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曾拍摄中国尘肺病患者的摄影师沈绮颖获奖 - 纽约时报中文网

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data-headline="%E6%9B%BE%E6%8B%8D%E6%91%84%E4%B8%AD%E5%9B%BD%E5%B0%98%E8%82%BA%E7%97%85%E6%82%A3%E8%80%85%E7%9A%84%E6%91%84%E5%BD%B1%E5%B8%88%E6%B2%88%E7%BB%AE%E9%A2%96%E8%8E%B7%E5%A5%96"> --><!-- <i class="icon-qrcode"></i> --><!-- </a> --><!-- </li> --></ul><div class="share-btn"><i class="icon-forward"></i></div></div></div></div></div><article class="article-content font-normal"><div class="article-header"><header><small>镜头</small><h1>曾拍摄中国尘肺病患者的摄影师沈绮颖获奖</h1></header><div class="byline-row"><div class="byline-box"><div class="byline"><address>JAMES ESTRIN</address><time pudate="2018-04-26 07:54:50" datetime="2018-04-26 07:54:50">2018年4月26日</time></div><div class="share-btn"><i class="icon-forward"></i></div></div></div></div><div class="slideshow link"><a href="/slideshow/20180426/c26lens-hondros-ss/" title="" data_url="/api/web/v1/slideshow/20180426/c26lens-hondros-ss/?ot&#x3D;jsonp" id="slideshowModalLink"><small></small><h2><span></span></h2><div class="summary-container"><figure class="photospot-slideshow-thumbnail article-span"><div class="image-cont"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous/25-lens-hondrous-master1050.jpg" width="1050" height="700" alt="《一个尘肺病家庭的爱与绝望》系列,2011-2014。米世秀抱着呼吸困难的何全贵。"><h2><i class="icon-images"></i><p>沈绮颖作品集</p></h2></div><figcaption><span>沈绮颖拍摄过死于尘肺病的中国金矿工人、朝鲜女工等题材。她在工作时伤及手指,仍不辍钻研摄影。其作品传达出人情联系和思考。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div></a></div><div class="row"><div class="article-left"><section class="article-body"><div class="article-partial"><div class="article-body-item col-lg-5"><div class="article-paragraph">沈绮颖(Sim Chi Yin)获得了第七届盖帝图像与克里斯·洪德罗斯基金奖(Getty Images and Chris Hondros Fund Award)。该奖项的设立是为了纪念2011年4月死于利比亚的<a href="https://lens.blogs.nytimes.com/2011/04/20/parting-glance-chris-hondros/">洪德罗斯</a>和摄影师、电影人提姆·海瑟林顿(Tim Hetherington)。</div><div class="article-paragraph">沈绮颖是一名驻北京的自由摄影师,为多份刊物工作,也在进行着长期项目。两万美元奖金的到来,对她来说非常凑巧。</div><div class="article-paragraph">“这完全出乎意料,”她说。“我收到的一直是各种拨款的拒信,正在想办法为我的长期项目筹款。它正好就在我工作和生活的关键时刻出现了。”</div><div class="article-paragraph">在一次工作中拇指受重伤并导致永久性损伤后,沈绮颖便开始重新审视自己的工作方式,有意放缓了摄影工作的节奏。她说,她开始专注于基于研究的项目,“更深入地思考,更少但更有用意地拍照”。</div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous1/25-lens-hondrous1-master1050.jpg" alt="《余波》系列,2017。在朝鲜满浦,夜晚工厂中的放射性物质。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous1/25-lens-hondrous1-master1050.jpg"></div><figcaption><span>《余波》系列,2017。在朝鲜满浦,夜晚工厂中的放射性物质。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div><div class="article-paragraph"><figure class="article-inline-photo"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous2/25-lens-hondrous2-master1050.jpg" alt="《总有一天,我们会明白》系列,2011。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous2/25-lens-hondrous2-master1050.jpg"></div><figcaption><span>《总有一天,我们会明白》系列,2011。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div><div class="article-paragraph">39岁的沈绮颖去年被任命为诺贝尔和平奖摄影师,她与组委会一起,用照片、视频、文本和物品制作了一个有关核武器的多学科展览。她的另一个项目讲的是她的爷爷,他在自己的家乡被尊为中国革命的烈士,但这个话题却被她的家人视为禁忌。</div><div class="article-paragraph">她表示,由于技术和社交媒体已经改变了这些故事的制作和阅读方式,摄影师们都在寻找新的方式来讲述那些突出的视觉故事。她提到,洪德罗斯曾与古典音乐家们合作过一场演出,在其中放映他在伊拉克所拍的照片,海瑟林顿也制作过实验性视频。</div><div class="article-paragraph">“我想,如果克里斯和提姆现在还活着,他们也会在这个图片饱和的年代寻找新的语汇,”她说。“他们会站在这场运动的前线,去寻找工作的新方法,讲述重要故事的新方法。”</div><div class="article-paragraph">沈绮颖的项目需要她在拿起相机前进行大量的研究。但她有耐心。</div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous3/25-lens-hondrous3-master1050.jpg" alt="《缅甸之春》系列,2012。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous3/25-lens-hondrous3-master1050.jpg"></div><figcaption><span>《缅甸之春》系列,2012。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous4/25-lens-hondrous4-master1050.jpg" alt="《锡矿工人》系列,2014。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous4/25-lens-hondrous4-master1050.jpg"></div><figcaption><span>《锡矿工人》系列,2014。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div><div class="article-paragraph">在新加坡长大的沈绮颖从少年时代起就对摄影产生了兴趣。在新加坡《海峡时报》(The Straits Times)实习时,报纸为她提供了一份奖学金,供她去伦敦政治经济学院(London School of Economics)学习历史,她在那里获得了硕士学位。为此她需要为该报工作八年。</div><div class="article-paragraph">当她回到新加坡时,沈绮颖想当的是一名摄影师,但她被告知那是“大材小用”,她需要去作记者。后来她成为该报的驻北京记者,并给自己的报道拍摄照片。完成了八年的工作之后,她放弃了福利、薪资和工作保障,成为了一名摄影师。她于2010年获得的玛格南基金会人权奖学金(The Magnum Foundation Human Rights Fellowship)帮助她开启了自己的事业,她随后成为了《纽约时报》等报纸的自由撰稿人。她通过VII图片社(VII Photo Agency)的一个导师项目成为那里的正式会员,不过已于2017年离开。关于中国金矿工人死于尘肺病的长期项目<a href="https://lens.blogs.nytimes.com/2015/06/23/a-chinese-miner-with-a-heart-of-gold/">于2015年在“镜头”栏目</a><a href="https://lens.blogs.nytimes.com/2015/06/23/a-chinese-miner-with-a-heart-of-gold/">发表</a>。</div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous6/25-lens-hondrous6-master1050.jpg" alt="《流沙》系列,2017。在《国家地理》的一次任务中,沈绮颖调查了全球可用沙的枯竭。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous6/25-lens-hondrous6-master1050.jpg"></div><figcaption><span>《流沙》系列,2017。在《国家地理》的一次任务中,沈绮颖调查了全球可用沙的枯竭。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div><div class="article-paragraph">她说,2015年事业“马力全开”时,她在一次任务中被一群朝鲜女民工<a rel="noopener noreferrer" target="_blank" href="http://www.chinafile.com/reporting-opinion/media/north-korea-border-photographer-attacked">攻击</a>,她们从她的手中夺走了相机,严重损伤了她的右手拇指。她说,由于受伤,她无法继续工作,而给了她那次任务的刊物并不为她提供医疗保险。</div><div class="article-paragraph">两年的手术和理疗“有点像是个警钟”,给了她时间来反思自己想做的作品。“多思考、少拍摄”的收获把她带向了并非传统摄影新闻的项目。</div><div class="article-paragraph">曾经获得洪德罗斯奖的六位摄影师都是报道国际新闻的知名新闻摄影记者。沈绮颖的报道创作很成功,但她更出名的是长期项目。曾与洪德罗斯订婚的基金创始人克里斯蒂娜·皮亚亚(Christina Piaia)说,尽管洪德罗斯是他那一代人中最受敬仰的战争摄影师之一,但该奖项表彰的是那些对自己的报道对象有着深刻的人情联系和严谨思考的人。</div><div class="article-paragraph">“今年,我们无疑认识到这幅作品是与众不同的,”她说。“我们尤其震惊于她作品中蕴藏的智慧和严谨。她对自己报道的地方、文化和对象都有着敏锐的洞察力和了解,这类似于洪德罗斯的作品,也类似于他不止为了了解当前事态,还为了解他所报道的人民、冲突和地区而做的大量准备。”</div><div class="article-paragraph">除了对沈绮颖的认可,布朗克斯纪实摄影中心(Bronx Documentary Center)也获得了5000美元奖金,以表彰它坚持进行的社区参与和青年教育计划。</div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous7/25-lens-hondrous7-master1050.jpg" alt="2017年11月20日,沈绮颖在拍摄图森戴维斯-蒙坦空军基地的一架退役B-52轰炸机。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous7/25-lens-hondrous7-master1050.jpg"></div><figcaption><span>2017年11月20日,沈绮颖在拍摄图森戴维斯-蒙坦空军基地的一架退役B-52轰炸机。</span> <cite>Gabriel Ellison-Scowcroft</cite></figcaption></figure></div><div class="article-paragraph"><figure class="article-inline-photo large"><div class="img-box"><img src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous5/25-lens-hondrous5-master1050.jpg" alt="《鼠族》系列,2010-2015。" data-src="https://static01.nyt.com/images/2018/04/24/lens/25-lens-hondrous5/25-lens-hondrous5-master1050.jpg"></div><figcaption><span>《鼠族》系列,2010-2015。</span> <cite>Sim Chi Yin</cite></figcaption></figure></div></div><div class="article-body-aside col-lg-3"></div></div></section><footer class="author-info"><p>James Estrin是“镜头”的联合编辑,他于1992年以摄影师的身份加入《纽约时报》,此前曾为时报和数百份其他出版物撰稿多年。欢迎在Twitter上关注他 <a rel="nofollow" target="_blank" href="https://twitter.com/JamesEstrin">@JamesEstrin</a>。<br>翻译:Jowii<br><a rel="nofollow" target="_blank" href="https://www.nytimes.com/2018/04/25/lens/sim-chi-yin-a-patient-photographer-wins-chris-hondros-award.html">点击查看本文英文版。</a></p></footer></div></div></article><div class="container article-footer"><div class="row"><div class="col-lg-12 mobile-refer-cont" id="J_hideRefer"><div class="related-cont"><h4>相关报道</h4><ul class="refer-list"><li class="article-refer"><div class="refer-list-item"><a href="/culture/20150924/t24lens-identity/" title="新加坡摄影师用镜头寻找身份认同"><div><h3 class="refer-list-headline">新加坡摄影师用镜头寻找身份认同</h3><p class="refer-pubdate">2015年9月24日</p></div><img alt="新加坡摄影师用镜头寻找身份认同" src="https://static01.nyt.com/images/2015/09/07/blogs/20150907-lens-yin-slide-QXXY/20150907-lens-yin-slide-QXXY-thumbLarge.jpg" width="75" height="75"></a></div></li><li class="article-refer"><div class="refer-list-item"><a href="/lens/20140729/c29lens-china/" title="华裔女记者放弃优渥生活拍摄中国"><div><h3 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