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Isidoriana</a></div><div class="wp-workCard_item"><span>Mittellateinisches Jahrbuch Band-Nr.: 57</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Rom...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70654c31f9c79970da54ba066c9e95a1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101450724,"asset_id":100703333,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="100703333"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="100703333"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 100703333; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=100703333]").text(description); $(".js-view-count[data-work-id=100703333]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 100703333; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='100703333']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 100703333, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "70654c31f9c79970da54ba066c9e95a1" } } $('.js-work-strip[data-work-id=100703333]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":100703333,"title":"La tradición manuscrita de la Anthologia Isidoriana","translated_title":"","metadata":{"doi":"10.36191/mjb/2022-57-1-2","abstract":"The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Mittellateinisches Jahrbuch Band-Nr.: 57"},"translated_abstract":"The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.","internal_url":"https://www.academia.edu/100703333/La_tradici%C3%B3n_manuscrita_de_la_Anthologia_Isidoriana","translated_internal_url":"","created_at":"2023-04-24T12:15:11.469-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":101450724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101450724/thumbnails/1.jpg","file_name":"056_075_Warburg.pdf","download_url":"https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"La_tradicion_manuscrita_de_la_Anthologia.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101450724/056_075_Warburg-libre.pdf?1682367413=\u0026response-content-disposition=attachment%3B+filename%3DLa_tradicion_manuscrita_de_la_Anthologia.pdf\u0026Expires=1732561159\u0026Signature=NZfjWvWKMKSk~CJDdROwyu0LIg1OXBFmaRIB1zzGAWIlpKwWeHzQlMHiGGMipY0b1vlxE5wpZaLSVK22SjRtrP6kueqcEGhnu2j81ugk2BL~rMAZxG4WHNyPkexn9lRNkmVZMGe3bwZzZ7fyNd~47cJiQ1OyllGv5Tn8IsxakUQw2qJmdUsxwZGSjHo7DBm5nfx-a0ETYUwWxT4q7opRHtXZ5-6u4GrIZpNiAaWRszWYtUGPndGq4wwPyQxCStQeO3~9QTqVhnWZTFyAOQMmjCH-vyYEUl63xi70ZJHlmsS~8dbsABdTlpOrUYulE8xGM7GAUC9e7mDRRMdocipimg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"La_tradición_manuscrita_de_la_Anthologia_Isidoriana","translated_slug":"","page_count":23,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":101450724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101450724/thumbnails/1.jpg","file_name":"056_075_Warburg.pdf","download_url":"https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"La_tradicion_manuscrita_de_la_Anthologia.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101450724/056_075_Warburg-libre.pdf?1682367413=\u0026response-content-disposition=attachment%3B+filename%3DLa_tradicion_manuscrita_de_la_Anthologia.pdf\u0026Expires=1732561159\u0026Signature=NZfjWvWKMKSk~CJDdROwyu0LIg1OXBFmaRIB1zzGAWIlpKwWeHzQlMHiGGMipY0b1vlxE5wpZaLSVK22SjRtrP6kueqcEGhnu2j81ugk2BL~rMAZxG4WHNyPkexn9lRNkmVZMGe3bwZzZ7fyNd~47cJiQ1OyllGv5Tn8IsxakUQw2qJmdUsxwZGSjHo7DBm5nfx-a0ETYUwWxT4q7opRHtXZ5-6u4GrIZpNiAaWRszWYtUGPndGq4wwPyQxCStQeO3~9QTqVhnWZTFyAOQMmjCH-vyYEUl63xi70ZJHlmsS~8dbsABdTlpOrUYulE8xGM7GAUC9e7mDRRMdocipimg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity"},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies"},{"id":15807,"name":"Latin Epigraphy","url":"https://www.academia.edu/Documents/in/Latin_Epigraphy"},{"id":34956,"name":"Visigothic Spain","url":"https://www.academia.edu/Documents/in/Visigothic_Spain"},{"id":93464,"name":"Textual Transmission","url":"https://www.academia.edu/Documents/in/Textual_Transmission"},{"id":116866,"name":"Isidore of Seville","url":"https://www.academia.edu/Documents/in/Isidore_of_Seville"},{"id":323243,"name":"Giovanni Battista de Rossi","url":"https://www.academia.edu/Documents/in/Giovanni_Battista_de_Rossi"},{"id":323245,"name":"Inscriptiones Christianae Urbis Romae","url":"https://www.academia.edu/Documents/in/Inscriptiones_Christianae_Urbis_Romae"},{"id":366914,"name":"Epigraphic poetry","url":"https://www.academia.edu/Documents/in/Epigraphic_poetry"},{"id":922337,"name":"Carmina Latina Epigraphica","url":"https://www.academia.edu/Documents/in/Carmina_Latina_Epigraphica"},{"id":1290449,"name":"Epigrafia Tardoantica","url":"https://www.academia.edu/Documents/in/Epigrafia_Tardoantica"},{"id":2064836,"name":"Epigrafia cristiana e medievale","url":"https://www.academia.edu/Documents/in/Epigrafia_cristiana_e_medievale"},{"id":2469587,"name":"Isidoro de Sevilla","url":"https://www.academia.edu/Documents/in/Isidoro_de_Sevilla"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72956488"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N"><img alt="Research paper thumbnail of DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN" class="work-thumbnail" src="https://attachments.academia-assets.com/81671389/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N">DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN</a></div><div class="wp-workCard_item"><span>REVUE DE PHILOLOGIE DE LITTÉRATURE ET D’HISTOIRE ANCIENNES (KLINCKSIECK)</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Inés Warburg. – De Lerina insula: Manuscript tradition, texts and edition (p. 143-153) The poem D...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Inés Warburg. – De Lerina insula: Manuscript<br />tradition, texts and edition (p. 143-153)<br />The poem De Lerina insula, attributed to<br />Dinamius of Marseille († 595 c.), celebrates<br />in elegiac couplets the Christian foundation of<br />Saint Honoratus, through a series of traditional<br />topics about the “holiness” of the island and its<br />inhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included<br />in two manuscripts of Isidore of Seville (ms.<br />Klosterneuburg 723 of the 12th century and<br />ms. Göttweig 64 (78) of the 13th century; the<br />poem—not epigraphic nor Roman—is preserved<br />in the appendix to this sylloge). This work offers<br />a critical edition of the poem based on both<br />witnesses, since the two editions of the 19th<br />century are alternatively based on copies of<br />one of the two manuscripts: the first edition of<br />1888, on a copy of Klosterneuburg 723, and the<br />second edition of 1897, on a copy of Göttweig<br />64. The witnesses are derived from a common<br />predecessor, but both texts are independent<br />and complementary.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b8e4a49b9afbe87cce9d55c16ea387e6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81671389,"asset_id":72956488,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72956488"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72956488"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72956488; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72956488]").text(description); $(".js-view-count[data-work-id=72956488]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72956488; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72956488']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72956488, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b8e4a49b9afbe87cce9d55c16ea387e6" } } $('.js-work-strip[data-work-id=72956488]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72956488,"title":"DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN","translated_title":"","metadata":{"abstract":"Inés Warburg. – De Lerina insula: Manuscript\ntradition, texts and edition (p. 143-153)\nThe poem De Lerina insula, attributed to\nDinamius of Marseille († 595 c.), celebrates\nin elegiac couplets the Christian foundation of\nSaint Honoratus, through a series of traditional\ntopics about the “holiness” of the island and its\ninhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included\nin two manuscripts of Isidore of Seville (ms.\nKlosterneuburg 723 of the 12th century and\nms. Göttweig 64 (78) of the 13th century; the\npoem—not epigraphic nor Roman—is preserved\nin the appendix to this sylloge). This work offers\na critical edition of the poem based on both\nwitnesses, since the two editions of the 19th\ncentury are alternatively based on copies of\none of the two manuscripts: the first edition of\n1888, on a copy of Klosterneuburg 723, and the\nsecond edition of 1897, on a copy of Göttweig\n64. The witnesses are derived from a common\npredecessor, but both texts are independent\nand complementary.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"REVUE DE PHILOLOGIE DE LITTÉRATURE ET D’HISTOIRE ANCIENNES (KLINCKSIECK)"},"translated_abstract":"Inés Warburg. – De Lerina insula: Manuscript\ntradition, texts and edition (p. 143-153)\nThe poem De Lerina insula, attributed to\nDinamius of Marseille († 595 c.), celebrates\nin elegiac couplets the Christian foundation of\nSaint Honoratus, through a series of traditional\ntopics about the “holiness” of the island and its\ninhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included\nin two manuscripts of Isidore of Seville (ms.\nKlosterneuburg 723 of the 12th century and\nms. Göttweig 64 (78) of the 13th century; the\npoem—not epigraphic nor Roman—is preserved\nin the appendix to this sylloge). This work offers\na critical edition of the poem based on both\nwitnesses, since the two editions of the 19th\ncentury are alternatively based on copies of\none of the two manuscripts: the first edition of\n1888, on a copy of Klosterneuburg 723, and the\nsecond edition of 1897, on a copy of Göttweig\n64. The witnesses are derived from a common\npredecessor, but both texts are independent\nand complementary.","internal_url":"https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N","translated_internal_url":"","created_at":"2022-03-03T13:37:17.887-08:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81671389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81671389/thumbnails/1.jpg","file_name":"Warburg_RpH_94_1_1_4.pdf","download_url":"https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81671389/Warburg_RpH_94_1_1_4-libre.pdf?1646344082=\u0026response-content-disposition=attachment%3B+filename%3DDE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf\u0026Expires=1732561159\u0026Signature=Ceocc5JxLhAHfgVIn9CCjMoghMJB13bFoJrhq~Uq06PpQFJoj49prZswewJGCO9zuFo6HmjiTbS-Lkn1xkN-dK9RJDmFSivTZHX2EKmAQXegM7zMt6wf3MLIUPcFYFv8uPohjF~zOiv55PEK3Z0ztpstOkfhf60fMTJXC35gj497q2ud94THD85utEO2btkfKZns8nB6R4QZ07Djln4OAuY4tys5--y6DXJDsMKh3r-KNndYgVa8bPMrGqGMarSg6KO3fFBnTQT91dcFO9ixWUTmTSBIt93siI2u~y5tv7zyZT7F3L0kYBmxxYiWgtKX5VDuTulIiIUPbAVmiTl~1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"DE_LERINA_INSVLA_TRADICIÓN_MANUSCRITA_TEXTOS_Y_EDICIÓN","translated_slug":"","page_count":4,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81671389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81671389/thumbnails/1.jpg","file_name":"Warburg_RpH_94_1_1_4.pdf","download_url":"https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81671389/Warburg_RpH_94_1_1_4-libre.pdf?1646344082=\u0026response-content-disposition=attachment%3B+filename%3DDE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf\u0026Expires=1732561159\u0026Signature=Ceocc5JxLhAHfgVIn9CCjMoghMJB13bFoJrhq~Uq06PpQFJoj49prZswewJGCO9zuFo6HmjiTbS-Lkn1xkN-dK9RJDmFSivTZHX2EKmAQXegM7zMt6wf3MLIUPcFYFv8uPohjF~zOiv55PEK3Z0ztpstOkfhf60fMTJXC35gj497q2ud94THD85utEO2btkfKZns8nB6R4QZ07Djln4OAuY4tys5--y6DXJDsMKh3r-KNndYgVa8bPMrGqGMarSg6KO3fFBnTQT91dcFO9ixWUTmTSBIt93siI2u~y5tv7zyZT7F3L0kYBmxxYiWgtKX5VDuTulIiIUPbAVmiTl~1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity"},{"id":11076,"name":"Late Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity"},{"id":67931,"name":"Late Antique Latin Poetry","url":"https://www.academia.edu/Documents/in/Late_Antique_Latin_Poetry"},{"id":1773028,"name":"Christian Gaul","url":"https://www.academia.edu/Documents/in/Christian_Gaul"}],"urls":[]}, dispatcherData: dispatcherData }); 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Cette conception de l'esthétique qui a eu une grande influence dans la littérature latine de l'antiquité tardive se traduit en particulier par une rénovation totale du genre bucolique et la suprématie du surnaturel sur l'ordre naturel troublé, selon l'idéologie triomphaliste de la poesie theodosienne. Abstract. – The poem De mortibus boum, written in the end of the 4th century by the christian rhetorician Severus Sanctus Endelechius, presents the specific features of the Theodosian baroque or late Roman baroque. This aesthetic conception, very influential in late antique Latin literature, is particularly reflected in the transformation of the bucolic genre and in the victory of the supernatural over the disturbed natural order, in accordance with the triumphalist ideology of Theodosian poetry.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5ffb6b27aaca63ab7523592d6a132c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63749277,"asset_id":33261436,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63749277/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33261436"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33261436"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33261436; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33261436]").text(description); $(".js-view-count[data-work-id=33261436]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33261436; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33261436']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33261436, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5ffb6b27aaca63ab7523592d6a132c4" } } $('.js-work-strip[data-work-id=33261436]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33261436,"title":"El barroco teodosiano en el poema De mortibus Boum, Revue des Etudes Anciennes 118, 2016.","translated_title":"","metadata":{"abstract":"– Le poème De mortibus boum, du rhéteur Severus Sanctus Endelechius composé vers la fin IVe s. présente les signes distinctifs du baroque théodosien ou baroque tardif romain. 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Bologna; 2012 vol. 74 p. 159 - 178</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de "loci similes" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7abf07240f4e3246e771ed783a5e81a5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81669957,"asset_id":8912790,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8912790"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8912790"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8912790; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8912790]").text(description); $(".js-view-count[data-work-id=8912790]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8912790; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8912790']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8912790, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7abf07240f4e3246e771ed783a5e81a5" } } $('.js-work-strip[data-work-id=8912790]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8912790,"title":"INÉS WARBURG, \"Virgilio y Dámaso a través de la poesía latina epigráfica\", Epigraphica: periodico internazionale di epigrafia; Bologna; 2012 vol. 74 p. 159 - 178","translated_title":"","metadata":{"abstract":"Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de \"loci similes\" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado."},"translated_abstract":"Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de \"loci similes\" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado.","internal_url":"https://www.academia.edu/8912790/IN%C3%89S_WARBURG_Virgilio_y_D%C3%A1maso_a_trav%C3%A9s_de_la_poes%C3%ADa_latina_epigr%C3%A1fica_Epigraphica_periodico_internazionale_di_epigrafia_Bologna_2012_vol_74_p_159_178","translated_internal_url":"","created_at":"2014-10-22T11:51:29.444-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81669957,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81669957/thumbnails/1.jpg","file_name":"257_276_WARBURG_1_.pdf","download_url":"https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Virgilio_y_Damaso_a_traves.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81669957/257_276_WARBURG_1_-libre.pdf?1646341342=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Virgilio_y_Damaso_a_traves.pdf\u0026Expires=1732561160\u0026Signature=YcyF53GqfydWy5oY7ZKPq3hhjYRLCej~KBwuuQ13UBfpLl71R7zcNJrR3OvmG4RId8JDY2ElQg-4711PTsuO2xUNYTUKwQnxpXX3xI-vRkdYAecWEkAr7mnUQiXzXejFOFQZHmItFhRn1b1p4xUzpg1a6v9w5L7QE2-WtCpcsctX5DJBgCWdv~fVoozhC~NdykGJcKwuProaDH1QKjNrw6Sp~yq8Bp-WnvEO-8~D1L1S03WT1dvDzMvcuXqam4fANsrPhEA~vzeDLaFJEBXXVxF3DSZ0VnTWIzZmO9QuBrY2fEEdYwJBAn5RBktAE4-LeufkO5DuIax9R3ZDIQ8iqg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"INÉS_WARBURG_Virgilio_y_Dámaso_a_través_de_la_poesía_latina_epigráfica_Epigraphica_periodico_internazionale_di_epigrafia_Bologna_2012_vol_74_p_159_178","translated_slug":"","page_count":24,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81669957,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81669957/thumbnails/1.jpg","file_name":"257_276_WARBURG_1_.pdf","download_url":"https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Virgilio_y_Damaso_a_traves.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81669957/257_276_WARBURG_1_-libre.pdf?1646341342=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Virgilio_y_Damaso_a_traves.pdf\u0026Expires=1732561160\u0026Signature=YcyF53GqfydWy5oY7ZKPq3hhjYRLCej~KBwuuQ13UBfpLl71R7zcNJrR3OvmG4RId8JDY2ElQg-4711PTsuO2xUNYTUKwQnxpXX3xI-vRkdYAecWEkAr7mnUQiXzXejFOFQZHmItFhRn1b1p4xUzpg1a6v9w5L7QE2-WtCpcsctX5DJBgCWdv~fVoozhC~NdykGJcKwuProaDH1QKjNrw6Sp~yq8Bp-WnvEO-8~D1L1S03WT1dvDzMvcuXqam4fANsrPhEA~vzeDLaFJEBXXVxF3DSZ0VnTWIzZmO9QuBrY2fEEdYwJBAn5RBktAE4-LeufkO5DuIax9R3ZDIQ8iqg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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Turnhout; 2011 vol. 50 p. 71 - 86</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad56b40b5958fb2d5762d676c533d230" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81670593,"asset_id":8912763,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8912763"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8912763"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8912763; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8912763]").text(description); $(".js-view-count[data-work-id=8912763]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8912763; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8912763']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8912763, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ad56b40b5958fb2d5762d676c533d230" } } $('.js-work-strip[data-work-id=8912763]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8912763,"title":"INÉS WARBURG, \"Escatología final e intermedia en el poema Laudes Domini\", Sacris Erudiri: A Journal on the Inheritance of Early and Medieval Christianity; Turnhout; 2011 vol. 50 p. 71 - 86","translated_title":"","metadata":{"abstract":"La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas."},"translated_abstract":"La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas.","internal_url":"https://www.academia.edu/8912763/IN%C3%89S_WARBURG_Escatolog%C3%ADa_final_e_intermedia_en_el_poema_Laudes_Domini_Sacris_Erudiri_A_Journal_on_the_Inheritance_of_Early_and_Medieval_Christianity_Turnhout_2011_vol_50_p_71_86","translated_internal_url":"","created_at":"2014-10-22T11:49:03.445-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81670593,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81670593/thumbnails/1.jpg","file_name":"Sacris_Erudiri_Volume_50_2011_1_.pdf","download_url":"https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Escatologia_final_e_interme.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81670593/Sacris_Erudiri_Volume_50_2011_1_-libre.pdf?1646342793=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Escatologia_final_e_interme.pdf\u0026Expires=1732561160\u0026Signature=RGXkUD0UNoA~44mvkSaOgLAwYkYLA86gz70dG6k8QyuK4EPVEpDPHxy54yuubkQEMi894sIavRAD25~8izSkMgCRpckjE-86iXhtOKNAUXDYJ5kGZVVbnRTXlO0s14wRBT0sLaPfyHtcjmieT466rOS527uvSWq2jrnqzFOiXOa4bzKd26AGfy5HxN1fLgmHn0J7Qfn-be2SF~OyR48NnDL59UKqDXWYUboqbl94~w9R1u1uBT9bDX2WUU1faUywroJxr~VwthuAoPyPfeZSjvZVWneWCLXv-8MjHUaPgFg1kK4eMsHMU5IgUluRMqIPbjBbxpRszuSL2pBKZyp6Pw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"INÉS_WARBURG_Escatología_final_e_intermedia_en_el_poema_Laudes_Domini_Sacris_Erudiri_A_Journal_on_the_Inheritance_of_Early_and_Medieval_Christianity_Turnhout_2011_vol_50_p_71_86","translated_slug":"","page_count":19,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81670593,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81670593/thumbnails/1.jpg","file_name":"Sacris_Erudiri_Volume_50_2011_1_.pdf","download_url":"https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Escatologia_final_e_interme.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81670593/Sacris_Erudiri_Volume_50_2011_1_-libre.pdf?1646342793=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Escatologia_final_e_interme.pdf\u0026Expires=1732561160\u0026Signature=RGXkUD0UNoA~44mvkSaOgLAwYkYLA86gz70dG6k8QyuK4EPVEpDPHxy54yuubkQEMi894sIavRAD25~8izSkMgCRpckjE-86iXhtOKNAUXDYJ5kGZVVbnRTXlO0s14wRBT0sLaPfyHtcjmieT466rOS527uvSWq2jrnqzFOiXOa4bzKd26AGfy5HxN1fLgmHn0J7Qfn-be2SF~OyR48NnDL59UKqDXWYUboqbl94~w9R1u1uBT9bDX2WUU1faUywroJxr~VwthuAoPyPfeZSjvZVWneWCLXv-8MjHUaPgFg1kK4eMsHMU5IgUluRMqIPbjBbxpRszuSL2pBKZyp6Pw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="100703333"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/100703333/La_tradici%C3%B3n_manuscrita_de_la_Anthologia_Isidoriana"><img alt="Research paper thumbnail of La tradición manuscrita de la Anthologia Isidoriana" class="work-thumbnail" src="https://attachments.academia-assets.com/101450724/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/100703333/La_tradici%C3%B3n_manuscrita_de_la_Anthologia_Isidoriana">La tradición manuscrita de la Anthologia Isidoriana</a></div><div class="wp-workCard_item"><span>Mittellateinisches Jahrbuch Band-Nr.: 57</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Rom...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70654c31f9c79970da54ba066c9e95a1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101450724,"asset_id":100703333,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="100703333"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="100703333"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 100703333; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=100703333]").text(description); $(".js-view-count[data-work-id=100703333]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 100703333; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='100703333']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 100703333, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "70654c31f9c79970da54ba066c9e95a1" } } $('.js-work-strip[data-work-id=100703333]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":100703333,"title":"La tradición manuscrita de la Anthologia Isidoriana","translated_title":"","metadata":{"doi":"10.36191/mjb/2022-57-1-2","abstract":"The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Mittellateinisches Jahrbuch Band-Nr.: 57"},"translated_abstract":"The Anthologia Isidoriana, published by Giovanni B. De Rossi (Inscriptiones Christianae urbis Romae septimo saeculo antiquiores 2, 1, Roma 1888, 250 – 254), consists of a series of eight heterogeneous epigrams: EpitaphiumDamasi (1), Epitaphium Monicae (2), Epitaphium Gregorii (3), Item eiusdem Gregorii (4), In icona sancti Petri (5), In basilica sancti Pauli (6), In uelo Chintilae (7), Versus Eucheriae (A). The Anthologia Isidoriana is preserved, either completely or partially, in the manuscripts Leiden, Bibliotheek der Rijksuniversiteit,Voss. Lat. Q 69, and Voss. Lat. F 82; Bern, Burgerbibliothek, 224;London, British Library, Harley 2686; München, Bayerische Staatsbibliothek, Clm 18375; Valenciennes, Bibliotheque municipale, 405; Montecassino, Biblioteca Statale, 320; Groningen, Bibliotheek der Rijksuniversiteit, 8; Klosterneuburg, Stiftsbibliothek, 723; Bruxelles, Bibliotheque royale, 10615 – 729; Ljubljana, Narodna in univerzitetna knjižnica, 16; München, Bayerische Staatsbibliothek, Clm 22227; Göttweig, Stiftsbibliothek, 64; Legnica, BUWr, 29;Wien, Österreichische Nationalbibliothek, lat. 4924, and München, Bayerische Staatsbibliothek, Clm 14334. According to the structure and location of the epigrams in the Isidorian codices – either at the end of book XX or at the end of book X of the Etymologiae and in five non-Isidorian codices – it is possible to establish a preliminary classification of the witnesses, which probably derive from Spanish manuscripts of the second half of the seventh century.","internal_url":"https://www.academia.edu/100703333/La_tradici%C3%B3n_manuscrita_de_la_Anthologia_Isidoriana","translated_internal_url":"","created_at":"2023-04-24T12:15:11.469-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":101450724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101450724/thumbnails/1.jpg","file_name":"056_075_Warburg.pdf","download_url":"https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"La_tradicion_manuscrita_de_la_Anthologia.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101450724/056_075_Warburg-libre.pdf?1682367413=\u0026response-content-disposition=attachment%3B+filename%3DLa_tradicion_manuscrita_de_la_Anthologia.pdf\u0026Expires=1732561159\u0026Signature=NZfjWvWKMKSk~CJDdROwyu0LIg1OXBFmaRIB1zzGAWIlpKwWeHzQlMHiGGMipY0b1vlxE5wpZaLSVK22SjRtrP6kueqcEGhnu2j81ugk2BL~rMAZxG4WHNyPkexn9lRNkmVZMGe3bwZzZ7fyNd~47cJiQ1OyllGv5Tn8IsxakUQw2qJmdUsxwZGSjHo7DBm5nfx-a0ETYUwWxT4q7opRHtXZ5-6u4GrIZpNiAaWRszWYtUGPndGq4wwPyQxCStQeO3~9QTqVhnWZTFyAOQMmjCH-vyYEUl63xi70ZJHlmsS~8dbsABdTlpOrUYulE8xGM7GAUC9e7mDRRMdocipimg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"La_tradición_manuscrita_de_la_Anthologia_Isidoriana","translated_slug":"","page_count":23,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":101450724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/101450724/thumbnails/1.jpg","file_name":"056_075_Warburg.pdf","download_url":"https://www.academia.edu/attachments/101450724/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"La_tradicion_manuscrita_de_la_Anthologia.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/101450724/056_075_Warburg-libre.pdf?1682367413=\u0026response-content-disposition=attachment%3B+filename%3DLa_tradicion_manuscrita_de_la_Anthologia.pdf\u0026Expires=1732561159\u0026Signature=NZfjWvWKMKSk~CJDdROwyu0LIg1OXBFmaRIB1zzGAWIlpKwWeHzQlMHiGGMipY0b1vlxE5wpZaLSVK22SjRtrP6kueqcEGhnu2j81ugk2BL~rMAZxG4WHNyPkexn9lRNkmVZMGe3bwZzZ7fyNd~47cJiQ1OyllGv5Tn8IsxakUQw2qJmdUsxwZGSjHo7DBm5nfx-a0ETYUwWxT4q7opRHtXZ5-6u4GrIZpNiAaWRszWYtUGPndGq4wwPyQxCStQeO3~9QTqVhnWZTFyAOQMmjCH-vyYEUl63xi70ZJHlmsS~8dbsABdTlpOrUYulE8xGM7GAUC9e7mDRRMdocipimg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity"},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies"},{"id":15807,"name":"Latin Epigraphy","url":"https://www.academia.edu/Documents/in/Latin_Epigraphy"},{"id":34956,"name":"Visigothic Spain","url":"https://www.academia.edu/Documents/in/Visigothic_Spain"},{"id":93464,"name":"Textual Transmission","url":"https://www.academia.edu/Documents/in/Textual_Transmission"},{"id":116866,"name":"Isidore of Seville","url":"https://www.academia.edu/Documents/in/Isidore_of_Seville"},{"id":323243,"name":"Giovanni Battista de Rossi","url":"https://www.academia.edu/Documents/in/Giovanni_Battista_de_Rossi"},{"id":323245,"name":"Inscriptiones Christianae Urbis Romae","url":"https://www.academia.edu/Documents/in/Inscriptiones_Christianae_Urbis_Romae"},{"id":366914,"name":"Epigraphic poetry","url":"https://www.academia.edu/Documents/in/Epigraphic_poetry"},{"id":922337,"name":"Carmina Latina Epigraphica","url":"https://www.academia.edu/Documents/in/Carmina_Latina_Epigraphica"},{"id":1290449,"name":"Epigrafia Tardoantica","url":"https://www.academia.edu/Documents/in/Epigrafia_Tardoantica"},{"id":2064836,"name":"Epigrafia cristiana e medievale","url":"https://www.academia.edu/Documents/in/Epigrafia_cristiana_e_medievale"},{"id":2469587,"name":"Isidoro de Sevilla","url":"https://www.academia.edu/Documents/in/Isidoro_de_Sevilla"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72956488"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N"><img alt="Research paper thumbnail of DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN" class="work-thumbnail" src="https://attachments.academia-assets.com/81671389/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N">DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN</a></div><div class="wp-workCard_item"><span>REVUE DE PHILOLOGIE DE LITTÉRATURE ET D’HISTOIRE ANCIENNES (KLINCKSIECK)</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Inés Warburg. – De Lerina insula: Manuscript tradition, texts and edition (p. 143-153) The poem D...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Inés Warburg. – De Lerina insula: Manuscript<br />tradition, texts and edition (p. 143-153)<br />The poem De Lerina insula, attributed to<br />Dinamius of Marseille († 595 c.), celebrates<br />in elegiac couplets the Christian foundation of<br />Saint Honoratus, through a series of traditional<br />topics about the “holiness” of the island and its<br />inhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included<br />in two manuscripts of Isidore of Seville (ms.<br />Klosterneuburg 723 of the 12th century and<br />ms. Göttweig 64 (78) of the 13th century; the<br />poem—not epigraphic nor Roman—is preserved<br />in the appendix to this sylloge). This work offers<br />a critical edition of the poem based on both<br />witnesses, since the two editions of the 19th<br />century are alternatively based on copies of<br />one of the two manuscripts: the first edition of<br />1888, on a copy of Klosterneuburg 723, and the<br />second edition of 1897, on a copy of Göttweig<br />64. The witnesses are derived from a common<br />predecessor, but both texts are independent<br />and complementary.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b8e4a49b9afbe87cce9d55c16ea387e6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81671389,"asset_id":72956488,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72956488"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72956488"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72956488; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72956488]").text(description); $(".js-view-count[data-work-id=72956488]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72956488; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72956488']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72956488, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b8e4a49b9afbe87cce9d55c16ea387e6" } } $('.js-work-strip[data-work-id=72956488]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72956488,"title":"DE LERINA INSVLA: TRADICIÓN MANUSCRITA, TEXTOS Y EDICIÓN","translated_title":"","metadata":{"abstract":"Inés Warburg. – De Lerina insula: Manuscript\ntradition, texts and edition (p. 143-153)\nThe poem De Lerina insula, attributed to\nDinamius of Marseille († 595 c.), celebrates\nin elegiac couplets the Christian foundation of\nSaint Honoratus, through a series of traditional\ntopics about the “holiness” of the island and its\ninhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included\nin two manuscripts of Isidore of Seville (ms.\nKlosterneuburg 723 of the 12th century and\nms. Göttweig 64 (78) of the 13th century; the\npoem—not epigraphic nor Roman—is preserved\nin the appendix to this sylloge). This work offers\na critical edition of the poem based on both\nwitnesses, since the two editions of the 19th\ncentury are alternatively based on copies of\none of the two manuscripts: the first edition of\n1888, on a copy of Klosterneuburg 723, and the\nsecond edition of 1897, on a copy of Göttweig\n64. The witnesses are derived from a common\npredecessor, but both texts are independent\nand complementary.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"REVUE DE PHILOLOGIE DE LITTÉRATURE ET D’HISTOIRE ANCIENNES (KLINCKSIECK)"},"translated_abstract":"Inés Warburg. – De Lerina insula: Manuscript\ntradition, texts and edition (p. 143-153)\nThe poem De Lerina insula, attributed to\nDinamius of Marseille († 595 c.), celebrates\nin elegiac couplets the Christian foundation of\nSaint Honoratus, through a series of traditional\ntopics about the “holiness” of the island and its\ninhabitants. The collection of Roman inscriptions known as Sylloge Turonensis is included\nin two manuscripts of Isidore of Seville (ms.\nKlosterneuburg 723 of the 12th century and\nms. Göttweig 64 (78) of the 13th century; the\npoem—not epigraphic nor Roman—is preserved\nin the appendix to this sylloge). This work offers\na critical edition of the poem based on both\nwitnesses, since the two editions of the 19th\ncentury are alternatively based on copies of\none of the two manuscripts: the first edition of\n1888, on a copy of Klosterneuburg 723, and the\nsecond edition of 1897, on a copy of Göttweig\n64. The witnesses are derived from a common\npredecessor, but both texts are independent\nand complementary.","internal_url":"https://www.academia.edu/72956488/DE_LERINA_INSVLA_TRADICI%C3%93N_MANUSCRITA_TEXTOS_Y_EDICI%C3%93N","translated_internal_url":"","created_at":"2022-03-03T13:37:17.887-08:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81671389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81671389/thumbnails/1.jpg","file_name":"Warburg_RpH_94_1_1_4.pdf","download_url":"https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81671389/Warburg_RpH_94_1_1_4-libre.pdf?1646344082=\u0026response-content-disposition=attachment%3B+filename%3DDE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf\u0026Expires=1732561159\u0026Signature=Ceocc5JxLhAHfgVIn9CCjMoghMJB13bFoJrhq~Uq06PpQFJoj49prZswewJGCO9zuFo6HmjiTbS-Lkn1xkN-dK9RJDmFSivTZHX2EKmAQXegM7zMt6wf3MLIUPcFYFv8uPohjF~zOiv55PEK3Z0ztpstOkfhf60fMTJXC35gj497q2ud94THD85utEO2btkfKZns8nB6R4QZ07Djln4OAuY4tys5--y6DXJDsMKh3r-KNndYgVa8bPMrGqGMarSg6KO3fFBnTQT91dcFO9ixWUTmTSBIt93siI2u~y5tv7zyZT7F3L0kYBmxxYiWgtKX5VDuTulIiIUPbAVmiTl~1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"DE_LERINA_INSVLA_TRADICIÓN_MANUSCRITA_TEXTOS_Y_EDICIÓN","translated_slug":"","page_count":4,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81671389,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81671389/thumbnails/1.jpg","file_name":"Warburg_RpH_94_1_1_4.pdf","download_url":"https://www.academia.edu/attachments/81671389/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"DE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81671389/Warburg_RpH_94_1_1_4-libre.pdf?1646344082=\u0026response-content-disposition=attachment%3B+filename%3DDE_LERINA_INSVLA_TRADICION_MANUSCRITA_TE.pdf\u0026Expires=1732561159\u0026Signature=Ceocc5JxLhAHfgVIn9CCjMoghMJB13bFoJrhq~Uq06PpQFJoj49prZswewJGCO9zuFo6HmjiTbS-Lkn1xkN-dK9RJDmFSivTZHX2EKmAQXegM7zMt6wf3MLIUPcFYFv8uPohjF~zOiv55PEK3Z0ztpstOkfhf60fMTJXC35gj497q2ud94THD85utEO2btkfKZns8nB6R4QZ07Djln4OAuY4tys5--y6DXJDsMKh3r-KNndYgVa8bPMrGqGMarSg6KO3fFBnTQT91dcFO9ixWUTmTSBIt93siI2u~y5tv7zyZT7F3L0kYBmxxYiWgtKX5VDuTulIiIUPbAVmiTl~1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity"},{"id":11076,"name":"Late Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity"},{"id":67931,"name":"Late Antique Latin Poetry","url":"https://www.academia.edu/Documents/in/Late_Antique_Latin_Poetry"},{"id":1773028,"name":"Christian Gaul","url":"https://www.academia.edu/Documents/in/Christian_Gaul"}],"urls":[]}, dispatcherData: dispatcherData }); 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Cette conception de l'esthétique qui a eu une grande influence dans la littérature latine de l'antiquité tardive se traduit en particulier par une rénovation totale du genre bucolique et la suprématie du surnaturel sur l'ordre naturel troublé, selon l'idéologie triomphaliste de la poesie theodosienne. Abstract. – The poem De mortibus boum, written in the end of the 4th century by the christian rhetorician Severus Sanctus Endelechius, presents the specific features of the Theodosian baroque or late Roman baroque. This aesthetic conception, very influential in late antique Latin literature, is particularly reflected in the transformation of the bucolic genre and in the victory of the supernatural over the disturbed natural order, in accordance with the triumphalist ideology of Theodosian poetry.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5ffb6b27aaca63ab7523592d6a132c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63749277,"asset_id":33261436,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63749277/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33261436"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33261436"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33261436; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33261436]").text(description); $(".js-view-count[data-work-id=33261436]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33261436; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33261436']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33261436, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5ffb6b27aaca63ab7523592d6a132c4" } } $('.js-work-strip[data-work-id=33261436]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33261436,"title":"El barroco teodosiano en el poema De mortibus Boum, Revue des Etudes Anciennes 118, 2016.","translated_title":"","metadata":{"abstract":"– Le poème De mortibus boum, du rhéteur Severus Sanctus Endelechius composé vers la fin IVe s. présente les signes distinctifs du baroque théodosien ou baroque tardif romain. 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Bologna; 2012 vol. 74 p. 159 - 178</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de "loci similes" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7abf07240f4e3246e771ed783a5e81a5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81669957,"asset_id":8912790,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8912790"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8912790"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8912790; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8912790]").text(description); $(".js-view-count[data-work-id=8912790]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8912790; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8912790']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8912790, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7abf07240f4e3246e771ed783a5e81a5" } } $('.js-work-strip[data-work-id=8912790]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8912790,"title":"INÉS WARBURG, \"Virgilio y Dámaso a través de la poesía latina epigráfica\", Epigraphica: periodico internazionale di epigrafia; Bologna; 2012 vol. 74 p. 159 - 178","translated_title":"","metadata":{"abstract":"Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de \"loci similes\" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado."},"translated_abstract":"Entre la Eneida de Virgilio y los epigramas del papa Dámaso (366-384), se interpone una tradición secular de poesía romana, durante la cual se operó un influjo recíproco de la literatura áulica y de la producción anónima de los Carmina Latina Epigraphica (CLE). Dicho intercambio facilita la identificación de \"loci similes\" recurrentes, además, en la configuración del imaginario sepulcral de la poesía literaria y de los carmina epigráficos. Nos referimos, en concreto, a los tópicos funerarios presentes en VERG. Aen. 6, 235 y ED 57, 7, en VERG. Aen. 1, 609 y ED 31, 4, en VERG. Aen. 5, 787 y ED 3, 2 y en VERG. Aen. 6, 720, VERG. Aen. 7, 210 y ED 16, 3. A partir de un estudio transversal de las fórmulas comunes de la Eneida y de los epigramas damasianos, es posible insistir en la vía de consolidación de una línea metodológica que revela, cada vez más, la compleja interacción de los auctores y la tradición de los CLE. Paralelamente, emerge la auténtica dinámica de configuración de un código renovado por la convergencia de textos cristianos, contra la concepción idealista y paradigmática de la Antigüedad clásica, que persevera en la confrontación estática de las producciones tardoantiguas con los modelos del pasado.","internal_url":"https://www.academia.edu/8912790/IN%C3%89S_WARBURG_Virgilio_y_D%C3%A1maso_a_trav%C3%A9s_de_la_poes%C3%ADa_latina_epigr%C3%A1fica_Epigraphica_periodico_internazionale_di_epigrafia_Bologna_2012_vol_74_p_159_178","translated_internal_url":"","created_at":"2014-10-22T11:51:29.444-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81669957,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81669957/thumbnails/1.jpg","file_name":"257_276_WARBURG_1_.pdf","download_url":"https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Virgilio_y_Damaso_a_traves.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81669957/257_276_WARBURG_1_-libre.pdf?1646341342=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Virgilio_y_Damaso_a_traves.pdf\u0026Expires=1732561160\u0026Signature=YcyF53GqfydWy5oY7ZKPq3hhjYRLCej~KBwuuQ13UBfpLl71R7zcNJrR3OvmG4RId8JDY2ElQg-4711PTsuO2xUNYTUKwQnxpXX3xI-vRkdYAecWEkAr7mnUQiXzXejFOFQZHmItFhRn1b1p4xUzpg1a6v9w5L7QE2-WtCpcsctX5DJBgCWdv~fVoozhC~NdykGJcKwuProaDH1QKjNrw6Sp~yq8Bp-WnvEO-8~D1L1S03WT1dvDzMvcuXqam4fANsrPhEA~vzeDLaFJEBXXVxF3DSZ0VnTWIzZmO9QuBrY2fEEdYwJBAn5RBktAE4-LeufkO5DuIax9R3ZDIQ8iqg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"INÉS_WARBURG_Virgilio_y_Dámaso_a_través_de_la_poesía_latina_epigráfica_Epigraphica_periodico_internazionale_di_epigrafia_Bologna_2012_vol_74_p_159_178","translated_slug":"","page_count":24,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81669957,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81669957/thumbnails/1.jpg","file_name":"257_276_WARBURG_1_.pdf","download_url":"https://www.academia.edu/attachments/81669957/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Virgilio_y_Damaso_a_traves.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81669957/257_276_WARBURG_1_-libre.pdf?1646341342=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Virgilio_y_Damaso_a_traves.pdf\u0026Expires=1732561160\u0026Signature=YcyF53GqfydWy5oY7ZKPq3hhjYRLCej~KBwuuQ13UBfpLl71R7zcNJrR3OvmG4RId8JDY2ElQg-4711PTsuO2xUNYTUKwQnxpXX3xI-vRkdYAecWEkAr7mnUQiXzXejFOFQZHmItFhRn1b1p4xUzpg1a6v9w5L7QE2-WtCpcsctX5DJBgCWdv~fVoozhC~NdykGJcKwuProaDH1QKjNrw6Sp~yq8Bp-WnvEO-8~D1L1S03WT1dvDzMvcuXqam4fANsrPhEA~vzeDLaFJEBXXVxF3DSZ0VnTWIzZmO9QuBrY2fEEdYwJBAn5RBktAE4-LeufkO5DuIax9R3ZDIQ8iqg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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Turnhout; 2011 vol. 50 p. 71 - 86</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad56b40b5958fb2d5762d676c533d230" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81670593,"asset_id":8912763,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8912763"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8912763"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8912763; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8912763]").text(description); $(".js-view-count[data-work-id=8912763]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8912763; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8912763']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8912763, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ad56b40b5958fb2d5762d676c533d230" } } $('.js-work-strip[data-work-id=8912763]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8912763,"title":"INÉS WARBURG, \"Escatología final e intermedia en el poema Laudes Domini\", Sacris Erudiri: A Journal on the Inheritance of Early and Medieval Christianity; Turnhout; 2011 vol. 50 p. 71 - 86","translated_title":"","metadata":{"abstract":"La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas."},"translated_abstract":"La composición anónima titulada Laudes Domini ofrece una reflexión poética sobre la concepción de la escatología final e intermedia en la edad constantiniana . El poema de 148 hexámetros posee una estructura tripartita: el relato de un milagro acaecido en Galia (vv. 1-33), la alabanza a Cristo (vv. 34-142) y el epílogo (vv. 143-148). Entre las partes, que presentan la cuestión escatológica desde diferentes perspectivas, se advierte una cohesión temática y formal, perceptible en la eficacia técnica con la que se encadenan las secuencias del poema. Si bien la sistematización teológica de las dos fases de la escatología –una posterior a la vida terrena del hombre y otra posterior al final de la historia de la humanidad– se desarrolla a partir de la Alta Edad Media, lo cierto es que ambas categorías se encuentran de hecho en la doctrina neotestamentaria y que desde el comienzo suscitan una serie de interrogantes en la teoría y en la práctica de las primeras comunidades cristianas.","internal_url":"https://www.academia.edu/8912763/IN%C3%89S_WARBURG_Escatolog%C3%ADa_final_e_intermedia_en_el_poema_Laudes_Domini_Sacris_Erudiri_A_Journal_on_the_Inheritance_of_Early_and_Medieval_Christianity_Turnhout_2011_vol_50_p_71_86","translated_internal_url":"","created_at":"2014-10-22T11:49:03.445-07:00","section":"Papers","preview_url":null,"current_user_can_edit":true,"current_user_is_owner":true,"owner_id":1273027,"coauthors_can_edit":false,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":81670593,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81670593/thumbnails/1.jpg","file_name":"Sacris_Erudiri_Volume_50_2011_1_.pdf","download_url":"https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Escatologia_final_e_interme.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81670593/Sacris_Erudiri_Volume_50_2011_1_-libre.pdf?1646342793=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Escatologia_final_e_interme.pdf\u0026Expires=1732561160\u0026Signature=RGXkUD0UNoA~44mvkSaOgLAwYkYLA86gz70dG6k8QyuK4EPVEpDPHxy54yuubkQEMi894sIavRAD25~8izSkMgCRpckjE-86iXhtOKNAUXDYJ5kGZVVbnRTXlO0s14wRBT0sLaPfyHtcjmieT466rOS527uvSWq2jrnqzFOiXOa4bzKd26AGfy5HxN1fLgmHn0J7Qfn-be2SF~OyR48NnDL59UKqDXWYUboqbl94~w9R1u1uBT9bDX2WUU1faUywroJxr~VwthuAoPyPfeZSjvZVWneWCLXv-8MjHUaPgFg1kK4eMsHMU5IgUluRMqIPbjBbxpRszuSL2pBKZyp6Pw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"INÉS_WARBURG_Escatología_final_e_intermedia_en_el_poema_Laudes_Domini_Sacris_Erudiri_A_Journal_on_the_Inheritance_of_Early_and_Medieval_Christianity_Turnhout_2011_vol_50_p_71_86","translated_slug":"","page_count":19,"language":"es","content_type":"Work","owner":{"id":1273027,"first_name":"Ines","middle_initials":null,"last_name":"Warburg","page_name":"InesWarburg","domain_name":"dspp","created_at":"2012-03-05T21:13:00.869-08:00","display_name":"Ines Warburg","url":"https://dspp.academia.edu/InesWarburg"},"attachments":[{"id":81670593,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/81670593/thumbnails/1.jpg","file_name":"Sacris_Erudiri_Volume_50_2011_1_.pdf","download_url":"https://www.academia.edu/attachments/81670593/download_file?st=MTczMjU3MDMxMyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"INES_WARBURG_Escatologia_final_e_interme.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/81670593/Sacris_Erudiri_Volume_50_2011_1_-libre.pdf?1646342793=\u0026response-content-disposition=attachment%3B+filename%3DINES_WARBURG_Escatologia_final_e_interme.pdf\u0026Expires=1732561160\u0026Signature=RGXkUD0UNoA~44mvkSaOgLAwYkYLA86gz70dG6k8QyuK4EPVEpDPHxy54yuubkQEMi894sIavRAD25~8izSkMgCRpckjE-86iXhtOKNAUXDYJ5kGZVVbnRTXlO0s14wRBT0sLaPfyHtcjmieT466rOS527uvSWq2jrnqzFOiXOa4bzKd26AGfy5HxN1fLgmHn0J7Qfn-be2SF~OyR48NnDL59UKqDXWYUboqbl94~w9R1u1uBT9bDX2WUU1faUywroJxr~VwthuAoPyPfeZSjvZVWneWCLXv-8MjHUaPgFg1kK4eMsHMU5IgUluRMqIPbjBbxpRszuSL2pBKZyp6Pw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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