯೋಜಿಸುತ್ತ ಬಂದಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮೊದಲ ಹಂತದ ಸ್ಪರ್ಧೆಯಲ್ಲಿ 15 ತಂಡಗಳು ಭಾಗವಹಿಸಿದ್ದು, ಅದರಲ್ಲಿ 7 ತಂಡಗಳು ಅಂತಿಮ ಹಂತಕ್ಕೆ ಆಯ್ಕೆಯಾಗಿವೆ. ಅಂತಿಮ ಹಂತದ ಸ್ಪರ್ಧೆ ಜುಲೈ 13ರಂದು ಶನಿವಾರ ಸಂಜೆ 5.45ಕ್ಕೆ ನಡೆಯಲಿದೆ. ಬಸವೇಶ್ವರ ನಗರದಲ್ಲಿರುವ ಕೆಇಎ ಪ್ರಭಾತ್‌ ರಂಗಮಂದಿರದಲ್ಲಿ ನಡೆಯಲಿದೆ. ಈ ಬಾರಿಯ ನಿರೂಪಣಾ ವಿಷಯ ಸಮಾನತೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F97037384-9b1a-4fb1-b3dc-5e0249703da1\u002Felement\u002F8197ae80-d970-40d0-b86f-c65068aeedfa","type":"text","family-id":"b5f41384-1859-4ab6-8579-4438a71bd34d","title":"","id":"8197ae80-d970-40d0-b86f-c65068aeedfa","metadata":{"content":"ಪ್ರಶಸ್ತಿಗಳು ಹೀಗಿವೆ\n"},"subtype":"blurb","text":"\u003Cblockquote\u003Eಪ್ರಶಸ್ತಿಗಳು ಹೀಗಿವೆ\n\u003C\u002Fblockquote\u003E"},{"description":"","page-url":"\u002Fstory\u002F97037384-9b1a-4fb1-b3dc-5e0249703da1\u002Felement\u002F7ca0e625-0d79-4196-8952-db170071cc00","type":"text","family-id":"9cbc2977-a1df-4ec8-9516-81c5bcd8036b","title":"","id":"7ca0e625-0d79-4196-8952-db170071cc00","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ನಾಟಕ (ತೀರ್ಪುಗಾರರ ಆಯ್ಕೆ)\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 10,000\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ನಾಟಕ (ಪ್ರೇಕ್ಷಕರ ಆಯ್ಕೆ)\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 10,000.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E‘ಆರ್ .ನಾಗೇಶ್’ ಅತ್ಯುತ್ತಮ ನಿರ್ದೇಶನ\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 2,500. ‘ಸಂಚಾರಿ ವಿಜಯ್’ \u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ನಟ\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 2,500. \u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003E‘ಉಮಾಶ್ರೀ’ ಅತ್ಯುತ್ತಮ ನಟಿ -\u003C\u002Fstrong\u003E ಫಲಕ ಮತ್ತು 2,500\u002F- ನಗದು.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ಕಥೆ (ಸ್ವರಚಿತ)\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 2,500. \u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ನಾಟಕ ವಿನ್ಯಾಸ\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹ 2,500. \u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಅತ್ಯುತ್ತಮ ಭಿತ್ತಿಪತ್ರ ವಿನ್ಯಾಸ\u003C\u002Fstrong\u003E - ಫಲಕ ಮತ್ತು ₹2,500.\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಮಾಹಿತಿಗಾಗಿ ಸಂಪರ್ಕಿಸಿ\u003C\u002Fstrong\u003E: 9902590303\u003C\u002Fp\u003E"}],"card-updated-at":1720801106920,"content-version-id":"96acebf2-91fe-4862-9d2f-a09a6dcf3834","card-added-at":1720800919828,"status":"draft","id":"f055f8b7-8648-41b0-aff0-a9b734ec80c8","content-id":"f055f8b7-8648-41b0-aff0-a9b734ec80c8","version":2,"metadata":{"social-share":{"shareable":false,"title":"ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ; ಅಂತಿಮ ಹಂತದ ಸ್ಪರ್ಧೆ ನಾಳೆ ","message":null,"image":{"key":"prajavani\u002F2024-07\u002Faf5ec2cc-f18b-4a46-b048-71578b1ca303\u002FDrama 01.jpg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":94058,"file-name":"Drama 01.jpg","focus-point":[600,400]}}},"attributes":{}}},{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F97037384-9b1a-4fb1-b3dc-5e0249703da1\u002Felement\u002F224cb470-81cf-4f06-9ed9-7fa8c8353a16","type":"text","family-id":"c0eafc67-6169-44fc-a04f-474b7d9d4a2b","title":"","id":"224cb470-81cf-4f06-9ed9-7fa8c8353a16","metadata":{"content":"ಅಂತಿಮ ಸುತ್ತಿಗೆ ಆಯ್ಕೆಯಾದ ನಾಟಕಗಳ ತಂಡಗಳು ಹೀಗಿವೆ"},"subtype":"blurb","text":"\u003Cblockquote\u003Eಅಂತಿಮ ಸುತ್ತಿಗೆ ಆಯ್ಕೆಯಾದ ನಾಟಕಗಳ ತಂಡಗಳು ಹೀಗಿವೆ\u003C\u002Fblockquote\u003E"},{"description":"","page-url":"\u002Fstory\u002F97037384-9b1a-4fb1-b3dc-5e0249703da1\u002Felement\u002F4cbfd1a0-8166-4906-b4a2-3a36906df368","type":"text","family-id":"4c0987e9-78ab-429e-b23e-ab5616ff4c56","title":"","id":"4cbfd1a0-8166-4906-b4a2-3a36906df368","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಲಾ ಕದಂಬ ಆರ್ಟ್‌ ಸೆಂಟರ್‌ನ ‘ಅದು’ ನಾಟಕ. ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ ತೇಜಸ್‌ ಗೌಡ ಕೆ\u003C\u002Fp\u003E\u003Cp\u003Eಹತ್ತು ನಾಲ್ಕು ಮೆಟ್ಟಿಲು– ಧ್ವನಿ ತಂಡ. ನಿರ್ದೇಶನ; ಮಧುಸೂದನ್‌ ಕನೇಕಲ್\u003C\u002Fp\u003E\u003Cp\u003Eನೀವಾ ಅಥವಾ ನಾವಾ– ಹೆಜ್ಜೆ ಥಿಯೇಟರ್‌. ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ: ಹೇಮಂತ ಕುಮಾರ್\u003C\u002Fp\u003E\u003Cp\u003Eರಾಮ ಈಸ್‌ ಈಕ್ವೆಲ್‌ ಟು ರಾಮ– ವೀಕೆಂಡ್‌ ಥಿಯೇಟರ್‌. ಆನೇಕಲ್‌. ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ– ಮದನ್‌ ರಂಗಭೂಮಿ\u003C\u002Fp\u003E\u003Cp\u003Eಸಮಾವಸರ: ತಂಡ  –ಕಲಾರಧ್ಯ ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ: ಚಂದನ್ ವಸಿಷ್ಠ\u003C\u002Fp\u003E\u003Cp\u003Eಚವರಿ– ಸಮತಾರಂಗ. ರಚನೆ: ಟಿ.ಎಸ್‌.ಗೊರವರ. ನಿರ್ದೇಶನ: ನಾಗೇಶ ಎನ್‌. ಕೋಲಾರ್‌\u003C\u002Fp\u003E\u003Cp\u003Eಅಲೆಮಾರಿ ಭಾರತ– ಕಾಜಾಣ ತಂಡ. ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ– ಬೇಲೂರು ರಘುನಂದನ್ \u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1720801284924,"content-version-id":"9969b8ce-9abc-4faa-ba30-e427ba3dee3f","card-added-at":1720801284924,"status":"draft","id":"91974c83-e204-4119-8518-377fad7d56f4","content-id":"91974c83-e204-4119-8518-377fad7d56f4","version":1,"metadata":{"social-share":{"shareable":false,"title":"ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ; ಅಂತಿಮ ಹಂತದ ಸ್ಪರ್ಧೆ ನಾಳೆ ","message":null,"image":{"key":"prajavani\u002F2024-07\u002Faf5ec2cc-f18b-4a46-b048-71578b1ca303\u002FDrama 01.jpg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":94058,"file-name":"Drama 01.jpg","focus-point":[600,400]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fbengaluru-short-drama-festival-2883043","story-version-id":"cd8b2fb7-49f1-4ab1-abd8-16f4964e0ac2","content-type":"story","content-updated-at":1720827000422,"author-id":1745292,"owner-id":1745628,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1720827000000,"hero-image-caption":null,"version":3,"story-template":"text","sequence-no":null,"created-at":1720801284917,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":1720827000000,"assignee-name":"ಅಭಿಲಾಷ್ ಎಸ್‌.ಡಿ."}},{"id":"a8fd319f-5913-4cbf-9f02-b8191fe1809b","score":null,"type":"story","item":{"headline":["ಡುಂಡಿರಾಜರ ‘ಪುಕ್ಕಟೆ ಸಲಹೆಗೆ’ 85ರ ಸಂಭ್ರಮ"]},"story":{"updated-at":1720801640375,"seo":{"meta-description":"ಚುಟುಕು ಸಾಹಿತಿ ಎಚ್.ಡುಂಡಿರಾಜ್ ಅವರ ‘ಪುಕ್ಕಟೆ ಸಲಹೆ’ ಹಾಸ್ಯ ನಾಟಕವು ವಿಶ್ವಪಥ ಕಲಾ ಸಂಗಮ ಹವ್ಯಾಸಿ ರಂಗತಂಡದಿಂದ ಜುಲೈ 14ರಂದು ಭಾನುವಾರ 85ನೇ ಪ್ರದರ್ಶನ ಕಾಣುತ್ತಿದೆ.","meta-keywords":["Comedian","Drama"],"claim-reviews":{"story":null}},"assignee-id":1745628,"author-name":"ಪ್ರಜಾವಾಣಿ 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ಪ್ರೇಕ್ಷಕರನ್ನು ನಗುವಂತೆ ಮಾಡುತ್ತವೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಸ್ಥಳ: ವಾಡಿಯಾ ಸಭಾಂಗಣ, ದಿ ಇಂಡಿಯನ್‌ ಇನ್‌ಸ್ಟಿಟ್ಯೂಟ್‌ ಆಫ್‌ ವರ್ಲ್ಡ್‌ ಕಲ್ಚರ್‌. ಬಸವನಗುಡಿ. ಸಂಜೆ 7 ಗಂಟೆಗೆ. ವಿವರಗಳಿಗೆ: 99459 77184\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1720801639331,"content-version-id":"a1d4f707-5b38-4dab-9b3a-b89d69c6fbdf","card-added-at":1720801534914,"status":"draft","id":"b8377495-095b-4ec0-8cec-c754fb6bd972","content-id":"b8377495-095b-4ec0-8cec-c754fb6bd972","version":5,"metadata":{"social-share":{"shareable":false,"title":"ಡುಂಡಿರಾಜರ ‘ಪುಕ್ಕಟೆ ಸಲಹೆಗೆ’ 85ರ ಸಂಭ್ರಮ","message":null,"image":{"key":"prajavani\u002F2024-07\u002F665f41dd-d37b-4810-b332-e28c16c1c153\u002Fdrama 02.jpg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":800,"height":588,"mime-type":"image\u002Fjpeg","file-size":101084,"file-name":"drama 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href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1720827000000,"hero-image-caption":null,"version":5,"story-template":"text","sequence-no":null,"created-at":1720801639104,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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ಮಕ್ಕಳಿಗೆಂದೇ ರೂಪಿಸಿ, ನಿರ್ವಹಿಸುತ್ತಿರುವ ರಾಷ್ಟ್ರದ ಅತ್ಯುತ್ತಮ ಮಕ್ಕಳ ರಂಗಭೂಮಿ ಕಾರ್ಯಕ್ರಮಗಳಲ್ಲಿ ಒಂದು ‘ಆಹಾ! ಮಕ್ಕಳ ನಾಟಕೋತ್ಸವ’.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ಕಾರ್ಯಕ್ರಮವು ಬದ್ಧತೆಯ ಜೊತೆಗೆ ಮಕ್ಕಳ ಕಲಿಕೆಗೆ ಹೊಸ ಮಾದರಿಗಳನ್ನು ಒದಗಿಸುವ ಮೂಲಕ ಮಕ್ಕಳು ಮಾಹಿತಿಪೂರ್ಣ, ಕ್ರಿಯಾಶೀಲ ಮತ್ತು ಸಾಮಾಜಿಕ ಅನುಭೂತಿಯುಳ್ಳ ವ್ಯಕ್ತಿತ್ವದವರಾಗಲು ಸಹಕರಿಸುತ್ತದೆ. ಈ ಕಾರ್ಯಕ್ರಮದ ಭಾಗವಾಗಿ ಒದಗಿಸಲಾಗುವ ನಾಟಕಗಳು ಮಕ್ಕಳಿಗೆ ದೃಶ್ಯ, ಶ್ರವ್ಯ, ಮೌಖಿಕ ಮತ್ತು ದೈಹಿಕ ಚಿಂತನೆಗೆ ಪ್ರಚೋದನೆಯನ್ನು ಒದಗಿಸುವುದಲ್ಲದೆ, ಮಕ್ಕಳಲ್ಲಿ ಸೃಜನಾತ್ಮಕತೆ, ಚಿಂತನಶೀಲತೆ, ಕಲ್ಪನಾ ಶಕ್ತಿ ಹೆಚ್ಚಿಸುತ್ತದೆ ಹಾಗೂ ಎದುರಾಗಬಹುದಾದ ಸಮಸ್ಯೆಗಳನ್ನು ಪರಿಹರಿಸಲು ಉಪಾಯಗಳನ್ನು ದಾರಿಗಳನ್ನು ತೋರುವ ಮೂಲಕ ಮಾನವೀಯ ವ್ಯಕ್ತಿತ್ವ ರೂಪಿಸುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಆಹಾ! ಅಂತರರಾಷ್ಟ್ರೀಯ ಮಕ್ಕಳ ನಾಟಕೋತ್ಸವ  2024\u003C\u002Fp\u003E\u003Cp\u003Eನಾಟಕೋತ್ಸವದ ಹದಿನಾಲ್ಕನೇ ಆವೃತ್ತಿ ಜುಲೈ 13ರಿಂದ 19ರವರೆಗೆ ನಡೆಯಲಿದೆ. ಈ ಮಕ್ಕಳ ರಂಗಸಪ್ತಾಹದಲ್ಲಿ ದಕ್ಷಿಣ ಕೊರಿಯಾ, ಜರ್ಮನಿ, ಆಸ್ಟ್ರಿಯಾ, ಶ್ರೀಲಂಕಾ, ಸ್ವಿಟ್ಜರ್ಲೆಂಡ್‌‌ ದೇಶಗಳ ನಾಟಕಗಳಲ್ಲದೇ ಭಾರತದ ನಾಟಕವನ್ನು ಪ್ರಸ್ತುತಪಡಿಸಲಾಗುತ್ತಿದೆ. ಈ ನಾಟಕಗಳು ಪರಿಸರ ರಕ್ಷಣೆ, ಸಹಜೀವನ, ಲಿಂಗ ಅಸಮಾನತೆ ತೊಡೆಯುವ ಹಾಗೂ ಸಂಘರ್ಷದ ಕಾಲದಲ್ಲಿ ಸಹಾನುಭೂತಿಯಿಂದ ಎದುರಿಸುವ ರೀತಿ - ಹೀಗೆ ವೈವಿಧ್ಯಮಯ ವಸ್ತುಗಳನ್ನು ಒಳಗೊಂಡಿವೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮತ್ತೊಂದು ವಿಶೇಷವೆಂದರೆ, ಬೆಂಗಳೂರಿನ ರಂಗ ಶಂಕರದಲ್ಲಿ ಪ್ರದರ್ಶನವಾಗುವ ಆಹಾ! ನಾಟಕಗಳು ಅಹಮದಾಬಾದ್ ನಗರದಲ್ಲಿ ಸಹ ಪ್ರದರ್ಶನ ಆಗುತ್ತಿವೆ. ಅಹಮದಾಬಾದಿನ ನಿಕೊಯೀ ಫೌಂಡೇಷನ್ ಅವರು ಈ ಪ್ರದರ್ಶನಗಳಿಗೆ ಸಹಭಾಗಿತ್ವ ನೀಡುತ್ತಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":864,"height":691,"mime-type":"image\u002Fjpeg","file-size":131757,"file-name":"Drama.JPG"},"page-url":"\u002Fstory\u002Fd255fd20-bf19-49b6-8989-ab0e2dca492f\u002Felement\u002Fa8f894f9-75fb-4de7-ba4b-64e98dabaad8","type":"image","family-id":"9f3e2997-4985-462e-b66a-a7c413c6327b","image-attribution":"abhilash 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href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1720800707396,"content-version-id":"f954c05f-8fe3-4d75-85b4-f9f7e43d170d","card-added-at":1720800584919,"status":"draft","id":"2a15102e-a4d7-48f0-b217-64827b939d15","content-id":"2a15102e-a4d7-48f0-b217-64827b939d15","version":3,"metadata":{"social-share":{"shareable":false,"title":"ಅಂತರರಾಷ್ಟ್ರೀಯ ಮಕ್ಕಳ ನಾಟಕೋತ್ಸವ","message":null,"image":{"key":"prajavani\u002F2024-07\u002Ffdac2d35-b93a-404c-a739-7cf2d4287ae1\u002FDrama.JPG","url":null,"attribution":"abhilash sd.","caption":null,"alt-text":"","metadata":{"width":864,"height":691,"mime-type":"image\u002Fjpeg","file-size":131757,"file-name":"Drama.JPG"}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Finternational-childrens-theatre-festival-2883025","story-version-id":"40d1e477-a7e4-4294-9ea2-1495ec1a24b5","content-type":"story","content-updated-at":1720827001213,"author-id":1745292,"owner-id":1745628,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1720827000000,"hero-image-caption":null,"version":3,"story-template":"text","sequence-no":null,"created-at":1720800707145,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":1720827000000,"assignee-name":"ಅಭಿಲಾಷ್ ಎಸ್‌.ಡಿ."}},{"id":"54c877ee-80fc-4f1d-8521-a2cf655239d1","score":null,"type":"story","item":{"headline":["ಕೌತುಕಮಯ ಚೌಕಟ್ಟಿನಲ್ಲಿ ಸಂಸ್ಕೃತಿಯ ಗುಣಗಾನ: 'ನಟರಾಜ' ನಾಟಕ ಮನಮುಟ್ಟಿದ ಪ್ರಯೋಗ"]},"story":{"updated-at":1719151841752,"seo":{"meta-keywords":["Theatre"],"meta-description":"ಅಭಿಮಾನಿ ಪ್ರೇಕ್ಷಕರು ಮನ ತಣಿಯುವಂತೆ ಸಂತೃಪ್ತಗೊಂಡ ವಿಶಿಷ್ಟ ದಾಖಲಾತಿ ಪ್ರದರ್ಶನವಾಗಿ ನಾಟಕ ಮೂಡಿ ಬಂದಿತು.ನಾಟಕವು ಕೌತುಕಮಯ ಕಥಾವಸ್ತುವಾದರೂ ಸಮಾಜದ ಪ್ರಚಲಿತ ವಿದ್ಯಮಾನಗಳ ಕೇಂದ್ರೀಕರಿಸಿ ಚಿತ್ತಹರಿಸುವಂತೆ ಮಾಡಿದ್ದಿತು.","claim-reviews":{"story":null}},"assignee-id":1754433,"author-name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","tags":[{"id":5512957,"name":"Theatre","meta-description":null,"meta-title":null,"slug":"theatre","tag-type":"Tag"}],"headline":"ಕೌತುಕಮಯ ಚೌಕಟ್ಟಿನಲ್ಲಿ ಸಂಸ್ಕೃತಿಯ ಗುಣಗಾನ: 'ನಟರಾಜ' ನಾಟಕ ಮನಮುಟ್ಟಿದ ಪ್ರಯೋಗ","storyline-id":null,"votes":{},"story-content-id":"54c877ee-80fc-4f1d-8521-a2cf655239d1","slug":"entertainment\u002Ftheatre\u002Fnataraja-drama-a-special-experiment-2857412","last-published-at":1719151843305,"public-identifier":"2857412","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ 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experiment","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":1504,"height":1004,"mime-type":"image\u002Fjpeg","file-size":121200,"file-name":"5d0c9eba-8616-40db-b77a-fea1d6206f04.jpeg","focus-point":[824,377]},"comments":null,"word-count":414,"story-features":{"push-notification":{"is-scheduled":false,"publish-at":null}},"entities":{},"published-at":1719151843305,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"54c877ee-80fc-4f1d-8521-a2cf655239d1","hero-image-s3-key":"prajavani\u002F2024-06\u002F93ddd9d0-8778-4296-9a32-db50b797792c\u002F5d0c9eba_8616_40db_b77a_fea1d6206f04.jpeg","contributors":null,"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F54c877ee-80fc-4f1d-8521-a2cf655239d1\u002Felement\u002F78cb7477-bc2f-46c3-8799-acb9fc00373f","type":"text","family-id":"d4ab3017-a78d-47d2-b51a-0229f34ad3ac","title":"","id":"78cb7477-bc2f-46c3-8799-acb9fc00373f","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅದೊಂದು ಅಪೂರ್ವ ರಂಗ ಪ್ರಸಂಗ ವಾತಾವರಣ. ರಂಗಾಭಿಮಾನಿಗಳು ಬಹಳ ಕುತೂಹಲದಿಂದ ರಂಗ ಪ್ರದರ್ಶನಕ್ಕಾಗಿ ಆತುರ ಕಾತುರದಿಂದ ನಿರೀಕ್ಷಿಸುತ್ತಿದ್ದ ನಾಟಕವನ್ನು ಕಲ್ಯಾಣ ನಗರಿ ಸಾಂಸ್ಕೃತಿಕ ರಾಜಧಾನಿ ಬೆಂಗಳೂರಿನ ಪ್ರತಿಷ್ಠಿತ ರವೀಂದ್ರ ಕಲಾಕ್ಷೇತ್ರದಲ್ಲಿ ಹೆಸರಾಂತ ಕಲಾ ಸಂಸ್ಥೆ ಪಂಪ ಸಾಂಸ್ಕೃತಿಕ ಮತ್ತು ಸಾಮಾಜಿಕ ಕೇಂದ್ರವು ಕನ್ನಡ ಮತ್ತು ಸಂಸ್ಕೃತಿ ಇಲಾಖೆಯ ಸಹಯೋಗದಲ್ಲಿ ತನ್ನ 18ನೇ ವಾರ್ಷಿಕೋತ್ಸವದ ಪ್ರಯುಕ್ತ 'ನಟರಾಜ\" ಎಂಬ ಹೊಸ ನಾಟಕವನ್ನು ಪ್ರಯೋಗಿಸಿತು:\u003C\u002Fp\u003E\u003Cp\u003Eಅಭಿಮಾನಿ ಪ್ರೇಕ್ಷಕರು ಮನ ತಣಿಯುವಂತೆ ಸಂತೃಪ್ತಗೊಂಡ ವಿಶಿಷ್ಟ ದಾಖಲಾತಿ ಪ್ರದರ್ಶನವಾಗಿ ನಾಟಕ ಮೂಡಿ ಬಂದಿತು.ನಾಟಕವು ಕೌತುಕಮಯ ಕಥಾವಸ್ತುವಾದರೂ ಸಮಾಜದ ಪ್ರಚಲಿತ ವಿದ್ಯಮಾನಗಳ ಕೇಂದ್ರೀಕರಿಸಿ ಚಿತ್ತಹರಿಸುವಂತೆ ಮಾಡಿದ್ದಿತು.\u003C\u002Fp\u003E \u003Cp\u003Eಅನೇಕ ಸಮಸ್ಯೆಗಳತ್ತ ಬೊಟ್ಟು ಮಾಡಿ ಪರಿಹಾರೋಪಾದಿಯ ದಾರಿಯಲ್ಲಿ ದಿಟ್ಟ ನಿರ್ದಿಷ್ಟ ಹೆಜ್ಜೆಗಳನ್ನು ಸೂಚಿಸಿ ವಿಕೃತ ಸಾಮುದಾಯಿಕ ಸಮಕಾಲೀನ ರಾಜಕೀಯ, ಆಡಳಿತಾತ್ಮಕ, ಬೋಧನಾತ್ಮಕ ಹಾಗೂ ಪ್ರಚೋದನಾತ್ಮಕ ವ್ಯವಸ್ಥೆಗಳ ಸ್ಥಿತ್ಯಂತರಗಳ ನಡುವೆ ಮೂರ್ತಗೊಂಡ ಅನೇಕ ಸಂಗತಿ-ವಿಸಂಗತಿಗಳತ್ತ ಗಮನ ಸೆಳೆಯಿತು.\u003C\u002Fp\u003E \u003Cp\u003Eಕತ್ತಲೆಯಲ್ಲಿ ನ್ಯಾಯಾಧೀಶರ ದನಿಯಿಂದ ಹೊರಬೀಳುವ ತೀರ್ಪು ಪರಿಣಾಮವಾಗಿ ಎಂಬಂತೆ ಪ್ರಯೋಗವು ಪ್ರಾರಂಭಗೊಂಡು ಏರಿಳಿತ ಘಟನಾವಳಿಗಳ ಸುರುಳಿಗಳ ಮೂಲಕ ಚಲನೆ ಪಡೆಯುತ್ತದೆ. ಮುಂದುವರೆದಂತೆ ಮೂಡಿಬಂದ ವಿಚಾರಗಳ ಬೆಳಕು ನಾಟಕದ ಪ್ರತಿ ತಿರುವಿನಲ್ಲೂ ವಿಸ್ತೃತ ಗೊಳುತ್ತಾ ಹೋಗುವುದು ವಿಶೇಷ.ವರ್ತಮಾನದ ಕಾಲದಿಂದ ಮೊದಲ್ಗೊಂಡು ಭೂತಕಾಲದ ಹಿಂಬದಿಯ ಸರದಿಯವರೆಗೆ ಸಾಗುತ್ತಾ ಕ್ಷಣ ಕ್ಷಣಕ್ಕೂ ಆಳವಾದ ಕುತೂಹಲ ಕಣ್ದೆರೆಸಿತು. ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸನ್ನು ಕೌತುಕದ ಅಲೆಗಳತ್ತ ಕೊಂಡೊಯ್ದಿತು.\u003C\u002Fp\u003E \u003Cp\u003Eಕಥಾನಾಯಕ ರಾಜುವಿನ ಊರಿನ ಪ್ರವೇಶದೊಂದಿಗೆ ಕಥಾನಕವನ್ನು ಹಲವು ತಿರುವು ಅರಿವುಗಳನ್ನು ತೆರೆದಿಟ್ಟಿತು. ಓರ್ವ ಗುರುವಿನ ತೃಣ ಮೂಲದಿಂದ ಶಿಕ್ಷಣವನ್ನು ಪಡೆದ ವಿದ್ಯಾರ್ಥಿಗಳವರೆವಿಗೂ ಕಥಾ ಹಂದರದ ವಿವರ ಹರಿದಿದ್ದಿತು. ಜೀವನ ಮೌಲ್ಯಗಳ ಅಂತರಾಳವನ್ನು ಭೇದಿಸಿತು. ಮಂತ್ರಿ ಮಾನೇಶಯ್ಯನ ರಾಜಕಾರಣ ಮತ್ತು ಕಲಾವಿದ ರಾಜು ಪಾತ್ರಗಳು ಪರಸ್ಪರ ವಿರುದ್ಧ ದಿಕ್ಕಿನಲ್ಲಿ ಸಾಗುವ ಪರಿಯ ಪರಿಣಾಮವು ಸೈದ್ಧಾಂತಿಕ ಸಂಘರ್ಷಗಳ ನಡುವೆಯೇ ಪುಟಿದೇಳುವ ರಾದ್ಧಾಂತಗಳು ಹಾಗೂ ವಿಷಯಗಳ ತಾಕಲಾಟಗಳು ಕಥಾನಕದ ಸೂಕ್ಷ್ಮತೆಯನ್ನು ಅನಾವರಣಗೊಳಿಸಿದವು. \u003C\u002Fp\u003E\u003Cp\u003E‘ಪ್ರಜಾಪ್ರಭುತ್ವ’ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಜಯಕಾರ ಕೂಗೋದು ದುರ್ಬಲ ಮನಸ್ಥಿತಿ, ಕೈಕಟ್ಟಿ ನಿಲ್ಲೋದು ಗುಲಾಮಗಿರಿ, ತಲೆ ಎತ್ತಿ ನಿಲ್ಲೋದು ಸ್ವಾಭಿಮಾನ\" ಇದು ರಾಜ ಧರ್ಮ, ಗುರು ಪಾಂಡುರಂಗರಾಯ ರಿಂದ ಕಲಿತ ಸಿದ್ದಾಂತ ಎಂಬ ರಾಜು ಪಾತ್ರಧಾರಿಯ ಮಾತುಗಳು ಜಾಗೃತಿಯನ್ನು ಮೂಡಿಸುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಪ್ರಸ್ತುತ ರಾಜಕೀಯ ಸನ್ನಿವೇಶಗಳಲ್ಲಿನ ಏರಿಳಿತಗಳು ಮತ್ತು ಹೊಯ್ದಾಟ, ತೊಯ್ದಾಟಗಳ ಬಿಡುಬೀಸಿನ ವಿದ್ಯಾಮಾನ ಅಲ್ಲದೆ ಧರ್ಮಾಧರ್ಮಗಳ ತಾಕಲಾಟದ ಸೆಳೆತವು ಪ್ರೇಕ್ಷಕ ಗಣದಲ್ಲಿ ಅಗಣಿತ ಕುತೂಹಲದೊಂದಿಗೆ ನೆಮ್ಮದಿಯತ್ತಲಿನ ಆಸೆ, ಆಕಾಂಕ್ಷೆಗಳನ್ನು ಪ್ರಚುರಪಡಿಸಿತು. \u003C\u002Fp\u003E\u003Cp\u003Eತತ್ಪರಿಣಾಮವಾಗಿ ಆಗಂತುಕ ರಾಜು ಊರನ್ನು ಪ್ರವೇಶಿಸಿ ತನ್ನ ಮೇಲೆ ಬಂದೆರಗಿದ ದುರ್ಬರ ಬರ್ಬರ ಕೊಲೆ ಆಪಾದನೆಯನ್ನು ಗಂಭೀರ ವಿಚಾರ ಧಾರೆಯ ಸಾವಧಾನವಾಗಿ ಪ್ರಭಾವ ಯುತವಾಗಿ ತಿಳಿಸುತ್ತಾ ಹೋಗುವನು.\u003C\u002Fp\u003E\u003Cp\u003Eರಾಜಕಾರಣ ಮತ್ತು ಆಡಳಿತ ವರ್ಗಗಳ ನಡುವೆಯ ಸಡಿಲಿಸಿ ಬಿಡಿಸಲಾಗದ ಬೆಸುಗೆ ಹಾಗೂ ಬಂಡವಾಳಶಾಹಿಗಳ ಅವಿರತ ಪ್ರಭಾವ ಮುಂತಾದ ಸಾಮಾಜಿಕ ದುಸ್ತರತೆಯನ್ನು ಪ್ರಯೋಗ ತೆರೆದಿಡುತ್ತದೆ. \u003C\u002Fp\u003E\u003Cp\u003E‘ಧರ್ಮೋ ಹ್ಯಧರ್ಮೋಪಹತಃ ಶಾಸ್ತಾರಂ ಹಂತ್ಯುಪೇಕ್ಷಿತಃ’ಎಂಬ ಚಾಣಕ್ಯ ವಾಣಿ ಮಾರ್ದನಿಸುತ್ತದೆ. ನಾಟಕದ ಉದ್ದಕ್ಕೂ ಈ ರೀತಿಯ ಅನೇಕ ಸಂಭಾಷಣಾ ಸಾಂಗತ್ಯವು ಪ್ರೇಕ್ಷಕರ ಅಂತರಂಗವನ್ನು ಮುಟ್ಟುತ್ತದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಇಡೀ ನಾಟಕವನ್ನು ನಿರ್ದೇಶಕರು ಪ್ಲಾಶ್ ಬ್ಯಾಕ್ ತಂತ್ರ ವಿಧಾನ ದಲ್ಲಿ ಕಟ್ಟಿ ಕೊಟ್ಟಿದ್ದಾರೆ. ಅಂತೆಯೇ ಪ್ರಯೋಗವು ಪ್ರಾರಂಭದಿಂದ ಕೊನೆಯವರೆಗೆ ಕುತೂಹಲ ಮೂಡಿಸುತ್ತದೆ. ದೃಶ್ಯ ವೈವಿಧ್ಯತೆಯಿಂದ ಸಾಫಲ್ಯಗೊಳ್ಳುತ್ತದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಪಾತ್ರ ವರ್ಗದಲ್ಲಿ ರಾಜಕಾರಣಿಯಾಗಿ ಮಂತ್ರಿ ಮಾನೇಶಯ್ಯ (ಜಿ.ಸಂತೋಷ್) ಪರಿವರ್ತನೆಗೊಳ್ಳುವ ಜಿಲ್ಲಾಧಿಕಾರಿ (ಶಂಕರ ಭಟ್) ಆದರ್ಶ ಶಿಕ್ಷಕ ಪಾಂಡುರಂಗರಾವ್ (ಪುರುಶೋತ್ತಮ ಕಾಚೋಹಳ್ಳಿ) ರಾಜಕಾರಣಿ ಚೇಲಾಗಳಾಗಿ ಸಿಂಗಾರಿ(ಸದಾ ಬುದ್ಧಿ) ಬಂಗಾರಿ(ರಾಕೇಶ್) ಪ್ರಹ್ಲಾದ (ಮಾಸ್ಟರ್ ಯದುವೀರ್) ನರ್ಸ್ (ಲಲಿತಾ ಶ್ರೀಧರ್). ಪಾತ್ರಗಳ ಗುಣಧರ್ಮ ಅರಿತು ಅಭಿನಯಿಸಿದ್ದಾರೆ. ಗ್ರಾಮಸ್ಥರಾಗಿ ಮೂರ್ತಿ, ರತ್ನ, ಸುಮಿತ್ರಾ, ಮುರುಳಿ, ಜಾಹ್ನವಿ, ತಿಪ್ಪೇಸ್ವಾಮಿ ಗಮನ ಸೆಳೆಯುತ್ತಾರೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಚೊಚ್ಚಲ ನಾಟಕ ರಚನೆ ಮಾಡಿರುವ ಆರ್. ವೆಂಕಟರಾಜು ಭರವಸೆಯ ನಾಟಕಕಾರರಾಗಿ, ನಿರ್ದೇಶಕರಾಗಿಯೂ ಮೇಲುಗೈ ಸಾಧಿಸಿದ್ದಾರೆ. ರಾಜು ಪಾತ್ರದಲ್ಲಿ ಅವರ ಮಾಗಿದ ಮೌನಾಭಿನಯ, ಹಾಗೂ ವಾಚಿಕಾಭಿನಯ ಅವರಲ್ಲಿರುವ ಕಲಾ ಪ್ರೌಢಿಮೆಯನ್ನು ಸಾಬೀತು ಪಡಿಸಿತು. ಗಜಾನನಟಿ. ನಾಯಕ್ ಅವರ ರಂಗ ಸಂಗೀತ ನಾಟಕಕ್ಕೆ ಬೇಕಾದ ಸಮಗತಿಯನ್ನು ಪೋಷಿಸಿತು. \u003C\u002Fp\u003E\u003Cp\u003Eಪರಿಣಾಮಕಾರಿ ಬೆಳಕಿನ ನಿರ್ವಹಣೆ ಮಾಡಿದವರು ಎಸ್.ಮಹದೇವ ಸ್ವಾಮಿ. ಪ್ರಯೋಗ ಪೂರಕ ಪ್ರಸಾದನ ನ್ಯಾಷನಲ್ ದೇವು, ಕಲೆ ಶಿವ ನಾಯಕದೊರೆ, ರಂಗ ಪರಿಕರ ಕೇಶವ, ರಂಗ ನಿರ್ವಹಣೆಯನ್ನು ದಕ್ಷತೆಯಿಂದ ನಿರ್ವಹಿಸಿದವರು ಇತಿಹಾಸ ಶಂಕರ. ಈ ನಾಟಕವು ಕನ್ನಡ ರಂಗಭೂಮಿಯಲ್ಲಿ ಹೊಸ ನಾಟಕವು ರಚನೆಗೊಳ್ಳುತ್ತಿಲ್ಲ ಎಂಬ ಕೊರತೆಯನ್ನು ತುಸು ನೀಗಿ, ಪ್ರಯೋಗ ಸಾಕ್ಷಿಯಾಗಿದೆ. \"ನಟರಾಜ\" ಹಲವು ಪ್ರಯೋಗಗಳನ್ನು ಕಾಣುವ ತೀವ್ರ ಅವಶ್ಯಕತೆಯನ್ನು ಮನಗಾಣಿಸಿದೆ. \u003C\u002Fp\u003E\u003Cp\u003E–ಡಾ. ಹೆಚ್.ಎ.ಪಾರ್ಶ್ವನಾಥ್, ರಂಗ ವಿಮರ್ಶಕರು.\u003C\u002Fp\u003E "},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1719151840396,"content-version-id":"505b0367-9624-4b27-b0cb-7407dfd2bfd7","card-added-at":1719151756954,"status":"draft","id":"3ac076bd-3764-4d6b-bfe3-2dd1f966b7d2","content-id":"3ac076bd-3764-4d6b-bfe3-2dd1f966b7d2","version":4,"metadata":{"social-share":{"shareable":false,"title":"ಕೌತುಕಮಯ ಚೌಕಟ್ಟಿನಲ್ಲಿ ಸಂಸ್ಕೃತಿಯ ಗುಣಗಾನ: 'ನಟರಾಜ' ನಾಟಕ ಮನಮುಟ್ಟಿದ ಪ್ರಯೋಗ","message":null,"image":{"key":"prajavani\u002F2024-06\u002F93ddd9d0-8778-4296-9a32-db50b797792c\u002F5d0c9eba_8616_40db_b77a_fea1d6206f04.jpeg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":1504,"height":1004,"mime-type":"image\u002Fjpeg","file-size":121200,"file-name":"5d0c9eba-8616-40db-b77a-fea1d6206f04.jpeg","focus-point":[824,377]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fnataraja-drama-a-special-experiment-2857412","story-version-id":"82629a77-81e7-42b3-92b8-241ba7e64250","content-type":"story","content-updated-at":1719151843440,"author-id":1747190,"owner-id":1754433,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1719151843305,"hero-image-caption":null,"version":4,"story-template":"text","sequence-no":null,"created-at":1719151840389,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","bio":null,"id":1747190,"avatar-s3-key":"prajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":null,"assignee-name":"Venugopala K."}},{"id":"fc37f57e-c1f2-44c5-97fe-c5cc63656bb3","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ: ಅಣ್ಣನ ನೆನಪು ಸಾಕ್ಷ್ಯ ನಾಟಕ ಇಂದು"]},"story":{"updated-at":1718382024612,"seo":{"meta-description":"ಜನಮೆಚ್ಚುಗೆ ಪಡೆಯುವುದರ ಜೊತೆಗೆ ಸಾಹಿತ್ಯಾಸಕ್ತರ, ವಿಮರ್ಶಕರ ಮೆಚ್ಚುಗೆಗೆ ಪಾತ್ರವಾಗಿರುವ ಪ್ರವರ ಥಿಯೇಟರ್‌ ಪ್ರಸ್ತುತ ಪಡಿಸುತ್ತಿರುವ ‘ಅಣ್ಣನ ನೆನಪು’ ಸಾಕ್ಷ್ಯ ನಾಟಕ ಜೂನ್‌ 15ರಂದು ಸಂಜೆ 7ಕ್ಕೆ ಬೆಂಗಳೂರಿನ ಮಲ್ಲತ್ತಹಳ್ಳಿ ಕಲಾಗ್ರಾಮ ಸಾಂಸ್ಕೃತಿಕ ಸಮುಚ್ಚಯದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ.","meta-keywords":["Drama"],"claim-reviews":{"story":null}},"assignee-id":1749013,"author-name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","tags":[{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"}],"headline":"ರಂಗಭೂಮಿ: ಅಣ್ಣನ ನೆನಪು ಸಾಕ್ಷ್ಯ ನಾಟಕ ಇಂದು","storyline-id":null,"votes":{},"story-content-id":"fc37f57e-c1f2-44c5-97fe-c5cc63656bb3","slug":"entertainment\u002Ftheatre\u002Fannana-nenapu-drama-performance-on-today-2847042","last-published-at":1718410200000,"public-identifier":"2847042","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ 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today","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":985,"height":554,"mime-type":"image\u002Fjpeg","file-size":138249,"file-name":"file7vv674ourbanopdmc52.jpg","focus-point":[494,298]},"comments":null,"word-count":250,"story-features":{"push-notification":{"is-scheduled":false,"publish-at":null}},"entities":{},"published-at":1718410200000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"fc37f57e-c1f2-44c5-97fe-c5cc63656bb3","hero-image-s3-key":"prajavani\u002F2024-06\u002F2e3001bc-a6e3-4c0e-9de8-ab358e7598e5\u002Ffile7vv674ourbanopdmc52.jpg","contributors":null,"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Ffc37f57e-c1f2-44c5-97fe-c5cc63656bb3\u002Felement\u002F1c04a8ec-88f3-4caa-a9fd-02ab10151b57","type":"text","family-id":"ef221bf8-a77b-4bad-ac36-21280338ffbf","title":"","id":"1c04a8ec-88f3-4caa-a9fd-02ab10151b57","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈಗಾಗಲೇ ರಾಜ್ಯದ ಹಲವೆಡೆ ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದ್ದು , ಜನಮೆಚ್ಚುಗೆ ಪಡೆಯುವುದರ ಜೊತೆಗೆ ಸಾಹಿತ್ಯಾಸಕ್ತರ, ವಿಮರ್ಶಕರ ಮೆಚ್ಚುಗೆಗೆ ಪಾತ್ರವಾಗಿರುವ ಪ್ರವರ ಥಿಯೇಟರ್‌ ಪ್ರಸ್ತುತ ಪಡಿಸುತ್ತಿರುವ ‘ಅಣ್ಣನ ನೆನಪು’ ಸಾಕ್ಷ್ಯ ನಾಟಕ ಜೂನ್‌ 15ರಂದು ಸಂಜೆ 7ಕ್ಕೆ ಬೆಂಗಳೂರಿನ ಮಲ್ಲತ್ತಹಳ್ಳಿ ಕಲಾಗ್ರಾಮ ಸಾಂಸ್ಕೃತಿಕ ಸಮುಚ್ಚಯದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಕೆ.ಪಿ.ಪೂರ್ಣಚಂದ್ರ ತೇಜಸ್ವಿ ಅವರ ‘ಅಣ್ಣನ ನೆನಪು’ ಕೃತಿಯು ಮಹಾಕವಿ ಕುವೆಂಪು ಅವರ ಜೀವನದ ಹಲವು ಮಹತ್ವದ ಅಧ್ಯಾಯಗಳು, ಒಂದರ್ಥದಲ್ಲಿ ತೇಜಸ್ವಿ ಅವರು ಹುಟ್ಟಿದಲ್ಲಿನಿಂದ ಇಲ್ಲಿವರೆಗಿನ ಕಥೆಯೂ ಹೌದು. ಹಾಗೆಯೇ ತೇಜಸ್ವಿಯವರ ಆತ್ಮಕಥೆಯ ಹಲವು ಅಧ್ಯಾಯಗಳೂ ಹೌದು. ಕುವೆಂಪು ಕನ್ನಡ ಸಾಂಸ್ಕೃತಿಕ ಚರಿತ್ರೆಯಲ್ಲಿ ವಹಿಸಿದ ಮಹತ್ವಪೂರ್ಣ ಪಾತ್ರದಿಂದಾಗಿ ಇವು ಕನ್ನಡ ಸಾಂಸ್ಕೃತಿಕ ಚರಿತ್ರೆಯ ಬಹುಮುಖ್ಯ ಅಧ್ಯಾಯಗಳೂ ಹೌದು.\u003C\u002Fp\u003E\u003Cp\u003Eಪೂರ್ಣಚಂದ್ರ ತೇಜಸ್ವಿ ಅವರು ತಮ್ಮ ತಂದೆ ಕುವೆಂಪು ಅವರನ್ನು ಕೇಂದ್ರವಾಗಿಟ್ಟುಕೊಂಡು ಬರೆದಿರುವ ‘ಅಣ್ಣನ ನೆನಪು’ (1996) ಕೃತಿಯಲ್ಲಿ ಸಂಗ್ರಹಗೊಂಡಿದೆ. ಕುವೆಂಪು ಅವರನ್ನು ಒಬ್ಬ ತಂದೆಯಾಗಿ, ಒಬ್ಬ ಮನುಷ್ಯನಾಗಿ ಚಿತ್ರಿಸಿ ಅಪರೂಪದ ಕೃತಿಯನ್ನು ತೇಜಸ್ವಿ ಬರೆದಿದ್ದಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ಕೃತಿಯಲ್ಲಿ ಬರುವ ಪ್ರತಿಯೊಂದು ಅಧ್ಯಾಯವೂ ಹಾಸ್ಯಬುಗ್ಗೆಯನ್ನು ತರಿಸುವುದರೊಂದಿಗೆ ಕುವೆಂಪು ಅವರ ವ್ಯಕ್ತಿತ್ವವನ್ನು ಪರಿಚಯಿಸುತ್ತದೆ. ರಾಷ್ಟ್ರಕವಿ ಕುವೆಂಪು ಅವರಂಥ ಅದ್ಭುತ ಸಾಹಿತಿಯ ಮಗನಾಗಿಯೂ ತೇಜಸ್ವಿಯವರು ತಂದೆಯ ಸಾಹಿತ್ಯದ ನೆರಳಿನಿಂದ ದೂರ ಸಾಗಿ ತಮ್ಮದೇ ಆದ ಪ್ರತ್ಯೇಕ ಶೈಲಿಯಿಂದ, ವೈವಿಧ್ಯಮಯ ಬರಹಗಳಿಂದ ಕನ್ನಡ ಸಾಹಿತ್ಯ ಲೋಕದಲ್ಲಿ ಹೆಸರಾದವರು.\u003C\u002Fp\u003E\u003Cp\u003E‘ಅಣ್ಣನ ನೆನಪು’ ಅವರ ಆತ್ಮಕಥೆಯೋ, ಅವರ ಅಣ್ಣನ ನೆನಪೋ, ಕನ್ನಡ ಸಂಸ್ಕೃತಿ ಇತಿಹಾಸದ ಅವಲೋಕನವೋ ಎಂಬ ಯೋಚನೆ ತೇಜಸ್ವಿಯವರಂತೆಯೇ ನಮಗೂ ಕಾಡುತ್ತದೆ. ಅದು ಎಲ್ಲದರ ಮಿಶ್ರಣವಾಗಿದ್ದು, ಓದುಗರನ್ನು ಆ ಕಾಲದಲ್ಲಿ ವಿಹರಿಸುವಂತೆ ಮಾಡುತ್ತದೆ. ಎಲ್ಲೂ ತಂದೆಯ ಗುಣಗಾನ ಮಾಡದೇ, ಅವರ ನೈಜ ವ್ಯಕ್ತಿತ್ವವನ್ನು ಒಬ್ಬ ಸಾಮಾನ್ಯ ಮಗನಂತೆ ತೇಜಸ್ವಿ ಕಟ್ಟಿಕೊಡುತ್ತಾರೆ. ಕುವೆಂಪು ಅವರ ವ್ಯಕ್ತಿತ್ವದಲ್ಲಿದ್ದ ಮಾನವೀಯತೆ, ಮುಗ್ದತೆ, ವೈಜ್ಞಾನಿಕ ಮನೋಭಾವ, ನಿಷ್ಠುರತೆಗಳನ್ನು ಅವರು ಅನೇಕ ಪ್ರಸಂಗಗಳ ಮುಖಾಂತರವೇ ತಿಳಿಸುತ್ತಾರೆ. ತಮ್ಮ ಬಾಲ್ಯ, ಯೌವ್ವನಕಾಲದ ಘಟನೆಗಳನ್ನು ಹಾಸ್ಯಮಯ ಶೈಲಿಯಲ್ಲಿ ನಿರೂಪಿಸುವ ತೇಜಸ್ವಿ, ನಂತರ ಆ ಕಾಲದ ಸಾಹಿತ್ಯಕ ವಿಪ್ಲವಗಳನ್ನು ವಿವರಿಸುವಾಗ ಗಂಭೀರವಾದ ಭಾಷಾ ಪ್ರಯೋಗಕ್ಕೆ ಇಳಿಯುತ್ತಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಇದೆಲ್ಲದರ ಜೊತೆಗೆ ಇದೊಂದು ಅತಿಸುಂದರ ಕಾದಂಬರಿಯಂಥ ಕಲಾಕೃತಿ. ಇದರಲ್ಲಿ ಚಿತ್ರಿತವಾಗಿರುವ ಕುವೆಂಪು ಅವರ ವ್ಯಕ್ತಿತ್ವ ಮತ್ತು ಅವರ ಸುತ್ತ ಅರಳಿರುವ ಅನೇಕ ಪಾತ್ರಗಳು ಕನ್ನಡ ಸಾಹಿತ್ಯದಲ್ಲಿನ ಅನನ್ಯ ದಾಖಲೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಈ ಕೃತಿ ಸಾಕ್ಷ್ಯ ನಾಟಕದ ಮೂಲಕ ವೀಕ್ಷಕರ ಮುಂದೆ ಬಂದಿದೆ. ಹನು ರಾಮಸಂಜೀವ ವಿನ್ಯಾಸ ಮತ್ತು ನಿರ್ದೇಶನ ಮಾಡಿದ್ದಾರೆ. ಕರಣಂ ಪವನ್‌ ಪ್ರಸಾದ್‌ ರಂಗರೂಪ ನೀಡಿದ್ದಾರೆ. ಅಕ್ಷಯ್‌ ಭೋಂಸ್ಲೆ ಸಂಗೀತ, ಚೈತ್ರಾ ಪ್ರವೀಣ್‌ ಸಂಗೀತ ನಿರ್ವಹಣೆ, ಸೂರ್ಯಸಾಧಿ ಬೆಳಕು, ಹರ್ಷ ಕಾವೇರಿಪುರ ಅವರ ರೇಖಾಚಿತ್ರ, ಮಾಲತೇಶ್ ಬಡಿಗೇರ್‌ ಅವರ ಪ್ರಸಾಧನ ಇರಲಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮಾಹಿತಿಗೆ 9686869676, ವೆಬ್‌ಸೈಟ್‌: \u003Cstrong\u003Ewww.pravaratheatre.org\u003C\u002Fstrong\u003E ಸಂಪರ್ಕಿಸಬಹುದು.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1718382023657,"content-version-id":"7fb6d2a4-d233-423a-8660-4b5f59844974","card-added-at":1718381966988,"status":"draft","id":"3a8774e3-473f-4642-adc0-d85af4de4c64","content-id":"3a8774e3-473f-4642-adc0-d85af4de4c64","version":3,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ಅಣ್ಣನ ನೆನಪು ಸಾಕ್ಷ್ಯ ನಾಟಕ ಇಂದು","message":null,"image":{"key":"prajavani\u002F2024-06\u002F2e3001bc-a6e3-4c0e-9de8-ab358e7598e5\u002Ffile7vv674ourbanopdmc52.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eರಾಷ್ಟ್ರಕವಿ ಕುವೆಂಪು ಜಯಂತಿ ಕಾರ್ಯಕ್ರಮ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":985,"height":554,"mime-type":"image\u002Fjpeg","file-size":138249,"file-name":"file7vv674ourbanopdmc52.jpg","focus-point":[494,298]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fannana-nenapu-drama-performance-on-today-2847042","story-version-id":"c8f282d9-6254-459d-bdcb-9cd4d9a814eb","content-type":"story","content-updated-at":1718410199763,"author-id":1745292,"owner-id":1749013,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1718410200000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eರಾಷ್ಟ್ರಕವಿ ಕುವೆಂಪು ಜಯಂತಿ ಕಾರ್ಯಕ್ರಮ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":3,"story-template":"text","sequence-no":null,"created-at":1718382023645,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":1718410200000,"assignee-name":"ದೀಪಕ್ ಎನ್."}},{"id":"93a16385-becb-4ff0-99b2-f9d5c01355cb","score":null,"type":"story","item":{"headline":["ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ ಸ್ಪರ್ಧೆ "]},"story":{"updated-at":1718382244903,"seo":{"meta-description":"ಪ್ರವರ ಥಿಯೇಟರ್ ಮತ್ತು ಅಶ್ವಘೋಷ ಥಿಯೇಟರ್ ಟ್ರಸ್ಟ್ ಜಂಟಿ ಸಹಯೋಗದೊಂದಿಗೆ ‘ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ 2024’ ಸ್ಪರ್ಧೆಯನ್ನು ಆಯೋಜಿಸಲಾಗುತ್ತಿದೆ. 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ಫಲಕ ಮತ್ತು ₹ 10,000. ಅತ್ಯುತ್ತಮ ನಾಟಕ (ಪ್ರೇಕ್ಷಕರ ಆಯ್ಕೆ) - ಫಲಕ ಮತ್ತು ₹ 10,000. ‘ಆರ್ .ನಾಗೇಶ್’ ಅತ್ಯುತ್ತಮ ನಿರ್ದೇಶನ - ಫಲಕ ಮತ್ತು ₹ 2,500. ‘ಸಂಚಾರಿ ವಿಜಯ್’ ಅತ್ಯುತ್ತಮ ನಟ - ಫಲಕ  ಮತ್ತು ₹ 2,500. ‘ಉಮಾಶ್ರೀ’ ಅತ್ಯುತ್ತಮ ನಟಿ - ಫಲಕ ಮತ್ತು 2,500\u002F- ನಗದು. ಅತ್ಯುತ್ತಮ ಕಥೆ (ಸ್ವರಚಿತ) - ಫಲಕ ಮತ್ತು ₹ 2,500.  ಅತ್ಯುತ್ತಮ ನಾಟಕ ವಿನ್ಯಾಸ - ಫಲಕ ಮತ್ತು ₹ 2,500. ಅತ್ಯುತ್ತಮ ಭಿತ್ತಿಪತ್ರ ವಿನ್ಯಾಸ - ಫಲಕ ಮತ್ತು ₹2,500.\u003C\u002Fp\u003E\u003Cp\u003Eಹೆಚ್ಚಿನ ಮಾಹಿತಿಗಾಗಿ ಸಂಪರ್ಕಿಸಿ: 9902590303\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1718382244048,"content-version-id":"16476f27-d8b2-4967-8bc3-722f2ac9c815","card-added-at":1718382172373,"status":"draft","id":"f2f5f7c3-b782-4236-8646-aed8e4387d4a","content-id":"f2f5f7c3-b782-4236-8646-aed8e4387d4a","version":3,"metadata":{"social-share":{"shareable":false,"title":"ಬೆಂಗಳೂರು ಕಿರುನಾಟಕೋತ್ಸವ ಸ್ಪರ್ಧೆ ","message":null,"image":{"key":"prajavani\u002F2024-06\u002F4d8a2f8b-8741-4c78-9bce-2bc254478134\u002Ffile7vv5wkp1w8izzjx7ndb.jpg","url":null,"attribution":null,"alt-text":null,"caption":null,"metadata":{"width":1200,"height":800,"mime-type":"image\u002Fjpeg","file-size":91784,"file-name":"file7vv5wkp1w8izzjx7ndb.jpg","focus-point":[603,303]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fbengaluru-short-play-festival-2847051","story-version-id":"6b1558c7-2a53-4a87-bea3-9edb5fbc9346","content-type":"story","content-updated-at":1718404979659,"author-id":1745292,"owner-id":1749013,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1718404980000,"hero-image-caption":null,"version":3,"story-template":"text","sequence-no":null,"created-at":1718382244036,"authors":[{"slug":"prajavani-varthe","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಾರ್ತೆ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","bio":null,"id":1745292,"avatar-s3-key":"prajavani\u002F2023-05\u002F0d1967a7-f928-4305-b4a7-bab7e5e3b9e0\u002FPrajavani_Transparent_Rounded.png","twitter-handle":null}],"metadata":{"card-share":{"shareable":false}},"publish-at":1718404980000,"assignee-name":"ದೀಪಕ್ ಎನ್."}},{"id":"62a6d807-2aad-4df3-ab53-50904824a6fe","score":null,"type":"story","item":{"headline":["ರಂಗ ತರಬೇತಿ ಎಲ್ಲೆಲ್ಲಿ?"]},"story":{"updated-at":1717174748441,"seo":{"meta-keywords":["Theatre"],"meta-description":"ಅಭಿನಯ ತರಂಗ ನಾಟಕ ಶಾಲೆ ಕಳೆದ 44 ವರ್ಷಗಳಿಂದ ಅನೇಕ ಪ್ರತಿಭಾನ್ವಿತರನ್ನು ರಂಗಭೂಮಿ, ಟಿ.ವಿ, ಸಿನಿಮಾರಂಗಕ್ಕೆ ಕೊಡುಗೆಯಾಗಿ ಕೊಟ್ಟಿದೆ. ಈ ವರ್ಷದ ಅಭಿನಯ ತರಗತಿಗಳು ಆರಂಭವಾಗಲಿವೆ. 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ಬಗೆ...","push-notification-title":null,"external-id":"doc7vdr9i6c93o1ckdfokqi","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"ad852043-96cf-43d6-af8d-61e6dd977e70","hero-image-s3-key":"prajavani\u002F2024-05\u002F4206f397-29bc-41df-8336-2e936583ad89\u002Ffile7vdnzl5l7ya9dokcnpk.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002Fa4e0accd-2d91-4731-adac-313f53c2d97a","type":"text","family-id":"c4c1da98-7883-4cd3-bd33-c249d5c4241f","title":"","id":"a4e0accd-2d91-4731-adac-313f53c2d97a","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅಬ್ಬಬ್ಬ ಎಂಥಾ ಮಳೆ. ಇದು ಪುಷ್ಯ ಮಳೆಯ ಮೂರನೇ ಪಾದ. ತಮ್ಮನ ಮಳೆ ಇನ್ನೂ ಎರಡು ದಿನ ಹೊಯ್ಯುತ್ತೆ ಅಂತ ಹೇಳುತ್ತಾ ಕೈಲಿದ್ದ ಕೊಡೆ ಮಡಿಚಿಡುತ್ತಾ ಮನೆ ಒಳಗೆ ಬಂದರು ನಮ್ಮೂರಿನ ಶೇಷಗಿರಿಯಣ್ಣ. ಬೆಳಿಗ್ಗೆ 7.30ರ ಸುಮಾರಿಗೆ ದಿನಪತ್ರಿಕೆ ಹಿಡಿದುಕೊಂಡು ನಮ್ಮ ಮನೆಗೆ ಬಂದು ಅದನ್ನು ಕೊಟ್ಟು ಲೋಕಾಭಿರಾಮದ ಒಂದೆರಡು ಮಾತುಗಳನ್ನು ಆಡಿ ಹೋಗುವುದು ಅವರ ರೂಢಿ. ಮಳೆ ವಿಪರೀತವಾಗಿದ್ದರಿಂದ ಒಳಗೆ ಬಂದು ಸೋಫಾದ ಮೇಲೆ ಕುಳಿತು ಅಪ್ಪಯ್ಯ ಈ ಊರಿನಲ್ಲಿ ಮನೆ ಕಟ್ಟಿದ ವರ್ಷವೂ ಇಂಥದ್ದೆ ಮಳೆ ಹೋಯ್ದಿತ್ತಂತೆ ಎಂದು ಮಾತು ಆರಂಭಿಸಿದರು. ಅವರ ಅಪ್ಪಯ್ಯ ಸಂಪೇಕೈ ತಿಮ್ಮಯ್ಯನವರು ಈ ಊರಿನಲ್ಲಿ ಮನೆ ಕಟ್ಟಿದ ಮೊದಲಿಗರು ಎಂದು ಗೊತ್ತಿದ್ದರಿಂದ ಆ ವಿಚಾರವಾಗಿ ಇನ್ನಷ್ಟು ಹೇಳಲು ನಾನು ಹುರಿದುಂಬಿಸಿ ಮಾತಿಗಿಳಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002F9445145a-1e96-4613-a945-8263b2788bd4","type":"text","family-id":"c1350f31-37b9-4937-92ab-29315b270a53","title":"","id":"9445145a-1e96-4613-a945-8263b2788bd4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ಹೆಗ್ಗೋಡು ಎಂಬ ಊರು ಮೊದಲಿಗೆ ದಟ್ಟಕಾಡು ಆಗಿದ್ದು, ಮೇಲಣಗುಡ್ಡದ ತುದಿಯಲ್ಲಿ ಕುರುಚಲು ಗಿಡ, ಬಿದಿರುಮಟ್ಟಿಗಳಿದ್ದ ಸ್ಮಶಾನವಾಗಿತ್ತಂತೆ. ಕೆಳಭಾಗದಲ್ಲಿ ಎಂಟು ಹತ್ತು ಮನೆಗಳು ಮಾತ್ರ ಇದ್ದವು ಅಂತ ಅಪ್ಪಯ್ಯ ಹೇಳುತ್ತಿದ್ದರು ಎನ್ನುತ್ತಾ ಕಥೆ ಹೇಳುವ ತಯಾರಿ ನಡೆಸಿದರು ಶೇಷಗಿರಿಯಣ್ಣ. ಇದಕ್ಕೆ ಹೊಂದಿಕೊಂಡಂತೆ ನಾಲ್ಕಾರು ಕೋವುಗಳಾಗಿ ಒಡೆದಿದ್ದು ಹೊನ್ನೇಮರಗಳ ಸಾಲು ಹೊನ್ನೇಸರ; ಮುಂಡಿಗೇಮಟ್ಟಿಗಳ ಸಾಲು ಮುಂಡಿಗೇಸರ; ಕೇದಿಗೆಮಟ್ಟಿಗಳ ಜೌಗು ಪ್ರದೇಶ ಕೇಡಲಸರ; ಮಾವಿನಮರಗಳ ಸಾಲು ಮಾವಿನಸರ ಎಂಬಂತೆ ಐದಾರು ಮನೆಗಳ ಹತ್ತೆಂಟು ಊರುಗಳು. ಈ ಸರಗಳ ಸಾಲಾಗಿರುವ ಹೆಗ್ಗೋಡಿನ ಒಂದು ಭಾಗದಲ್ಲಿ ಶರಾವತಿ ನದಿಯ ಹಿನ್ನೀರು, ಮತ್ತೊಂದು ಕಡೆ ವರದಾ ನದಿಯ ವಿಸ್ತಾರದ ನಡುವೆ ಹಬ್ಬಿಕೊಂಡಿರುವ ಸ್ವಲ್ಪ ಎತ್ತರದ ಪ್ರದೇಶ. ನಂತರದ ದಿನಗಳಲ್ಲಿ ನನಗೆ ತಿಳಿದಂತೆ ಹೆಗ್ಗೋಡಿನಿಂದ ಹೊಸನಗರಕ್ಕೆ ಹೋಗುವ ಮುಖ್ಯರಸ್ತೆಯ ಬಲಭಾಗಕ್ಕೆ ಹರಿಯುವ ಮಳೆ ನೀರು ಶರಾವತಿಯನ್ನು ಸೇರಿ ಹೊನ್ನಾವರದ ಬಳಿ ಪಡುವಣದ ಅರಬ್ಬೀ ಸಮುದ್ರವನ್ನು, ಎಡಭಾಗಕ್ಕೆ ಬಿದ್ದ ಮಳೆನೀರು ವರದಾನದಿಯ ಮೂಲಕ ಕೃಷ್ಣಾ ನದಿಯೊಡನೆ ಬೆರೆತು ಪೂರ್ವದ ಬಂಗಾಳಕೊಲ್ಲಿಯನ್ನೂ ಸೇರುತ್ತದೆ ಎಂಬ ವಿಚಾರ ನನ್ನನ್ನು ವಿಸ್ಮಯಗೊಳಿಸಿದ್ದಲ್ಲದೇ ಹೆಗ್ಗೋಡಿನ ಸ್ಥಳ ಮಹಿಮೆಯ ಬಗ್ಗೆ ಇನ್ನಷ್ಟು ಕುತೂಹಲ ಮೂಡಿಸಿದ್ದಂತು ನಿಜ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002F8cea4feb-ba66-4a87-8581-824b816bfb04","type":"text","family-id":"32a024ae-66e0-4ac9-819d-54f4c15e454c","title":"","id":"8cea4feb-ba66-4a87-8581-824b816bfb04","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಒಂದು ಸಾಂಸ್ಕೃತಿಕ ಕೇಂದ್ರವಾಗಿದ್ದು, ನೀನಾಸಂನಂತಹ ಸಂಸ್ಥೆಯನ್ನು ಒಳಗೊಂಡು ವಿಶ್ವಕ್ಕೆ ಪರಿಚಿತವಾಗಿರುವ ಈಗಿನ ಹೆಗ್ಗೋಡು ಗ್ರಾಮ ನೂರು ವರ್ಷಗಳ ಮೊದಲು ಅಸ್ತಿತ್ವದಲ್ಲಿ ಇರಲಿಲ್ಲ ಎಂಬುದು ಒಂದು ವಿಸ್ಮಯವಾಗಿ ಕಾಣಿಸಿತು. ಅದು ಹುಟ್ಟಿ ಬೆಳೆದು ಬಂದ ರೀತಿ, ಸದಾ ಚಟುವಟಿಕೆಯಲ್ಲಿರುವ ಪ್ರವೃತ್ತಿಯ ಬಗ್ಗೆ ಇನ್ನಷ್ಟು ತಿಳಿದುಕೊಳ್ಳಬೇಕೆಂಬ ಕುತೂಹಲ ಹುಟ್ಟಿತು. ಒಂದು ಲೋಟ ಬಿಸಿ ಬಿಸಿ ಕಾಫಿ ಕುಡಿಯೋಣ ಎಂದು ಶೇಷಗಿರಿಯಣ್ಣನಿಗೆ ಹೇಳಿ ಅವರನ್ನು ಮಾತಿನಲ್ಲಿ ಕಟ್ಟಿಹಾಕಿ ಕಥೆ ಕೇಳುವುದು ನಮ್ಮ ತಂತ್ರ. ಅವರು ಹೂಂ ಎನ್ನುತ್ತಿದ್ದಂತೆಯೇ ನನ್ನ ಹಿರಿಮಗಳು, ತಮ್ಮನ ಮಕ್ಕಳು, ತಮ್ಮ, ತಂಗಿ ಮನೆಯವರೆಲ್ಲ ಬಂದು ಅವರ ಸುತ್ತಮುತ್ತ ಸೋಫಾ, ಕುರ್ಚಿಗಳ ಮೇಲೆ ಮೈಹರವಿ ಕುಳಿತುಕೊಂಡು ಭೋರ್ಗರೆಯುತ್ತಿದ್ದ ಮಳೆಯ ಮಧ್ಯೆ ಬಿಸಿ ಬಿಸಿ ಕಾಫಿ ಸವಿಯುತ್ತಾ ಮೈಯೆಲ್ಲಾ ಕಿವಿಯಾಗಿ ಕುಳಿತುಕೊಂಡಾಗ ಶೇಷಗಿರಿಯಣ್ಣ ಕಥೆ ಮುಂದುವರಿಸಿದರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002F8049e657-134d-4802-bbe7-20f81b95cff0","type":"text","family-id":"4f02a105-6829-41c5-890f-dcb0b577ddbc","title":"","id":"8049e657-134d-4802-bbe7-20f81b95cff0","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಮ್ಮ ಅಪ್ಪಯ್ಯ ಇದೇ ಹೆಗ್ಗೋಡಿನಿಂದ ಅನತಿ ದೂರದಲ್ಲಿರುವ ಸಂಪೇಕೈ ಊರಿನವರು. ಮನೆಯಲ್ಲಿ ಸುಮಾರು ಜನ. ಸಾಕಷ್ಟು ಸ್ಥಿತಿವಂತರೇ ಆದರೂ ಮನೆಯಲ್ಲಿ ಎಲ್ಲ ಜನರಿಗೂ ಅವಕಾಶವಿಲ್ಲ ಅಂತ ಬೇರೆಯದೇ ಒಂದು ಮನೆ ಮಾಡುವ ಆಲೋಚನೆ ಅಪ್ಪಯ್ಯನಿಗೆ ಬಂತಂತೆ. ಒಂದು ದಿನ ಈಗಿನ ಹೆಗ್ಗೋಡಿನ ಮಗ್ಗುಲಲ್ಲಿ ಗುಡ್ಡದ ಪಕ್ಕ ಇರುವ ನಮ್ಮ ಮೂಲ ಊರು ಸಂಪೇಕೈನಿಂದ ಹೊರಟು ಆ ದಿಂಬದಿಂದ ಗುಡ್ಡ ಹತ್ತಿ ಮೇಲೆ ನಿಂತು ನೋಡಿದರಂತೆ ಅಪ್ಪಯ್ಯ. ಗುಡ್ಡದ ತುದಿಯಿಂದ ನೋಡಿದರೆ ಈಗ ನಾವು ಹಳೆ ಹೆಗ್ಗೋಡು ಎಂದು ಕರೆಯುವ ಕೋವು, ಹೊನ್ನೇಸರ, ಕೇಡಲಸರ, ಭೀಮನಕೋಣೆಗಳ ನಡುವಿನಲ್ಲಿ ಒಂದಷ್ಟು ಗಿಡ ಮರ ಪೊದೆಗಳಿರುವ ಅತ್ತ ಕಾಡೂ ಅಲ್ಲದ, ಇತ್ತ ಬಯಲೂ ಅಲ್ಲದ ಪ್ರದೇಶ. ಎರಡು ಕೆರೆಗಳ ನಡುವೆ ಒಂದಷ್ಟು ಬೆಟ್ಟ, ಬ್ಯಾಣಗಳ ಜಾಗ. ಅಲ್ಲಲ್ಲಿ ಹಸುಗಳು ಮೇಯುತ್ತಾ ಇದ್ದವಂತೆ. ಎತ್ತರದಿಂದ ಪಕ್ಷಿ ನೋಟದಲ್ಲಿ ನೋಡಿದ ನಮ್ಮ ಅಪ್ಪಯ್ಯ ಮನೆ ಕಟ್ಟಲು ಇದು ಪ್ರಶಸ್ತವಾದ ಸ್ಥಳ, ಎರಡು ಕೆರೆಗಳ ನಡುವೆ ಹಸುಗಳು ಮೇಯುತ್ತಿರುವುದು ಶುಭಸೂಚಕ ಎಂದು ಅಲ್ಲೇ ನಿಶ್ಚಯಿಸಿ ಹೊರಟರಂತೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002Fd73a18e4-495c-4a2d-bbaf-9346e081c6e4","type":"text","family-id":"07b51373-f84e-42d7-9779-a13d02a6ded6","title":"","id":"d73a18e4-495c-4a2d-bbaf-9346e081c6e4","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಗಿಡ ಮರ ಪೊದೆಗಳನ್ನು ಕಡಿದು ಮನೆ ಕಟ್ಟಿಸಲು ಶುರು ಮಾಡಿದ ಅಪ್ಪಯ್ಯ ತಿಮ್ಮಯ್ಯನವರನ್ನು ನೋಡಿ ಸ್ಮಶಾನದಲ್ಲಿ ಮನೆ ಕಟ್ಟಲು ಹೊರಟಿದ್ದಾನಲ್ಲ ಇವನಿಗೇನು ಹುಚ್ಚು ಎಂದು ಊರವರೆಲ್ಲ ಮಾತನಾಡಿಕೊಂಡರಂತೆ. ಯಾವುದಕ್ಕೂ ಜಗ್ಗದ, ಒಂದು ರೀತಿಯಲ್ಲಿ ಬಂಡಾಯದ ನಡವಳಿಕೆಗಳಿಂದಲೇ ಪ್ರಸಿದ್ಧನಾಗಿದ್ದ ಅಪ್ಪಯ್ಯ, ಜಪ್ಪಯ್ಯ ಅನ್ನಲಿಲ್ಲ. ಗೇಲಿ ಮಾಡಿದ ಊರ ಮಂದಿಗೆ ‘ಇಲ್ಲೊಂದು ಊರು ಕಟ್ಟುತ್ತೇನೆ ನೋಡುತ್ತಾ ಇರಿ’ ಎಂದು ಸವಾಲು ಹಾಕಿದರಂತೆ. ಕಾಫಿ ತಂದ ನನ್ನಮ್ಮ ಅಲ್ಲೇ ಕುಳಿತು ಕಥೆ ಕೇಳಲು ಸೇರಿಕೊಂಡಾಗ ನಮ್ಮ ತಂಡಕ್ಕೆ ಇನ್ನಷ್ಟು ಮೆರಗು ಬಂತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002F8456f160-aa5b-4a11-bf49-21a03c8c1178","type":"text","family-id":"1c13c168-6167-4eb9-ad22-c913f978b9a7","title":"","id":"8456f160-aa5b-4a11-bf49-21a03c8c1178","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಮನೆ ಕಟ್ಟಿ ಒಕ್ಕಲಾದ ತಿಮ್ಮಯ್ಯ ಹಾಗೆಯೇ ಮುಂದುವರೆದು ಕೇಡಲಸರದ ಹೇರಂಬರಾಯರ ಹತ್ತಿರ ಈ ಸುತ್ತಮುತ್ತ ಒಂದು ಅಂಗಡಿಯಿಲ್ಲ, ಇಲ್ಲಿ ಒಂದು ಮನೆ ಮಾಡಿ ಒಂದು ಅಂಗಡಿ ಹಾಕಿ ಕೊಟ್ಟು ನಿನ್ನ ಎರಡನೇ ಮಗನನ್ನು ಬಿಡು, ಅವನಿಗೊಂದು ಜೀವನೋಪಾಯಕ್ಕೆ ಆಗುತ್ತದೆ ಎಂದು ಹುರಿದುಂಬಿಸಿದಾಗ ಅಲ್ಲಿಗೆ ಒಂದು ದಿನಸಿ ಅಂಗಡಿಯಾಯಿತು. ನಂತರ ಇವರ ಹಿತೈಷಿಗಳು, ಬಂಧುಗಳು ಆದ ಒಬ್ಬರು ಅಲ್ಲೊಂದು ಜವಳಿ ಅಂಗಡಿ ತೆರೆದರಂತೆ. ಮತ್ತೊಬ್ಬರು ಒಂದು ಹೋಟೆಲ್ ಆರಂಭಿಸಿದರಂತೆ. ಆಗ ಅದೊಂದು ಅಂಗಡಿ ಬಯಲು ಆಯಿತು. ಊರು ಎನ್ನಿಸಿಕೊಳ್ಳಲು ಇನ್ನೇನು ಬೇಕು? ಪಕ್ಕದ ಊರುಗಳಿಂದ ಜನ ಬರಲು ಆರಂಭಿಸಿದಾಗ ಇದೊಂದು ಪುಟ್ಟ ಕೇಂದ್ರವೇ ಆಯಿತಂತೆ. ಛಲ ಬಿಡದ ತಿಮ್ಮಯ್ಯ, ಸಾಗರದಿಂದ ಅಮಲ್ದಾರರನ್ನು ಕರೆಸಿ ಊರು ಉದ್ಘಾಟನೆ ಮಾಡಿಸುವ ಪ್ರಸ್ತಾಪ ಮುಂದಿಟ್ಟರಂತೆ. ಆ ಕಾಲದಲ್ಲಿ ಕುದುರೆಯ ಮೇಲೆ ಬಂದ ಅಮಲ್ದಾರರು ಅರಳಿಕಟ್ಟೆಯ ಮೇಲ್ಭಾಗದ ಅಂಗಡಿ ಬಯಲನ್ನು, ಪ್ರಾಯಶಃ 1915ರಲ್ಲಿ, ‘ಹೆಗ್ಗೋಡು’ ಎಂದು ಉದ್ಘಾಟಿಸಿದಾಗ, ಮೊದಲಿನ ಹೆಗ್ಗೋಡು ಹಳೆಹೆಗ್ಗೋಡು ಎಂದು ಮರುನಾಮಕರಣಗೊಂಡಿತಂತೆ. ಅಲ್ಲಿಗೇ ಸುಮ್ಮನಾಗದ ತಿಮ್ಮಯ್ಯ 1916ರಲ್ಲಿ, ಆಗ ಪ್ರಚಲಿತವಿದ್ದ ಕಾನೂನಿನನ್ವಯ ಒಂದು ಸೊಸೈಟಿ ಸ್ಥಾಪಿಸಿ, ‘ಮಹಾಗಣಪತಿ ಕೋ-ಆಪರೇಟಿವ್ ಸೊಸೈಟಿ’ ಎಂದು ನೋಂದಾಯಿಸಿದರಂತೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fad852043-96cf-43d6-af8d-61e6dd977e70\u002Felement\u002F5ca3575a-e810-4da0-b0f0-3fc6b327d1b7","type":"text","family-id":"bdacb259-c587-47ab-b12e-0f1ec796d92c","title":"","id":"5ca3575a-e810-4da0-b0f0-3fc6b327d1b7","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಕ್ರಮೇಣ ಹೆಗ್ಗೋಡಿನಲ್ಲಿ ಒಂದು ಸಂತೆ ಮೈದಾನ, ಸೊಸೈಟಿ ಬಿಲ್ಡಿಂಗುಗಳು, ಪೋಸ್ಟ್ ಆಫೀಸ್, ಆಸ್ಪತ್ರೆ, ಜಾನುವಾರು ಆಸ್ಪತ್ರೆ, ಹೆಗ್ಗೋಡಿಗೆ ಹೊಂದಿಕೊಂಡಂತೆ ಅದರ ಪಕ್ಕದ ಕೇಡಲಸರ ವ್ಯಾಪ್ತಿಯಲ್ಲಿರುವ ಗುಡ್ಡದ ಮೇಲೆ ಹೈಸ್ಕೂಲು, ಇತ್ಯಾದಿಗಳೆಲ್ಲ ಒಂದಾದ ಮೇಲೊಂದರಂತೆ ಸೇರಿಕೊಂಡು ಸುಮಾರು 50 ವರ್ಷದ ಬೆಳವಣಿಗೆಯಲ್ಲಿ ಒಂದು ಊರಾಗಿ ಬೆಳೆಯಿತು. ನಂತರ ಸುತ್ತಮುತ್ತ ಬಂದ ನೀನಾಸಂ, ಬ್ಯಾಂಕ್, ಚರಕ, ಉಪ್ಪಿನಕಾಯಿ ಫ್ಯಾಕ್ಟರಿ, ಶ್ರಮಜೀವಿ ಆಶ್ರಮ, ಕಾಲೇಜು, ಪೆಟ್ರೋಲ್ ಬಂಕ್, ಸೂಪರ್ ಮಾರ್ಕೆಟ್‌, ಇತ್ಯಾದಿಗಳು ನಮ್ಮ ಹೆಗ್ಗೋಡಿನಲ್ಲಿ ‘ಏನುಂಟು ಏನಿಲ್ಲ’ ಎಂಬ ಮಟ್ಟಿಗೆ ಪ್ರಗತಿ ಸಾಧಿಸಿರುವುದಕ್ಕೆ ನಾವೆಲ್ಲರೂ ಸಾಕ್ಷಿಯಾಗಿದ್ದೇವೆ.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca 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ಬಗೆ...","image":{"key":"prajavani\u002F2024-05\u002F4206f397-29bc-41df-8336-2e936583ad89\u002Ffile7vdnzl5l7ya9dokcnpk.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eನೀನಾಸಂ ಶಿವರಾಮ ಕಾರಂತ ರಂಗಮಂದಿರ \u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":2236,"height":1258,"mime-type":"image\u002Fjpeg","file-size":366264,"file-name":"file7vdnzl5l7ya9dokcnpk.jpg","focus-point":[988,416]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Farticle-about-heggodu-ninasam-foundation-2803041","story-version-id":"ef359130-d738-4705-ae28-19cd76e71e2c","content-type":"story","content-updated-at":1715472720411,"author-id":1747461,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1715472720000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eನೀನಾಸಂ ಶಿವರಾಮ ಕಾರಂತ ರಂಗಮಂದಿರ \u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":13,"story-template":"syndicated","sequence-no":null,"created-at":1715447445411,"authors":[{"slug":"cndrsheekhr-kaakaal","social":{},"name":"ಚಂದ್ರಶೇಖರ್ ಕಾಕಾಲ್‌","contributor-role":{"id":7161,"name":"Author"},"avatar-url":null,"bio":null,"id":1747461,"avatar-s3-key":null,"twitter-handle":null}],"metadata":{"imported-card-is-read-only":null,"story-attributes":{"syndicatedfrom":["DCX"],"syndicated-categories":["ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ"]},"imported-card-id":"11470b10-a8f9-4abc-9d88-140954069d6a","card-share":{"shareable":false}},"publish-at":1715472720000,"assignee-name":"syndication"}},{"id":"7d038e72-f48f-4afd-bd00-7f5b90454241","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ: ನಾವು ನಾಟಕ.. ಎಚ್ಚರದಿಂದ ಗಮನಿಸಬೇಕು"]},"story":{"updated-at":1715444610771,"seo":{"meta-description":"ಇತ್ತೀಚೆಗೆ ಕನ್ನಡ ರಂಗಭೂಮಿಯಲ್ಲಿ ಯುವ ತಲೆಮಾರು ನಾಟಕ ರಚನೆ, ನಿರ್ದೇಶನ ಹಾಗೂ ಪ್ರಯೋಗಗಳಲ್ಲಿ ಅನೇಕ ಹೊಸತನಗಳನ್ನು ಹೊತ್ತು ತರುತ್ತಿದೆ. ಇದಕ್ಕೆ ಹೊಸ ಸೇರ್ಪಡೆ ‘ನಾವು...’ ಎಂಬ ನಾಟಕ. ಅಭಿಮನ್ಯು ಭೂಪತಿ ಮತ್ತು ರೋಹಿತ್ ಜೋಡಿ ಈ ನಾಟಕವನ್ನು ರಚಿಸಿದೆ. 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ಕಟ್ಟಿಕೊಡುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F7d038e72-f48f-4afd-bd00-7f5b90454241\u002Felement\u002F9e9e4736-0c2e-4a41-a778-bb2131d37c79","type":"text","family-id":"f736c90c-b821-46b4-b7eb-6e93dfd835c7","title":"","id":"9e9e4736-0c2e-4a41-a778-bb2131d37c79","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ನಾಟಕವನ್ನು ಪ್ರದರ್ಶಿಸಿ ಚಪ್ಪಾಳೆ ಗಿಟ್ಟಿಸಿಕೊಳ್ಳುವ ಇರಾದೆ ನಮ್ಮದಲ್ಲ, ಬದಲಾಗಿ ನಾಟಕವನ್ನು ಪ್ರೇಕ್ಷಕ ಎದೆಯಾಳಕ್ಕೆ ಇಳಿಸಿಕೊಂಡು ಸಾಮಾಜಿಕ ಬದಲಾವಣೆಯ ಜವಾಬ್ದಾರಿಯನ್ನು ಹೊರುವಂತಾಗಬೇಕು. ಜಾತಿಯ ಕಾರಣಕ್ಕಾಗಿ ನಡೆಯುವ ಕ್ರೌರ್ಯ, ಅಪಮಾನಗಳನ್ನು  ಅಂತಃಕರಣದಲ್ಲಿ ನೋಡುವಂತಾಗಬೇಕು ಮತ್ತು ಎಲ್ಲವೂ ಸರಿಯಿದೆ ಎಂಬ ಭ್ರಮಾಲೋಕದಿಂದ ಪ್ರೇಕ್ಷಕರು ಹೊರಬರಬೇಕು. ಈ ಕಾರಣದಿಂದಲೇ ಅನೇಕ ಹೊಸತನಗಳನ್ನು ಈ ನಾಟಕದಲ್ಲಿ ನಾವು ತಂದಿದ್ದೇವೆ’ ಎನ್ನುತ್ತಾರೆ ಯುವ ನಿರ್ದೇಶಕ ಅಭಿಮನ್ಯು ಭೂಪತಿ. ಇದೊಂದು ಡಿವೈಸ್ಡ್ ನಾಟಕವಾಗಿದ್ದು, ರಂಗಭೂಮಿಯ ಸಂಪ್ರದಾಯಿಕತೆಯನ್ನು ಒಡೆದು ಕಟ್ಟಿದ 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ಜರ್ಮನಿಯ ಬರ್ಟೋಲ್ಟ್ ಬ್ರೆಕ್ಟ್‌ನಿಂದಾಗಿ ಎಪಿಕ್ ಥಿಯೇಟರ್ ಪರಿಕಲ್ಪನೆ ಹೆಚ್ಚು ಜನಪ್ರಿಯವಾಯಿತು. ಬ್ರೆಕ್ಟ್‌ಗೆ ರಂಗಭೂಮಿ ಜನಸಾಮಾನ್ಯರ ರಾಜಕೀಯ ಶಿಕ್ಷಣಕ್ಕೆ ಸಾಧನವಾಗಿ ಕಂಡಿತ್ತು. ಭಾವೋದ್ವೇಗದಲ್ಲಿ ಮನುಷ್ಯ ತನ್ನ ವಿವೇಚನಾಶಕ್ತಿಯನ್ನು ಕಳೆದುಕೊಳ್ಳುತ್ತಾನೆ ಎಂದು ತಿಳಿದಿದ್ದ ಬ್ರೆಕ್ಟ್ ತನ್ನ ಏಲಿನಿಯೇಷನ್ ಸಿದ್ಧಾಂತಕ್ಕೆ ಒಂದು ಸ್ವರೂಪವನ್ನು ಕೊಡುವುದಾಗಿ ಹಲವಾರು ಪ್ರಯೋಗಗಳನ್ನು ಮಾಡುತ್ತಾನೆ. ಅಂಥದ್ದೇ ಒಂದು ಪ್ರಯೋಗವನ್ನು ಈ ನಾಟಕದಲ್ಲೂ ಕಾಣಬಹುದು. ಎಲ್ಲಾ ಕಲಾವಿದರು ತಮ್ಮ ಪಾತ್ರಗಳನ್ನು ಸಹಜವಾಗಿ ಮನಮುಟ್ಟುವಂತೆ ನಟಿಸಿದ್ದಾರೆ. ಪಾತ್ರಧಾರಿಗಳು ಒಂದು ಕ್ಷಣ ಒಂದು ಮುದ್ದಾದ ಸಣ್ಣ ರೈತ ಕುಟುಂಬದಂತೆ ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸಿನಲ್ಲಿ ನೆಲೆಸಿದರೆ, ಮರುಕ್ಷಣ ಅವರು ಕೇವಲ ನಟರಾಗಿ ಪಾತ್ರಗಳ ಅಂತರಾಳವನ್ನು ವಿಮರ್ಶಾತ್ಮಕವಾಗಿ ಬಯಲುಗೊಳಿಸುತ್ತಾರೆ. ದೃಶ್ಯಗಳ ನಡುವೆ ನೈಜ ಸಾಕ್ಷ್ಯಚಿತ್ರಗಳ ತುಣುಕುಗಳನ್ನು ತೆರೆಯ ಮೇಲೆ ತೋರಿಸಿ, ಇದು ಕೇವಲ ಕಥೆಯಲ್ಲ, ನಮ್ಮ ನಿಮ್ಮೆಲ್ಲರ ಜೀವನ ಎಂದು ನಮ್ಮನ್ನು ಮತ್ತೆ ಮತ್ತೆ ಎಚ್ಚರಿಸುತ್ತಾರೆ. ಮಂಜು ನಾರಾಯಣ್ ಅವರ ಬೆಳಕಿನ ವಿನ್ಯಾಸ ಪೂರಕವಾಗಿದ್ದು ಕೊನೆಯ ದೃಶ್ಯದಲ್ಲಿ ಸಶಕ್ತವಾಗಿ ಮೂಡಿಬಂದಿದೆ. ಪ್ರಸನ್ನ ಎಂ.ಎಸ್. ಅವರ ಸಂಗೀತ ಸಂಯೋಜನೆ ಅಚ್ಚುಕಟ್ಟಾಗಿದೆ. ದೈಹಿಕ ರಂಗಭೂಮಿಯ ಬಳಕೆ ಈ ನಾಟಕದ ಪ್ರಸ್ತುತಿಯನ್ನು ಉನ್ನತ ಮಟ್ಟಕ್ಕೆ ಒಯ್ದಿದೆ. ಇಲ್ಲಿನ ಸಂಕೇತಗಳ ಬಳಕೆ ನಿಜಕ್ಕೂ ಪ್ರೇಕ್ಷಕರ ಮನದಲ್ಲಿ 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href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1715458860000,"hero-image-caption":"‘ನಾವು’ ನಾಟಕದ ದೃಶ್ಯ ","version":4,"story-template":"syndicated","sequence-no":null,"created-at":1715444603812,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ 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ಮೈಸೂರು\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","bullet-type":"123","hero-image-alt-text":null,"id":"413a970a-e56e-4dfd-9919-43d6601cd853","hero-image-s3-key":"prajavani\u002F2024-05\u002F7a41887e-0130-4887-bf51-83da495d2957\u002Fdrama.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F413a970a-e56e-4dfd-9919-43d6601cd853\u002Felement\u002F7b086d4a-f55a-4f2c-8adc-e124494678f9","type":"text","family-id":"22497e2f-c6df-42ee-a0dc-fa82eaeee693","title":"","id":"7b086d4a-f55a-4f2c-8adc-e124494678f9","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕನ್ನಡ ರಂಗಭೂಮಿಯಲ್ಲಿ ಹೆಚ್ಚಿನಸಂಖ್ಯೆಯಲ್ಲಿ ಏಕವ್ಯಕ್ತಿ ರಂಗ ಪ್ರಯೋಗಗಳು ಪ್ರದರ್ಶನಗೊಳ್ಳುತ್ತಿರುವ ದಿನಗಳಿವು. ಇಂಥ ಸಂದರ್ಭದಲ್ಲಿ ದೊಡ್ಡ ಸಂಗೀತ ಕಲಾವಿದನ ಬದುಕನ್ನು ಏಕವ್ಯಕ್ತಿ ರಂಗ ಪ್ರಯೋಗದ ಮೂಲಕ ಅನಾವರಣಗೊಳಿಸಿರುವುದು ವಿಶಿಷ್ಟ ಪ್ರಯತ್ನವಾಗಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಹೆಗ್ಗೋಡಿನ ನೀನಾಸಂ ಸಂಸ್ಥೆಯು 75 ನೇ ವಾರ್ಷಿಕೋತ್ಸವವನ್ನು ಆಚರಿಸಿಕೊಳ್ಳುತ್ತಿದ್ದು, ಇದರ ಅಂಗವಾಗಿ ಪ್ರತಿ ತಿಂಗಳು ಹೆಗ್ಗೋಡಿನ ಶಿವರಾಮ ಕಾರಂತ ರಂಗಮಂದಿರದಲ್ಲಿ ನಾಟಕಗಳು ಪ್ರದರ್ಶನವಾಗುತ್ತಿವೆ. ಈಚೆಗೆ ಅಲ್ಲಿ ಧಾರವಾಡದ ಆಟಮಾಟ ತಂಡವು ‘ನಾ ರಾಜಗುರು’ ಎನ್ನುವ ಏಕವ್ಯಕ್ತಿ ರಂಗ ಪ್ರಯೋಗ (ರಂಗರೂಪ, ಪರಿಕಲ್ಪನೆ: ಮಹಾದೇವ ಹಡಪದ, ಅಭಿನಯ: ವಿಶ್ವರಾಜ ರಾಜಗುರು) ಪ್ರದರ್ಶನಗೊಂಡಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eಸ್ವರ ಸಾಮ್ರಾಟ ಎಂದೇ ಪ್ರಸಿದ್ಧರಾಗಿದ್ದ ಪಂಡಿತ್ ಬಸವರಾಜ ರಾಜಗುರು ಅವರು ತಂದೆಯಿಂದಲೇ ಮೊದಲು ಸಂಗೀತದ ಪಾಠ ಹೇಳಿಸಿಕೊಂಡರು. ನಂತರ ವಾಮನ್ ರಾವ್ ಮಾಸ್ತರರ ನಾಟಕ ಕಂಪನಿ, ಶಿವಯೋಗ ಮಂದಿರ, ಪಂಚಾಕ್ಷರಿ ಗವಾಯಿಗಳು, ಸವಾಯಿ ಗಂಧರ್ವರು, ಪಂಡಿತ್ ನೀಲಕಂಠ ಮಿರಜಕರ ಬುವಾ, ಉಸ್ತಾದ್ ವಹೀದ್ ಖಾನ್–ಹೀಗೆ ಹಲವರ ಸಂಗೀತ ಗರಡಿಯಲ್ಲಿ ಪಳಗಿದ ಸ್ವಾರಸ್ಯಕರ ಕಥನ 90 ನಿಮಿಷಗಳ ಅವಧಿಯಲ್ಲಿ ರಂಗದ ಮೇಲೆ ಅನಾವರಣಗೊಳ್ಳುತ್ತದೆ. ರಾಜಗುರು ಅವರ ಬದುಕಿನ ಕತೆ, ನಾಟ್ಯ ಸಂಗೀತ, ಸಂಗೀತ ಸಾಧನೆಯ ಸ್ವರೂಪವನ್ನು ಇಟ್ಟುಕೊಂಡು ರೂಪುಗೊಂಡಿರುವ ಈ ಪ್ರಯೋಗವಿದು.\u003C\u002Fp\u003E\u003Cp\u003Eಆತ್ಮಚರಿತ್ರೆಯ ವೃತ್ತಾಂತದ ರೂಪದಲ್ಲಿ ಒಂದೊಂದೆ ಘಟನೆಗಳು ರಂಗದ ಮೇಲೆ ಕುತೂಹಲ ಹುಟ್ಟುವ ರೀತಿಯಲ್ಲಿ ಸಾದರಪಡಿಸಿರುವುದು ಪ್ರಯೋಗದ ಹೆಗ್ಗಳಿಕೆ. ಸರಳ ರಂಗ ಸಜ್ಜಿಕೆಯಲ್ಲಿನ ಈ ಪ್ರಯೋಗಕ್ಕೆ ರಾಜಗುರುಗಳು ಹಾಡುತ್ತಿದ್ದ ರಂಗಗೀತೆ, ಚೀಜ್, ಖಯಾಲ್‌, ವಚನ, ನಾಟ್ಯಗೀತೆ–ಹೀಗೆ ಎಲ್ಲಾ ಪ್ರಕಾರಗಳನ್ನು ಬಳಸಿಕೊಂಡಿರುವುದು ಪ್ರಯೋಗಕ್ಕೆ ಕಳೆ ತಂದಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಸಂಗೀತವೇ ನಾಟಕದ ಆತ್ಮವಾಗಿರುವುದರಿಂದ ಒಂದೇ ಪ್ರಯೋಗದಲ್ಲಿ ನಟನೆ, ರಂಗ ಕೌಶಲದ ಜೊತೆಗೆ ವಿಭಿನ್ನ ಪ್ರಕಾರದ ಸಂಗೀತವನ್ನೂ ಸವಿಯುವ ಅವಕಾಶ ಪ್ರೇಕ್ಷಕರಿಗೆ ಲಭ್ಯವಾಗುತ್ತದೆ. ರಾಜಗುರುಗಳ ಬದುಕಿನ ಘಟನೆಗಳ ನೆನಪಿನ ಬುತ್ತಿಬಿಚ್ಚಿಕೊಳ್ಳುವಾಗ ಏಕತಾನತೆ ಕಾಡಬಾರದು ಎನ್ನುವ ಕಾರಣಕ್ಕೆ ನಡುವೆ ಬಳಸಿರುವ ರಂಗ ಚಲನೆ, ತಿಳಿಹಾಸ್ಯ ಪ್ರಯೋಗದ ಜೀವಂತಿಕೆಯನ್ನು ಕಾಪಾಡುವಲ್ಲಿ ನಿರ್ದೇಶಕರ ಜಾಣ್ಮೆ ಎದ್ದು ಕಾಣುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಸಂಗೀತದಲ್ಲಿ ಉನ್ನತವಾದದ್ದನ್ನು ಸಾಧಿಸಬೇಕು ಎನ್ನುವ ಕಾರಣಕ್ಕೆ ರಾಜಗುರು ಅವಿಭಜಿತ ಪಾಕಿಸ್ತಾನದ ಲಾಹೋರ್, ಕರಾಚಿಯವರೆಗೂ ಗುರುಗಳನ್ನು ಹುಡುಕಿಕೊಂಡು ಹೋಗಿದ್ದು, ವಿಭಜನೆಯ ಹಿಂಸೆಯಿಂದ ಪ್ರಯಾಸದಿಂದ ಬದುಕಿ ಭಾರತಕ್ಕೆ ಬಂದಿದ್ದು, ಭಾರತದ ಯಾವುದೇ ಮೂಲೆಗೆ ಸಂಗೀತ ಕಛೇರಿ ನೀಡಲು ಹೋಗುವಾಗಲೂ ಧಾರವಾಡದ ನೀರನ್ನೆ ಕೊಂಡೊಯ್ಯುತ್ತಿದ್ದದ್ದು.... ಹೀಗೆ ಹತ್ತು ಹಲವು ಸ್ವಾರಸ್ಯಕರ ಸಂಗತಿಗಳನ್ನು ಪ್ರಯೋಗ ಒಳಗೊಂಡಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಶಾಸ್ತ್ರೀಯ ಸಂಗೀತವನ್ನು ಅಭಿನಯ, ಚಲನೆಯ ಜೊತೆಗೆ ರಂಗದ ಮೇಲೆ ಪ್ರಸ್ತುತಪಡಿಸುವುದು ಒಂದು ಸವಾಲಿನ ಸಂಗತಿ. ಈ ಸವಾಲನ್ನು ಬಸವರಾಜ ರಾಜಗುರುಗಳ ಮೊಮ್ಮಗ ವಿಶ್ವರಾಜ ರಾಜಗುರು ಅತ್ಯಂತ ಸಮರ್ಥವಾಗಿ ನಿಭಾಯಿಸಿದ್ದಾರೆ. ತಬಲಾ, ಹಾರ‍್ಮೋನಿಯಂ ಸಾಥ್ ನೀಡುತ್ತಲೇ ಅಕ್ಷಯ ಜೋಶಿ ಹಾಗೂ ವೆಂಕಟೇಶ ರೆಡ್ಡಿ ರಂಗದ ಮೇಲೆ ರಾಜಗುರುಗಳ ಬದುಕಿನ ವೃತ್ತಾಂತದ ಘಟನೆಗಳಿಗೆ ಸಾಕ್ಷಿಯಾಗುತ್ತ ಸಾಗುವುದು ಪ್ರಯೋಗದ ಚಲನಶೀಲತೆಗೆ ಹಿಡಿದ ಕೈಗನ್ನಡಿಯಾಗಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಪ್ರಯೋಗದ ಉದ್ದಕ್ಕೂ ರಂಗವನ್ನು ಸಂಗೀತ ಕಛೇರಿಯ ವೇದಿಕೆಯ ಮಾದರಿಯಲ್ಲೆ ಸಿದ್ದಪಡಿಸಿರುವುದು ಬೆಳಕಿನ ವಿನ್ಯಾಸ (ಬೆಳಕು:ಚಂದ್ರು ಕಿಲ್ಲೇದಾರ) ದ ಪ್ರಭಾವಳಿಯನ್ನು ಹೆಚ್ಚಿಸಲು ಕಾರಣವಾಗಿದೆ. ನಾಟಕದ ಪ್ರಮುಖ ಘಟ್ಟಗಳಲ್ಲಿ ಧ್ವನಿಸುವ ಕಥಾ ವಸ್ತುವಿಗೆ ಬೆಳಕು ಸೂಕ್ತ ಆವರಣ ಕಲ್ಪಿಸಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಕರ್ನಾಟಕದಲ್ಲಿ ಪ್ರಸಿದ್ಧಿ ಗಳಿಸಿರುವ ಹಲವು ಶಾಸ್ತ್ರೀಯ ಸಂಗೀತ ಕಲಾವಿದರ ಕುರಿತು ಆತ್ಮಚರಿತ್ರೆಯ ಕೃತಿ ಪ್ರಕಟವಾಗಿರುವ ಉದಾಹರಣೆಗಳಿವೆ. ಹಾಗೆ ನೋಡಿದರೆ ಪಂಡಿತ್ ಬಸವರಾಜ ರಾಜಗುರುಗಳ ಸಾಧನೆಗೆ ತಕ್ಕ ದಾಖಲೀಕರಣದ ಕೆಲಸ ಈವರೆಗೆ ಆಗಿರಲಿಲ್ಲ. ಈ ಕೊರತೆಯನ್ನು ಕೊಂಚವಾದರೂ ‘ನಾ ರಾಜಗುರು’ ಪ್ರಯೋಗ ತುಂಬುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಸಂಗೀತ ಕಲಾವಿದನೊಬ್ಬನ ಬದುಕು ಅದೆಷ್ಟು ಕಷ್ಟ ಕಾರ್ಪಣ್ಯಗಳಿಂದ ಕೂಡಿರುತ್ತದೆ, ಮಹತ್ವದ್ದನ್ನು ಸಾಧಿಸಬೇಕು ಎಂಬ ಆಕಾಂಕ್ಷೆ ಕಲಾವಿದನನ್ನು ದೇಶ, ಭಾಷೆ, ಗಡಿರೇಖೆಗಳ ಆಚೆಗೂ ಹೇಗೆ ದಾಟಿಸುತ್ತದೆ, ಕಲಾವಿದನ ಉನ್ನತ ಸಾಧನೆಗೆ ವೈಯುಕ್ತಿಕ ಬದುಕಿನಲ್ಲಿ ಶಿಸ್ತು ಎಷ್ಟು ಮುಖ್ಯ, ಎಷ್ಟೆ ಎತ್ತರಕ್ಕೇರಿದರೂ ಕಲಾವಿದ ತನ್ನ ನೆಲದ ‘ಮಣ್ಣಿನ ವಾಸನೆ’ ಗೆ ಎಷ್ಟು ಹತ್ತಿರವಾಗಿರುತ್ತಾನೆ ಎಂಬ ಹಲವು ಸಂಗತಿಗಳು ನಾಟಕ ನೋಡಿದ ನಂತರ ಮನಸ್ಸಿನಲ್ಲಿ ಅಚ್ಚಳಿಯದೆ ನಿಲ್ಲುತ್ತದೆ.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1714836319157,"content-version-id":"da342dbc-21dd-4dc1-87dd-10869cf0837c","card-added-at":1714836275968,"status":"draft","id":"48acea55-a2e3-4035-98cc-915797a27daa","content-id":"48acea55-a2e3-4035-98cc-915797a27daa","version":3,"metadata":{"social-share":{"shareable":false,"title":"‘ನಾ ರಾಜಗುರು’ ನಾಟಕ: ಏಕವ್ಯಕ್ತಿಯ ವಿಭಿನ್ನ ರಂಗ ಪ್ರಯೋಗ","message":"ಏಕವ್ಯಕ್ತಿಯ ವಿಭಿನ್ನ ರಂಗ ಪ್ರಯೋಗ","image":{"key":"prajavani\u002F2024-05\u002F7a41887e-0130-4887-bf51-83da495d2957\u002Fdrama.jpg","url":null,"attribution":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಚಿತ್ರ: ಅಪ್ಪು ಮೈಸೂರು\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ನಾ ರಾಜಗುರು’ ನಾಟಕದಲ್ಲಿ ವಿಶ್ವರಾಜ 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ಪ್ರೇಕ್ಷಕರನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಗೆದ್ದುಕೊಂಡು ಸತತವಾಗಿ ಹೌಸ್ ಫುಲ್ ಆಗಿ ಪ್ರದರ್ಶಿತವಾಯಿತು.","claim-reviews":{"story":null}},"assignee-id":1754435,"author-name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","tags":[{"id":5509567,"name":"Artist","meta-description":null,"meta-title":null,"slug":"artist","tag-type":"Tag"},{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"},{"id":5513289,"name":"Theater","meta-description":null,"meta-title":null,"slug":"theater","tag-type":"Tag"}],"headline":"‘ಜೊತೆಗಿರುವನು ಚಂದಿರ’.. ಅಮೋಘ ನಾಟಕವೊಂದರ ವಜ್ರ ಮಹೋತ್ಸವ ವರ್ಷ","storyline-id":null,"votes":{},"story-content-id":"4a157f20-8a44-413e-89a8-7b50bcb19dcf","slug":"entertainment\u002Ftheatre\u002Fjotegiruvanu-chandira-drama-in-rangashankara-manjunath-br-article-2778845","last-published-at":1713950292701,"public-identifier":"2778845","subheadline":"‘ಜೊತೆಗಿರುವನು ಚಂದಿರ‘ ಒಂದು ಸುಂದರ ಬೆಳದಿಂಗಳು: ಮಂಜುನಾಥ್ ಬಿ.ಆರ್. ಅವರ ಲೇಖನ","alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null}],"read-time":3,"access-level-value":null,"content-created-at":1713949171496,"is-embargoed":false,"owner-name":"ಮಂಜುನಾಥ್ ಭದ್ರಶೆಟ್ಟಿ","custom-slug":"Jotegiruvanu chandira drama in Rangashankara Manjunath BR Article","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":2560,"height":1439,"mime-type":"image\u002Fjpeg","file-size":778308,"file-name":"WhatsApp Image 2024-04-24 at 1.49.47 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ವಾರ ಬೆಂಗಳೂರಿನ ರಂಗ ಶಂಕರದಲ್ಲಿ ‘ಜೊತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕ ಪ್ರದರ್ಶನದ ವೇಳೆ ಇಳೆಗಿಳಿದಿಹ ಬೆಳದಿಂಗಳಲ್ಲಿ ಜಳಕ ಮಾಡಿದಂತಹ ಅನುಭವ . ಸುಮಾರು 2 ಗಂಟೆ 20 ನಿಮಿಷಗಳ ಕಾಲ ಬಹುತೇಕ ಈ ತಲೆಮಾರಿನ ಯುವಕರೇ ಆಗಿದ್ದ ಪ್ರೇಕ್ಷಕರು ಹಾಡು, ನೃತ್ಯ, ಚುರುಕಾದ ಸಂಭಾಷಣೆ, ಹದವಾದ ಅಭಿನಯ, ಮೃದುವಾದ ಹಾಸ್ಯಗಳಲ್ಲಿ ಮಿಂದು ಖುಷಿಯಿಂದ ಹೊರಬಂದುನ್ನು ನೋಡುವುದೇ ಚೆಂದ.\u003C\u002Fp\u003E\u003Cp\u003Eಯಾವುದೋ ಗತಕಾಲದ ಸಿನಿಮಾದಲ್ಲಿ ಕೇಳಿ ಬಂದಂತೆ ಕ್ಷಣಕ್ಕೊಮ್ಮೆ ಸಿಳ್ಳೆಗಳು, ಚಪ್ಪಾಳೆಗಳು. ಹಾಗೆಂದು ಸೊಂಟದ ಕೆಳಗಿನ ಹಾಸ್ಯಕ್ಕೋ ಅಥವಾ ಕೀಳು ಮನರಂಜನೆಗೋ ಸಿಕ್ಕ ಸ್ಪಂದನೆ ಅಲ್ಲ ಇದು. ಒಂದು ಗಾಢವಾದ ಅನುಭವ, ಒಂದು ಬದುಕಿನ ಕುರಿತಾದ ಗಂಭೀರ ಒಳನೋಟ.\u003C\u002Fp\u003E\u003Cp\u003Eಇವೆಲ್ಲವನ್ನು ಹೊಂದಿದ್ದೂ ಕೂಡ ಕಥೆಯೊಂದು ನಮ್ಮ ಎದುರು ಮನಸ್ಸನ್ನು ರಂಜಿಸುತ್ತಾ ಬಿಚ್ಚಿಕೊಂಡ ಪರಿ ಅದ್ಭುತ.\u003C\u002Fp\u003E\u003Cp\u003Eಆದರೆ, ಜೊತೆಗಿರುವನು ಚಂದಿರ ನಾಟಕದ ಮಹತ್ವ ಇದರ ಆಚೆಗೂ ಇದೆ. ಇದು ನಮ್ಮ ಸಮಕಾಲಿನ ಬದುಕಿಗೆ ಕನ್ನಡಿಯಾಗಬಲ್ಲದು, ಟೀಕೆಯಾಗಬಲ್ಲದು. ಮತ್ತೆ ಬೆಳದಿಂಗಳಿಗೆ ಇರುವುದು ಕೇವಲ ಮನೋಹರತೆಯ ಗುಣ ಮಾತ್ರ ಅಲ್ಲ, ಅದು ಕಾಡಿನ ಕತ್ತಲಿನಲ್ಲಿ ಕಂಗೆಟ್ಟವರಿಗೆ ಕಂಡ ದಾರಿಯೂ ಆಗಬಹುದು.\u003C\u002Fp\u003E\u003Cp\u003E‘ಜೊತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕದ ಮೊದಲ ರೂಪವು 1964ರಲ್ಲಿ ನ್ಯೂಯಾರ್ಕ್ ನಗರದ ಬ್ರಾಡ್ವೇಯಲ್ಲಿ ಪ್ರದರ್ಶನ ಕಂಡಿತು. ಅಂದರೆ ಈ ನಾಟಕಕ್ಕೆ ಈಗ ವಜ್ರ ಮಹೋತ್ಸವ. ಇದು ಎಂಥಾ ಯಶಸ್ವಿ ನಾಟಕವಾಯಿತೆಂದರೆ ಸತತವಾಗಿ 3,242 ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eನಂತರ ಲಂಡನ್‌ನಲ್ಲಿಯೂ 2000ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳು. ಆಸ್ಟ್ರೇಲಿಯಾ ಜರ್ಮನಿ, ಫ್ರಾನ್ಸ್ ಹೀಗೆ ಹೋದಲ್ಲೆಲ್ಲ ಜಯಭೇರಿ. ಮೂಲ ಕಥೆಗಾರ ಶೋಲೇಂ ಆಲ್ಕೈಮ್ 1905ರ ಉಕ್ರೇನ್ ನ ಹಳ್ಳಿಗಾಡಿನ ಯಹೂದಿ ಕುಟುಂಬದ ಕಥೆಯಾಗಿ ಇದನ್ನು ಬರೆದಿದ್ದ. ಹೆಸರು ‘ಟೇವ್ಯೆ ಮತ್ತು ಆತನ ಹೆಣ್ಣು ಮಕ್ಕಳು’. ನಾಟಕ ರೂಪವನ್ನು ಮುಗಿಸುವ ಮುನ್ನ ತೀರಿಕೊಂಡಿದ್ದ. 20ನೆಯ ಶತಮಾನದ ಪೂರ್ವಾರ್ಧದಲ್ಲಿಯೇ ಯಿದ್ದಿಶ್ ಭಾಷೆಯಲ್ಲಿ ಇದು ನಾಟಕವೂ, ನಂತರ ಚಲನಚಿತ್ರವೂ ಆಗಿ ಯಶಸ್ವಿಯಾಗಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":1280,"height":865,"focus-point":[829,352]},"page-url":"\u002Fstory\u002F4a157f20-8a44-413e-89a8-7b50bcb19dcf\u002Felement\u002F58347a86-c2fb-4c6e-9335-37783f4b894f","type":"image","family-id":"5e830a27-c769-4251-af3e-8d06c09fcbc0","image-attribution":"","title":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಜೊತೆಗಿರುವನು ಚಂದಿರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","id":"58347a86-c2fb-4c6e-9335-37783f4b894f","alt-text":"","hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F24f2969f-e2ca-4c86-8ee8-eece13e2e39b\u002FWhatsApp_Image_2024_04_24_at_1_48_41_PM.jpeg","metadata":{},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F4a157f20-8a44-413e-89a8-7b50bcb19dcf\u002Felement\u002F0a22bb0d-30dd-4b7e-a3c7-2af38da6b392","type":"text","family-id":"5725db25-aaeb-48fa-830a-7a7cc31e0ef4","title":"","id":"0a22bb0d-30dd-4b7e-a3c7-2af38da6b392","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ನಾಟಕ ಎಲ್ಲರ ಗಮನವನ್ನು ಸೆಳೆದದ್ದು ಅಮೆರಿಕದಲ್ಲಿ ಚಲನಚಿತ್ರವಾಗಿ. 1971 ರಲ್ಲಿ ಆ ವರ್ಷದ ಅತ್ಯಂತ ಹೆಚ್ಚು ಹಣಗಳಿಕೆಯ ಚಿತ್ರವಾಗಿ 'ಫಿಡ್ಲರ್ ಆನ್ ದಿ ರೂಫ್' ಜಯಭೇರಿ ಬಾರಿಸಿತು. ಕನ್ನಡದಲ್ಲಿ ನೀನಾಸಂ ಸಂಸ್ಥೆಯು ತನ್ನ ವಾರ್ಷಿಕ ತಿರುಗಾಟದ ಭಾಗವಾಗಿ ಈ ನಾಟಕವನ್ನು 1998-99 ರಲ್ಲಿ ಮೊದಲ ಬಾರಿಗೆ ಪ್ರದರ್ಶಿಸಿತು. ಹೀಗಾಗಿ ಕನ್ನಡದಲ್ಲಿ ಇದಕ್ಕೆ ಬೆಳ್ಳಿ ಹಬ್ಬ.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ಬಾರಿ ಮೈಸೂರಿನ 'ಸಂಕಲ್ಪ' ತಂಡದಿಂದ ’ಜೊತೆಗಿರುವನು ಚಂದಿರ’ ನಾಟಕ ರಂಗಶಂಕರದಲ್ಲಿ ಪ್ರೇಕ್ಷಕರನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಗೆದ್ದುಕೊಂಡು ಸತತವಾಗಿ ಹೌಸ್ ಫುಲ್ ಆಗಿ ಪ್ರದರ್ಶಿತವಾಯಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eಸುಮಾರು 30 ವರ್ಷಗಳ ಹಿಂದೆ ಸಾಹಿತಿ ಎ. ಎನ್. ಮೂರ್ತಿರಾಯರು ಬಹಳ ಪ್ರೀತಿಯಿಂದ ಈ ಸಿನಿಮಾದ ಬಗ್ಗೆ ಮಾತನಾಡಿದ್ದರು. ಹೊಸ ಮೌಲ್ಯ, ಆಕಾಂಕ್ಷೆಗಳನ್ನು ಹೊಂದಿದ ಇಂದಿನ ತಲೆಮಾರೊಂದು, ಹಿಂದಿನ ಪರಂಪರೆ - ಸಂಪ್ರದಾಯವನ್ನು ಮೀರಿ ಹೊರಟಾಗ ಕುಟುಂಬವೊಂದರಲ್ಲಿ ತಾಯಿ ತಂದೆ ಎದುರಿಸುವ ಸವಾಲುಗಳೇನು? ನೋವುಗಳೇನು? ಆದರೆ, ಅವರು ಅದನ್ನು ಮೀರಿ ಹೇಗೆ ಹೊರಗೆ ಬರಬೇಕು ಇಂದು ವಿವರಿಸುತ್ತಾ, ನಮ್ಮ ತಲೆಮಾರು ಇದನ್ನು ಅನುಭವಿಲೇಬೇಕಾಯಿತು ಎಂದು ತೋಡಿಕೊಂಡಿದ್ದರು. \u003C\u002Fp\u003E\u003Cp\u003Eಅವರ ಮಾತು ನಿಜ. ಸಮಾಜ ಒಂದು ಸ್ಥಿತ್ಯಂತರ ಘಟ್ಟದಲ್ಲಿದ್ದಾಗ, ಹಳೆಯ ಮತ್ತು ಹೊಸ ಮೌಲ್ಯಗಳ ನಡುವೆ ಸಂಘರ್ಷ ಬಂದಾಗ ಒಂದು ತಲೆಮಾರು ಸಂಕಟಗಳನ್ನು ಅನುಭವಿಸಿ ಮಾನಸಿಕವಾಗಿ ಮರುಹುಟ್ಟು ಪಡೆಯುತ್ತದೆ. ಆದರೆ, ಕನ್ನಡದಲ್ಲಿ ಬಂದಿರುವ ರೂಪಾಂತರದಲ್ಲಿ ಇದಕ್ಕೆ ಇನ್ನಷ್ಟು ಅರ್ಥಗಳು ಹುಟ್ಟಿಕೊಂಡಿವೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಮೂಲ ಕಥೆಯಲ್ಲಿ ಇದ್ದ ಯಹೂದಿ ಕುಟುಂಬದ ಬದಲಾಗಿ ಇಲ್ಲಿ ಇದು ಮುಸ್ಲಿಂ ಕುಟುಂಬದ ಸುತ್ತಲೂ ನಡೆಯುತ್ತದೆ. ಮನೆಯ ಯಜಮಾನ ಬಡೇ ಮಿಯಾ ಇಲ್ಲಿ ನಾಯಕ. ಆತನ ಮಡದಿ ಮುನೀರ್ ಜಾನ್. ಇವರಿಗೆ ಮೂವರು ಹೆಣ್ಣು ಮಕ್ಕಳು. ಆ ಸಂಪ್ರದಾಯನಿಷ್ಠ ಸ್ವತಂತ್ರ ಪೂರ್ವ ಭಾರತದ ಮುಸ್ಲಿಂ ಕುಟುಂಬದಲ್ಲಿ, ಪ್ರೇಮವನ್ನು ಆಧರಿಸಿದ ಮದುವೆ ಎಂಬುದನ್ನು ಊಹಿಸಿಕೊಳ್ಳುವುದೂ ಸಾಧ್ಯವಿಲ್ಲ. ತಂದೆ ನಿರ್ಧರಿಸುವ ಮತ್ತು ಮಧ್ಯಸ್ಥಿಕೆದಾರರು ಕುದುರಿಸುವ ಸಾಂಪ್ರದಾಯಿಕ ಮದುವೆ ಮಾತ್ರ ಅವರಿಗೆ ಗೊತ್ತು. ಆದರೆ ಅದು ಹೇಗೋ ಏನೋ ಬಡೇ ಮಿಯಾನ ಮೂವರು ಹೆಣ್ಣು ಮಕ್ಕಳೂ ತಂದೆ ತಾಯಿ ನಿರೀಕ್ಷಿಸದಿದ್ದ ರೀತಿಯಲ್ಲಿ ತಮ್ಮ ಹೃದಯದ ಕರೆಗೆ ಓಗೊಟ್ಟು ಮದುವೆಯಾಗುತ್ತಾರೆ. ಮನಸ್ಸಿನಲ್ಲಿ ನಡೆಯುವ ಎಲ್ಲಾ ತಾಕಲಾಟ ವಿರೋಧಗಳನ್ನು ಮೀರಿ ತಾಯಿ ತಂದೆಯರು ತಮ್ಮ ಮಕ್ಕಳ ಆಯ್ಕೆಯನ್ನು ಹಂತ ಹಂತವಾಗಿ ಸ್ವೀಕರಿಸುತ್ತಾ ಉದಾತ್ತ ಮನುಷ್ಯರಾಗಿ ಅರಳಿಕೊಳ್ಳುತ್ತಾ ಹೋಗುತ್ತಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಅವರ ಸುತ್ತಲಿನ ಹಳ್ಳಿಯ ಬದುಕಿನಲ್ಲಿ ಸಣ್ಣತನವಿದೆ, ಗಾಸಿಪ್ ಇದೆ, ಜಗಳಗಂಟತನವಿದೆ, ಕೋಮು ದ್ವೇಷವೂ ಇದೆ, ಎಲ್ಲಕ್ಕಿಂತಲೂ ಮಿಗಿಲಾಗಿ ಕಾಡುವ ಬಡತನವಿದೆ. ಆದರೆ ಬಹುತೇಕ ಎಲ್ಲರಲ್ಲೂ ಮಾನವೀಯತೆಯ ಹಣತೆಯು ಬೆಳಗುತ್ತದೆ. ಇಡೀ ನಾಟಕವನ್ನು ಒಂದು ಉನ್ನತ ಮಟ್ಟಕ್ಕೆ ತೆಗೆದುಕೊಂಡು ಹೋಗುವುದು ಇದೇ ಗುಣವೇ.\u003C\u002Fp\u003E\u003Cp\u003Eಕಥೆ ಭಾರತದ ವಿಭಜನೆಯ ಹಿನ್ನೆಲೆಯನ್ನು ಹೊಂದಿದೆ. ಅರ್ಥಹೀನ ಕೋಮು ದ್ವೇಷ, ಹಿಂಸೆ ಮತ್ತು ದಂಗೆ ಈ ಬೆಳಗುವ ಮಾನವತೆಯ ಹಿನ್ನೆಲೆಯ ಅಂಧಕಾರವಾಗಿ ನಮ್ಮ ಕಣ್ಣಿಗೆ ಕಟ್ಟುತ್ತದೆ. ಆದ್ದರಿಂದಲೇ ಇದು ಸಮಕಾಲೀನ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4a157f20-8a44-413e-89a8-7b50bcb19dcf\u002Felement\u002F8c70939f-1bcc-4df0-b193-c30f45d2b51e","type":"text","family-id":"57b24ed1-3dd8-4da5-b2be-0242575a1710","title":"","id":"8c70939f-1bcc-4df0-b193-c30f45d2b51e","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕನ್ನಡಕ್ಕೆ ಇದನ್ನು ರೂಪಾಂತರಿಸಿದ ಜಯಂತ ಕಾಯ್ಕಿಣಿಯವರು ಮೂಲದಲ್ಲಿ ಇರುವ ಪಾತ್ರ ಚಿತ್ರಣ, ಒಟ್ಟಾರೆ ವಾತಾವರಣ, ಹಾಡು ಮತ್ತು ನೃತ್ಯದ ನವಲವಿಕೆ ಎಲ್ಲವನ್ನು ಹಿಡಿದಿಡುವಂತೆ ಅನುವಾದ ಮಾಡಿದ್ದಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಆದರೆ, ಅದನ್ನು ನಮ್ಮ ಭಾರತೀಯ ಸಂಧರ್ಭಕ್ಕೆ ಹಾಗೂ ಮುಸ್ಲಿಂ ಸಮುದಾಯದ ಸಂಸ್ಕೃತಿಗೆ ಒಗ್ಗುವಂತೆ ರೂಪಾಂತರಿಸಿರುವ ಪ್ರತಿಭೆ ಇದೆಯಲ್ಲ, ಅದು ಅಸಾಧಾರಣವಾದದ್ದು. ಎಷ್ಟೋ ಕಡೆ ಅವರ ಅನುವಾದ ಮೂಲವನ್ನು ಮೀರಿದೆ. ಉದಾಹರಣೆಗೆ 'ವಿಸ್ಮಯ ಆಹಾ ವಿಸ್ಮಯ' ಎಂಬ ಹಾಡು ಮತ್ತು ಬಡೇ ಮಿಯಾ ಹುಟ್ಟಿಸಿಕೊಂಡು ಅಭಿನಯಿಸುವ ಕನಸಿನ ದೃಶ್ಯದಲ್ಲಿ ಸೇರಿಕೊಂಡಿರುವ ಅಂಶಗಳು. ನಾಟಕದ ಉದ್ದಕ್ಕೂ ಬಡೇ ಮಿಯಾ ಆಗಿ ನಟಿಸಿರುವ ಹಾಗೂ ನಾಟಕದ ನಿರ್ದೇಶನ ಸಹ ಮಾಡಿರುವ ಹುಲಿಗಪ್ಪ ಕಟ್ಟಿಮನಿ ಹಾಗೂ ತಾಯಿ ಮುನೀರ್ ಜಾನ್ ಪಾತ್ರದಲ್ಲಿ ಎನ್. ಮಂಗಳ ಅಮೋಘವಾದ ಅಭಿನಯ ನೀಡಿದ್ದಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eನಾಟಕದ ಕೊನೆಯಲ್ಲಿ ದೇಶ ವಿಭಜನೆಯಾಗಿದೆ, ಕುಟುಂಬವು ಕೈಗ ಸಿಕ್ಕಷ್ಟು ಸಾಮಾನುಗಳನ್ನು ಗಂಟುಮೂಟೆ ಕಟ್ಟಿಕೊಂಡು ಗುಳೇ ಹೊರಟಿದೆ. ಅಪ್ಪ ತನ್ನ ಧರ್ಮವನ್ನು ದಾಟಿ ಮದುವೆಯಾದ ಕೊನೆಯ ಮಗಳನ್ನು ಕ್ಷಮಿಸಲಾರ. ತಂದೆಯನ್ನು ಕೊನೆಯ ಬಾರಿ ನೋಡದೆ ಮಗಳು ಇರಲಾರಳು. ಅವಳು ವಿದಾಯ ಹೇಳಲು ಬಂದಿದ್ದಾಳೆ. ಸಂಪ್ರದಾಯಕ್ಕೆ ಬದ್ಧನಾದ, ಸ್ವಭಾವಕ್ಕೆ ವಿರುದ್ಧವಾದ ಕಠೋರ ನಿಲುವನ್ನು ತೆಗೆದುಕೊಂಡಿರುವ ತಂದೆ ಏನು ಮಾಡಬೇಕು?\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":2560,"height":1706,"focus-point":[1357,646]},"page-url":"\u002Fstory\u002F4a157f20-8a44-413e-89a8-7b50bcb19dcf\u002Felement\u002F865ebeb2-5886-45a0-99ce-4a1036b2b51a","type":"image","family-id":"a56cdb3c-3110-45cd-8e58-c1f515eb24fc","image-attribution":"","title":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಜೊತೆಗಿರುವನು ಚಂದಿರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","id":"865ebeb2-5886-45a0-99ce-4a1036b2b51a","alt-text":"","hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002Faff38c54-7725-4672-93b9-a221d6d94df6\u002FWhatsApp_Image_2024_04_24_at_1_48_39_PM.jpeg","metadata":{},"subtype":null},{"description":"","page-url":"\u002Fstory\u002F4a157f20-8a44-413e-89a8-7b50bcb19dcf\u002Felement\u002F8975d545-aab2-428a-af23-9e9ac3cef195","type":"text","family-id":"9656de2a-2698-421d-8e7c-482ed4eef1e1","title":"","id":"8975d545-aab2-428a-af23-9e9ac3cef195","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇಲ್ಲಿ ನಟ - ನಿರ್ದೇಶಕರು ನಾಟಕದ ಸ್ಕ್ರಿಪ್ಟನ್ನು ಮೀರಿ ಅಭಿನಯಿಸುತ್ತಾರೆ. ನಾಟಕವನ್ನು ರೂಪಾಂತರ ಮಾಡಿದ ಲೇಖಕರು ಮೂಲವನ್ನು ಮೀರಿ ಬರೆದಿಲ್ಲವೇ! ಹಾಗೆ ಇವರೂ ತಮ್ಮ ಹಕ್ಕನ್ನು ಸ್ವಾತಂತ್ರವನ್ನು ಚಲಾಸಿದ್ದಾರೆ. ಇದು ಸರಿಯೇ ತಪ್ಪೇ ಎಂಬ ಪ್ರಶ್ನೆಗೆ ಅವಕಾಶವೇ ಇಲ್ಲ. ಭಾಷಾಂತರ ಮಾಡುವಾಗ, 'ಯಾವುದು ಬಂದು ಸೇರಿಕೊಳ್ಳುತ್ತದೋ ಅದೇ ಕಾವ್ಯ' ಎಂಬ ಮಾತಿದೆ. 'ಲೇಖಕನು ಬರೆದ ಶಬ್ದಗಳನ್ನು ಮೀರಿ ನಟನು ಹೊಸ ಅರ್ಥವೊಂದನ್ನು ರಂಗದ ಮೇಲೆ ಸೃಷ್ಟಿಸುತ್ತಾನಲ್ಲ ಅದೇ ಅಭಿನಯ' ಎಂದು ನಾವು ಹೇಳಬಹುದು!\u003C\u002Fp\u003E\u003Cp\u003Eಆ ದಿನದ ಪ್ರದರ್ಶನದಲ್ಲಿನ ಅತ್ಯಂತ ಅದ್ಭುತ ಕ್ಷಣ ಎಂದರೆ ಅದೇ.ಪ್ರೇಮದ ಹಕ್ಕಿನ ಸುತ್ತಲೂ ಕೋಮು ಗಲಭೆಗಳು ವಿದ್ವೇಷಗಳು ನಡೆಯುವ ಈ ಕಾಲದಲ್ಲಿ ರಂಗಮಂದಿರವನ್ನು ತುಂಬಿದ್ದ 350 ಜನ 350 ರೀತಿಗಳಲ್ಲಿ ಚಪ್ಪಾಳೆ ತಟ್ಟಿದರು. ತಂದೆ ಮತ್ತು ಮಗಳು ಉಕ್ಕಿ ಬಂದ ಅಂತಃಕರಣಕ್ಕೆ ಶರಣಾಗಿ, ಒಬ್ಬರನ್ನೊಬ್ಬರು ಅಪ್ಪಿಕೊಳ್ಳುತ್ತಾ ಮಾಡುವ ಆ ಸಂಪ್ರದಾಯದ ಉಲ್ಲಂಘನೆಯನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿದರು. ನೋಡುವವರೆಲ್ಲರ ಕಣ್ಣು ತೇವವಾಗಿತ್ತು, ನಾಟಕ ಗೆದ್ದಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003E****\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1713950287565,"content-version-id":"d146c621-2b3a-4384-9d58-dddf0749ca29","card-added-at":1713949171500,"status":"draft","id":"b3fc4f46-d1db-40d7-9be8-df45a7527d74","content-id":"b3fc4f46-d1db-40d7-9be8-df45a7527d74","version":22,"metadata":{"social-share":{"shareable":false,"title":"‘ಜೊತೆಗಿರುವನು ಚಂದಿರ’.. ಅಮೋಘ ನಾಟಕವೊಂದರ ವಜ್ರ ಮಹೋತ್ಸವ ವರ್ಷ","message":null,"image":{"key":"prajavani\u002F2024-04\u002F24f2969f-e2ca-4c86-8ee8-eece13e2e39b\u002FWhatsApp_Image_2024_04_24_at_1_48_41_PM.jpeg","url":null,"attribution":"","caption":null,"alt-text":"","metadata":{"width":1280,"height":865,"focus-point":[829,352]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fjotegiruvanu-chandira-drama-in-rangashankara-manjunath-br-article-2778845","story-version-id":"50cc0291-f0ee-4666-9ca6-a18c240e7ed3","content-type":"story","content-updated-at":1713950484060,"author-id":1747190,"owner-id":1754435,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1713950292701,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಜೊತೆಗಿರುವನು ಚಂದಿರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":23,"story-template":"text","sequence-no":null,"created-at":1713950476563,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","bio":null,"id":1747190,"avatar-s3-key":"prajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","twitter-handle":null}],"metadata":{"byline-no-author-page":"ಮಂಜುನಾಥ್ ಬಿ.ಆರ್.","card-share":{"shareable":false}},"publish-at":null,"assignee-name":"ಮಂಜುನಾಥ್ ಭದ್ರಶೆಟ್ಟಿ"}},{"id":"f41cf272-573d-4097-b8b7-802e7f4b41ba","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ | ವೃದ್ಧರ ಬದುಕಿನ ನೋವಿನ ಹಾಡು"]},"story":{"updated-at":1713619622277,"seo":{"meta-description":"ಸರ್ವರಿಗೂ ಸುಖ–ಶಾಂತಿ ಕೋರುವ ವೃದ್ಧಪಾತ್ರಗಳೆಲ್ಲವೂ ಕುಟೀರದಲ್ಲಿ ದುಃಖ ಕ್ಷೋಭೆಯ ಮಡುವಿನಲ್ಲಿವೆ. ನಾಟಕ ಪ್ರೇಕ್ಷಕರನ್ನು ನೇರವಾಗಿ ಆ ಮಡುವಿಗೇ ಕರೆದೊಯ್ದು ನಿಲ್ಲಿಸುತ್ತದೆ. ರಂಗ ಸಜ್ಜಿಕೆ ವೃದ್ಧರ ನಿಲುವಿನಂತೆ ಸರಳ.","meta-keywords":["Drama"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಕೆ.ನರಸಿಂಹ ಮೂರ್ತಿ","tags":[{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"}],"headline":"ರಂಗಭೂಮಿ | ವೃದ್ಧರ ಬದುಕಿನ ನೋವಿನ ಹಾಡು","storyline-id":null,"votes":{},"story-content-id":"f41cf272-573d-4097-b8b7-802e7f4b41ba","slug":"entertainment\u002Ftheatre\u002Fayan-shanti-kuteera-drama-on-senior-citizen-lifestyle-2773744","last-published-at":1713655800000,"public-identifier":"2773744","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ 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ಹಾಡು","push-notification-title":null,"external-id":"doc7v2xfpu0l1jbskj29ke","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"f41cf272-573d-4097-b8b7-802e7f4b41ba","hero-image-s3-key":"prajavani\u002F2024-04\u002F62fc78ff-bd20-4b23-8f14-4a90fd018462\u002Ffile7v1sp2ec6n616lne5d5b.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F0dd8c9af-87be-4361-a72c-781c0550ce34","type":"text","family-id":"8db3db12-b2a8-4ad2-bfa0-14a0c455a4e1","title":"","id":"0dd8c9af-87be-4361-a72c-781c0550ce34","metadata":{},"subtype":null,"text":"\u003Cp\u003Eವೃದ್ಧರ ಬದುಕಿನ ಏಕಾಂಗಿತನ, ಅನಾಥಪ್ರಜ್ಞೆ, ಕಿವಿ ಕೇಳದ, ಕಣ್ಣು ಕಾಣದ, ಸರಿಯಾಗಿ ನಡೆಯಲೂ ಆಗದೆ ಬಾಧಿಸುವ ಅನಾರೋಗ್ಯ, ಮಕ್ಕಳ ಬರುವಿಕೆಗಾಗಿ ಕಾದು ಪ್ರಾಣಬಿಡುವ ಜೀವಗಳು.. ಇಂಥ ಸಮಸ್ಯೆಗಳ ಬಗ್ಗೆ ಹಿರಿಯರೇ ನಾಟಕ ಬರೆದು, ತಾಲೀಮು ನಡೆಸಿ ಅಭಿನಯಿಸಿದರೆ ಹೇಗಿರುತ್ತದೆ ಎಂಬ ಕಲ್ಪನೆಯ ಸ್ಪಷ್ಟ ಚಿತ್ರವೇ ‘ಅಯಾನ್‌ ಶಾಂತಿ ಕುಟೀರ’\u003C\u002Fp\u003E\u003Cp\u003Eಮೈಸೂರಿನ ಕಿರು ರಂಗಮಂದಿರದಲ್ಲಿ ‘ಸರಸ್ವತಿಪುರಂ ಮಧ್ಯದಲ್ಲಿರುವ ತೆಂಗಿನತೋಪಿನ ಹವ್ಯಾಸಿಗಳ ತಂಡ’ ಪ್ರದರ್ಶಿಸಿದ ಈ ನಾಟಕದಲ್ಲಿ ವೃದ್ಧಾಶ್ರಮ ಮತ್ತು ವೃದ್ಧಾಪ್ಯವೇ ಪ್ರಧಾನ ಪಾತ್ರಗಳು. ಉಳಿದ ಪಾತ್ರಗಳೆಲ್ಲವೂ ಅವುಗಳನ್ನು ಅನುಸರಿಸುತ್ತವಷ್ಟೇ. ಇದು ವೃದ್ಧಾಪ್ಯವೇ ಮೈವೆತ್ತ ನಾಟಕ.\u003C\u002Fp\u003E\u003Cp\u003Eಅಲ್ಲಿ, ನಡೆಯಲು ಆಗದೆ ಗಾಲಿ ಕುರ್ಚಿ ಅವಲಂಬಿಸಿದ ವೃದ್ಧ ಶ್ರೀನಾಥ, ಮಗನಿಗಾಗಿ ಕಾದು ನಿರಾಶೆಗೊಂಡು ಆತ್ಮಹತ್ಯೆ ಮಾಡಿಕೊಳ್ಳುವ ವೃದ್ಧೆ ನವೀನಮ್ಮನಿಂದ, ವೃದ್ಧರ ಆರೈಕೆ ಮಾಡುವ 25ರ ಮೋಹಕ ನಿಲುವಿನ, ಸುಂದರ ತರುಣಿ ಶೋಭಾವರೆಗೆ ಎಲ್ಲ ಪಾತ್ರಗಳೂ ವೃದ್ಧಾಪ್ಯದ ಸಮಸ್ಯೆಗಳಿಗೆ ವೈವಿಧ್ಯಮಯ ಕನ್ನಡಿ ಹಿಡಿಯುತ್ತವೆ. ಆದರೆ ಬದುಕು ಸಾಕೆನಿಸುವಂತೆ ಮಾಡುವ ವೃದ್ಧಾಪ್ಯ, ಸಾವು–ನೋವಿನ ನಡುವೆಯೇ ‘ಸರ್ವೇಜನಾ ಸುಖಿನೋಭವಂತು’ ಸಂದೇಶವೂ ಹೊರಬೀಳುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಇದು ವೃದ್ಧಾಪ್ಯದ ಎಲ್ಲ ಸಂಕಟಗಳನ್ನೂ ಮೀರಿ ನಿಂತಾಗ ಮೂಡುವ ಲೋಕದೃಷ್ಟಿ. ವೃದ್ಧರ ಲವಲವಿಕೆಯ ದೃಷ್ಟಿಕೋನ, ನಿರಾಶೆಯ ನಿಲುವುಗಳೆರಡಕ್ಕೂ ನಾಟಕ ಸಾಕ್ಷಿಯಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F37bcfac9-0bfb-4dd3-a368-8b5214cd5778","type":"image","family-id":"0d5ad536-0389-4ee4-8ccc-acd2913e52fa","image-attribution":"","title":"‘ಅಯಾನ್‌ ಶಾಂತಿ ಕುಟೀರ’ ನಾಟಕದ ದೃಶ್ಯ","id":"37bcfac9-0bfb-4dd3-a368-8b5214cd5778","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F662f24de-0e16-4e4c-be11-52937024ecc9\u002Ffile7v1spxzmiqg12uf5m2ed.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F04-18\u002Fff\u002F62\u002Ffile7v1spxzmiqg12uf5m2ed.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F22f7469c-9ef5-4908-af1c-0ea4c50d67db","type":"text","family-id":"c8ee15cd-9e1c-47ab-833e-1894a072052c","title":"","id":"22f7469c-9ef5-4908-af1c-0ea4c50d67db","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸರ್ವರಿಗೂ ಸುಖ–ಶಾಂತಿ ಕೋರುವ ವೃದ್ಧಪಾತ್ರಗಳೆಲ್ಲವೂ ಕುಟೀರದಲ್ಲಿ ದುಃಖ ಕ್ಷೋಭೆಯ ಮಡುವಿನಲ್ಲಿವೆ. ನಾಟಕ ಪ್ರೇಕ್ಷಕರನ್ನು ನೇರವಾಗಿ ಆ ಮಡುವಿಗೇ ಕರೆದೊಯ್ದು ನಿಲ್ಲಿಸುತ್ತದೆ. ರಂಗ ಸಜ್ಜಿಕೆ ವೃದ್ಧರ ನಿಲುವಿನಂತೆ ಸರಳ. ಅವರ ಓಡಾಟಕ್ಕೆ ತಕ್ಕಂತೆ ಅನುಕೂಲಕರವಾಗಿಯೇ ಇದೆ. ಸಂಭಾಷಣೆ ನೇರ ನಿಷ್ಠುರ. ಹಿತಕರವಾದ ನೆರಳು–ಬೆಳಕು. ಆಗಾಗ ಕಣ್ಣು ಕುಕ್ಕುವುದನ್ನು ತಪ್ಪಿಸಬಹುದಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003E90ಕ್ಕೆ ಒಂದು ಕಡಿಮೆ ಎಂಬ ವಯಸ್ಸಿನಲ್ಲಿ, ಗಾಲಿ ಕುರ್ಚಿಯಲ್ಲಿ ಕುಳಿತು ಅಭಿನಯಿಸುವುದರ ಜೊತೆಗೆ ನ.ರತ್ನ ಅವರು ನಾಟಕವನ್ನೂ ಬರೆದಿರುವುದು ವಿಶೇಷ. ಪ್ರದರ್ಶನಕ್ಕೂ ಮುನ್ನ, ನಾಟಕದ ಓದು-ವಿಶ್ಲೇಷಣೆಯೂ ನಡೆದಿದ್ದರ ಪರಿಣಾಮವಾಗಿಯೇ, ಇಡೀ ನಾಟಕ ವೃದ್ಧರ ಸ್ನೇಹಿಯಾಗಿ ರೂಪಗೊಂಡಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003E‌ನಾಟಕದ ಹದಿನೆಂಟು ಪಾತ್ರಗಳ ಪೈಕಿ ಬಹುತೇಕ ವೃದ್ಧಪಾತ್ರಗಳು. ಅಭಿನಯಿಸಿದವರೆಲ್ಲರೂ ಮೈ–ಮನ, ತಲೆಗೂದಲು ಹಣ್ಣಾದವರೇ. ರಂಗಭೂಮಿಯ ಹಲವು ನೆಲೆಗಳಲ್ಲಿ ದಶಕಗಳನ್ನು ಕಳೆದವರು.\u003C\u002Fp\u003E\u003Cp\u003Eಹೀಗಾಗಿ ಇಲ್ಲಿ ಮಾಗಿದ ಅಭಿನಯವೂ ಉಂಟು. ಜೊತೆಗೇ ಒಮ್ಮೊಮ್ಮೆ ಸಂಭಾಷಣೆ ಮರೆಯುವ, ಮರೆತದ್ದನ್ನು ನೆನಪಿಸಿಕೊಂಡು ಮತ್ತೆ ಹೇಳುವುದೂ ಉಂಟು. ಕೆಲವೊಮ್ಮೆ ಇನ್ನೊಂದು ಪಾತ್ರದ ಮಾತು ಮುಗಿಯುವ ಮುನ್ನವೇ ಮುಂದಿನ ಮಾತನ್ನು ಆಡಿ, ಮೌನಕ್ಕೆ ಮೊರೆಹೋಗುವುದೂ ಉಂಟು. ಇಂಥ ಸನ್ನಿವೇಶಗಳನ್ನು ಮುಜುಗರಕ್ಕೆಡೆ ಮಾಡದಂತೆ ನಿಭಾಯಿಸುವಲ್ಲಿ ಸಹ ಪಾತ್ರಧಾರಿಗಳ ಜಾಣ್ಮೆ, ಅನುಭವವೂ ಹೊಳೆಯುತ್ತದೆ. ಆದರೂ, ತಾಲೀಮು ಇನ್ನಷ್ಟು ಚೆನ್ನಾಗಿ ನಡೆಯಬೇಕಿತ್ತು ಎಂದೆನಿಸದೇ ಇರದು. ಮುಕುಂದನ್‌ ಪಾತ್ರದ ತುಂಟ, ನಡೆ–ನುಡಿಗಳಿಂದ ನಾಟಕವನ್ನು ಆವರಿಸುವ ಬಿ.ಆರ್‌.ರವೀಶ್‌ ಸಂಗೀತವೂ ಅವರಂತೆಯೇ ಇದೆ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002Ff8fc3cd8-7c71-4bc1-8c72-8f6c62a3c507","type":"image","family-id":"c2eedd82-668d-4731-977b-b08d3d779e0c","image-attribution":"","title":"‘ಅಯಾನ್‌ ಶಾಂತಿ ಕುಟೀರ’ ನಾಟಕದ ದೃಶ್ಯ","id":"f8fc3cd8-7c71-4bc1-8c72-8f6c62a3c507","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F8f1ad147-7861-4acd-a69b-3d3e3afd9f11\u002Ffile7v1srpxzz4hsupr12ed.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F04-18\u002Fba\u002F79\u002Ffile7v1srpxzz4hsupr12ed.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F7a79fcda-7f53-4264-b313-a01049a3fc2d","type":"text","family-id":"6c4a4714-6662-4838-8197-7a83e8880758","title":"","id":"7a79fcda-7f53-4264-b313-a01049a3fc2d","metadata":{},"subtype":null,"text":"\u003Cp\u003Eವಿಷಾದವೇ ವೃದ್ಧಾಪ್ಯದ ಸ್ಥಾಯಿಭಾವ. ವೃದ್ಧರ ಎಲ್ಲ ಕಷ್ಟ, ನಷ್ಟ, ಸಂಕಟಗಳಿಗೂ ಈ ಭಾವವೇ ಆಶ್ರಯ ನೀಡುತ್ತದೆ. ನಾಟಕದಲ್ಲೂ ಸಹಜವಾಗಿ ಇದು ಒಡಮೂಡಿದೆ. ಅದಕ್ಕೆ ತಕ್ಕಂತೆ ಕಥಾಹಂದರ, ಪಾತ್ರಗಳ ಆಯ್ಕೆಯೂ ಆಗಿದೆ. ಹೀಗಾಗಿ ನಾಟಕ ನಡೆಯುವ ಅಷ್ಟೂ ಹೊತ್ತು ರಂಗಸಜ್ಜಿಕೆಯಲ್ಲಿರುವವರಷ್ಟೇ ಪ್ರಮಾಣದಲ್ಲಿ ಪ್ರೇಕ್ಷಕರು ವಿಷಾದದಲ್ಲಿ ಮುಳುಗೇಳಲೇಬೇಕು.\u003C\u002Fp\u003E\u003Cp\u003Eರಾಮೇಶ್ವರಿ ವರ್ಮ, ಶ್ರೀಮತಿ ಹರಿಪ್ರಸಾದ್‌ ಅವರಂಥ ಹಣ್ಣಾದ ವೃದ್ಧ ಪಾತ್ರಧಾರಿಗಳು ಮೈಸೂರಿನ ರಂಗಪ್ರಿಯರಿಗೆ, ಅದನ್ನೂ ಮೀರಿ ಸಾಂಸ್ಕೃತಿಕ ವಲಯದಲ್ಲಿ ಬಹುತೇಕರಿಗೆ ಪರಿಚಿತರೂ, ಕೆಲವರಿಗೆ ಅತ್ಯಾಪ್ತರೂ ಆಗಿರುವುದರಿಂದ, ಅವರ ನಟನೆಯನ್ನೂ ನೋಡುವ ಪ್ರೇಕ್ಷಕರ ನೋಟದಲ್ಲೂ ಆಪ್ತತೆ ಮೂಡುವುದು ನಾಟಕದ ವಿಶೇಷ. ನಿರ್ದೇಶಕ ಎಚ್‌.ಎಸ್‌.ಉಮೇಶ್‌ ಅವರು ಈ ಎಲ್ಲ ಹಿರಿಯರಿಂದ ಅಭಿನಯದ ಕಲಾ ಕಸರತ್ತು ಮಾಡಿಸಿರುವುದು ಒಂದು ಸಾಹಸವೇ ಎನ್ನಬೇಕು.\u003C\u002Fp\u003E\u003Cp\u003Eಪ್ರಯೋಗಶೀಲತೆ ಎಂದರೇನು ಎಂಬುದಕ್ಕೂ ಈ ನಾಟಕ ಒಂದು ಉತ್ತಮ ನಿದರ್ಶನ. ವೃದ್ಧರಿಂದ ರಚನೆಗೊಂಡು, ವೃದ್ಧರೇ ಅಭಿನಯಿಸಿದ ನಾಟಕ, ವೃದ್ಧರಿಗೋಸ್ಕರ ಮಾತ್ರ ಅಲ್ಲ. ಏಕೆಂದರೆ, ವೃದ್ಧರ ಸಮಸ್ಯೆಗಳನ್ನು ಅರಿಯಬೇಕಾದ ಇನ್ನಿತರ ಎಲ್ಲ ವಯಸ್ಸಿನವರಿಗೂ ಈ ನಾಟಕ ಒಂದು ಜೀವನಪಾಠದಂತೆಯೂ ಕಾಣುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","image-metadata":null,"page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F582461c6-f6f7-4f16-8524-dab0dadea0e0","type":"image","family-id":"a117c9f0-cda0-45fd-a8d1-c436fefe7700","image-attribution":"","title":"‘ಅಯಾನ್‌ ಶಾಂತಿ ಕುಟೀರ’ ನಾಟಕದ ದೃಶ್ಯ","id":"582461c6-f6f7-4f16-8524-dab0dadea0e0","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F130f2de5-624c-490a-8dc8-78bbec10461c\u002Ffile7v1sr3s62fd168h9flm6.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F04-18\u002F86\u002Fa5\u002Ffile7v1sr3s62fd168h9flm6.jpg"},"subtype":null},{"description":"","page-url":"\u002Fstory\u002Ff41cf272-573d-4097-b8b7-802e7f4b41ba\u002Felement\u002F6f3baf02-341d-4e89-bc78-4b9782a0f8d9","type":"text","family-id":"5b8b854d-177b-4d97-80f5-c3eebb684954","title":"","id":"6f3baf02-341d-4e89-bc78-4b9782a0f8d9","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eತೆಂಗಿನತೋಪಿನ ಹವ್ಯಾಸಿಗಳು\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eಮೈಸೂರಿನ ‘ಸರಸ್ವತಿಪುರಂ ಮಧ್ಯದಲ್ಲಿರುವ ತೆಂಗಿನತೋಪಿನ ಹವ್ಯಾಸಿಗಳ ತಂಡ’ವೇ– ಸಮತೆಂತೋ. ಈ ಹೆಸರಿನಲ್ಲಿ ಹವ್ಯಾಸಿಗಳು ನಾಟಕವಾಡಲು 1967ರಲ್ಲಿ ಶುರುವಾದ ಗೆಳೆಯರ ತಂಡ. ಸ್ಥಾಪಕರಲ್ಲಿ ಒಬ್ಬರಾದ ನ.ರತ್ನ ಮತ್ತು ರಾಮೇಶ್ವರಿ ವರ್ಮ ತೊಂಬತ್ತರ ಆಸುಪಾಸಿನಲ್ಲೂ ತಂಡವನ್ನು ಮುನ್ನಡೆಸುತ್ತಿರುವುದು ವಿಶೇಷ. ಹೊಸ ನಟ ನಿರ್ದೇಶಕರು ನಾಟಕಕಾರರನ್ನು ಪರಿಚಯಿಸುತ್ತಾ ಹಲವು ಪ್ರಯೋಗಗಳನ್ನೂ ಮಾಡಿ ಈ ತಂಡ ಗಮನ ಸೆಳೆದಿದೆ.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1713619615578,"content-version-id":"6f289e61-b701-465d-81bb-380c96ff4e06","card-added-at":1713617748754,"status":"draft","id":"c542c7e9-a204-4aaf-a095-3d55d6ef4ad8","content-id":"c542c7e9-a204-4aaf-a095-3d55d6ef4ad8","version":7,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ | ವೃದ್ಧರ ಬದುಕಿನ ನೋವಿನ ಹಾಡು","message":"BP-ವೃದ್ಧರ ಬದುಕಿನ ನೋವಿನ 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ಮಾಡಿದ್ದಾರೆ.","alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null},{"domain-slug":null,"slug":"chitradurga","name":"ಚಿತ್ರದುರ್ಗ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fdistrict\u002Fchitradurga","id":51359,"parent-id":51341,"display-name":"ಚಿತ್ರದುರ್ಗ","collection":{"slug":"chitradurga-district","name":"ಚಿತ್ರದುರ್ಗ (ಜಿಲ್ಲೆ)","id":125635},"data":null}],"read-time":2,"access-level-value":null,"content-created-at":1713006324852,"is-embargoed":false,"owner-name":"syndication","custom-slug":"The Cherry Orchard Kannada Play By Sanehalli Drama 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ಮೂಲವಸ್ತು.\u003C\u002Fp\u003E\u003Cp\u003Eವರ್ಗಾಧಾರಿತ ಸಮಾಜ ವ್ಯವಸ್ಥೆಯ ಕಾಲದಲ್ಲಿ ಜೀತ ಪದ್ಧತಿಯ ಅನುಸರಿಸುತ್ತಾ ಉಳ್ಳವರ ವರ್ಗ ತಮ್ಮ ಅನುಕೂಲಕ್ಕಾಗಿ, ಐಷಾರಾಮಕ್ಕಾಗಿ ನಿರ್ಮಿಸಿಕೊಂಡಿದ್ದ ತೋಟವೇ ಈ ನಾಟಕದ ಕೇಂದ್ರ ವಸ್ತು. ಜೀತಮುಕ್ತ ವ್ಯವಸ್ಥೆಗೆ ಸಮಾಜ ತೆರೆದುಕೊಂಡ ನಂತರ, ಈ ತೋಟದ ಮಾಲೀಕರಿಗೆ ಅದರ ನಿರ್ವಹಣೆ ಕಷ್ಟ ಸಾಧ್ಯವಾಗುತ್ತದೆ. ಅವರಲ್ಲಿ ಸರಿಯಾದ ಆರ್ಥಿಕ ಶಿಸ್ತು ಇರದ ಕಾರಣ, ತಮ್ಮ ಕೆಲಸವನ್ನು ತಾವೇ ಮಾಡಿಕೊಳ್ಳುವವರಾಗಿರದ ಕಾರಣ ಸಾಲಗಾರರಾಗುತ್ತಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಕೊನೆಗೆ ತನ್ನ ಪೂರ್ವಜರು ಅದೇ ತೋಟದಲ್ಲಿ ಜೀತಗಾರರಾಗಿದ್ದು ಈಗ ಅದರ ಮ್ಯಾನೇಜರ್ ಆಗಿರುವ ವ್ಯಕ್ತಿ ತೋಟವನ್ನು ಹರಾಜಿನಲ್ಲಿ ಕೊಂಡುಕೊಳ್ಳುತ್ತಾನೆ. ಇದು ಆ ಮಾಲೀಕರ ಆರ್ಥಿಕ ಅಶಿಸ್ತನ್ನು ಎತ್ತಿ ಹಿಡಿಯುತ್ತದೆ. ಜೊತೆಗೆ ಆಳಿಸಿಕೊಳ್ಳುವವರ ಕೈಗೂ ಅಧಿಕಾರ ಬರುತ್ತದೆ ಎಂಬುದನ್ನು ಸೂಚಿಸುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003E19ನೇ ಶತಮಾನದ ಈ ಕಥೆ ಸಾರ್ವಕಾಲಿಕವಾಗುವಂತೆ ರಂಗದ ಮೇಲೆ ಪ್ರಸ್ತುತಪಡಿಸುವ ಪ್ರಯತ್ನವನ್ನು ಸಾಣೇಹಳ್ಳಿಯ ಶ್ರೀ ಶಿವಕುಮಾರ ರಂಗಪ್ರಯೋಗ ಶಾಲೆಯ ವಿದ್ಯಾರ್ಥಿಗಳು ಪ್ರಾಮಾಣಿಕವಾಗಿ ಮಾಡಿದ್ದಾರೆ. ಎನ್.ಎಸ್.ಡಿ ಪದವೀಧರ, ಇದೇ ರಂಗಶಾಲೆಯ ಹಳೆಯ ವಿದ್ಯಾರ್ಥಿ ಎಂ. ಮಧು ನಾಟಕದ ನಿರ್ದೇಶಕರು. ಯುವ ನಿರ್ದೇಶಕರ ಕೈಯಲ್ಲಿ ಹದವಾದ ಕಥಾವಸ್ತುವೊಂದು ಉತ್ತಮ ದೃಶ್ಯಕಾವ್ಯವಾಗಿ ರಂಗದ ಮೇಲೆ ಮೂಡಿ ಬಂದಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F847bc333-539f-4fd6-9bcb-3932368fe6bb\u002Felement\u002F534762bf-cc60-4539-b0db-7cca1f69deb7","type":"text","family-id":"1dd5d325-8a36-45f9-b3c8-08d196144689","title":"","id":"534762bf-cc60-4539-b0db-7cca1f69deb7","metadata":{},"subtype":null,"text":"\u003Cp\u003Eನಿರ್ದೇಶಕರು ಇಲ್ಲಿ ರಂಗಸಜ್ಜಿಕೆ ಹಾಗೂ ಅತ್ಯುತ್ತಮ ಬೆಳಕಿನ ನಿರ್ವಹಣೆಯ ಮೂಲಕ ನಾಟಕವನ್ನು ಪ್ರೇಕ್ಷಕರ ಮನಸ್ಸಿನಲ್ಲಿ ಯಶಸ್ವಿಯಾಗಿ ನಿಲ್ಲಿಸುತ್ತಾರೆ. ರಂಗದ ಮಧ್ಯದಲ್ಲಿ ಬರುವ ಬಿಳಿ ಪರದೆಗಳು ನೆರಳು ಬೆಳಕಿನಲ್ಲಿ ತೋಟವಾಗಿ ಕಂಡರೆ, ಬೇರೆ ಸಮಯದಲ್ಲಿ ಅದು ಮನೆಯಾಗುತ್ತದೆ. ತೋಟದ ಮರ-ಗಿಡಗಳು ಅದರ ಜೊತೆಗೆ ಬೆರೆತುಕೊಂಡಿರುವ ಆ ಮನೆಯವರ ನೆನಪುಗಳು ಎಲ್ಲವೂ ಸಹ ನೆರಳು ಬೆಳಕಿನ ಮಾಧ್ಯಮದಲ್ಲಿ ಗೋಚರಿಸುತ್ತಾ, ಈ ನಾಟಕದಲ್ಲಿ ಅಲ್ಲಲ್ಲಿ ಕೊರತೆ ಎನಿಸುವ ನಟರ ಅಭಿನಯದ ಪಕ್ವತೆಯನ್ನು ತುಂಬಿ ಕೊಡುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಹೀಗಾಗಿ ಈ ತೋಟವೇ ನಾಟಕದ ಅತಿ ಮುಖ್ಯ ಜೀವಂತ ಪಾತ್ರ ಎಂದು ಪ್ರೇಕ್ಷಕರಿಗೆ ಅನಿಸಿಬಿಡುತ್ತದೆ. ಈ ತೋಟದ ಜೊತೆಗೆ ಹೆಣೆದುಕೊಂಡಿರುವ, ಜೀವಂತ ಪಾತ್ರಗಳ ಮಾನವೀಯ ಸಂಘರ್ಷಗಳು ತೊಳಲಾಟಗಳು, ಪ್ರೀತಿ ಪ್ರೇಮ ಎಲ್ಲವೂ ಕೂಡ ಅನಾವರಣಗೊಳ್ಳುತ್ತಾ ಹೋಗುತ್ತವೆ. ಜೊತೆಗೆ ವಿಭಿನ್ನ ಪಾತ್ರಗಳು ಅವರದೇ ಕಾಲಘಟ್ಟದಲ್ಲಿ ಬದುಕುತ್ತಾ ಯೋಚಿಸುತ್ತಾ ಭೂತ ಭವಿಷ್ಯತ್ತಿನ ಚಿಂತನೆಯಲ್ಲಿ ವರ್ತಮಾನವನ್ನು ಮರೆತಿರುವುದನ್ನು ಸ್ಪಷ್ಟವಾಗಿ ಗುರುತಿಸಬಹುದು.\u003C\u002Fp\u003E\u003Cp\u003Eತೋಟವನ್ನು ಹರಾಜಿಗೆ ಹಾಕಿಸುವುದು ಬೇಡ, ಅದನ್ನು ರೆಸಾರ್ಟ್ ಮಾಡಬಹುದು ಅದೇ ಇಂದಿನ ಟ್ರೆಂಡ್ ಎಂದು ಮಾಲೀಕರಿಗೆ ಮ್ಯಾನೇಜರ್ ಸಲಹೆ ನೀಡುವಾಗ ಆತ ಇಂದಿನ ವಸ್ತುಸ್ಥಿತಿಯನ್ನು ಮನದಟ್ಟು ಮಾಡುತ್ತಾನೆ. ಆದರೆ ಭಾವನಾತ್ಮಕವಾಗಿ ತೋಟದೊಂದಿಗೆ ಬೆಸೆದುಕೊಂಡಿರುವ ಮಾಲೀಕರಾದ, ತಮ್ಮ ಹಾಗೂ ಅಕ್ಕ,  ತಮ್ಮ ಬಾಲ್ಯದ ನೆನಪುಗಳನ್ನು ಅದರಲ್ಲಿ ಹುಡುಕುತ್ತಿರುತ್ತಾರೆ. ಮರೆಯಾಗಿ ಹೋಗಿರುವ ತಮ್ಮ ಅಮ್ಮನನ್ನು ಅಲ್ಲಿ ಅರಸುತ್ತಾರೆ ಹಾಗೂ ಅದರ ಆಧುನಿಕ ಪರಿವರ್ತನೆಗೆ ಅವರು ಒಪ್ಪಿಕೊಳ್ಳುವುದಿಲ್ಲ. ಕೊನೆಗೆ ತೋಟವನ್ನು ಕೊಂಡುಕೊಂಡ ಮ್ಯಾನೇಜರ್ ತಕ್ಷಣವೇ ಅಲ್ಲಿನ ಗಿಡಮರಗಳನ್ನು ಕತ್ತರಿಸಿ ಹಾಕುತ್ತಾನೆ. ಇದು ಪ್ರಕೃತಿಯ ಮೇಲೆ ಮನುಷ್ಯ ಮಾಡುತ್ತಿರುವ ನಿರಂತರ ದೌರ್ಜನ್ಯದ ಚಿತ್ರಣ. ಇಂತಹ ಕ್ರೌರ್ಯವನ್ನು ಸರಳವಾದ ನೆರಳು ಬೆಳಕಿನಲ್ಲಿ ತೋರಿಸಿರುವುದರಿಂದ ನಾಟಕ ನೋಡುಗರ ಮನಕ್ಕೆ ನಾಟುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F847bc333-539f-4fd6-9bcb-3932368fe6bb\u002Felement\u002Fddf9f196-2709-4a9b-bdda-44a0f1da11cf","type":"text","family-id":"abfebefc-3476-48b3-99a2-55db80689128","title":"","id":"ddf9f196-2709-4a9b-bdda-44a0f1da11cf","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಅಭಿನಯದ ದೃಷ್ಟಿಯಿಂದ ಹೇಳುವುದಾದರೆ  ರೆಪರ್ಟರಿ ವಿದ್ಯಾರ್ಥಿಗಳ ಅಭ್ಯಾಸ ಮಾಲಿಕೆಯ ಪ್ರಯೋಗ ಇದಾಗಿರುವುದರಿಂದ ಎಲ್ಲರೂ ಪ್ರಾಮಾಣಿಕ ಪ್ರಯತ್ನ ಮಾಡಿದ್ದಾರೆಂದು ಖಂಡಿತ ಹೇಳಬಹುದು. ಅದರಲ್ಲೂ ಕೆಲವು ಚಿಕ್ಕ ಪಾತ್ರಗಳು, ಉದಾಹರಣೆಗೆ ಮಧ್ಯದಲ್ಲಿ ಬಂದು ಹೋಗುವ ಹುಚ್ಚ ಭಿಕ್ಷುಕನ ಪಾತ್ರ ರಂಗದಲ್ಲಿ ಸಂಚಲನ ಮೂಡಿಸಿಬಿಡುತ್ತದೆ. ಉಳಿದವರ ಅಭಿನಯದಲ್ಲಿ ಇನ್ನೂ ಏನೋ ಬೇಕಿತ್ತು ಎಂಬ ಭಾವ ಪ್ರೇಕ್ಷಕರಲ್ಲಿ ಮೂಡುತ್ತದೆ. ರಂಗಶಾಲೆಯ ಹಳೆಯ ವಿದ್ಯಾರ್ಥಿನಿ ವಿದ್ಯಾರಾಣಿಯವರ ವಸ್ತ್ರ ವಿನ್ಯಾಸ, ಅಚ್ಚುಕಟ್ಟಾಗಿ ಮೂಡಿ ಬಂದಿರುವ ಗರೀಮ ಹಾಗೂ ಶಾಂತನು ಅವರ ಗಾಯನ ನಾಟಕದ ಮೆರಗನ್ನು ಹೆಚ್ಚಿಸುತ್ತದೆ\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":3650,"height":2053,"focus-point":[1555,1079]},"page-url":"\u002Fstory\u002F847bc333-539f-4fd6-9bcb-3932368fe6bb\u002Felement\u002Fefba7dc7-88da-4641-9e2b-2dbf565eb04e","type":"image","family-id":"5eea1708-ad78-4db4-aacf-dfc22ce28c28","image-attribution":"","title":"‘ಆ ತೋಟ’ ನಾಟಕದಲ್ಲಿ ಸಾಣೇಹಳ್ಳಿಯ ಶ್ರೀ ಶಿವಕುಮಾರ ರಂಗಪ್ರಯೋಗ ಶಾಲೆಯ ವಿದ್ಯಾರ್ಥಿಗಳು","id":"efba7dc7-88da-4641-9e2b-2dbf565eb04e","alt-text":null,"hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F5b9ef9da-f373-43a5-a216-ca63373faf85\u002Ffile7uz6m3j4ojd148gzjbii.jpg","metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal1\u002F2024\u002F04-13\u002F15\u002Fa2\u002Ffile7uz6m3j4ojd148gzjbii.jpg"},"subtype":null},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1713019522643,"content-version-id":"ebcb3e37-10b2-484c-9df9-83b2127057f0","card-added-at":1713006325278,"status":"draft","id":"8792ba8f-10e1-47e8-8913-2e1a248bb4d7","content-id":"8792ba8f-10e1-47e8-8913-2e1a248bb4d7","version":12,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗಭೂಮಿ: ದ ಚೆರ್ರಿ ಆರ್ಕಾರ್ಡ್– ರಷ್ಯಾದ ಆ ತೋಟ ನಮ್ಮದೂ ಹೌದು..","message":"BP-ರಷ್ಯಾದ ಆ ತೋಟ ನಮ್ಮದೂ ಹೌದು","image":{"key":"prajavani\u002F2024-04\u002F5b9ef9da-f373-43a5-a216-ca63373faf85\u002Ffile7uz6m3j4ojd148gzjbii.jpg","url":null,"attribution":"","caption":null,"alt-text":null,"metadata":{"width":3650,"height":2053,"focus-point":[1555,1079]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fthe-cherry-orchard-kannada-play-by-sanehalli-drama-troop-2763538","story-version-id":"fa79d78a-b459-4b4e-8bb6-946e469d8caf","content-type":"story","content-updated-at":1713040500257,"author-id":1746326,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1713040500000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ದ ಚೆರ್ರಿ ಆರ್ಕಾರ್ಡ್’ ಆಧಾರಿತ ‘ಆ ತೋಟ’ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":12,"story-template":"syndicated","sequence-no":null,"created-at":1713019522634,"authors":[{"slug":"ec-es-nviinkumaar","social":{},"name":"ಎಚ್.ಎಸ್.ನವೀನಕುಮಾರ್","contributor-role":{"id":7161,"name":"Author"},"avatar-url":null,"bio":null,"id":1746326,"avatar-s3-key":null,"twitter-handle":null}],"metadata":{"imported-card-is-read-only":null,"story-attributes":{"syndicatedfrom":["DCX"],"syndicated-categories":["ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ"]},"imported-card-id":"8792ba8f-10e1-47e8-8913-2e1a248bb4d7","byline-no-author-page":"ಎಚ್ ಎಸ್ ನವೀನ ಕುಮಾರ್ ಹೊಸದುರ್ಗ","card-share":{"shareable":false}},"publish-at":1713040500000,"assignee-name":"syndication"}},{"id":"d0502e8b-620c-42c2-94dc-cc0a25f427a4","score":null,"type":"story","item":{"headline":["ರಂಗರೂಪ ವಿಮರ್ಶೆ: ಸಂವಿಧಾನ ಅನುಷ್ಠಾನವೇ 'ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ'"]},"story":{"updated-at":1712838010494,"seo":{"meta-keywords":["Drama","Kuvempu"],"meta-description":"ಕುವೆಂಪು ಅವರು ರಂಗನಾಟಕದ ವಿರೋಧಿ ಮಾತುಗಳನ್ನು ‘ಶೂದ್ರ ತಪಸ್ವಿ‘ ನಾಟಕದ ಮುನ್ನುಡಿಯಲ್ಲಿ ಆಡಿದ್ದಾರೆ. ಮನೋರಂಗಭೂಮಿಯ ಪ್ರಬಲ ಪ್ರತಿಪಾದನೆ ಮಾಡುವ ಕುವೆಂಪು ಅವರ ಸಮಗ್ರ ಸಾಹಿತ್ಯವೇ ನಮಗೆ ಇಂದು ರಂಗನಾಟಕದ ಆಕರಗಳಾಗಿವೆ. ಈ ದಿಸೆಯಲ್ಲಿ ‘ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ‘ ಸಣ್ಣಕತೆಯು ರಂಗರೂಪ ಪಡೆದಿದೆ","claim-reviews":{"story":null}},"assignee-id":1749585,"author-name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","tags":[{"id":5510508,"name":"Kuvempu","meta-description":null,"meta-title":null,"slug":"kuvempu","tag-type":"Tag"},{"id":5510809,"name":"Drama","meta-description":null,"meta-title":null,"slug":"drama","tag-type":"Tag"}],"headline":"ರಂಗರೂಪ ವಿಮರ್ಶೆ: ಸಂವಿಧಾನ ಅನುಷ್ಠಾನವೇ 'ಧನ್ವಂತರಿ 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(ನಾಟಕ):\u003C\u002Fstrong\u003E ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ\u003Cbr\u003E\u003Cstrong\u003Eಮೂಲ ಕಥನ: \u003C\u002Fstrong\u003Eಕುವೆಂಪು\u003Cbr\u003E\u003Cstrong\u003Eರಂಗರೂಪ ಮತ್ತು ನಿರ್ದೇಶನ: \u003C\u002Fstrong\u003Eಡಾ. ಎಂ. ಬೈರಪ್ಪ ಕುಪ್ನಳ್ಳಿ\u003Cbr\u003E\u003Cstrong\u003Eರಂಗರೂಪ ವಿಮರ್ಶೆ: \u003C\u002Fstrong\u003Eವಿಮರ್ಶಕ ಪ್ರೊ.ಚಂದ್ರಶೇಖರ ವಿ. ನಂಗಲಿ\u003C\u002Fp\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಸ್ತುತಿ..\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003E\u003Cem\u003E\u003Cstrong\u003Eಕಾಲೇಜು ರಂಗಭೂಮಿ; ಕನ್ನಡ ವಿಭಾಗದ ರಂಗಾಂತರಂಗ ತಂಡ\u003Cbr\u003Eಕ್ರಿಸ್ತು ಜಯಂತಿ ಕಾಲೇಜು, ಬೆಂಗಳೂರು.\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002Fd0502e8b-620c-42c2-94dc-cc0a25f427a4\u002Felement\u002Fa033a072-e92e-4a44-b7aa-4f56376ca326","type":"text","family-id":"6731b498-c2b6-4000-9578-4144ae339612","title":"","id":"a033a072-e92e-4a44-b7aa-4f56376ca326","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಬೆಂಗಳೂರಿನ ಕ್ರಿಸ್ತು ಜಯಂತಿ ಕಾಲೇಜು, ಕನ್ನಡ ವಿಭಾಗದ ವಿದ್ಯಾರ್ಥಿ 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ಗೀತೆಯನ್ನು ಅಳವಡಿಸಿದ ಬೈರಪ್ಪ ಅವರು ಭೂಮಿತಾಯಿ ಚೊಚ್ಚಿಲ ಮಗನಿಗೆ ತಕ್ಕ ತಾತ್ವಿಕ ಪ್ರವೇಶ ಒದಗಿಸಿದ್ದಾರೆ. ಕುವೆಂಪು ಅವರ ಪ್ರಸಿದ್ಧ ಕವಿತೆಗಳಾದ 1) ಬಾ ಇಲ್ಲಿ ಸಂಭವಿಸು ಸತ್ಯಾವತಾರ ಮತ್ತು 2) ಉಳುವ ಯೋಗಿಯ ನೋಡಲ್ಲಿ ಎಂಬ ಹಾಡುಗಳನ್ನು ಅರ್ಥಪೂರ್ಣವಾಗಿ ಸಂಯೋಜನೆ ಮಾಡಿದ್ದಾರೆ. ಜೊತೆಗೆ ಗೊಲ್ಲಹಳ್ಳಿ ಶಿವಪ್ರಸಾದ್ ಅವರು ಹಾಡಿದ ‘ಎಲ್ಲಿ ಹೋದವೋ....‘ ಎಂಬ ಜೀವಕೇಂದ್ರಿತ ಹಸಿರು ಹಾಡನ್ನು ಸೇರಿಸಿ ಈ ರಂಗರೂಪದ ಧ್ವನಿ ಶಕ್ತಿಯನ್ನು ಹೆಚ್ಚಿಸಿದ್ದಾರೆ. ರೈತ ರೋದನದ ಗೋಳಿನ ನೀಳ್ದನಿಯನ್ನು ತಪ್ಪಿಸಲು, ಬಾಬಾಸಾಹೇಬ್ ಅಂಬೇಡ್ಕರ್ ರೂಪಿಸಿದ ಭಾರತದೇಶದ ಸಂವಿಧಾನದ ಅನುಷ್ಠಾನವೇ ಸೂಕ್ತಮಾರ್ಗ ಎಂಬುದನ್ನು ಎತ್ತಿ ಹಿಡಿದು ಇದೇ ನಿಜವಾದ ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ ಎಂದು ಸೂಚಿಸಿದ್ದಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eರೈತ ರೋದನದ ಕಥಾವಸ್ತುವನ್ನು (ಪೌರಾಣಿಕ ಮತ್ತು ಸಾಮಾಜಿಕ ಫ್ಯಾಂಟಸಿಯ ಮೂಲಕ ಶೋಕವಿಸ್ಮಯದ ಕಥನ ಕಲೆ) ಹೊಂದಿರುವ ಈ ಸಣ್ಣಕತೆ ಎಂದೆಂದಿಗೂ ನಿತ್ಯಪ್ರಸ್ತುತವಾಗಿದೆ. ಎಲ್ಲಾ ಕಾಲ ದೇಶಗಳಲ್ಲಿ ಸಕಲ ಸಾಮ್ರಾಜ್ಯಗಳ ಭಾರವನ್ನು ಹೊತ್ತು ನಲುಗಿ ಹೋಗುತ್ತಿರುವ ರೈತಾಪಿ ಬದುಕಿನ ಬವಣೆ ನಾಟಕೀಯ ತಿರುವುಗಳಿಂದ ಕೂಡಿದ್ದು ರಂಗರೂಪಕ್ಕೆ ತಕ್ಕ ರೀತಿಯಲ್ಲಿದೆ. ಪೌರಾಣಿಕ ಮತ್ತು ಸಾಮಾಜಿಕ ಫ್ಯಾಂಟಸಿ ಕೇಂದ್ರಿತ ಸಣ್ಣ ಕತೆಯನ್ನು ರಂಗರೂಪಕ್ಕೆ ತರುವಾಗ ಅನೌಚಿತ್ಯಕ್ಕೆ ಎಡೆ ಕೊಡದಂತೆ ಎಚ್ಚರ ವಹಿಸಿರುವುದು ಮೆಚ್ಚುಗೆಯನ್ನು ಪಡೆಯುತ್ತದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eರೂಪಕ ಭಾಷೆಯಲ್ಲಿ ಹೇಳುವುದಾದರೆ, ಸಣ್ಣಕತೆ ಎಂಬ ಕಂಬಳಿ ಹುಳು ರಂಗರೂಪಕ್ಕೆ ಬಂದು ಬಣ್ಣದ ಚಿಟ್ಟೆಯಾಗಿದೆ ಎನ್ನಬಹುದು. ನಲವತ್ತಕ್ಕೂ ಹೆಚ್ಚಿನ ವಿದ್ಯಾರ್ಥಿಗಳನ್ನು ಒಳಗೊಂಡಿರುವ ಈ ರಂಗರೂಪದ ಅಳವಡಿಕೆ ಎಲ್ಲೂ ಬೋರ್ ಹೊಡೆಯುವುದಿಲ್ಲ. ದೇವಲೋಕದಲ್ಲಿದ್ದ ವಿಶ್ವಾಮಿತ್ರ ಮಹರ್ಷಿ ಭೂಲೋಕಕ್ಕೆ ಬಂದಾಗ ‘ಶ್ರೀ ಸಾಮಾನ್ಯನೇ ಭಗವನ್ ಮಾನ್ಯಂ‘ ಎಂಬ ಕುವೆಂಪು ನೀತಿಯಂತೆ ಸಾಮಾಜಿಕ ವೇಷದಲ್ಲಿ ಕಾಣಿಸಿ ಕೊಳ್ಳುವುದು ಸರಿಯಾಗಿದೆ. ಕತೆಯಲ್ಲಿ ಇಲ್ಲದ ರೈತನ ಹೆಂಡತಿ, ತಾಯಾದ ಅಜ್ಜಿ, ರೈತನ ಮಗಳು, ಮಾಮೂಲು ವೈದ್ಯ, ಮಹಾಮಾಂತ್ರಿಕ, ಶಿಷ್ಯ ನಕ್ಷತ್ರಿಕ, ರಾಜಕಾರಣಿ, ಪೊಲೀಸ್ ಅಧಿಕಾರಿ ಮುಂತಾದ ಯಥೋಚಿತ ಪಾತ್ರಕಲ್ಪನೆ ಮಾಡಿ ಕುವೆಂಪು ಆಶಯಕ್ಕೆ ಭಂಗ ಬಾರದಂತೆ ನಿರ್ವಹಣೆ ಮಾಡಿದ ಬೈರಪ್ಪನವರ ನಿರ್ದೇಶನ ಯಶಸ್ವಿಯಾದ ಪ್ರಯೋಗವಾಗಿದೆ. ಜಾತಿ ವಿವಾದದ ಸಾಮಾಜಿಕ ಸಂಘರ್ಷಕ್ಕೆ ಎಡೆಗೊಡುವ ಪರಶುರಾಮನ ಪಾತ್ರವನ್ನು ಕೈ ಬಿಟ್ಟಿರುವುದು ಉಚಿತವಾಗಿದೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಕುವೆಂಪು ಅವರ ‘ಧನ್ವಂತರಿಯ ಚಿಕಿತ್ಸೆ‘ ನಮ್ಮ ದೇಶದ ಸಂವಿಧಾನ ಮಂಡನೆಗೂ ಮುಂಚೆಯೇ ಬಂದ ಸಣ್ಣಕತೆ. ಕುವೆಂಪು ಅವರ ಸಮಗ್ರ ಸಾಹಿತ್ಯಕ್ಕೂ ಭಾರತದೇಶದ ಸಂವಿಧಾನಕ್ಕೂ ತಾಯಿ-ಮಗು ಸಂಬಂಧವಿದೆ. ಇದನ್ನು ಗ್ರಹಿಸಿ, ಸಂವಿಧಾನ ಪೀಠಿಕೆಯನ್ನು ದೃಶ್ಯೀಕರಿಸಿರುವ ಬಗೆ ಮನ ಸೆಳೆಯುತ್ತದೆ. ‘ಸಂವಿಧಾನ ರಕ್ಷತೀ ರಕ್ಷಿತ‘ ಮತ್ತು ‘ರೈತ ರಕ್ಷತೀ ರಕ್ಷಿತಃ‘ ಎಂಬ ಪ್ಲೆಕಾರ್ಡುಗಳನ್ನು ಕೈಯಲ್ಲಿ ಹಿಡಿದುಕೊಂಡು ಕಾಣಿಸಿಕೊಳ್ಳುವ ಪಾತ್ರಗಳು ಗಮನಾರ್ಹ.\u003C\u002Fp\u003E\u003Cp\u003Eಒಟ್ಟಿನಲ್ಲಿ ಐನೂರಕ್ಕೂ ಹೆಚ್ಚು ಮಂದಿ ಕುಳಿತುಕೊಳ್ಳುವಂತೆ ರೂಪಿಸಿರುವ ಕ್ರಿಸ್ತು ಜಯಂತಿ ಕಾಲೇಜಿನ ಎಸ್.ಕೆ.ಇ ಆಡಿಟೋರಿಯಂನಲ್ಲಿ ಯುವಶಕ್ತಿಯನ್ನು ಒಳಗೊಂಡ ಈ ರಂಗರೂಪವನ್ನು ನಾನು ನೋಡಿ ಇಷ್ಟ ಪಟ್ಟಿದ್ದೇನೆ. ಇದು ಕಾಲೇಜು ರಂಗಭೂಮಿಯಲ್ಲಿ ಮಾತ್ರವಲ್ಲದೇ ನಾಡಿನಾದ್ಯಂತ ಪ್ರದರ್ಶನಗೊಳ್ಳಲಿ ಎಂದು ಹಾರೈಸುತ್ತೇನೆ. ಕ್ರಿಸ್ತು ಜಯಂತಿ ಕಾಲೇಜಿನ ಕನ್ನಡ ವಿಭಾಗದ ರಂಗಾಂತರಂಗ ತಂಡದ ಮೂಲಕ ಪ್ರಸ್ತುತಪಡಿಸಿದ ಡಾ.ಎಂ.ಬೈರಪ್ಪ ಕುಪ್ನಳ್ಳಿ ಅವರಿಗೆ ಮತ್ತು ಬೆಂಬಲವಾಗಿರುವ ಕನ್ನಡ ವಿಭಾಗದ ಬೋಧಕ ವರ್ಗ ಮತ್ತು ಪ್ರೋತ್ಸಾಹ ನೀಡುತ್ತಿರುವ ಆಡಳಿತ ವರ್ಗಕ್ಕೆ ಹಾಗೂ ಅಭಿನಯಿಸಿದ ವಿದ್ಯಾರ್ಥಿಗಳಿಗೆ ಅಭಿನಂದನೆಗಳು ಮತ್ತು ಶುಭಹಾರೈಕೆಗಳು.\u003C\u002Fp\u003E"},{"description":"","image-metadata":{"width":1600,"height":969,"mime-type":"image\u002Fjpeg","file-size":258010,"file-name":"WhatsApp Image 2024-04-11 at 13.46.37_2567e199.jpg"},"page-url":"\u002Fstory\u002Fd0502e8b-620c-42c2-94dc-cc0a25f427a4\u002Felement\u002F17d8dcb2-3bc5-4c8b-aea8-8d5ea037bf86","type":"image","family-id":"852ec2fd-3ce3-451b-abfb-b1a2a717bd12","image-attribution":"","title":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ‘ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","id":"17d8dcb2-3bc5-4c8b-aea8-8d5ea037bf86","alt-text":"","hyperlink":null,"image-s3-key":"prajavani\u002F2024-04\u002F72fae7af-0a53-420a-8385-3a8ac66dfeac\u002FWhatsApp_Image_2024_04_11_at_13_46_37_2567e199.jpg","metadata":{},"subtype":null},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1712833530647,"content-version-id":"4bc85c1d-f83f-471a-bf54-09f8f031164c","card-added-at":1712831544770,"status":"draft","id":"0f3a8845-953b-4a3b-b3e0-b3dff839dd55","content-id":"0f3a8845-953b-4a3b-b3e0-b3dff839dd55","version":20,"metadata":{"social-share":{"shareable":false,"title":"ರಂಗರೂಪ ವಿಮರ್ಶೆ: ಸಂವಿಧಾನ ಅನುಷ್ಠಾನವೇ 'ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ'","message":null,"image":{"key":"prajavani\u002F2024-04\u002F3d9ce891-0737-4c1e-97ff-75d54ec83092\u002FWhatsApp_Image_2024_04_11_at_13_46_38_1f6fa3e5.jpg","url":null,"attribution":"","caption":null,"alt-text":"","metadata":{"width":1600,"height":1069,"mime-type":"image\u002Fjpeg","file-size":298941,"file-name":"WhatsApp Image 2024-04-11 at 13.46.38_1f6fa3e5.jpg"}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Ftheatre-review-kuvempus-dhanvantaris-treatment-is-the-implementation-of-the-constitution-2760478","story-version-id":"b79e706b-9a1e-40a4-9c91-ab1c50b00512","content-type":"story","content-updated-at":1712838012354,"author-id":1747190,"owner-id":1749585,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1712831965197,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E‘ಧನ್ವಂತರಿ ಚಿಕಿತ್ಸೆ‘ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":21,"story-template":"text","sequence-no":null,"created-at":1712838008569,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","bio":null,"id":1747190,"avatar-s3-key":"prajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","twitter-handle":null}],"metadata":{"byline-no-author-page":"ಪ್ರೊ. ವಿ. ಚಂದ್ರಶೇಖರ ನಂಗಲಿ ","card-share":{"shareable":false}},"publish-at":null,"assignee-name":"ಪೃಥ್ವಿರಾಜ್ ಎಂ ಎಚ್"}},{"id":"8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ: ಬಂಜಾರರ ಬದುಕಿನ ಸಂಕಥನ ‘ಗೋರ್‌ಮಾಟಿ’"]},"story":{"updated-at":1712413301941,"seo":{"meta-description":"ಬಣ್ಣದ ಬಟ್ಟೆಗಳ ಸಣ್ಣ ಸಣ್ಣ ತುಂಡುಗಳನ್ನು ಸೇರಿಸಿ ಹೊಲಿದಾಗ ರೂಪುಗೊಳ್ಳುವ ಚಿತ್ತಾರದ ‘ಕೌದಿ’ಯ ಸೌಂದರ್ಯಕ್ಕೆ ಮನ ಸೋಲದವರು ಅ‍ಪರೂಪ.","meta-keywords":["Drama","Drama fest","Drama festival"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಮಂಜುಶ್ರೀ 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ಜಗತ್ತು)","id":125715},"data":null}],"read-time":2,"access-level-value":null,"content-created-at":1712400669489,"is-embargoed":false,"owner-name":"syndication","custom-slug":"Banjara Gormati drama review","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"original-url":"http:\u002F\u002Fdcxprod.tpml.in\u002Fdevice_dh\u002Foriginal2\u002F2024\u002F04-05\u002Fe2\u002Fd5\u002Ffile7uv57wjjllhnmiqwaiy.jpg","width":1280,"height":720,"focus-point":[653,243]},"comments":null,"word-count":389,"entities":{},"published-at":1712446200000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":"BP-ಬಂಜಾರರ ಬದುಕಿನ ಸಂಕಥನ ‘ಗೋರ್‌ಮಾಟಿ’","push-notification-title":null,"external-id":"doc7uvoviqc768pzd8ugpb","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe","hero-image-s3-key":"prajavani\u002F2024-04\u002F394c39b8-b7a1-44f4-9e6c-6cf3e718be07\u002Ffile7uv57wjjllhnmiqwaiy.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F1777156b-f8fa-43aa-89ad-aa46f613eaf4","type":"text","family-id":"437bec17-15fa-40c8-87b1-0769e96fa1e5","title":"","id":"1777156b-f8fa-43aa-89ad-aa46f613eaf4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಬಣ್ಣದ ಬಟ್ಟೆಗಳ ಸಣ್ಣ ಸಣ್ಣ ತುಂಡುಗಳನ್ನು ಸೇರಿಸಿ ಹೊಲಿದಾಗ ರೂಪುಗೊಳ್ಳುವ ಚಿತ್ತಾರದ ‘ಕೌದಿ’ಯ ಸೌಂದರ್ಯಕ್ಕೆ ಮನ ಸೋಲದವರು ಅ‍ಪರೂಪ. ವರ್ಣಮಯ ಉಡುಗೆ, ತೊಡುಗೆ, ಹಾಡುಗಬ್ಬ ಸೇರಿದಂತೆ ಸಾಂಸ್ಕೃತಿಕ ಶ್ರೀಮಂತಿಕೆಯ ಬಂಜಾರರ ಬದುಕು ಕೂಡಾ ‘ಕೌದಿ‘ಯ ನೇಯ್ಗೆಯಂತಿದೆ. ಲಮಾಣಿ, ಬಂಜಾರ, ಲಂಬಾಣಿ, ಲಮಾಣ್, ಲದಣಿಯಾ– ಹೀಗೆ ನಾನಾ ಹೆಸರುಗಳಿಂದ ಕರೆಯಲಾಗುವ ಈ ಸಮುದಾಯದ ಇತಿಹಾಸದ ಜಾಡು ಹಿಡಿದು ಹೊರಟರೆ ಅದು ಹರಪ್ಪ ಮೊಹೆಂಜಾದರೋಕ್ಕೆ ತಲುಪುತ್ತದೆ.  \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F901e1eb6-4954-424d-80ba-47bedde3c77b","type":"text","family-id":"eab610d7-5f17-4d4a-bd03-44707afe3e8f","title":"","id":"901e1eb6-4954-424d-80ba-47bedde3c77b","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಕಾಡು–ಮೇಡು, ಬೆಟ್ಟ–ಗುಡ್ಡ, ನೀರು ಇರುವಲ್ಲಿ ತಾಂಡಾ ಕಟ್ಟಿಕೊಂಡು ಜೀವಿಸುತ್ತಿದ್ದ ಈ ಸಮುದಾಯ ದೇಶದೆಲ್ಲೆಡೆ ಬೇರೆ ಬೇರೆ ಹೆಸರುಗಳಲ್ಲಿ ಹಂಚಿಹೋಗಿದೆ. ಪ್ರಪಂಚದ ನಾನಾ ದೇಶಗಳಲ್ಲೂ ಬಂಜಾರರ ಮೂಲನೆಲೆಯ ಐತಿಹ್ಯಗಳಿವೆ. ಇಂಥ ಅಪರೂಪದ ಸಮುದಾಯದ ಸಂಕಥನವನ್ನು ಕಟ್ಟಿಕೊಡುತ್ತದೆ ಮೈಸೂರು ರಂಗಾಯಣ ಪ್ರಸ್ತುತಪಡಿಸಿದ ‘ಗೋರ್‌ಮಾಟಿ’ ನಾಟಕ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F7ae1791c-229f-42fe-891c-74774bcdf801","type":"text","family-id":"63dccd18-238a-4de2-b621-e6f39cf37f55","title":"","id":"7ae1791c-229f-42fe-891c-74774bcdf801","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೊದಲಾರ್ಧದಲ್ಲಿ ಬಂಜಾರ ಸಮುದಾಯದ ಇತಿಹಾಸ, ಮೂಲಪುರುಷ, ಬ್ರಿಟಿಷರ ದೌರ್ಜನ್ಯವನ್ನು ತೆರೆದಿಡುತ್ತದೆ. ಭಾರತದ ಉದ್ದಗಲಕ್ಕೂ ವ್ಯಾಪಾರಕ್ಕಾಗಿ ಸಂಚರಿಸುತ್ತಿದ್ದ ಲಂಬಾಣಿಗರು ಇವತ್ತಿನ ರಾಷ್ಟ್ರೀಯ ಹೆದ್ದಾರಿಗಳ ಮೂಲ ಮಾರ್ಗಕಾರರು. ಸೇನೆಗಳಿಗೆ ದವಸ–ಧಾನ್ಯ ಸರಬರಾಜು ಮಾಡಿ ನಂಬಿಕಸ್ಥರಾಗಿದ್ದ ಈ ಸಮುದಾಯ ಎಲ್ಲಿ ಆರ್ಥಿಕವಾಗಿ ಸಬಲವಾಗಿ ತಮಗೆ ಪ್ರತಿಸ್ಪರ್ಧಿಗಳಾಗುವರೋ ಎಂಬ ಭೀತಿಯಲ್ಲಿ ‘ಅಪರಾಧಿ ಬುಡಕಟ್ಟು’ ಎಂಬ ಪಟ್ಟ ಕಟ್ಟುವ ಬ್ರಿಟಿಷರ ಕುತಂತ್ರ, ನೆಲೆ ನಿಲ್ಲದ ಅತಂತ್ರ ಬದುಕಿನಲ್ಲೇ ಸಾಗುವ ಬಂಜಾರರ ಸ್ಥಿತಿಗತಿಯ ಬಗ್ಗೆ ನಾಟಕ ಬೆಳಕು ಚೆಲ್ಲುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F4663dd72-8f18-44bf-b15f-39a2ec3f2be0","type":"text","family-id":"774607a1-b771-4d47-b543-772b129ef0dc","title":"","id":"4663dd72-8f18-44bf-b15f-39a2ec3f2be0","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೂಲತಃ ಪಶುಪಾಲಕರಾದ ಬಂಜಾರರ ಕೊಳಲಿನ ನಾದಕ್ಕೆ ಮನಸೋಲುವ ಕೃಷ್ಣ, ತನಗೂ ಅಂಥದ್ದೇ ಕೊಳಲು ಬೇಕೆಂದು ಸ್ನೇಹಿತ ದಾದಾಮೋಲನಿಗೆ ಗಂಟು ಬೀಳುತ್ತಾನೆ. ಬಂಜಾರರಿಂದ ಕೊಳಲು ಪಡೆಯುವ ಕೃಷ್ಣ ಮುಂದೆ ಅದರ ಮೋಹಕ್ಕೆ ಬಿದ್ದು ಸಾಗುವ ಹಾದಿಯೇ ಬೇರೆಯಾಗುತ್ತದೆ. ಕೃಷ್ಣನಿಗೆ ಕೊಟ್ಟ ಮಾತಿನಂತೆ ದಾದಾಮೋಲ ಮತ್ತು ರಾಧೆ ಬಂಜಾರರ ಮೂಲ ಪುರುಷ–ಸ್ತ್ರೀಯರಾಗುತ್ತಾರೆ. ಸಮುದಾಯದ ನೆಲೆಗಳನ್ನು ಹುಡುಕಿದಾಗ ಕಾಮಿಡಿಯನ್ ಚಾರ್ಲಿ ಚಾಪ್ಲಿನ್, ಪಾಕಿಸ್ತಾನದ ಗಾಯಕಿ ರೇಷ್ಮಾ, ಭಾರತದ ಓಟಗಾರ ಮಿಲ್ಕಾ ಸಿಂಗ್, ಮೈಸೂರಿನವರೇ ಆದ ನೃತ್ಯಗಾರ್ತಿ ವೆಂಕಟಲಕ್ಷ್ಮಮ್ಮ ಬಂಜಾರ ಸಮುದಾಯದವರು ಎಂಬುದನ್ನು ನಾಟಕ ಬೆಳಕಿಗೆ ತರುತ್ತದೆ. ಶ್ರಮಜೀವಿಗಳೂ, ಪ್ರತಿಭಾವಂತರೂ ಆದ ಬಂಜಾರರ ಜೀವನಶೈಲಿಯನ್ನೂ ರಂಗದ ಮೇಲೆ ಸೊಗಸಾಗಿ ತರಲಾಗಿದೆ. ಮುಖ್ಯವಾಗಿ ಸಮುದಾಯದವರ ಆರಾಧ್ಯದೈವ ಸಂತ ಸೇವಾಲಾಲ್, ಮರಿಯಮ್ಮ ಅವರ ಸಂದೇಶ, ಮಾತೃಪ್ರಧಾನ ಮೌಲ್ಯವನ್ನೂ ನಾಟಕ ಪ್ರತಿಬಿಂಬಿಸುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F1f93cd4c-0947-4abd-8bf4-cc0de60649e0","type":"text","family-id":"5611fd85-7960-4480-84f3-ecf993df993a","title":"","id":"1f93cd4c-0947-4abd-8bf4-cc0de60649e0","metadata":{},"subtype":null,"text":"\u003Cp\u003Eತಾಂಡಾದ ಕಾರ್‌ಬಾರಿಗಳ ಪಂಚಾಯಿತಿ ಸಭೆಯಲ್ಲಿ ಕಾಯಿಲೆಪೀಡಿತ ಗಂಡನ ಪತ್ನಿ, ಪರ ಪುರುಷನ ಪ್ರೀತಿಗೆ ಹಂಬಲಿಸುವುದು, ಆತನೂ ಆಕೆಯ ಮೋಹಕ್ಕೊಳಗಾಗಿ, ಪತ್ನಿ ಮತ್ತು ಮಕ್ಕಳನ್ನು ಬಿಟ್ಟು ಬರುವ ದೃಶ್ಯಕ್ಕಿಂತಲೂ ಬಂಜಾರರ ವೈಚಾರಿಕ ಪ್ರಜ್ಞೆಗೆ ಸಾಕ್ಷಿಯಂತಿರುವ ‘ವಿಧವಾ ವಿವಾಹ’ ಪದ್ಧತಿಗೆ ಆದ್ಯತೆ ನೀಡಿದ್ದರೆ ನಾಟಕ ಮತ್ತಷ್ಟು ಅರ್ಥಪೂರ್ಣವಾಗುತ್ತಿತ್ತು. ಅಂತೆಯೇ ಮೈಸೂರು ಮಹಾರಾಜರ ಆಸ್ಥಾನದಲ್ಲಿ ನರ್ತಕಿಯಾಗಿದ್ದ ವೆಂಕಟಲಕ್ಷ್ಮಮ್ಮ ಅವರನ್ನು ಪರಿಚಯಿಸುವ ಜೊತೆಗೆ, ಬಂಜಾರ ಸಮುದಾಯಕ್ಕೆ ಮೊದಲ ಬಾರಿಗೆ ರಾಜಕೀಯ ಪ್ರಾತಿನಿಧ್ಯ ನೀಡಿದ್ದ ನಾಲ್ವಡಿ ಕೃಷ್ಣರಾಜ ಒಡೆಯರ್ ಉಲ್ಲೇಖವೂ ಇದ್ದಿದ್ದರೆ ಸೂಕ್ತವಾಗುತ್ತಿತ್ತು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002Fbb12b6d7-79e1-4e74-8076-e63f75f3d098","type":"text","family-id":"c4bc298e-fd45-4d51-8483-6d1c089a6a90","title":"","id":"bb12b6d7-79e1-4e74-8076-e63f75f3d098","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಲೇಖಕ ಶಿರಗಾನಹಳ್ಳಿ ಶಾಂತನಾಯಕ್ ಅವರ ‘ಗೋರ್‌ಮಾಟಿ’, ಸಾಹಿತಿ ಬಿ.ಟಿ. ಲಲಿತಾ ನಾಯಕ್‌ ಅವರ ‘ಹಬ್ಬ ಮತ್ತು ಬಲಿ’ ಹಾಗೂ ‘ತಾಂಡಾಯಣ’ ಕೃತಿಗಳಲ್ಲಿನ ಅಂಶಗಳನ್ನು ಹೆಕ್ಕಿ ತೆಗೆದಿರುವ ನಿರ್ದೇಶಕರು ಅವುಗಳನ್ನು ಸನ್ನಿವೇಶಕ್ಕೆ ತಕ್ಕಂತೆ ಚಿತ್ರಿಸಿದ್ದಾರೆ. ಮೊಘಲ್‌ ದೊರೆ ಔರಂಗಜೇಬನಿಂದ ಹತನಾಗುವ ಸಿಖ್ಖರ 9ನೇ ಗುರು ತೇಜ್ ಬಹಾದ್ದೂರ್ ಅವರ ಅಂತ್ಯಸಂಸ್ಕಾರ ನಡೆಸುವ ಲಕ್ಕಿ ಸಾ ಬಂಜಾರ ಅವರ ಶೌರ್ಯ, ಹೈದರಾಬಾದ್‌ನಲ್ಲಿನ ಜಂಗಿ–ಭಂಗಿ ಸಹೋದರರ ಕಥನವನ್ನೂ ನಾಟಕ ಒಳಗೊಂಡಿದೆ. ಲಕ್ಕಿ ಸಾ ಬಂಜಾರನ ಶೌರ್ಯದ ಕಥನ ಹೇಳಲು ನಾಟಕದಲ್ಲಿ ಪ್ರಥಮ ಬಾರಿಗೆ ಶ್ಯಾಡೊಪಪೆಟ್ ಬಳಸಿಕೊಂಡಿರುವ ರೀತಿ ಆಕರ್ಷಕವಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F561c31fc-b6b2-4e41-90df-dc9b4eef5f55","type":"text","family-id":"829d2a23-4eed-4f63-8211-7d0f490cd780","title":"","id":"561c31fc-b6b2-4e41-90df-dc9b4eef5f55","metadata":null,"subtype":null,"text":"\u003Cp\u003Eನಾಟಕದ ಮೊದಲಾರ್ಧ ಬಂಜಾರರ ಸಾಂಸ್ಕೃತಿಕ ಶ್ರೀಮಂತಿಕೆಯನ್ನು ಮಹಾರೂಪಕದಂತೆ ಬಿಂಬಿಸಿದರೆ, ದ್ವಿತೀಯಾರ್ಧ ಬಂಜಾರರ ಆರ್ಥಿಕ, ಸಾಮಾಜಿಕ, ಶೈಕ್ಷಣಿಕ ಸ್ಥಿತಿಯನ್ನು ಬಿಂಬಿಸುತ್ತದೆ. ಕೊನೆಯಲ್ಲಿ ಚಾರ್ಲಿ ಚಾಪ್ಲಿನ್ ಅವರ ಮಾತುಗಳು ಪ್ರಸ್ತಕ ರಾಜಕಾರಣದ ಸ್ಥಿತಿಗೆ ಕನ್ನಡಿ ಹಿಡಿಯುತ್ತವೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F9c8e9e54-c07b-47f3-a4aa-bb769eb0c8e4","type":"text","family-id":"531e60b8-a7bd-4e21-bc70-7493ba084b02","title":"","id":"9c8e9e54-c07b-47f3-a4aa-bb769eb0c8e4","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಸಮುದಾಯವೊಂದರ ಸಂಕಥನವನ್ನು ಕೆಲವೇ ಗಂಟೆಗಳಲ್ಲಿ ರಂಗರೂಪದಲ್ಲಿ ಕಟ್ಟಿಕೊಡುವುದು ಸುಲಭವಲ್ಲ. ಆದರೆ, ನಿರ್ದೇಶಕ ಸಿ. ಬಸವಲಿಂಗಯ್ಯ ಅವರು, ಬಂಜಾರರ ಸಾಂಸ್ಕೃತಿಕ, ಸಾಮಾಜಿಕ, ಆರ್ಥಿಕ ಸ್ಥಿತಿಗಳನ್ನು ಸೂಕ್ಷ್ಮವಾಗಿ ತೆರೆದಿಡುತ್ತಲೇ ಇತಿಹಾಸ, ವರ್ತಮಾನದ ತಲ್ಲಣಗಳನ್ನೂ ಅನಾವರಣಗೊಳಿಸಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F8973f98c-3c5c-4fd8-b14c-ce37cd8c95fe\u002Felement\u002F1aa5646b-0e53-4d26-bf2e-84807f399735","type":"text","family-id":"e20d7c0a-5c5d-42b7-abea-f52c4708a6c7","title":"","id":"1aa5646b-0e53-4d26-bf2e-84807f399735","metadata":null,"subtype":null,"text":"\u003Cp\u003Eಲಂಬಾಣಿ ಸಮುದಾಯದ ಉಡುಗೆ–ತೊಡುಗೆ ವಸ್ತ್ರವಿನ್ಯಾಸ (ಪ್ರಮೋದ್ ಶಿಗ್ಗಾಂವ್, ಶಶಿಕಲಾ ಬಿ.ಎನ್.), ರಂಗಸಜ್ಜಿಕೆ (ಶಶಿಧರ ಅಡಪ), ನೃತ್ಯ ಸಂಯೋಜನೆ (ನೇಸರ ಮೈಮ್ ರಮೇಶ್), ಬೆಳಕು ವಿನ್ಯಾಸ (ಕೃಷ್ಣಕುಮಾರ್ ನಾರ್ಣಕಜೆ) ಹಾಗೂ ಸಂಗೀತ ನಿರ್ವಹಣೆ (ಧನಂಜಯ ಆರ್.ಸಿ) ಸೇರಿದಂತೆ ನೇಪಥ್ಯ ಕಲಾವಿದರ ಪರಿಶ್ರಮ ನಾಟಕಕ್ಕೆ ಪೂರಕವಾಗಿವೆ. ಮುಖ್ಯವಾಗಿ ತಮ್ಮದಲ್ಲದ ಸಮುದಾಯವೊಂದರ ಭಾಷೆ, ಸಂಸ್ಕೃತಿಯನ್ನು ಅರಿತು ಅದನ್ನು ರಂಗದ ಮೇಲೆ ಪ್ರಸ್ತುತಪಡಿಸಿದ ಕಲಾವಿದರ ಶ್ರಮ ನಾಟಕದ ಉದ್ದಕ್ಕೂ ಗೋಚರಿಸುತ್ತದೆ. ಅಲೆಮಾರಿ, ಬುಡಕಟ್ಟು ಸಮುದಾಯವೊಂದರ ಸಂಕಥನವನ್ನು ರಂಗದ ಮೇಲೆ ತರಲು ಕಾರಣವಾದ ಕನ್ನಡ ಮತ್ತು ಸಂಸ್ಕೃತಿ ಇಲಾಖೆಯ ಪ್ರಯತ್ನ ಶ್ಲಾಘನೀಯ. 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‘ಗೋರ್‌ಮಾಟಿ’","image":{"key":"prajavani\u002F2024-04\u002Fe6a0b03e-9e27-4db8-a033-325a106a52e4\u002Ffile7uv57wb7e9va7qkh2kh.jpg","url":null,"attribution":"","caption":null,"alt-text":null,"metadata":{"width":1268,"height":698,"focus-point":[563,307]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Fbanjara-gormati-drama-review-2754886","story-version-id":"8c45b10d-69e8-4924-88df-a90cae077928","content-type":"story","content-updated-at":1712446202601,"author-id":1750323,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1712446200000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003E ‘ಗೋರ್‌ಮಾಟಿ’ ನಾಟಕದ ದೃಶ್ಯ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":4,"story-template":"syndicated","sequence-no":null,"created-at":1712413300993,"authors":[{"slug":"manjushree-m-kadakola","social":{},"name":"ಮಂಜುಶ್ರೀ ಎಂ.ಕಡಕೋಳ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":null,"bio":null,"id":1750323,"avatar-s3-key":null,"twitter-handle":null}],"metadata":{"imported-card-is-read-only":null,"story-attributes":{"syndicatedfrom":["DCX"],"syndicated-categories":["ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ"]},"imported-card-id":"0e705b88-5ac6-49bb-b807-e5eae94789d1","card-share":{"shareable":false}},"publish-at":1712446200000,"assignee-name":"syndication"}},{"id":"32840334-1954-4164-bd30-6b8317fd366b","score":null,"type":"story","item":{"headline":["ಏಕವ್ಯಕ್ತಿ ನಾಟಕದಲ್ಲಿ ಗೋಕುಲ ಸಂಭ್ರಮ \n"]},"story":{"updated-at":1711803988768,"seo":{"meta-description":"ತನ್ನದೇ ಜಗತ್ತಿನಲ್ಲಿ ಪ್ರೀತಿಯ ಹುಡುಕಾಟದಲ್ಲಿ ತೊಡಗುವ ಪಾಪಣ್ಣಿ ಎಂಬ ಬಾಲಕನ ಅಭದ್ರತೆಗಳಿಗೆ ಪ್ರಕೃತಿಯೇ ಉತ್ತರ ನೀಡುವ ಬಗೆಯನ್ನು ‘ಚಿಟ್ಟೆ’ ಎಂಬ ಏಕವ್ಯಕ್ತಿ ನಾಟಕವು ಪ್ರೇಕ್ಷಕರ ಮುಂದೆ ತೆರೆದಿಡುತ್ತದೆ.","meta-keywords":["Drama","Rangabhumi"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ನವೀನ ಕುಮಾರ್ 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\n","push-notification-title":null,"external-id":"doc7us3tl3xb9vufg5m81o","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"32840334-1954-4164-bd30-6b8317fd366b","hero-image-s3-key":"prajavani\u002F2024-03\u002F13658b06-28f1-44d2-9d82-f98d5c71b436\u002Ffile7joaa3bew8n18unuq6qd.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002Fcafaeb94-9fcd-4bec-878b-19052230bfd4","type":"text","family-id":"30e189e2-5992-44a0-b148-5aa7886daaf8","title":"","id":"cafaeb94-9fcd-4bec-878b-19052230bfd4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eರಂಗದ ಮೇಲಿನ ಮಂದ ಬೆಳಕಿನಲ್ಲಿ ಪಾಪಣ್ಣಿಯ ಬೆರಗುಗಣ್ಣುಗಳ ನೋಟ. ಮಾನಸ ಗೆಳೆಯ ಕೆರೆ, ಚಿಟ್ಟೆಯೇ ಅವನ ಒಡನಾಡಿಗಳು. ಅವನ ಬದುಕಿನ ದುಃಖ, ದುಮ್ಮಾನಗಳಿಗೆ ಕಿವಿಯಾಗುವವರು ಇವರೇ... ತನ್ನದೇ ಜಗತ್ತಿನಲ್ಲಿ ಪ್ರೀತಿಯ ಹುಡುಕಾಟದಲ್ಲಿ ತೊಡಗುವ ಪಾಪಣ್ಣಿ ಎಂಬ ಬಾಲಕನ ಅಭದ್ರತೆಗಳಿಗೆ ಪ್ರಕೃತಿಯೇ ಉತ್ತರ ನೀಡುವ ಬಗೆಯನ್ನು ‘ಚಿಟ್ಟೆ’ ಎಂಬ ಏಕವ್ಯಕ್ತಿ ನಾಟಕವು ಪ್ರೇಕ್ಷಕರ ಮುಂದೆ ತೆರೆದಿಡುತ್ತದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002Fa6e3bdbc-9f47-40a9-88f5-a4c66471a8a6","type":"text","family-id":"c50a03e6-dbaf-4d70-8628-6e7facc794fd","title":"","id":"a6e3bdbc-9f47-40a9-88f5-a4c66471a8a6","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಪಾಪಣ್ಣಿಯ ಬೆರಗುಗಳಿಗೆ ಜೀವ ತುಂಬಿ ತನ್ನ ಮನೋಜ್ಞ ಅಭಿನಯದ ಮೂಲಕ ರಂಗಾಸಕ್ತರ ಮನಗೆಲ್ಲುತ್ತಾನೆ 14ರ ಬಾಲಕ ಗೋಕುಲ ಸಹೃದಯ. ಗೋಕುಲ ಅಭಿನಯಿಸಿರುವ ‘ಚಿಟ್ಟೆ’ ನಾಟಕವು ಈಗಾಗಲೇ 100 ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F2f080115-9c02-470b-878b-934a1daeb16f","type":"text","family-id":"c92d5f7c-e3d8-4e9a-b0fc-e1af20182134","title":"","id":"2f080115-9c02-470b-878b-934a1daeb16f","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಭಾರತ ರಂಗಭೂಮಿಯಲ್ಲಿಯೇ ಒಂದು ಗಂಟೆ ರಂಗದ ಮೇಲೆ ಏಕವ್ಯಕ್ತಿ ನಾಟಕ ಪ್ರದರ್ಶಿಸಿದ ಮೊದಲ ಬಾಲ ಕಲಾವಿದ ಎಂಬ ಹೆಗ್ಗಳಿಕೆಗೆ ಪಾತ್ರನಾಗಿರುವ ಗೋಕುಲ, ಈ ಸಾಧನೆಗಾಗಿ ‘ಕಲಾಂ ಬುಕ್ ಆಫ್ ವರ್ಲ್ಡ್’ ಹಾಗೂ ‘ಇಂಡಿಯಾ ಬುಕ್ ಆಫ್ ರೆಕಾರ್ಡ್’ನಲ್ಲಿ ದಾಖಲಾಗಿದ್ದಾನೆ. ಈತ ಬೆಂಗಳೂರಿನ ಪ್ರೆಸಿಡೆನ್ಸಿ ಶಾಲೆಯಲ್ಲಿ ಎಂಟನೇ ತರಗತಿ ಓದುತ್ತಿದ್ದಾನೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002Fd9b8d4c5-a64f-40bb-87e3-6731b3006cd3","type":"text","family-id":"d517e9f4-545e-4c17-ae59-cc7ccd4999a3","title":"","id":"d9b8d4c5-a64f-40bb-87e3-6731b3006cd3","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಗೋಕುಲ, ನಾಲ್ಕನೇ ವಯಸ್ಸಿನಿಂದಲೇ ರಂಗಾಸಕ್ತಿ ಬೆಳೆಸಿಕೊಂಡವ. ಬೇಸಿಗೆ ಶಿಬಿರದಿಂದ ಆರಂಭವಾದ ಅವನ ರಂಗದ ಜೊತೆಗಿನ ಒಡನಾಟ ದಿನೇ ದಿನೇ ಹೆಚ್ಚಾಗುತ್ತಿದೆ’ ಎನ್ನುತ್ತಾರೆ ತಾಯಿ ಲಕ್ಷ್ಮಿ ರಘುನಂದನ್.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F34670443-7572-470a-a1b5-d08c14db33c3","type":"text","family-id":"e9ebdb9d-90db-4ef3-a511-5fc710f18cf5","title":"","id":"34670443-7572-470a-a1b5-d08c14db33c3","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಚಿಟ್ಟೆ’ ನಾಟಕವು ರಾಜ್ಯದಲ್ಲಿ ಮಾತ್ರವಲ್ಲದೆ ತಮಿಳುನಾಡು, ಮಧ್ಯಪ್ರದೇಶ, ರಾಜಸ್ಥಾನ, ತೆಲಂಗಾಣ ಮತ್ತು ಅಂಡಮಾನ್‍ನಲ್ಲೂ ಪ್ರದರ್ಶನಗೊಂಡು ಪ್ರೇಕ್ಷಕರನ್ನು ಮೋಡಿ ಮಾಡಿದೆ. ಗೋಕುಲನ ಮನೋಜ್ಞ ಅಭಿನಯಕ್ಕೆ ಪ್ರಶಂಸೆ ವ್ಯಕ್ತವಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F422cfa77-0bef-40e2-9198-6b86e3170b11","type":"text","family-id":"f7809632-b0cb-4fb2-ab1d-a8dfe32676a0","title":"","id":"422cfa77-0bef-40e2-9198-6b86e3170b11","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಬೇಲೂರು ರಘುನಂದನ್ ಅವರ ರಚನೆಯಲ್ಲಿ ಮೂಡಿಬಂದಿರುವ ‘ಚಿಟ್ಟೆ’ ಏಕವ್ಯಕ್ತಿ ನಾಟಕವನ್ನು ‘ಕಾಜಾಣ’ ಸಂಸ್ಥೆಯು ಪ್ರಸ್ತುತ ಪಡಿಸಿದೆ. ಕೃಷ್ಣಮೂರ್ತಿ ಕವತ್ತಾರ್ ಅವರ ನಿರ್ದೇಶನದ ಈ ನಾಟಕವು ಅಕ್ಷರ, ಅನ್ನ, ಹಸಿವು, ಕಲೆ, ಕುಟುಂಬ ಮತ್ತು ಸಮಾಜ, ಶೈಕ್ಷಣಿಕ ವ್ಯವಸ್ಥೆ–ಹೀಗೆ ಬಹುಮುಖೀ ಆಯಾಮಕ್ಕೂ ಬೆಳಕು ಚೆಲ್ಲುತ್ತದೆ. ಮಕ್ಕಳ ಮನಸ್ಥಿತಿಯನ್ನು ಕೇಂದ್ರೀಕರಿಸಿ ಈ ನಾಟಕವು ರೂಪುಗೊಂಡಿದೆ. \u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002Fa896751d-a456-481a-b29f-b835db2dc8b3","type":"text","family-id":"5655b2d8-20bb-40ce-b988-164fcca40ebc","title":"","id":"a896751d-a456-481a-b29f-b835db2dc8b3","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಚಿಟ್ಟೆ’ ನಾಟಕವು ಮೂರೇ ವರ್ಷಕ್ಕೆ 100 ರಂಗ ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿರುವುದು ಹೆಮ್ಮೆ ತಂದಿದೆ. ಅಪ್ಪ, ಅಮ್ಮ, ಶಾಲೆಯ ಶಿಕ್ಷಕರ ಪ್ರೋತ್ಸಾಹದಿಂದ ಈ ಸಾಧನೆ ಸಾಧ್ಯವಾಗಿದೆ. ಕೃಷ್ಣಮೂರ್ತಿ ಕವತ್ತಾರ್ ಅವರ ಶಿಸ್ತುಬದ್ಧ ಮಾರ್ಗದರ್ಶನದಲ್ಲಿ ಈ ನಾಟಕವು ಸಾಕಾರವಾಗಿದೆ’ ಎನ್ನುತ್ತಾನೆ ಗೋಕುಲ ಸಹೃದಯ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F45fb9502-7bfc-4021-a9d6-4686343cea91","type":"text","family-id":"65af0593-cea3-4898-a02c-e55b5552d593","title":"","id":"45fb9502-7bfc-4021-a9d6-4686343cea91","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಸಾಮಾನ್ಯ ಶೈಕ್ಷಣಿಕ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಯಾವ ತಿಳಿವಳಿಕೆ, ವಿವೇಕವನ್ನು ಪಡೆಯಲು ಸಾಧ್ಯವೋ ಅದಕ್ಕಿಂತ ಮಿಗಿಲಾದ ಮಾನವೀಯ ವಿವೇಕ, ಅರಿವನ್ನು ‘ಚಿಟ್ಟೆ’ ನಾಟಕದ ಮೂಲಕ ಗೋಕುಲ ಪಡೆದಿದ್ದಾನೆ. ಶಿಕ್ಷಣದಲ್ಲಿ ರಂಗಭೂಮಿ ಸೇರಿದರೆ ಇಂತಹ ಅದ್ಭುತಗಳು ಸಂಭವಿಸುತ್ತವೆ. ಈ ನಾಟಕದ ಮೂಲಕ ಆತ ಮನುಷ್ಯತ್ವಕ್ಕೆ ಬೇಕಾದ ದಾರಿಯನ್ನು ಕಂಡುಕೊಂಡಿದ್ದಾನೆ. ಜವಾಬ್ದಾರಿಯುತವಾದ ಪಾಲಕರಾಗಿ ನಾವು ಆತನಲ್ಲಿರುವ ಪ್ರತಿಭೆಯನ್ನು ಗುರುತಿಸಿ ಅವನ ಜೊತೆಗೆ ನಿಂತಿದ್ದೇವೆ’ ಎನ್ನುತ್ತಾರೆ ನಾಟಕಕಾರ ಹಾಗೂ ಗೋಕುಲನ ತಂದೆ ಬೇಲೂರು ರಘುನಂದನ್.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F721f62f9-7f3b-4d25-b429-0a6b911f45b2","type":"text","family-id":"e2def30f-1a90-4653-b9a0-0cae9a4ad8a4","title":"","id":"721f62f9-7f3b-4d25-b429-0a6b911f45b2","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಚಿಟ್ಟೆ ನಾಟಕಕ್ಕಾಗಿ ಬೇರೆ ಬೇರೆ ಕಡೆ ಸುತ್ತಾಟ ನಡೆಸುವಾಗ, ಸಾಂಸ್ಕೃತಿಕವಾಗಿ, ಸಾಮಾಜಿಕವಾಗಿ, ಭೌಗೋಳಿಕವಾಗಿ ವಿಭಿನ್ನ ಪರಿಸರದಲ್ಲಿ ಗೋಕುಲ ಒಡನಾಟ ನಡೆಸಿದ್ದಾನೆ. ಇದು ಆತನ ಮೇಲೆ ತುಂಬಾ ಪರಿಣಾಮ ಬೀರಿದೆ. ರಂಗಭೂಮಿಯು ಶಿಕ್ಷಣದಲ್ಲಿ ಬಂದರೆ ಮಕ್ಕಳನ್ನು ಉತ್ತಮ ಪ್ರಜೆಗಳನ್ನಾಗಿ ರೂಪಿಸುವಲ್ಲಿ ಇನ್ನಷ್ಟು ಸಹಕಾರಿಯಾಗಲಿದೆ’ ಎನ್ನುತ್ತಾರೆ ಅವರು.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F35f901ab-27cf-4607-a152-3438f685cdf9","type":"text","family-id":"c9c692d4-4d70-487c-8b62-8e8846a3823a","title":"","id":"35f901ab-27cf-4607-a152-3438f685cdf9","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮೇಘಮೈತ್ರಿ ಬಾಲ ಪುರಸ್ಕಾರ, ಪಂಡಿತ್ ಪುಟ್ಟರಾಜ ಸನ್ಮಾನ, ಸಿ.ಜಿ.ಕೆ. ರಾಷ್ಟ್ರೀಯ ನಾಟಕೋತ್ಸವದಲ್ಲಿ ರಂಗಗೌರವ, ಶಾರದಾ ಪ್ರತಿಷ್ಠಾನದ ರಂಗಗೌರವ ಸೇರಿದಂತೆ ಹಲವು ಗೌರವ, ಪುರಸ್ಕಾರಗಳಿಗೆ ಗೋಕುಲ ಪಾತ್ರನಾಗಿದ್ದಾನೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F0bbc30d1-cf80-4c22-86b4-4863ed09ebac","type":"text","family-id":"dd3b35ed-a32f-4b0c-8f78-8e2453cae71d","title":"","id":"0bbc30d1-cf80-4c22-86b4-4863ed09ebac","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಚಿಟ್ಟೆ’ ನಾಟಕವಲ್ಲದೆ, ‘ಸಾಲುಮರಗಳ ತಾಯಿ ತಿಮ್ಮಕ್ಕ’, ‘ರೂಬಿಕ್ಸ್ ಕ್ಯೂಬ್’, ‘ಅರೇಬಿಯನ್ ನೈಟ್ಸ್’, ‘ಅಣ್ಣನ ನೆನಪು’ ಸೇರಿದಂತೆ ಹಲವು ನಾಟಕಗಳಲ್ಲಿ ನಟಿಸುವ ಮೂಲಕ ಗೋಕುಲ ಪಳಗಿದ್ದಾನೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F6cbb0f00-49ae-434c-8696-1918e610015e","type":"text","family-id":"bae23f5c-995e-40e4-a830-9d8727a9bd60","title":"","id":"6cbb0f00-49ae-434c-8696-1918e610015e","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಸವಿತಕ್ಕ, ಬಸಂತ್ ಜಿ. ಪ್ರಸಾದ್, ಪವನ್ ಕುಮಾರ್ ಅವರ ಹಿಮ್ಮೇಳದಲ್ಲಿ ‘ಚಿಟ್ಟೆ’ಯು ರಂಗದಲ್ಲಿ ರೆಕ್ಕೆ ಬಿಚ್ಚಿ ಹಾರಾಡಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F32840334-1954-4164-bd30-6b8317fd366b\u002Felement\u002F7cc93997-13c3-45ae-b14c-d5fa0751cb20","type":"text","family-id":"fca4b445-3744-4d7e-a4ed-26ad03f1a4d6","title":"","id":"7cc93997-13c3-45ae-b14c-d5fa0751cb20","metadata":{},"subtype":null,"text":"\u003Ch3\u003E‘ಚಿಟ್ಟೆ’ಯ ಸುತ್ತ... \u003C\u002Fh3\u003E\u003Cp\u003Eಮಕ್ಕಳನ್ನು ಸಾಕಿ ಸಲಹಿ ವಿವೇಕಯುತ ಪ್ರಜೆಗಳನ್ನಾಗಿ ರೂಪಿಸುವುದು ತಂದೆ-ತಾಯಿಯ ಬಹುದೊಡ್ಡ ಜವಾಬ್ದಾರಿ. ‘ಚಿಟ್ಟೆ’ ನಾಟಕವು ಪಾಲಕರಿಗೆ ತಮ್ಮ ಈ ಜವಾಬ್ದಾರಿಯನ್ನು ನೆನಪಿಸುತ್ತದೆ. ಮಕ್ಕಳಿಗೆ ಸರಿಯಾದ ಪೋಷಣೆ ಸಿಗದಿದ್ದರೆ ಅವರ ಮನಸ್ಸು ಹೇಗೆ ನೊಂದುಕೊಳ್ಳುತ್ತದೆ ಎಂಬುದನ್ನೂ ಈ ಏಕವ್ಯಕ್ತಿ ನಾಟಕವು ಕಣ್ಣಿಗೆ ಕಟ್ಟುವಂತೆ ಪ್ರಸ್ತುತ ಪಡಿಸುತ್ತದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಕುಟುಂಬ ಮತ್ತು ಸಮಾಜವು ಶಿಕ್ಷಣಕ್ಕೆ ನೀಡಿರುವ ವ್ಯಾಖ್ಯಾನಕ್ಕೂ ಮಕ್ಕಳ ಮನಸ್ಸಿನಲ್ಲಿ ಅಡಗಿರುವ ಅವರದೇ ಆದ ವಿವೇಕಕ್ಕೂ ಇರುವ ಭಿನ್ನತೆಯೂ ಇಲ್ಲಿ ಅನಾವರಣಗೊಂಡಿದೆ. ಕುಟುಂಬ ಸಮಾಜದ ವ್ಯವಸ್ಥೆಯು ಮಕ್ಕಳ ಮನಸ್ಸಿಗೆ ಘಾಸಿಯುಂಟು ಮಾಡಿದರೆ ಅದು ಅವರ ಮನೋಲೋಕವನ್ನು ಹೇಗೆ ಕಾಡುತ್ತದೆ ಎಂಬುದನ್ನೂ ಮನೋಜ್ಞವಾಗಿ 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href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1711845000000,"hero-image-caption":"ಚಿಟ್ಟೆ ನಾಟಕದಲ್ಲಿ ಗೋಕುಲ ಸಹೃದಯ","version":9,"story-template":"syndicated","sequence-no":null,"created-at":1711803986518,"authors":[{"slug":"navin-kumar-g","social":{},"name":"ನವೀನ ಕುಮಾರ್ 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\u002F ನುಡಿಚಿತ್ರ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fart-culture\u002Farticle-features","id":51452,"parent-id":51450,"display-name":"ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ","collection":{"slug":"article-features-art-culture","name":"ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ (ಕಲೆ\u002F ಸಾಹಿತ್ಯ)","id":125728},"data":null}],"read-time":3,"access-level-value":null,"content-created-at":1711013112374,"is-embargoed":false,"owner-name":"syndication","custom-slug":"international theatre day women achievers interview","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":800,"height":450,"mime-type":"image\u002Fjpeg","file-size":76191,"file-name":"drama.jpg","focus-point":[368,157]},"comments":null,"word-count":742,"entities":{},"published-at":1711150200000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":"ರಂಗಭೂಮಿಯೇ ಸರ್ವಸ್ವ ","push-notification-title":null,"external-id":"doc7unfsxf2e1d16kyccea","canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":null,"bullet-type":"123","hero-image-alt-text":null,"id":"86b2ac7e-bbfb-4a16-8faa-d254ef4deb60","hero-image-s3-key":"prajavani\u002F2024-03\u002F3e2cf569-01f9-4f51-8645-ea4414c6571a\u002Fdrama.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F86b2ac7e-bbfb-4a16-8faa-d254ef4deb60\u002Felement\u002Fc210f916-4006-4ff8-901c-a3946c71e9b4","type":"text","family-id":"65bd6a21-26c9-4e8a-84ec-06139bc8dec4","title":"","id":"c210f916-4006-4ff8-901c-a3946c71e9b4","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮಾರ್ಚ್‌ 27 ವಿಶ್ವರಂಗಭೂಮಿ ದಿನ. ಈ ಹಿನ್ನೆಲೆಯಲ್ಲಿ ರಂಗಭೂಮಿಯಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ತೊಡಗಿಸಿಕೊಂಡ ಸಾಧಕಿಯರ ಮನದಾಳದ ಮಾತು ಇಲ್ಲಿದೆ...\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F86b2ac7e-bbfb-4a16-8faa-d254ef4deb60\u002Felement\u002F0427fb61-ba65-4e6f-afae-40370cd37a9a","type":"text","family-id":"e5f91273-0c36-4ad3-8f26-b75ce89a97f5","title":"","id":"0427fb61-ba65-4e6f-afae-40370cd37a9a","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eನಿಜ ಜೀವನದ ಕನ್ನಡಿ: ಶಿಲ್ಪಾ ಮೊಕಾಶಿ, ಧಾರವಾಡ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eರಂಗಭೂಮಿಯ ಸೆಳೆತವೇ ಹಾಗೆ. ಅಷ್ಟು ಸುಲಭಕ್ಕೆ ಬಿಡುವಂಥದ್ದಲ್ಲ. ಹಾಗೆಯೇ ಅಷ್ಟು ಬೇಗ ಒಲಿಯುವಂಥದ್ದೂ ಅಲ್ಲ. ವಿದೇಶದಲ್ಲಿದ್ದು ಅಲ್ಲಿನ ನಾಟಕಗಳ ಸೊಗಡನ್ನೂ ಅರಿತಿರುವ ಧಾರವಾಡದ ಶಿಲ್ಪಾ ಮೊಕಾಶಿ, ನಾಟಕಗಳು ನಿಜ ಜೀವನದಲ್ಲಿ ನಡೆಯುವ ಘಟನೆಗಳಿಗೆ ಕನ್ನಡಿಯಂತೆ ಎನ್ನುತ್ತಾರೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಚಿಕ್ಕಂದಿನಿಂದಲೂ ನಾಟಕ ಎಂದರೆ ಹುಚ್ಚು. ಧಾರವಾಡದಲ್ಲಿ ಓದಿದ್ದು ಎಂಜಿನಿಯರಿಂಗ್‌ ಆದರೂ ರಂಗಭೂಮಿ ಸೆಳೆತ ಮಾತ್ರ ಹಾಗೆಯೇ ಇತ್ತು. ಯಾವ ಪಾತ್ರವಾದರೂ ಸರಿ ವೇದಿಕೆ ಹತ್ತಿ ನಟಿಸುತ್ತಿದ್ದೆ. ಆದರೆ ಮದುವೆಯಾದ ಮೇಲೆ ಹುಟ್ಟೂರು ಮಾತ್ರವಲ್ಲ, ದೇಶವನ್ನೇ ಬಿಟ್ಟು ಹೋಗಿದ್ದೆ. 12 ವರ್ಷ ವಿದೇಶದಲ್ಲಿದ್ದ ನನಗೆ ನಾಟಕ, ವೇದಿಕೆಯ ಸಂಪರ್ಕ ಕಡಿದಿತ್ತು. ಆದರೆ ಅದರೆಡೆಗಿನ ಹುಚ್ಚು ಆಸೆ ಮಾತ್ರ ಕಡಿಮೆಯಾಗಿರಲಿಲ್ಲ. \u003C\u002Fp\u003E\u003Cp\u003Eಇಂಗ್ಲೆಂಡ್‌ನಲ್ಲಿ ಅನೇಕ ನಾಟಕಗಳು ನಡೆಯುತ್ತವೆ‌. ವರ್ಷಗಟ್ಟಲೇ ಒಂದೇ ನಾಟಕ ಪ್ರದರ್ಶಿಸಿದರೂ ನೋಡುಗರ ಸಂಖ್ಯೆ ಕಡಿಮೆಯಾಗುವುದಿಲ್ಲ. ಅಲ್ಲಿದ್ದಾಗ ಆಗಾಗ ನಾಟಕ ನೋಡಲು ಹೋಗುತ್ತಿದ್ದೆ. ವೇದಿಕೆ ಮೇಲೆ ಒಬ್ಬೊಬ್ಬರ ನಟನೆಯನ್ನು ನೋಡಿ ನಾನು ಮಾಡಬೇಕಿತ್ತು ಎಂದು ನನ್ನೊಳಗೇ ಮರುಗಿದ್ದಿದೆ. \u003C\u002Fp\u003E\u003Cp\u003E2015ರಲ್ಲಿ ಭಾರತಕ್ಕೆ ವಾಪಸ್‌ ಆಗಿ ಮೈಸೂರಿನಲ್ಲಿ ವಾಸವಿದ್ದೆವು. ಆಗ ಮತ್ತೆ ‘ಅರಿವು ರಂಗ’ ತಂಡದೊಂದಿಗೆ ಸೇರಿ ನಾಟಕ ಮಾಡಿದ್ದೆ. ವೇದಿಕೆ ಹತ್ತಿದಾಗ ಏನೋ ಕಳೆದುಕೊಂಡಿದ್ದನ್ನು ಮತ್ತೆ ಪಡೆದುಕೊಂಡಂತಾಗಿತ್ತು, ಮಗು ತಾಯಿ ಮಡಿಲನ್ನು ಮತ್ತೆ ಸೇರಿದ ಅನುಭವವದು.\u003C\u002Fp\u003E\u003Cp\u003Eವಿದೇಶಕ್ಕೆ ಹೋಗುವ ಮೊದಲು ನನ್ನ ರಂಗಭೂಮಿ ಜ್ಞಾನ ಇಲ್ಲಿಗೆ ಮಾತ್ರ ಸೀಮಿತವಾಗಿತ್ತು. ಆದರೆ ಅಲ್ಲಿ ಬೇರೆ ಬೇರೆ ನಾಟಕಗಳನ್ನು ನೋಡಲು ಸಾಧ್ಯವಾಗಿತ್ತು. ಧ್ವನಿ ನಾಟಕ, ವಿಜ್ಞಾನ ನಾಟಕ, ಹಾರರ್‌ ನಾಟಕದ ಜತೆಗೆ ಅವರು ಬಳಸುವ ವಿವಿಧ ತಂತ್ರಗಳನ್ನು ತಿಳಿಯಲು ಸಾಧ್ಯವಾಯಿತು. ಅದರ ಬಗ್ಗೆ ತಿಳಿಯಬೇಕೆಂದು ಭಾರತಕ್ಕೆ ಬಂದ ಮೇಲೆ ರಂಗಭೂಮಿ ವಿಷಯದ ಮೇಲೆ ಉನ್ನತ ಶಿಕ್ಷಣ ಪಡೆದುಕೊಂಡೆ. ನಾಟಕದ ವಿವಿಧ ಆಯಾಮಗಳನ್ನು ತಿಳಿದುಕೊಂಡು ನನ್ನಲ್ಲಿ ಅಳವಡಿಸಿಕೊಂಡೆ.\u003C\u002Fp\u003E\u003Cp\u003Eನನ್ನ ಮಕ್ಕಳಿಗೆ ಶಾಲೆಗೆ ಕಳಿಸಿ ಶಿಕ್ಷಣ ಕೊಡಿಸುವ ಬದಲು ಮನೆಯಲ್ಲಿಯೇ ರಂಗಭೂಮಿಯ ಹಿನ್ನೆಲೆಯಲ್ಲಿ ಶಿಕ್ಷಣ ನೀಡುತ್ತಿದ್ದೇನೆ. ಇದರಿಂದ ಮಕ್ಕಳಿಗೆ ಭಾಷೆ, ಬರವಣಿಗೆಯ ಸುಧಾರಣೆಯಾಗುತ್ತದೆ. ಅಲ್ಲದೆ ಹೊಸ ಬಗೆಯ ಕಲಿಕೆ ನೀಡುವ ಪ್ರಯೋಗ ನನ್ನದು.\u003C\u002Fp\u003E\u003Cp\u003Eಮಕ್ಕಳು, ಸಂಸಾರದ ಜಂಜಾಟದ ನಡುವೆ ಕೆಲವೊಮ್ಮೆ ಅನಿಸಿದ್ದಿದೆ ಇಷ್ಟೆಲ್ಲಾ ಜವಾಬ್ದಾರಿ ಬೇಕಿತ್ತಾ ಎಂದು. ಆದರೆ ನಮ್ಮವರು ನೀಡುವ ಪ್ರೋತ್ಸಾಹ ಎಂತಹ ಸಾಧನೆಗಾದರೂ ಸ್ಫೂರ್ತಿ ನೀಡಬಲ್ಲದು. ಅದೇ ಹುರುಪಿನಲ್ಲಿ ನಾಟಕವನ್ನು ನಿರ್ದೇಶಿಸಿ, ತಂಡದೊಂದಿಗೆ ಪ್ರದರ್ಶನ ನೀಡುತ್ತಿದ್ದೇನೆ.\u003C\u002Fp\u003E"}],"card-updated-at":1711122717778,"content-version-id":"7c3e78ca-72f5-42cd-821b-75ad9413a401","card-added-at":1711121921729,"status":"draft","id":"0c82b6bd-8c74-402b-aea9-054193e9c8bc","content-id":"0c82b6bd-8c74-402b-aea9-054193e9c8bc","version":17,"metadata":{"social-share":{"shareable":false,"title":"'ಪಾತ್ರಗಳ ಒಳಗು ಹೊರಗು': ರಂಗಭೂಮಿ ಸಾಧಕಿಯರ ಮನದಾಳದ ಮಾತು","message":"ರಂಗಭೂಮಿಯೇ ಸರ್ವಸ್ವ ","image":{"key":"prajavani\u002F2024-03\u002F3e2cf569-01f9-4f51-8645-ea4414c6571a\u002Fdrama.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಪ್ರಾತಿನಿಧಿಕ ಚಿತ್ರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":800,"height":450,"mime-type":"image\u002Fjpeg","file-size":76191,"file-name":"drama.jpg","focus-point":[368,157]}}},"attributes":{}}},{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F86b2ac7e-bbfb-4a16-8faa-d254ef4deb60\u002Felement\u002F2d4490d2-36e4-422c-b66e-44005a4adf80","type":"text","family-id":"a180d491-7baa-404a-bc65-ed1e30d33688","title":"","id":"2d4490d2-36e4-422c-b66e-44005a4adf80","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಬೆಸೆಯುವ ಸೊಬಗೇ ರಂಗಭೂಮಿ: \u003C\u002Fstrong\u003E\u003Cem\u003E\u003Cstrong\u003Eಶ್ರದ್ಧಾ ರಾಜ್‌, ಇಂಗ್ಲಿಷ್‌ ರಂಗಭೂಮಿ\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E\u003Cp\u003E2015ರಿಂದಲೂ ರಂಗಭೂಮಿಯಲ್ಲಿ ಸಕ್ರಿಯಳಾಗಿದ್ದೀನಿ. ಸ್ವತಂತ್ರ ನಟಿಯಾಗಿದ್ದರೂ ಆಫ್‌ ಸ್ಟ್ರೀಮ್‌ ಫಿಶಸ್‌ ಮತ್ತು ಕ್ವಾಬಿಲಾ ಕಲೆಕ್ಟಿವ್‌ ಎರಡೂ ತಂಡಗಳಲ್ಲಿಯೂ ಗುರುತಿಸಿಕೊಂಡಿದ್ದೇನೆ. ಈಗ ನಟನೆಯನ್ನು ವೃತ್ತಿಯಾಗಿಯೂ ತೆಗೆದುಕೊಂಡಿದ್ದೇನೆ. ‘ಪಂಚಮ ಪದ’, ‘ಆಶಿ ಮತ್ತು ರೇಣು’ ಹೀಗೆ ವಿಭಿನ್ನ ನಾಟಕಗಳಲ್ಲಿ ಪಾತ್ರ ಮಾಡಿದ್ದೇನೆ. ಜತೆಗೆ ಮಕ್ಕಳ ನಾಟಕ ‘ಗಾಢ್‌ ಆಫ್ ಕಾರ್ನೆಜ್‌’ನಲ್ಲಿಯೂ ಪಾತ್ರ ನಿರ್ವಹಿಸಿದ್ದೇನೆ. \u003C\u002Fp\u003E\u003Cp\u003Eಪಿಯು ಓದುತ್ತಿರುವಾಗಲೇ ರಂಗಭೂಮಿಯ ನಂಟು ಅಂಟಿಕೊಂಡಿತು. ನನಗೆ ರಂಗಭೂಮಿಯೆಂಬುದು ಪ್ರತಿಯೊಂದರ ಹೆಣಿಗೆ ಎಂದೇ ಅನಿಸುತ್ತದೆ. ಅದು ಪಾತ್ರವೇ ಆಗಿರಬಹುದು; ಕಥೆಯೇ ಆಗಿರಬಹುದು; ಭಾವವೇ ಆಗಿರಬಹುದು; ಸನ್ನಿವೇಶವೇ ಆಗಿರಬಹುದು. ಹೀಗೆ ಎಲ್ಲವನ್ನು ಹೆಣೆಯುತ್ತ ಒಂದು ಮಾದರಿಯಾಗಿ ರೂಪುಗೊಳ್ಳುವ ಸೊಬಗೇ ರಂಗಭೂಮಿ. ಒಂದಕ್ಕೊಂದು ಬೆಸೆದು ನೋಡುವ ಪರಿಯೇ ಚಂದ. ವ್ಯಷ್ಟಿಯಾಗಿ, ಸಮಷ್ಟಿಯಾಗಿ ಹೇಗೆ ನೋಡಿದರೂ ರಂಗಭೂಮಿ ಜೀವನದ ಉದ್ದಕ್ಕೂ ಹೊಳಹುಗಳನ್ನು ನೀಡುತ್ತಲೇ ಇರುತ್ತದೆ. ಕಾಲೇಜಿನಲ್ಲಿದ್ದಾಗ ರಂಗಭೂಮಿಯಲ್ಲಿ ಸಿಕ್ಕ ಗೆಳೆಯರೂ ಈಗಲೂ ನನ್ನ ಜತೆ ಇದ್ದಾರೆ. ಬದುಕುವ ದಾರಿ, ಮಾರ್ಗದರ್ಶನ, ಜತೆಗೆ ಸ್ನೇಹಿತರ ಬೆಂಬಲ ಹೀಗೆ ಎಲ್ಲವನ್ನು ಕೊಟ್ಟಿದೆ. \u003C\u002Fp\u003E\u003Cp\u003Eರಂಗಭೂಮಿಯಲ್ಲಿ ಹೆಣ್ಣುಮಕ್ಕಳ ಸಂಖ್ಯೆ ಹೆಚ್ಚುತ್ತಲೇ ಇದೆ. ನಾನು ಆರಂಭಿಕ ಹೆಜ್ಜೆಗಳನ್ನು ಇಟ್ಟಿದ್ದು ನಿರ್ದೇಶಕಿಯೊಬ್ಬರ ಸಹಾಯದಿಂದಲೇ.  ಹೆಣ್ಣುಮಕ್ಕಳ ಕೆಲಸಕ್ಕೆ ಪ್ರಾಮುಖ್ಯತೆಯೂ ಸಿಗುತ್ತಿದೆ. ಇಂಗ್ಲಿಷ್‌ ರಂಗಭೂಮಿಯಲ್ಲಿ ಕಥೆ ಹಾಗೂ ನಿರೂಪಣೆಯ ಶೈಲಿಯಲ್ಲಿ ಹಲವು ಪ್ರಯೋಗಗಳು ಆಗುತ್ತಿವೆ. ಅದರಲ್ಲಿಯೂ ಹೆಣ್ಣುಮಕ್ಕಳ ದೃಷ್ಟಿಕೋನದಿಂದ ಪ್ರಯೋಗಗಳು ನಡೆಯುತ್ತಿರುವುದು ಗಮನಾರ್ಹ. ಗಾಢ ಸತ್ಯಕ್ಕೆ ಪ್ರೇಕ್ಷಕ  ಪ್ರಭುವಿನ ಮುಂದೆ ಕನ್ನಡಿ ಹಿಡಿಯುವುದಕ್ಕೆ ರಂಗಭೂಮಿಯಲ್ಲಿ ಬಹಳಷ್ಟು ಅವಕಾಶಗಳಿವೆ. ಅನನ್ಯ ಜಗತ್ತು ಎನಿಸಿಕೊಂಡಿರುವ ಕನ್ನಡ ಮತ್ತು ಇಂಗ್ಲಿಷ್‌ ರಂಗಭೂಮಿಗಳೆರಡೂ ಒಂದಕ್ಕೊಂದು ಸಮೀಪ ಬರುತ್ತಿದೆ ಎನಿಸುತ್ತಿರುವುದು ಖುಷಿಯ ವಿಚಾರ.\u003C\u002Fp\u003E"}],"card-updated-at":1711122717778,"content-version-id":"dc816310-930f-4769-8827-5754c3876529","card-added-at":1711121921729,"status":"draft","id":"cc33b7ec-b68e-4a82-9a5f-f616314abe08","content-id":"cc33b7ec-b68e-4a82-9a5f-f616314abe08","version":17,"metadata":{"social-share":{"shareable":false,"title":"'ಪಾತ್ರಗಳ ಒಳಗು ಹೊರಗು': ರಂಗಭೂಮಿ ಸಾಧಕಿಯರ ಮನದಾಳದ ಮಾತು","message":"ರಂಗಭೂಮಿಯೇ ಸರ್ವಸ್ವ ","image":{"key":"prajavani\u002F2024-03\u002F3e2cf569-01f9-4f51-8645-ea4414c6571a\u002Fdrama.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಪ್ರಾತಿನಿಧಿಕ ಚಿತ್ರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":800,"height":450,"mime-type":"image\u002Fjpeg","file-size":76191,"file-name":"drama.jpg","focus-point":[368,157]}}},"attributes":{}}},{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F86b2ac7e-bbfb-4a16-8faa-d254ef4deb60\u002Felement\u002Fa78150a9-b93d-43ff-9cff-89a39bd8215d","type":"text","family-id":"a4820cf2-8fd1-4d56-871f-d951df69c157","title":"","id":"a78150a9-b93d-43ff-9cff-89a39bd8215d","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eಬದುಕು ಕೊಟ್ಟಿದೆ: ಮಾಲತಿ ಸರದೇಶಪಾಂಡೆ, ಬೆಂಗಳೂರು\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eಜೀವನವೊಂದು ನಾಟಕ ರಂಗ, ಎಲ್ಲರೂ ಕಲಾವಿದರೆ ಎಂಬ ಮಾತು ನಿಜವೇ ಇರಬಹುದು. ನಾಟಕದ ವಿಚಾರ ಬಂದಾಗ ಎಲ್ಲರೂ ಕಲಾವಿದರಾಗಲಾರರು. ಅದಕ್ಕೆ ಬದ್ಧತೆ, ಸಿದ್ಧತೆ ಎಲ್ಲವೂ ಬೇಕು. ಅದರಲ್ಲೂ ಇಂದಿನ ಡಿಜಿಟಲ್ ಯುಗದಲ್ಲಿ ತಾಸುಗಟ್ಟಲೆ ಪ್ರೇಕ್ಷಕನನ್ನು ಹಿಡಿದಿಡುವುದು ಮೊದಲಿಗಿಂತ ಹೆಚ್ಚು ಸವಾಲೇ ಸರಿ. ಅಂತಹ ಶಕ್ತಿ ನಾಟಕಕ್ಕಿದೆಯಾದರೂ ಕಲಾವಿದರಿಗೂ ಅಂತಹ ತಾಕತ್ತಿರಬೇಕು. ಇಂತಹ ತಾಕತ್ತಿನ ಕಲಾವಿದೆ, ಇಂದಿಗೂ ಆಧುನಿಕತೆಯೊಟ್ಟಿಗೆ ನಾಟಕದಲ್ಲಿ ತೊಡಗಿಸಿಕೊಂಡು ಸಾಗುತ್ತಿರುವವರು ಮಾಲತಿ ಸರದೇಶಪಾಂಡೆ.\u003C\u002Fp\u003E\u003Cp\u003Eನಾಟಕವೆಂದರೇನೇ ಹಾಗೆ, ಅದು ಆಪ್ಯಾಯಮಾನವಾದದ್ದು. ರಂಗದ ರಂಗಿನ ಬೆಳಕಿನಲ್ಲಿ ಬಣ್ಣ ತೊಟ್ಟು ನಿಂತರೆ ನಿಜ ಅಸ್ತಿತ್ವ ಮರೆಯಾಗಿ ಪಾತ್ರವಾಗಿ ಬದಲಾಗುವ ಸುಂದರ ಅನುಭವವದು. ಚಿಕ್ಕಂದಿನಲ್ಲಿ ಚಿಕ್ಕಪುಟ್ಟ ಪಾತ್ರಗಳನ್ನು ಮಾಡುತ್ತಿದ್ದ ನಾನು 20ನೇ ವಯಸ್ಸಿನಲ್ಲಿ ಸಂಪೂರ್ಣವಾಗಿ ವೇದಿಕೆ ಹತ್ತಿದ್ದೆ. ಧಾರವಾಡದಲ್ಲಿ ಹಯವದನ ನಾಟಕದಲ್ಲಿ ಪದ್ಮಿನಿಯಾಗಿ ಬಣ್ಣ ಹಚ್ಚಿದ ಮೇಲೆ ರಂಗಭೂಮಿ ನನ್ನ ಜೀವನದ ಭಾಗವೇ ಆಯಿತು.\u003C\u002Fp\u003E\u003Cp\u003Eಬದಲಾವಣೆ ನಿರಂತರ...ಇಂದು ರಂಗಭೂಮಿ ಹೊಸ ತಂತ್ರಜ್ಞಾನದೊಂದಿಗೆ ಹೊಸ ಆವಿಷ್ಕಾರಗಳೊಂದಿಗೆ ಬೆಳೆದುನಿಂತಿದೆ. ಕಾಲಕ್ಕೆ ತಕ್ಕಂತೆ ನಾವೂ ಬದಲಾವಣೆ ಮಾಡಿಕೊಂಡು, ಕಲೆಯ ನೈಜ ಸತ್ವಕ್ಕೆ ಕುಂದು ಬಾರದಂತೆ ನಡೆಸಿಕೊಂಡು ಬರುತ್ತಿದ್ದೇವೆ. ಕಲಾವಿದರಾಗಿ ಅದು ನಮ್ಮ ಕರ್ತವ್ಯ ಕೂಡ.\u003C\u002Fp\u003E\u003Cp\u003Eಹಿಂದೆಲ್ಲಾ ತಡರಾತ್ರಿ ನಾಟಕದಲ್ಲಿ ಅಭಿನಯಿಸಲು ಹೆಣ್ಣುಮಕ್ಕಳು ಮನೆಯಿಂದ ಹೊರಹೋಗುತ್ತಾರೆ ಎಂದರೆ ಕುಟುಂಬಕ್ಕೆ ಭಯವೇ ಹೆಚ್ಚಿತ್ತು.   ನಾಟಕದ ಬಗ್ಗೆ ಅರಿವಿದ್ದವರು, ಅದರ ಹಿನ್ನೆಲೆಯಲ್ಲಿಯೇ ಬೆಳೆದು ಬಂದವರು ಮಾತ್ರ ಮುಂದೆ ಬರಲು ಸಾಧ್ಯವಾಗುತ್ತಿತ್ತು. ಈಗ ಕಾಲ ಬದಲಾಗಿದೆ, ನಾಟಕದಲ್ಲಿ ಆಸಕ್ತಿ ಹೊಂದಿರುವ ಯುವ ಜನತೆ ನಮ್ಮ ನಡುವೆ ಇದ್ದಾರೆ ಎನ್ನುವುದು ಖುಷಿಯ ವಿಷಯ.\u003C\u002Fp\u003E\u003Cp\u003Eಹವ್ಯಾಸಿ ರಂಗಭೂಮಿ ಕಲಾವಿದೆಯಾಗಿ ಪಯಣ ಆರಂಭಿಸಿದ ನನ್ನನ್ನು ಕಲೆ ಅಪ್ಪಿಕೊಂಡಿತ್ತು. ವೇದಿಕೆಯಲ್ಲಿ ನಿಂತ ಮೇಲೆ ರಮಾಬಾಯಿ, ಮೋಹಿನಿ, ಲಕ್ಷ್ಮಿ ಯಾವುದೇ ಪಾತ್ರವಾಗಲೀ ಮಾಲತಿ ಮರೆಯಾಗಿ ಆ ಪಾತ್ರವೇ ರಾರಾಜಿಸುತ್ತಿತ್ತು. ಸಾವಿರಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನ ನೀಡಿದರೂ ಸಹಿರಿಸಹಿ ಮತ್ತು ಆಲ್‌ ದಿ ಬೆಸ್ಟ್ ನನ್ನ ನೆಚ್ಚಿನ ನಾಟಕ. 11-13 ಜನರ ನಮ್ಮ ತಂಡ ಇಂದಿಗೂ ಕಲಾಪ್ರೇಮಿಗಳನ್ನು ನಾಟಕದತ್ತ ಹೊರಳುವಂತೆ ಮಾಡುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗಿದ್ದೇವೆ ಎಂಬ ಹೆಮ್ಮೆ ನಮ್ಮದು. ಕಿರುತೆರೆಯಲ್ಲಿ ಸಕ್ರಿಯರಾಗಿದ್ದರೂ ನಾಟಕದ ಒಲವು ಇಂದಿಗೂ ನನ್ನನ್ನು ಸೆಳೆಯುತ್ತದೆ.\u003C\u002Fp\u003E"}],"card-updated-at":1711122717778,"content-version-id":"5974321e-5198-4a2e-9fb8-beb8eebd919b","card-added-at":1711122141140,"status":"draft","id":"2e4d97b6-c4dd-475b-942e-7d33370ca204","content-id":"2e4d97b6-c4dd-475b-942e-7d33370ca204","version":13,"metadata":{"social-share":{"shareable":false,"title":"'ಪಾತ್ರಗಳ ಒಳಗು ಹೊರಗು': ರಂಗಭೂಮಿ ಸಾಧಕಿಯರ ಮನದಾಳದ ಮಾತು","message":"ರಂಗಭೂಮಿಯೇ ಸರ್ವಸ್ವ ","image":{"key":"prajavani\u002F2024-03\u002F3e2cf569-01f9-4f51-8645-ea4414c6571a\u002Fdrama.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಪ್ರಾತಿನಿಧಿಕ ಚಿತ್ರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":800,"height":450,"mime-type":"image\u002Fjpeg","file-size":76191,"file-name":"drama.jpg","focus-point":[368,157]}}},"attributes":{}}},{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F86b2ac7e-bbfb-4a16-8faa-d254ef4deb60\u002Felement\u002F8a396749-49e7-4976-90d8-ebf93b1718a6","type":"text","family-id":"cb7444aa-2b6a-49d2-baf2-2442ab3d437a","title":"","id":"8a396749-49e7-4976-90d8-ebf93b1718a6","metadata":{},"subtype":null,"text":"\u003Cp\u003E\u003Cstrong\u003Eನಾಟಕವೇ ಜೀವಾಳ: ಹನುಮಕ್ಕ, ಮರಿಯಮ್ಮನಹಳ್ಳಿ\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003Cp\u003Eಕೆ. ವಿ ಸುಬ್ಬಣ್ಣ, ಯು. ಆರ್‌. ಅನಂತಮೂರ್ತಿ, ಬಿ. ವಿ. ಕಾರಂತರು ಹೀಗೆ ಅನೇಕ ಹಿರಿಯ ಕಲಾವಿದರ ಮಾರ್ಗದರ್ಶನದಲ್ಲಿ ಬೆಳೆದ ಅಪ್ಪಟ ಹವ್ಯಾಸಿ ರಂಗಭೂಮಿ ಕಲಾವಿದೆ ನಾನು. 1994ರಿಂದ ನಟನೆಯಲ್ಲಿ ತೊಡಗಿಸಿಕೊಂಡಿದ್ದೇನೆ. ಪ್ರತಿ ಕಲಾವಿದರಿಗೂ ರಂಗಭೂಮಿಯೇ ಬುನಾದಿ.\u003C\u002Fp\u003E\u003Cp\u003Eತಂದೆಯ ಪೀಳಿಗೆಗೆ ರಂಗಭೂಮಿಯೊಂದಿಗಿನ ನಂಟು ಕೊನೆಯಾಗಬಾರದು, ಅದನ್ನು ಮುಂದುವರಿಸಿಕೊಂಡು ಏನಾದರೂ ಸಾಧನೆ ಮಾಡಬೇಕೆಂದು ಹೊರಟ ನನಗೆ ನಾಟಕವೇ ಜೀವಾಳವಾಗಿತ್ತು. ಮನೆ ತೊರೆದು ನೀನಾಸಂಗೆ ಸೇರಿದ್ದು ನನ್ನ ತಂದೆಗೆ ಇಷ್ಟವಿರಲಿಲ್ಲ, ಸರಿಸುಮಾರು ಮೂರು ತಿಂಗಳು ಮನೆಯವರ ಸಂಪರ್ಕವಿಲ್ಲದೆ ಹೊರಗಿನವರ ಉಪಚಾರದಲ್ಲಿಯೇ ಇದ್ದೆ, ಹೆಣ್ಣುಮಕ್ಕಳನ್ನು ರಂಗಭೂಮಿಯಿಂದ ದೂರವಿಡುತ್ತಿದ್ದ ಕಾಲದಲ್ಲಿ ಅದರಲ್ಲೇ ಜೀವನ ಕಟ್ಟಿಕೊಳ್ಳಲು ಹೊರಟಿದ್ದೆ. ದಿನಕಳೆದಂತೆ ನನ್ನ ಏಳಿಗೆ ಕಂಡು ತಂದೆಯೂ ಕ್ರಮೇಣ ಒಪ್ಪಿಕೊಂಡರು. ಅಲ್ಲಿಂದ ನನ್ನ ಪಯಣಕ್ಕೆ ಹೊಸ ತಿರುವು ಶುರುವಾಗಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003Eನಾಟಕವೇ ಜೀವನವಾಗಿ ಸುಮಾರು 30 ವರ್ಷಗಳು ಕಳೆಯುತ್ತಾ ಬಂತು. 200ಕ್ಕೂ ಹೆಚ್ಚು ನಾಟಕಗಳಲ್ಲಿ ಅಭಿನಯಿಸಿದ್ದೇನೆ. ಇಂದಿಗೂ ವೇದಿಕೆ ಹತ್ತುವಾಗ ಅದೇನೋ ಅಳುಕು, ಆಂತರ್ಯದಲ್ಲಿ ಭಯ ಪುಟಿದೇಳುತ್ತದೆ. ಪಾತ್ರವಾಗಿ ಒಮ್ಮೆ ಮೈಮರೆತರೆ ಹೊರಗಿನ ಪ್ರಪಂಚ ಶೂನ್ಯ. ಅಂತಹ ಒಂದು ಭಯ ಇದ್ದರೆ ಮಾತ್ರ ಒಬ್ಬ ಕಲಾವಿದ ಮುಂದುವರಿಯಲು ಸಾಧ್ಯ ಎನ್ನುವುದು ನನ್ನ ತತ್ವ.\u003C\u002Fp\u003E\u003Cp\u003Eನಿರ್ದೇಶಕರು ನೀಡುವ ಪ್ರತೀ ಪಾತ್ರವೂ ಸವಾಲು. ವೈಯಕ್ತಿಕವಾಗಿ ಎಷ್ಟೇ ಕಲಿಸಿದರೂ ಎದುರಿಗಿರುವ ಕಲಾವಿದನ ನಟನೆ ನೋಡಿ ಕಲಿಯುವ ಮನಸ್ಸಿರಬೇಕು. ನನ್ನ ಪಾತ್ರವನ್ನು ನಾನು ಇನ್ನಷ್ಟು ಚಂದವಾಗಿ ಹೇಗೆ ಮಾಡಬಹುದು ಎನ್ನುವ ಹುಮ್ಮಸ್ಸಿರಬೇಕು. ಆಗ ಮಾತ್ರ ನಾಟಕದಲ್ಲಿನ ಪಾತ್ರ ನಾವಾಗಲು ಸಾಧ್ಯ. ಪ್ರತಿ ಪಾತ್ರಕ್ಕೆ ಜೀವ ತುಂಬುವ ಹಾಗೆ ರಂಗಭೂಮಿ ನಮ್ಮ ಜೀವನಕ್ಕೆ ರಂಗು ತುಂಬಿದೆ. ಏನೇ ಸನ್ನಿವೇಶ ಬರಲಿ, ಯಾವುದೇ ಜಾಗವಿರಲಿ ಬದುಕಬಲ್ಲೆ ಎನ್ನುವ ಧೈರ್ಯ ನೀಡಿದೆ. ಅದರಲ್ಲೇ ಜೀವನ ರೂಪಿಸಿಕೊಂಡೆ ಎನ್ನುವ ಸಾರ್ಥಕತೆ ನನ್ನದು.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"promotional-message":true}}],"card-updated-at":1711122717778,"content-version-id":"400fa10c-a810-4a59-89df-7ad7b0420522","card-added-at":1711122370762,"status":"draft","id":"a8e5e74f-2b43-4a42-aa0e-ee8fe9212bcc","content-id":"a8e5e74f-2b43-4a42-aa0e-ee8fe9212bcc","version":11,"metadata":{"social-share":{"shareable":false,"title":"'ಪಾತ್ರಗಳ ಒಳಗು ಹೊರಗು': ರಂಗಭೂಮಿ ಸಾಧಕಿಯರ ಮನದಾಳದ ಮಾತು","message":"ರಂಗಭೂಮಿಯೇ ಸರ್ವಸ್ವ ","image":{"key":"prajavani\u002F2024-03\u002F3e2cf569-01f9-4f51-8645-ea4414c6571a\u002Fdrama.jpg","url":null,"attribution":null,"alt-text":null,"caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಪ್ರಾತಿನಿಧಿಕ ಚಿತ್ರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":800,"height":450,"mime-type":"image\u002Fjpeg","file-size":76191,"file-name":"drama.jpg","focus-point":[368,157]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Finternational-theatre-day-women-achievers-interview-2734475","story-version-id":"52070433-c5a6-4235-b0f1-458422d450ec","content-type":"story","content-updated-at":1711150199580,"author-id":1751156,"owner-id":1754178,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1711150200000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಪ್ರಾತಿನಿಧಿಕ ಚಿತ್ರ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":18,"story-template":"syndicated","sequence-no":null,"created-at":1711122717771,"authors":[{"slug":"roopa-km","social":{},"name":"ರೂಪಾ .ಕೆ.ಎಂ.","contributor-role":{"id":7161,"name":"Author"},"avatar-url":null,"bio":null,"id":1751156,"avatar-s3-key":null,"twitter-handle":null},{"slug":"pvitraa-bhtt","social":{},"name":"ಪವಿತ್ರಾ ಭಟ್","contributor-role":{"id":7161,"name":"Author"},"avatar-url":null,"bio":null,"id":1764400,"avatar-s3-key":null,"twitter-handle":null}],"metadata":{"imported-card-is-read-only":null,"story-attributes":{"syndicatedfrom":["DCX"],"syndicated-categories":["ಲೇಖನ \u002F ನುಡಿಚಿತ್ರ"]},"imported-card-id":"c5d11e8c-4da0-46fb-a544-2a7ef2d3500a","byline-no-author-page":"","card-share":{"shareable":false}},"publish-at":1711150200000,"assignee-name":"syndication"}},{"id":"49a21551-0e0b-40e4-b466-dc18b79258f5","score":null,"type":"story","item":{"headline":["ರಂಗ ಭಾಷೆಯ ಹೊಸ ವಿನ್ಯಾಸ "]},"story":{"updated-at":1710599219595,"seo":{"meta-keywords":["Theater","Art","Culture"],"meta-description":"ಮೈಸೂರಿನ ರಂಗಾಯಣದ ಭೂಮಿಗೀತ ರಂಗಮಂದಿರದಲ್ಲಿ ಇಂಫಾಲದ ಅಖೋಕಾ ಥಿಯೇಟರ್‌ನ ಐವರು ಕಲಾವಿದರು ವೇದಿಕೆ ತುಂಬ ಮಣ್ಣು ಚೆಲ್ಲುತ್ತಲೇ ಕೇವಲ ಒಂದು ಗಂಟೆ ಅವಧಿಯಲ್ಲಿ ಇಂಥದ್ದೊಂದು ಅನುಭವವನ್ನು ನೋಡುಗರಿಗೆ ದಾಟಿಸಿದರು.\n\n","claim-reviews":{"story":null}},"assignee-id":1754434,"author-name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","tags":[{"id":5509755,"name":"Art","meta-description":null,"meta-title":null,"slug":"art","tag-type":"Tag"},{"id":5509813,"name":"Culture","meta-description":null,"meta-title":null,"slug":"culture","tag-type":"Tag"},{"id":5513289,"name":"Theater","meta-description":null,"meta-title":null,"slug":"theater","tag-type":"Tag"}],"headline":"ರಂಗ ಭಾಷೆಯ ಹೊಸ ವಿನ್ಯಾಸ ","storyline-id":null,"votes":{},"story-content-id":"49a21551-0e0b-40e4-b466-dc18b79258f5","slug":"entertainment\u002Ftheatre\u002Farticle-on-theater-artists-of-manipur-2728293","last-published-at":1710635280000,"public-identifier":"2728293","subheadline":null,"alternative":{},"sections":[{"domain-slug":null,"slug":"theatre","name":"ರಂಗಭೂಮಿ","section-url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre","id":51439,"parent-id":51435,"display-name":"ರಂಗಭೂಮಿ","collection":{"slug":"theatre-entertainment","name":"ರಂಗಭೂಮಿ (ಸಿನಿಮಾ ಜಗತ್ತು)","id":125715},"data":null}],"read-time":2,"access-level-value":null,"content-created-at":1710598176200,"is-embargoed":false,"owner-name":"ಅಬ್ದುಲ್ ರಹಿಮಾನ್","custom-slug":"article on theater artists of manipur","push-notification":null,"publisher-id":4234,"hero-image-metadata":{"width":1200,"height":686,"mime-type":"image\u002Fjpeg","file-size":124411,"file-name":"file7ukhkp9mf1z3soxsl4.jpg","focus-point":[612,302]},"comments":null,"word-count":445,"entities":{},"published-at":1710635280000,"embargoed-till":null,"breaking-news-linked-story-id":null,"storyline-title":null,"summary":null,"push-notification-title":null,"external-id":null,"canonical-url":null,"hero-image-hyperlink":null,"autotags":[],"linked-entities":[],"status":"published","hero-image-attribution":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಚಿತ್ರ: ಅನೂಪ್‌ ಟಿ.ರಾಘ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","bullet-type":"123","id":"49a21551-0e0b-40e4-b466-dc18b79258f5","hero-image-s3-key":"prajavani\u002F2024-03\u002F8e8473cb-0c0c-4178-9eb5-11c9506e7efb\u002Ffile7ukhkp9mf1z3soxsl4.jpg","contributors":null,"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F49a21551-0e0b-40e4-b466-dc18b79258f5\u002Felement\u002F2b95a2f6-3441-4359-bf06-25785b8646c3","type":"text","family-id":"4ec68fcb-2623-45d0-88ad-d364b2e6ac9c","title":"","id":"2b95a2f6-3441-4359-bf06-25785b8646c3","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಫಲವತ್ತಾದ ತಾಯ್ನೆಲದಿಂದ ಬಂಜರುಭೂಮಿಗೆ ಎಸೆಯಲ್ಪಟ್ಟವರ ಅತೀವ ಸಂಕಟ ಚೀತ್ಕಾರವಾಗಬೇಕಿಲ್ಲ. ಅಳು ಕಣ್ಣೀರಾಗಬೇಕಿಲ್ಲ. ಮಾತು ಇರಲೇಬೇಕಿಲ್ಲ. ದೇಸಿ ಸಂಗೀತದ ಲಯಕ್ಕೆ ತಕ್ಕ ಧ್ವನಿ, ವೈವಿಧ್ಯಮಯ ಚಲನೆಗಳಲ್ಲೇ ಅಭಿನಯಿಸಬಹುದು. ನೋಡುಗರ ಎದೆಯೊಳಕ್ಕೂ ಈ ಸಂಕಟವನ್ನು ದಾಟಿಸಬಹುದು...\u003C\u002Fp\u003E\u003Cp\u003Eಮೈಸೂರಿನ ರಂಗಾಯಣದ ಭೂಮಿಗೀತ ರಂಗಮಂದಿರದಲ್ಲಿ ಇಂಫಾಲದ ಅಖೋಕಾ ಥಿಯೇಟರ್‌ನ ಐವರು ಕಲಾವಿದರು ವೇದಿಕೆ ತುಂಬ ಮಣ್ಣು ಚೆಲ್ಲುತ್ತಲೇ ಕೇವಲ ಒಂದು ಗಂಟೆ ಅವಧಿಯಲ್ಲಿ ಇಂಥದ್ದೊಂದು ಅನುಭವವನ್ನು ನೋಡುಗರಿಗೆ ದಾಟಿಸಿದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಈ ತಂಡ ತೀವ್ರವಾಗಿ, ತಮ್ಮ ಎಲ್ಲ ದೈಹಿಕ ಶಕ್ತಿಯನ್ನೂ ಹಾಕಿ, ನೆಗೆದು, ಕುಣಿದು ಅಭಿನಯಿಸಿದ ‘ಅಬೊರಿಜನಲ್‌ ಕ್ರೈ’ ಸಂಭಾಷಣೆ ರಹಿತ ನಾಟಕ. ಅದರೊಂದಿಗೆ, ತನ್ನ ಪ್ರಯೋಗಶೀಲತೆಯ ಕಾರಣಕ್ಕೆ ರಂಗಭಾಷೆಗೊಂದು ಹೊಸ ಕಥನ ಕಾವ್ಯದ ಸಾಧ್ಯತೆಯನ್ನು ತೋರಿಸಿಕೊಟ್ಟಿತ್ತು. ಈ ಪ್ರಯೋಗದ ಪರಿಕಲ್ಪನೆ, ವಿನ್ಯಾಸ ಮತ್ತು ನಿರ್ದೇಶನ ಮಾಡಿದ ಥೌದಮ್ ವಿಕ್ಟರ್‌ ಸಿಂಗ್‌ ಕೂಡ ಮೆಚ್ಚುಗೆಗೆ ಪಾತ್ರರಾದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಕಳೆದ ವಾರ ನಡೆದ ಬಹುರೂಪಿ ರಾಷ್ಟ್ರೀಯ ನಾಟಕೋತ್ಸವದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಂಡ ವಿವಿಧ ರಾಜ್ಯಗಳ ಆರು ನಾಟಕಗಳು ಇಂಥ ತಾಜಾ ಪ್ರಯೋಗಗಳಿಂದಲೇ ಗಮನ ಸೆಳೆದವು. ರಂಗಭೂಮಿಯಲ್ಲಿ ಹೊಸತನದ ನಿರೂಪಣೆಗಾಗಿ ಎದುರು ನೋಡುತ್ತಿದ್ದ ಬಹುತೇಕರು ಇಂಥ ನಾಟಕಗಳಿಗೆ ಮೊದಲಿಗರಾಗಿ ಬಂದು ಕುಳಿತಿದ್ದರು.\u003C\u002Fp\u003E\u003Cp\u003Eವಿಶಿಷ್ಟ ಪರಿಕಲ್ಪನೆಗಳನ್ನು ಆಧರಿಸಿಯೇ ಹಲವು ವರ್ಷಗಳಿಂದ ಉತ್ಸವವನ್ನು ಹಮ್ಮಿಕೊಂಡು ಬಂದಿರುವ ರಂಗಾಯಣ, ಈ ಬಾರಿ ‘ಇವ ನಮ್ಮವ, ಇವ ನಮ್ಮವ’ ಪರಿಕಲ್ಪನೆಯಡಿ, ವಚನ ಚಳವಳಿಯ ಕನ್ನಡಿಯಲ್ಲಿ ಇಂದಿನ ಕಾಲಮಾನವನ್ನು ಅಭಿವ್ಯಕ್ತಿಸುವ ಸಾಧ್ಯತೆಯ ಹುಡುಕಾಟದಲ್ಲಿ ಉತ್ಸವವನ್ನು ಆಯೋಜಿಸಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003E‘ಇವನಾರವ ಇವನಾರವ ಎಂದೆನಿಸದಿರಯ್ಯ; ಇವ ನಮ್ಮವ, ಇವ ನಮ್ಮವನೆಂದೆನಿಸಯ್ಯ’ ಎಂಬ ಬಸವಣ್ಣನ ವಚನದ ಸಾಲುಗಳನ್ನೇ ಇಂದಿನ ಮೂಲನಿವಾಸಿಗಳು, ದಲಿತರು ಮತ್ತು ತಳಮಟ್ಟದಲ್ಲಿ ದುಡಿಯುತ್ತಿರುವ ಕೈ ಕಸುಬುದಾರ ಜನ ಸಂಕಟದಿಂದ ತಮ್ಮ ಭಾಷೆಯಲ್ಲಿ ಹೇಳುತ್ತಿದ್ದಾರೆ. ಅವರ ಸಂಕಟಕ್ಕೆ ದನಿಯಾದ ಇನ್ನೊಂದು ನಾಟಕ ಮಲಯಾಳಂನ ‘ಚಿಲ್ಲರ ಸಮರಂ’. ಕೇರಳದ ಲಿಟಲ್‌ ಅರ್ಥ್ ಸ್ಕೂಲ್‌ ಆಫ್‌ ಥಿಯೇಟರ್‌ನ ಕಲಾವಿದರು ಕಲಾಮಂದಿರದ ದೊಡ್ಡ ವೇದಿಕೆಯಲ್ಲಿ ಈ ನಾಟಕವನ್ನು ಅರೆಬೆತ್ತಲೆ ವೇಷಧಾರಿಗಳಾಗಿ ಅಭಿನಯಿಸುತ್ತಿದ್ದಾಗ ಅವರ ಮೈಯಲ್ಲಿ ಬೆವರು ಸುರಿಯುತ್ತಿತ್ತು.\u003C\u002Fp\u003E\u003Cp\u003Eಅಭಿನಯವೆಂಬುದೊಂದು ಬಹುತೇಕ ಮೆಲು ನಡೆ ನುಡಿಗಳ ನಾಜೂಕು ಪ್ರಯೋಗ ಎಂಬ ಮಾತಿಗೆ ಹೊರತಾದಂತೆ, ಅಲ್ಲಿ ದೈಹಿಕ ಶ್ರಮ ಹೆಚ್ಚೇ ಆವರಿಸಿತ್ತು. ದುಡಿಯುವ ಜನರೆಂದರೆ ಬೆವರಿಳಿಸುವ ಜನರಲ್ಲವೇ. ಚಿಲ್ಲರೆ ಮುಷ್ಕರ ಎಂದರೆ ಯಾವ ಪ್ರಭಾವವೂ ಇಲ್ಲದ ಜನರ ಮುಷ್ಕರ. ಅವರ ಪ್ರತಿಭಟನೆಗೂ ಬೆವರು ಹರಿಯಲೇಬೇಕು.\u003C\u002Fp\u003E\u003Cp\u003Eಬೃಹತ್‌ ಡಾಲರ್‌ ನೋಟಿನ ಜೊತೆಗೆ ಬರುವ ದಲ್ಲಾಳಿಗಳ ಠೇಂಕಾರ, ದೇಸಿ ವೃತ್ತಿಗಳನ್ನು ನೆಚ್ಚಿಕೊಂಡ ಚಿಲ್ಲರೆ ಜನರ ಅಸಹಾಯಕತೆಯನ್ನು ನಿರ್ದೇಶಕ ಅರುಣ್‌ಲಾಲ್‌ ಅವರು ಸ್ವಾರಸ್ಯಕರವಾಗಿ ಕಟ್ಟಿಕೊಟ್ಟಿದ್ದರಿಂದಲೇ, ನಾಟಕ ಮುಗಿದು ಹೊರಗೆ ಬಂದ ಮೇಲೆ ಬಹುಹೊತ್ತು ಪ್ರೇಕ್ಷಕರು ಚರ್ಚೆಯಲ್ಲಿ ತೊಡಗಿದ್ದರು.\u003C\u002Fp\u003E\u003Cp\u003Eಉತ್ತರ ಪ್ರದೇಶದ ಕಮಲಾಶಂಕರ್ ಧನವಂತಿದೇವಿ ಫೌಂಡೇಶನ್ ತಂಡ ಪ್ರದರ್ಶಿಸಿದ ‘ದುಖ್ವಾ ಮೇ ಬೀತಲ್‌ ರತಿಯಾ’ ಕಥಾವಸ್ತುವಿನ ಕಾರಣಕ್ಕೆ ಮೈಜುಮ್ಮೆನಿಸಿದಂಥ ಹಿಂದಿ ನಾಟಕ.\u003C\u002Fp\u003E\u003Cp\u003Eಹಳ್ಳಿಯಲ್ಲಿ ಸಾವಿಗೀಡಾದವರ ಆತ್ಮಕ್ಕೆ ಶಾಂತಿ ಕೋರಲೆಂದೇ ಹಸಿ ಹಾಲು ಕುಡಿದು, ನಂತರ, ಅದೇ ಕುಟುಂಬದವರಿಂದ ನಿಂದನೆ ಎದುರಿಸುವ ಸಂಪ್ರದಾಯವನ್ನು ಪಾಲಿಸುವ ಮಹಾಪಥರ್ ಸಮುದಾಯದಲ್ಲಿ ಹುಟ್ಟಿದ ಲೌಂಡ್‌ ಜರೇಲಾನ ಪ್ರತಿರೋಧವು ವ್ಯರ್ಥವಾಗುವ ಕಥೆ.\u003Cbr\u003E‌\u003Cbr\u003Eಊಳಿಗಮಾನ್ಯ ವ್ಯವಸ್ಥೆಯ ಶೋಷಣೆ ವಿರುದ್ಧ ಬಂಡೇಳುವ ಆತನ ಒಳತೋಟಿ, ಬಂಡಾಯ ಸಫಲವಾಗದೆ ಮತ್ತೆ ಮಹಾಪಥರ್‌ಗೆ ಮರಳುವ ಸಂಕಟ ಕನ್ನಡದ ಪ್ರೇಕ್ಷಕರ ಮಟ್ಟಿಗೆ ಹೊಸ ಅನುಭವ. ಸಂಘರ್ಷದ ನಡುವೆಯೇ ‘ಇವ ನಮ್ಮವ ಇವ ನಮ್ಮವನೆಂದಿನಿಸಯ್ಯ’ ಎಂಬ ಭಾವವನ್ನು ಹೊಮ್ಮಿಸಲೆತ್ನಿಸಿ ಸೋಲುವ ಕ್ಷಣಗಳ ಅಭಿನಯ ಮನಕ್ಕೆ ತಾಕದೇ ಇರದು.\u003C\u002Fp\u003E\u003Cp\u003Eಮಗಳ ಮದುವೆಗೆ ಅಡ್ಡಿಯಾದ ಎತ್ತಿನಬಂಡಿಯನ್ನು ಮಾರಬೇಕೇ ಬೇಡವೇ ಎಂಬ ಸಂದಿಗ್ದದ ನಡುವೆ ಸಿಲುಕುವ ಕುಟುಂಬದ ಕತೆಯನ್ನು ಹೇಳುವ ಮರಾಠಿ ನಾಟಕ ‘ಖಟಾರ’. ಬದುಕಿಗೆ ಆಧಾರವಾದ ಕೃಷಿಯ ಸಂಪನ್ಮೂಲಗಳನ್ನು ಉಳಿಸಿಕೊಳ್ಳುವ ಸಲುವಾಗಿ ನಡೆಯುವ ತಾಕಲಾಟಗಳು ಮತ್ತವೇ ಆಧುನಿಕ ಬದುಕಿನ ಜಂಜಾಟಗಳ ಕಡೆಗೆ ಗಮನ ಸೆಳೆಯುತ್ತವೆ.\u003C\u002Fp\u003E\u003Cp\u003Eಪರಿಕಲ್ಪನೆ ಮತ್ತು ಮಂಡನೆಯ ಹೊಸತನದ ಕಾರಣಕ್ಕೆ ಗಮನ ಸೆಳೆದ ಕನ್ನಡದ ನಾಟಕ, ‘ಕಲ್ಯಾಣದ ಬಾಗಿಲು’. ಅದನ್ನು ನಾಟಕ ಎನ್ನುವುದಕ್ಕಿಂತ ಸಾಮರಸ್ಯದ ಗೀತರೂಪಕವೆಂದೇ ಹೇಳಬೇಕು. ಸಾಮರಸ್ಯದ ಹೊಸ ಕಲ್ಯಾಣ ಕಟ್ಟುವ ಆಶಯವನ್ನು ಪ್ರತಿ ದೃಶ್ಯದಲ್ಲೂ ಪ್ರತಿಪಾದಿಸುವ ನಾಟಕ, ವಚನ ಚಳವಳಿ ಸೇರಿದಂತೆ ಎಲ್ಲ ತಾತ್ವಿಕ ಧಾರೆಗಳ ಸಾಧಕರನ್ನು, ಆಧುನಿಕ ಕಾಲಘಟ್ಟದ ಸುಧಾರಣಾವಾದಿಗಳನ್ನು ಮುಖಾಮುಖಿಯಾಗಿಸುತ್ತದೆ. ದೇಶದ ಸಂವಿಧಾನವನ್ನು ರಕ್ಷಿಸಲೇಬೇಕಾದ ದುರಿತ ಕಾಲದ ಅಗತ್ಯವನ್ನು ಎತ್ತಿಹೇಳುವ ಕಾರಣಕ್ಕೆ ಇದು ಮಹತ್ವದ ನಾಟಕ. ಉತ್ಸವದ ಆಶಯವನ್ನು ಅತ್ಯಂತ ಉತ್ಕೃಷ್ಟ ಮಟ್ಟದಲ್ಲಿ ಎತ್ತಿಹಿಡಿಯುವ ನಾಟಕ.\u003C\u002Fp\u003E\u003Cp\u003Eಆಶಯಕ್ಕೆ ತಕ್ಕ ಪ್ರಯೋಗಶೀಲ ನಾಟಕಗಳನ್ನು ಭಾರತೀಯ ಭಾಷೆಗಳಲ್ಲಿ ಹುಡುಕಾಡಿ ಆಯ್ಕೆ ಮಾಡಿದ ರಂಗಾಯಣಕ್ಕೆ ಅಭಿನಂದನೆಗಳು ಸಲ್ಲಲೇಬೇಕು.\u003C\u002Fp\u003E\u003Cp\u003E‘ಕನ್ನಡದ ಜೊತೆಗೆ ಜಗತ್ತು’ ಎಂಬ ಆಶಯವೂ ಈ ಉತ್ಸವಕ್ಕೆ ಇರುವುದರಿಂದಲೇ ಬಹುಭಾಷಾ ನಾಟಕೋತ್ಸವದಲ್ಲಿ ‘ಮುಟ್ಟಿಸಿಕೊಂಡವನು’, ‘ದ್ರೋಪದಿ ಹೇಳ್ತವ್ಳೆ’, ‘ಶಿಶುನಾಳ ಶರೀಫ’ ನಂಥ ನಾಟಕಗಳೂ ಗಮನ ಸೆಳೆದವು.\u003C\u002Fp\u003E\u003Cp\u003Eವಿಚಾರ ಸಂಕಿರಣ, ಚಲನಚಿತ್ರೋತ್ಸವ, ಜನಪದ ಸಂಭ್ರಮ, ಪುಸ್ತಕ ಮೇಳ, ಕರಕುಶಲ ಮೇಳ, ದೇಸಿ ಆಹಾರ ಮೇಳವೆಲ್ಲ ಬೆರೆತ ಸಿದ್ಧ ಚೌಕಟ್ಟಿನೊಳಗೇ ರಂಗಾಯಣ ಉತ್ಸವವನ್ನು ಆಯೋಜಿಸಿದ್ದರೂ ಚೌಕಟ್ಟು ಮೀರಿದ ಕೆಲವು ಚಿತ್ರಗಳೂ ಕಂಡು ಬಂದಿದ್ದು ವಿಶೇಷ.\u003C\u002Fp\u003E"},{"id":"00000000-0000-0000-0000-000000000000","description":"","title":"","subtype":null,"type":"text","text":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ 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ನಾಟಕ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","metadata":{"width":1200,"height":686,"mime-type":"image\u002Fjpeg","file-size":124411,"file-name":"file7ukhkp9mf1z3soxsl4.jpg","focus-point":[612,302]}}},"attributes":{}}}],"url":"https:\u002F\u002Fwww.prajavani.net\u002Fentertainment\u002Ftheatre\u002Farticle-on-theater-artists-of-manipur-2728293","story-version-id":"88e2c9fa-0f3d-4b0c-957e-61146fcec4d0","content-type":"story","content-updated-at":1710635280497,"author-id":1747190,"owner-id":1754434,"linked-story-ids":[],"access":null,"promotional-message":"\u003Cdiv\u003E\u003Cp\u003E\u003Cstrong\u003Eಪ್ರಜಾವಾಣಿ ಆ್ಯಪ್ ಇಲ್ಲಿದೆ: \u003Ca href=\"https:\u002F\u002Fplay.google.com\u002Fstore\u002Fapps\u002Fdetails?id=com.tpml.pv\"\u003Eಆಂಡ್ರಾಯ್ಡ್ \u003C\u002Fa\u003E| \u003Ca href=\"https:\u002F\u002Fapps.apple.com\u002Fin\u002Fapp\u002Fprajavani-kannada-news-app\u002Fid1535764933\"\u003Eಐಒಎಸ್\u003C\u002Fa\u003E | \u003Ca href=\"https:\u002F\u002Fwhatsapp.com\u002Fchannel\u002F0029Va94OfB1dAw2Z4q5mK40\"\u003Eವಾಟ್ಸ್ಆ್ಯಪ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.twitter.com\u002Fprajavani\"\u003Eಎಕ್ಸ್\u003C\u002Fa\u003E, \u003Ca href=\"https:\u002F\u002Fwww.fb.com\u002Fprajavani.net\"\u003Eಫೇಸ್‌ಬುಕ್\u003C\u002Fa\u003E ಮತ್ತು \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fprajavani\"\u003Eಇನ್‌ಸ್ಟಾಗ್ರಾಂ\u003C\u002Fa\u003Eನಲ್ಲಿ ಪ್ರಜಾವಾಣಿ ಫಾಲೋ ಮಾಡಿ.\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","asana-project-id":null,"first-published-at":1710635280000,"hero-image-caption":"\u003Cdiv class=\"paragraphs\"\u003E\u003Cp\u003Eಮಣಿಪುರದ ಆಖೋಕಾ ಥೀಯೇಟರ್ ತಂಡ ಅಭಿನಯಿಸಿದ ಅಬೊರಿಜನಲ್ ಕ್ರೈ ನಾಟಕ\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","version":5,"story-template":"text","sequence-no":null,"created-at":1710599218232,"authors":[{"slug":"kyaanps-klrv","social":{},"name":"ಪ್ರಜಾವಾಣಿ ವಿಶೇಷ","contributor-role":{"id":7161,"name":"Author"},"avatar-url":"https:\u002F\u002Fimages.prajavani.net\u002Fprajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","bio":null,"id":1747190,"avatar-s3-key":"prajavani\u002F2023-06\u002Fc6d1090d-a7df-41ac-b572-5d25194e1620\u002FPV_new_logo_YouT.png","twitter-handle":null}],"metadata":{"byline-no-author-page":"ಕೆ.ನರಸಿಂಹಮೂರ್ತಿ","card-share":{"shareable":false}},"publish-at":1710635280000,"assignee-name":"ಅಬ್ದುಲ್ ರಹಿಮಾನ್"}},{"id":"4c72ca4b-698f-4c01-bf8c-4375d1816366","score":null,"type":"story","item":{"headline":["ರಂಗಭೂಮಿ: ನಮ್ಮೊಳಗಿನ ರಾಕ್ಷಸನ್ನು ಹುಡುಕುವ ‘ಅಟ್ಟಹಾಸ ಅಂಕಲ್’"]},"story":{"updated-at":1709389312193,"seo":{"meta-description":"ಪ್ರಸ್ತುತ ಸಾಂಸ್ಕೃತಿಕ ಬಿಕ್ಕಟ್ಟಿನ ಸಂದರ್ಭದಲ್ಲಿ ಮಕ್ಕಳಿಗೆ ಪರ್ಯಾಯ ಭಾಗವಹಿಸುವಿಕೆ ಏನಿದೆ ಎಂಬ ಪ್ರಶ್ನೆ ಪೋಷಕರು, ಶಿಕ್ಷಕರು ಹಾಗೂ ಸಮಾಜ ವಿಜ್ಞಾನಿಗಳನ್ನು ಬಹುವಾಗಿ ಕಾಡುತ್ತಿದೆ.","meta-keywords":["Drama","Anklet"],"claim-reviews":{"story":null}},"assignee-id":1754178,"author-name":"ಪ್ರಜಾವಾಣಿ 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ಸಿ.\u003C\u002Fp\u003E\u003C\u002Fdiv\u003E","bullet-type":"123","id":"4c72ca4b-698f-4c01-bf8c-4375d1816366","hero-image-s3-key":"prajavani\u002F2024-03\u002Fcad2ce5b-ff6e-4bc6-877a-f584980ffa45\u002Ffile7udmtxei6x314qp7ff7d.jpg","contributors":[],"cards":[{"story-elements":[{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F4e0f8648-56ba-4e90-b76b-a0448071ed1d","type":"text","family-id":"cd348960-6a78-4d3a-850d-30cef38a1358","title":"","id":"4e0f8648-56ba-4e90-b76b-a0448071ed1d","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಪ್ರಸ್ತುತ ಸಾಂಸ್ಕೃತಿಕ ಬಿಕ್ಕಟ್ಟಿನ ಸಂದರ್ಭದಲ್ಲಿ ಮಕ್ಕಳಿಗೆ ಪರ್ಯಾಯ ಭಾಗವಹಿಸುವಿಕೆ ಏನಿದೆ ಎಂಬ ಪ್ರಶ್ನೆ ಪೋಷಕರು, ಶಿಕ್ಷಕರು ಹಾಗೂ ಸಮಾಜ ವಿಜ್ಞಾನಿಗಳನ್ನು ಬಹುವಾಗಿ ಕಾಡುತ್ತಿದೆ. ಈಜು, ಕರಾಟೆ, ಕ್ರೀಡೆಯಂತಹ ಪಠ್ಯೇತರ ಚಟುವಟಿಕೆಗಳು ಕೂಡ ನಗರ-ಗ್ರಾಮವೆಂಬ ಭೇದವಿಲ್ಲದೆ ಸಾಂಸ್ಥೀಕರಣಗೊಂಡು ಮಕ್ಕಳಿಗೆ ಆತ್ಮತೃಪ್ತಿ ನೀಡದೆ ಕೇವಲ ಸುಸ್ತು ಮಾಡುತ್ತಿರುವ ಕಾಲಘಟ್ಟವಿದು. ದಶಕಗಳ ಹಿಂದೆ ಟಿವಿ ನೋಡಿದ್ದಕ್ಕಾಗಿ ಬೈಸಿಕೊಂಡ ಮಕ್ಕಳು, ಇಂದು ತಂದೆ-\u003Cbr\u003Eತಾಯಿಯರಾಗಿ ತಮ್ಮ ಮಕ್ಕಳ ಮೊಬೈಲ್–ಟ್ಯಾಬ್–ರೀಲ್ಸ್ ಚಟ ಬಿಡಿಸುವುದರಲ್ಲಿ ಮಾತ್ರ ಸೋಲುತ್ತಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F9c1f3355-3338-40ee-b664-ca540a3ee7e8","type":"text","family-id":"cf5029d4-1546-4353-acc5-3af4a45d0aa7","title":"","id":"9c1f3355-3338-40ee-b664-ca540a3ee7e8","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಇಂತಹ ಸಾಮಾಜಿಕ-ಸಾಂಸ್ಕೃತಿಕ ತಲ್ಲಣಗಳನ್ನೇ ಮಕ್ಕಳ ಮುಂದೆ ಎಳೆಎಳೆಯಾಗಿ ಬಿಚ್ಚಿಟ್ಟರೆ ಹೇಗಿರುತ್ತದೆ? ಮಕ್ಕಳಿಗೆ ಪರಂಪರೆ ಮತ್ತು ಆಧುನಿಕತೆ ಎರಡನ್ನೂ ಮುಂದಿಟ್ಟರೆ ಮಕ್ಕಳು ಯಾವುದನ್ನು ಆಯ್ಕೆ ಮಾಡಿಕೊಳ್ಳುತ್ತಾರೆ? ಮಕ್ಕಳೊಡನೆ ಸಂವಾದ ನಡೆಸುತ್ತಲೇ ‘ಅಟ್ಟಹಾಸ ಅಂಕಲ್’ ಬೇಕಾ ಅಥವಾ ‘ರೊಬೋಟ್’ ಬೇಕಾ ಎಂಬ ಈ ಪ್ರಶ್ನೆಗೆ ಉತ್ತರ ಕಂಡುಕೊಳ್ಳುವ ಪ್ರಯತ್ನ ಮಾಡಿದ್ದು ಸಂಚಾರಿ ಥಿಯೇಟರ್ ತಂಡದ ಮಕ್ಕಳು ಪ್ರಸ್ತುತ ಪಡಿಸಿದ ನಾಟಕ ‘ಮಿಸ್ಟರ್ ಅಟ್ಟಹಾಸ ಅಂಕಲ್’ ಮೂಲಕ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F393d70ca-d1c7-4c08-acfd-3a85f56db1eb","type":"text","family-id":"98e820fd-d42c-43e4-ac63-f50c2e52c216","title":"","id":"393d70ca-d1c7-4c08-acfd-3a85f56db1eb","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಅಟ್ಟಹಾಸ ಅಂಕಲ್’, ಸಾಹಿತಿ ಚಂದ್ರಶೇಖರ ಕಂಬಾರರ ಜನಪದ ಕತೆಗಳ ರಾಕ್ಷಸ ಎಂಬ ಕವನದಿಂದ ಸ್ಫೂರ್ತಿ ಪಡೆದು ರೂಪುಗೊಂಡ ನಾಟಕ. ನಿರ್ದೇಶಕ ಧನುಷ್, ಈ ಕವನವನ್ನಿಟ್ಟುಕೊಂಡು ‘ಬಾಲರಂಗ’ದ ಶಿಬಿರದ ಮಕ್ಕಳೊಡನೆ ಸಂವಾದ ನಡೆಸುತ್ತ, ಮಕ್ಕಳ ಪ್ರಸ್ತುತ ಸವಾಲುಗಳು, ಬಿಕ್ಕಟ್ಟುಗಳು, ಮಾನಸಿಕತೆ, ಯೋಚನಾಶೈಲಿ, ಅಭಿಪ್ರಾಯಗಳನ್ನೆಲ್ಲ ಒಗ್ಗೂಡಿಸುತ್ತ, ಸೋಸುತ್ತ ‘ಮಿಸ್ಟರ್ ಅಟ್ಟಹಾಸ ಅಂಕಲ್’ ರೂಪಿಸಿದ್ದಾರೆ. ಈ ನಾಟಕದಲ್ಲಿ ಬರುವ ‘ರೊಬೋಟ್’, ಈಗಿನ ಮಕ್ಕಳ ಬದುಕಿನ ಅವಿಭಾಜ್ಯ ಅಂಗವೇ ಆಗಿರುವ ಮೊಬೈಲ್, ಟ್ಯಾಬ್, ಗೇಮಿಂಗ್, ರೀಲ್ಸ್ ಮುಂತಾದವುಗಳನ್ನು ಪ್ರತಿನಿಧಿಸಿದರೆ, ‘ಅಟ್ಟಹಾಸ ಅಂಕಲ್’ ನಮ್ಮ ಪರಂಪರೆಯ ಪಳಿಯುಳಿಕೆಯಾಗಿ ಕಾಣಿಸಿಕೊಳ್ಳುತ್ತಾನೆ. ಅಟ್ಟಹಾಸನ ಹೆಸರು ಅಟ್ಟಹಾಸ ಎಂದಿದ್ದರೂ, ಆತ ಎಂದಿಗೂ ಅಟ್ಟಹಾಸ ಮೆರೆದವನಲ್ಲ. ಥೇಟ್ ನಮ್ಮ ಜನಪದ ಕಥೆಗಳಲ್ಲಿ ಬರುವ ರಾಕ್ಷಸನಂತೆ ರಾಜಕುಮಾರಿಯನ್ನು ಅಪಹರಿಸಿಕೊಂಡು ಬಂದು, ರಾಜಕುಮಾರ ಆಕೆಯನ್ನು ಹುಡುಕಿಕೊಂಡು ಬರುವಂತೆ ಮಾಡಿ, ಆತನೊಡನೆ ಹೋರಾಡಿ, ಕೊಲ್ಲಲ್ಪಟ್ಟು, ಪರೋಕ್ಷವಾಗಿ ಅವರ ಮಿಲನಕ್ಕೆ ಕಾರಣನಾಗುವ ನಿಸ್ವಾರ್ಥಿ!\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002Fa57dcc18-e460-4392-9ce6-6275c3eb9fe1","type":"text","family-id":"8ce02dfa-f401-4ddf-80a7-bb9ebf643f89","title":"","id":"a57dcc18-e460-4392-9ce6-6275c3eb9fe1","metadata":{},"subtype":null,"text":"\u003Cp\u003E‘ಮಿಸ್ಟರ್ ಅಟ್ಟಹಾಸ ಅಂಕಲ್’ ನಾಟಕದಲ್ಲಿ ಒಂದು ಹಂತದಲ್ಲಿ ರೊಬೋಟ್ ನಿರ್ದಯವಾಗಿ ಅಟ್ಟಹಾಸನ್ನು ಸೋಲಿಸಿ, ಪಕ್ಕೆಲಬು ಮುರಿದುಬಿಡುತ್ತದೆ. ಇದೇ ವೇಳೆ, ಮಕ್ಕಳ ತಂದೆ-ತಾಯಂದಿರು ನಗರದ ಹುಚ್ಚಿಗೆ ಬಿದ್ದು ತಮ್ಮ ಹೊಲ, ಮನೆ, ಜಾನುವಾರುಗಳನ್ನೆಲ್ಲ ರಿಯಲ್ ಎಸ್ಟೇಟ್ ಗುಜ್ಜಿಗೆ ಮಾರಲು ನಿರ್ಧರಿಸಿ ನಗರದ ಬದುಕಿನ ಬಣ್ಣಬಣ್ಣದ ಕನಸು ಕಾಣಲು\u003Cbr\u003Eಆರಂಭಿಸುತ್ತಾರೆ. ಆಗ ಮಕ್ಕಳೆಲ್ಲ ಸೇರಿ ಹಳ್ಳಿಯ ಕಾಡಿನೊಳಕ್ಕೆ ಹೊಕ್ಕು ಅಟ್ಟು ಅಂಕಲ್‌ನನ್ನು ಮತ್ತೆ ಕರೆತರುತ್ತಾರೆ. ಅಟ್ಟು ಅಂಕಲ್ ಹಾಗೂ ರೊಬೋಟ್‌ಗೆ ಮತ್ತೊಮ್ಮೆ ಭಯಂಕರ ಯುದ್ಧವಾಗುತ್ತದೆ. ಪರಂಪರೆಯನ್ನು ಪ್ರತಿನಿಧಿಸುವ ಅಟ್ಟು ಅಂಕಲ್, ಯಾಂತ್ರಿಕತೆಯ ಪ್ರತೀಕವಾಗಿರುವ ರೊಬೋಟ್‌ನನ್ನು ಕೊಂದುಬಿಡುತ್ತಾನಾ ಅಥವಾ ಯಾರನ್ನಾದರೂ ಕೊಲ್ಲುವಷ್ಟು ಕ್ರೂರಿಯಾ ನಮ್ಮ ಮುದ್ದು ಜನಪದ ರಾಕ್ಷಸ?\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002Fde993cc5-3c4e-40e0-949f-fef8c07e86c8","type":"text","family-id":"797392b4-9ebd-4ad3-927a-4e9c595f8ab1","title":"","id":"de993cc5-3c4e-40e0-949f-fef8c07e86c8","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಈ ಸಂದಿಗ್ಧಕ್ಕೆ ನಿರ್ದೇಶಕ ಧನುಷ್ ನಾಗ್ ಕೂಡ ಸಿಕ್ಕಿಹಾಕಿಕೊಂಡು ಮಕ್ಕಳ ಬಳಿಯಿಂದಲೇ ಉತ್ತರ ತೆಗೆಸುವ ಪ್ರಯತ್ನ ಮಾಡಿದ್ದಾರೆ. ಧನುಷ್, ಬೊಂಬೆಯಾಟದ ಆಯಾಮಗಳನ್ನೂ ನಾಟಕದಲ್ಲಿ ಅಳವಡಿಸಿದ್ದಾರೆ. ನಾಟಕ ಆರಂಭವಾಗುತ್ತಲೇ ಯುವಿಲೈಟ್ ನ ಪ್ರತಿಫಲನದಲ್ಲಿ ಕಾಣುವ ಅಟ್ಟಹಾಸ ಅಂಕಲ್ ಎಂಬ ನಾಟಕದ ಅಕ್ಷರಗಳು ಹಾಗೂ ಸೈಡ್‌ವಿಂಗ್‌ನಿಂದ ಬರುವ\u003Cbr\u003Eಅಟ್ಟಹಾಸ ಅಂಕಲ್ ನ ಆಳೆತ್ತರದ ಬೊಂಬೆ ಗಮನ ಸೆಳೆಯುತ್ತದೆ. ಹಾಗೆಯೇ, ಸೈಡ್‌ವಿಂಗ್‌ನಿಂದ ರೆಕ್ಕೆಗಳನ್ನು ಪಟಪಟನೆ ಬಡಿಯುತ್ತ ಬರುವ (ಬೊಂಬೆಯೊಂದು) ದೊಡ್ಡಹಕ್ಕಿಯೊಂದು, ಗಂಪು ಅಜ್ಜಿಯ ರೂಪ ತಾಳುವುದು, ಆ ಅಜ್ಜಿ ಮಕ್ಕಳಿಗೆ ಮಾತ್ರ ಕಾಣುವುದು, ಮತ್ತೆ ಹಕ್ಕಿಯಾಗಿ ಸೈಡ್ ವಿಂಗ್‌ಗೆ ಹೋಗುವುದು ವಿಶೇಷವಾಗಿದೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F564357d5-133e-4ae8-a7ae-96a1a21d287f","type":"text","family-id":"4f939905-f69d-40e3-9cb1-bdf49f694c82","title":"","id":"564357d5-133e-4ae8-a7ae-96a1a21d287f","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮಕಾಶಿಪೋ ನಾಶಿಪೋ,\u003Cbr\u003Eದಾರಾಶಿತೋ ಮಾನಿತೋ\u003Cbr\u003Eಬಗಾರಿಸೋ ನಾಟಾವೋ\u003Cbr\u003Eದಾರಾಪೋಚಾರಿತೋ ದಾರಾಪೋಚಾರಿತೋ ದಾರಾಪೋಚಾರಿತೋ\u003Cbr\u003Eಪುಟ್ರಿ ಪೋರಿ ಪೋಣಾಚಾ, ಗುಚ್ಚಿ ಮುಚ್ಚಿ ಗುಂಜಾಕಾ, ಕಾಗೆ ಮೂತಿ ಜಂಜಾಚಾ\u003Cbr\u003Eದಾರಾಪೋಚಾರಿತೋ ದಾರಾಪೋಚಾರಿತೋ ದಾರಾಪೋಚಾರಿತು–ನಂತಹ ಹಾಡುಗಳು, ಹಾಸ್ಯ, ಚೇಷ್ಟೆ, ನಗರದ ಸೋಗಲಾಡಿ ಬದುಕಿನ ಕಾಲೆಳೆಯುವಿಕೆ, ಮಕ್ಕಳ ವೇಷಭೂಷಣ ಎಲ್ಲವೂ ನಾಟಕದ ಸ್ವಾದವನ್ನು ಹೆಚ್ಚಿಸಿವೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F82708ca5-20ad-4ec6-806b-edf2c6719c67","type":"text","family-id":"ec3fc5f6-83fe-42c8-a167-813185fb1a30","title":"","id":"82708ca5-20ad-4ec6-806b-edf2c6719c67","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಗಂಪು ಅಜ್ಜಿ (ವಿಸ್ಮಯ), ರೊಬೋಟ್ (ಶಾರಿಣಿ ಸಿ. ವಿ), ಅಟ್ಟಹಾಸ ಅಂಕಲ್ (ಉದಾತ್ತ), ಗ್ರಾಮಸ್ಥರಾಗಿ (ಆದಿತ್ಯ ನಂದನ್, ಶಮಿತಾ,  ವೈನವಿ ಸಾಯಿ ದುರ್ಗ), ರಿಯಲ್ ಎಸ್ಟೇಟ್ ಗುಜ್ಜಿ (ಸಮರ್ಥ್ ಅಭಿಷೇಕ್) ಅಚ್ಚುಕಟ್ಟಾಗಿ ತಮ್ಮ ಪಾತ್ರಗಳನ್ನು ನಿರ್ವಹಿಸಿದ್ದಾರೆ.\u003C\u002Fp\u003E"},{"description":"","page-url":"\u002Fstory\u002F4c72ca4b-698f-4c01-bf8c-4375d1816366\u002Felement\u002F8a6004f9-b2c9-48fc-957b-9db69ea5305c","type":"text","family-id":"6959fe62-8fd1-4d01-9156-5e183eb7e44f","title":"","id":"8a6004f9-b2c9-48fc-957b-9db69ea5305c","metadata":{},"subtype":null,"text":"\u003Cp\u003Eಮಕ್ಕಳು ಅಟ್ಟಹಾಸ ಅಂಕಲ್ ಮೂಲಕ ನಮ್ಮೊಳಗಿನ ನಿಜವಾದ ರಾಕ್ಷಸನನ್ನು ಹುಡುಕುವ ಸೈದ್ಧಾಂತಿಕ ಪ್ರಶ್ನೆಯನ್ನೂ ಜವಾಬ್ದಾರಿಯನ್ನೂ ನಮ್ಮ 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