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class="DesignSystem"><div class="container"><div class="row"><div class="ri-header-container"><h1 class="research-interest-header">18th Century Art</h1><div class="counts-container"><div class="div">1,052 papers</div><div class="div">9,322 followers</div></div><div class="definition-container"><div class="ai-powered-callout">AI Powered</div>18th Century Art refers to the artistic movements and styles that emerged in Europe during the 1700s, characterized by the transition from Baroque to Neoclassicism and Rococo. This period is marked by a focus on elegance, ornamentation, and the exploration of themes such as nature, mythology, and human emotion.</div><div class="button-container"><button class="ds2-5-button ds2-5-button--small js-header-login-url react-login-modal-opener" data-click-track="topics--follow-button" data-signup-modal="{"location":"login-button--header"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><a class="ds2-5-button ds2-5-button--secondary ds2-5-button--small" data-click-track="topics--view-all-button" href="/topics"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span>View all topics</a></div></div></div></div><div class="container"><div class="row"><div class="main-content-container"><div class="works-container"><div class="nav-container"><ul class="nav-list"><li><a class="ds2-5-button ds2-5-button--extra-small nav-item active" data-active="" data-click-track="topics--nav-all-papers" href="https://www.academia.edu/Documents/in/18th_Century_Art">Newest</a></li><li><a class="ds2-5-button ds2-5-button--extra-small nav-item" href="https://www.academia.edu/Documents/in/18th_Century_Art/TopPapers">Top papers</a></li><li><a class="ds2-5-button ds2-5-button--extra-small nav-item" data-click-track="topics--nav-most-cited" href="https://www.academia.edu/Documents/in/18th_Century_Art/MostCited">Most cited</a></li><li><a class="ds2-5-button ds2-5-button--extra-small nav-item" data-click-track="topics--nav-most-downloaded" href="https://www.academia.edu/Documents/in/18th_Century_Art/MostDownloaded">Most downloaded</a></li></ul></div><div class="works"><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/128436003/Peregrinus_et_miles_Christianus_O_nagrobku_Miko%C5%82aja_Krzysztofa_Radziwi%C5%82%C5%82a_Sierotki_w_Nie%C5%9Bwie%C5%BCu">Peregrinus et miles Christianus. O nagrobku Mikołaja Krzysztofa Radziwiłła "Sierotki" w Nieświeżu</a></div><div class="authors">by <a href="https://independent.academia.edu/TadeuszBernatowicz">Tadeusz Bernatowicz</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary">[|Ł|-J.:Mijtj'w. rr L i.JL. •,. i Mi i. A .-.ii T W, X •M immmuemm--*' im -11 * Li au P' w., 11 1 Ołtarz Św. Krzyża z nagrobkami M. K. Ra dziwiłła i E. E. Radziwiłłowej, kościół Bożego Ciała w Nieświeżu. Rys. I. Bogacka.</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/128436003/Peregrinus_et_miles_Christianus_O_nagrobku_Miko%C5%82aja_Krzysztofa_Radziwi%C5%82%C5%82a_Sierotki_w_Nie%C5%9Bwie%C5%BCu"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/122018060/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/128424868/Un_manuscrit_in%C3%A9dit_de_Leibniz_sur_la_nature_des_objets_fossiles">Un manuscrit inédit de Leibniz sur la nature des"objets fossiles</a></div><div class="authors">by <a href="https://ehess.academia.edu/CohenClaudine">Cohen Claudine</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, HAL (Le Centre pour la Communication Scientifique Directe)</p></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/128424868/Un_manuscrit_in%C3%A9dit_de_Leibniz_sur_la_nature_des_objets_fossiles"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/122009069/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/128281502/Estelle_Leutrat_Liste_des_publications">Estelle Leutrat - Liste des publications</a></div><div class="authors">by <a href="https://univ-poitiers.academia.edu/EstelleLeutrat">Estelle Leutrat</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">Cet ouvrage issu de ma thèse de doctorat examine l'itinéraire de trois graveurs sur cuivre actifs à Lyon entre les années 1520 et 1565, le Maître JG, Georges Reverdy et le Maître CC. À travers le parcours et la production gravée de ces... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Cet ouvrage issu de ma thèse de doctorat examine l'itinéraire de trois graveurs sur cuivre actifs à Lyon entre les années 1520 et 1565, le Maître JG, Georges Reverdy et le Maître CC. À travers le parcours et la production gravée de ces artistes, il s'agit d'examiner l'histoire d'une émergence, celle d'une technique particulière, la gravure en taille-douce, dont les premières manifestations apparaissent à Lyon dans un contexte socioéconomique particulier. Proches des officines d'imprimeurs et de libraires, les ateliers des graveurs bénéficient de leurs réseaux de diffusion, du large brassage d'hommes de lettres, mais aussi de modèles dessinés et gravés provenant de l'Europe entière. Lyon étant un véritable creuset des idées nouvelles, notamment réformées, les estampes de ces trois graveurs témoignent de ce foisonnement et de l'évolution confessionnelle qui se fait jour dans la ville. Les trajectoires s'interrompent néanmoins dans les toutes premières années des guerres de Religion.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/128281502/Estelle_Leutrat_Liste_des_publications"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121888812/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/128155530/_Ars%C3%A8ne_Houssaye_vu_par_Champfleury_in_La_Revue_des_lettres_modernes_n_6_Ars%C3%A8ne_Houssaye_ombres_et_lumi%C3%A8res_sous_la_direction_de_Michel_Brix_2024_coll_Minores_XIX_XX_pp_209_216">"Arsène Houssaye vu par Champfleury", in "La Revue des lettres modernes", n. 6: "Arsène Houssaye: ombres et lumières" sous la direction de Michel Brix, 2024, coll. "Minores XIX-XX", pp. 209-216.</a></div><div class="authors">by <a href="https://unina.academia.edu/MichelaLoFeudo">Michela Lo Feudo</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, La Revue des lettres modernes</p></div><div class="summary"><div class="summarized">Cette étude propose une édition du feuilleton que le jeune Jules Fleury consacre à Arsène Houssaye, en 1844, dans les colonnes du "Journal de l'Aisne" publié à Laon. Pareille entreprise menée par le futur Champfleury ressortit à un double... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Cette étude propose une édition du feuilleton que le jeune Jules Fleury consacre à Arsène Houssaye, en 1844, dans les colonnes du "Journal de l'Aisne" publié à Laon. Pareille entreprise menée par le futur Champfleury ressortit à un double enjeu: il s'agit d’un côté de célébrer le talent d'Houssaye; de surcroît, il faut rapprocher l'écrivain portraituré du signataire en créant des ponts symboliques susceptibles de ménager une prochaine rencontre et de favoriser la camaraderie littéraire.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/128155530/_Ars%C3%A8ne_Houssaye_vu_par_Champfleury_in_La_Revue_des_lettres_modernes_n_6_Ars%C3%A8ne_Houssaye_ombres_et_lumi%C3%A8res_sous_la_direction_de_Michel_Brix_2024_coll_Minores_XIX_XX_pp_209_216"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121780558/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/128101804/Jos%C3%A9_del_Castillo_1737_1793_Portrait_of_Leonardo_da_Vinci_y_Portrait_of_Leon_Battista_Alberti">José del Castillo (1737-1793), Portrait of Leonardo da Vinci y Portrait of Leon Battista Alberti</a></div><div class="authors">by <a href="https://ucm.academia.edu/JesusLopezOrtega">Jesus Lopez Ortega</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Fecit VI, Spanish Old Masters Drawings</p></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/128101804/Jos%C3%A9_del_Castillo_1737_1793_Portrait_of_Leonardo_da_Vinci_y_Portrait_of_Leon_Battista_Alberti"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121735235/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127947184/EDVARD_STRAHL_ZBIRATELJ_MECEN_IN_NARO%C4%8CNIK_Dela_slikark_in_slikarjev_19_stoletja_v_Strahlovi_zbirki_v_Stari_Loki">EDVARD STRAHL -ZBIRATELJ, MECEN IN NAROČNIK: Dela slikark in slikarjev 19. stoletja v Strahlovi zbirki v Stari Loki</a></div><div class="authors">by <a href="https://zrc-sazu.academia.edu/RenataKomicMarn">Renata Komić Marn</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Dolgo 19. stoletje: Loško v evropskem kontekstu</p></div><div class="summary"><div class="summarized">Raziskovanje zbirateljskih praks Edvarda in Karla vitezov pl. Strahl ter provenience in usode posameznih slik in predmetov iz njune zbirke v Stari Loki je izjemnega pomena za študij zgodovine umetnostnih zbirk in zbirateljstva na... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Raziskovanje zbirateljskih praks Edvarda in Karla vitezov pl. Strahl ter provenience in usode posameznih slik in predmetov iz njune zbirke v Stari Loki je izjemnega pomena za študij zgodovine umetnostnih zbirk in zbirateljstva na Slovenskem v 19. in prvi polovici 20. stoletja. Poglobljen študij arhivskega gradiva, zlasti korespondence, zapuščinskih inventarjev, spominov, katalogov in številnih drugih popisov, ter sistematična analiza in pregled načinov pridobivanja umetnin, pohištva in drugih predmetov so dali vpogled v posamezne časovne in prostorske kontekste zbirke ter omogočili sestavo njenega historiata od leta 1833, ko je Edvard Strahl skupaj s sestro Henriko postal lastnik starološke graščine, prek javne dražbe v Stari Loki leta 1930 vse do danes, ko še vedno odkrivamo poti, po katerih je slike in predmete vodila usoda. V luči naštetih podatkov in ugotovitev pa se razkrivajo tudi pogledi na pomen, delo in delovanje nekaterih sodobnic in sodobnikov Edvarda Strahla. Strastni zbiratelj je namreč kazal zanimanje za njihovo umetniško delo, z njimi sodeloval in jih podpiral. Posledično je v starološki zbirki poleg slik Mihaela Stroja, Matevža Langusa in Antona Karingerja hranil tudi dela nekaterih manj znanih - tako poklicnih kot ljubiteljskih - slikark in slikarjev svoje dobe.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127947184/EDVARD_STRAHL_ZBIRATELJ_MECEN_IN_NARO%C4%8CNIK_Dela_slikark_in_slikarjev_19_stoletja_v_Strahlovi_zbirki_v_Stari_Loki"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121603483/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127917097/PASTELES_TALLER_TE%C3%93RICO_DEL_COLOR_Y_ESTUDIO_DEL_PAISAJE_DISNEY_NI%C3%91OS_DE_7_12_DE_EDAD_EN_EL_BARRIO_COOVIFLORIDA_1_2022">PASTELES: TALLER TEÓRICO DEL COLOR Y ESTUDIO DEL PAISAJE DISNEY, NIÑOS DE 7-12 DE EDAD EN EL BARRIO COOVIFLORIDA 1(2022</a></div><div class="authors">by <a href="https://independent.academia.edu/AngieBautista92">Angie Bautista</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary">Obtención de información mediante la practica .</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127917097/PASTELES_TALLER_TE%C3%93RICO_DEL_COLOR_Y_ESTUDIO_DEL_PAISAJE_DISNEY_NI%C3%91OS_DE_7_12_DE_EDAD_EN_EL_BARRIO_COOVIFLORIDA_1_2022"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121577970/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127888181/An%C3%A1lisis_cr%C3%ADtico_de_la_Galer%C3%ADa_Regional_de_Palazzo_Abatellis">Análisis crítico de la Galería Regional de Palazzo Abatellis</a></div><div class="authors">by <a href="https://unicatt.academia.edu/MVilla">Martina Villa</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Análisis crítico de la Galería Regional de Palazzo Abatellis</p></div><div class="summary"><div class="summarized">ESP: Este trabajo analiza críticamente la Galería Regional de Palazzo Abatellis en Palermo, centrándose en su arquitectura, evolución histórica y el proyecto de restauración museográfica llevado a cabo por Carlo Scarpa en los años 50.... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">ESP: Este trabajo analiza críticamente la Galería Regional de Palazzo Abatellis en Palermo, centrándose en su arquitectura, evolución histórica y el proyecto de restauración museográfica llevado a cabo por Carlo Scarpa en los años 50. Tras reconstruir la historia del palacio, construido en el siglo XV como residencia privada y posteriormente transformado en convento y museo, se examinan las intervenciones de restauración, con especial atención al enfoque de Scarpa, quien supo combinar la conservación del edificio histórico con soluciones museográficas innovadoras. El documento explora también las principales salas expositivas, su diseño y la interacción entre el espacio arquitectónico y las obras de arte. Finalmente, se abordan los problemas actuales de gestión del museo, destacando las deficiencias en comunicación, servicios al visitante y acceso al patrimonio, y se sugieren estrategias para mejorar su accesibilidad y valorización. El estudio concluye con una reflexión sobre el papel de Palazzo Abatellis en la escena cultural contemporánea y los desafíos futuros para su conservación y promoción.<br /><br />ITA: Il presente lavoro analizza criticamente la Galería Regional di Palazzo Abatellis a Palermo, con particolare attenzione alla sua architettura, alla sua evoluzione storica e al progetto di restauro museografico realizzato da Carlo Scarpa negli anni '50. Dopo una ricostruzione della storia del palazzo, costruito nel XV secolo come residenza privata e successivamente trasformato in convento e museo, si esaminano gli interventi di restauro, soffermandosi sul contributo di Scarpa, che ha saputo coniugare la conservazione dell’edificio storico con soluzioni museografiche moderne. Il documento esplora inoltre le principali sale espositive, il loro allestimento e la relazione tra lo spazio architettonico e le opere d'arte. Infine, vengono affrontate le problematiche legate alla gestione attuale del museo, evidenziando le criticità relative alla comunicazione, ai servizi per i visitatori e alla fruizione del patrimonio, suggerendo possibili strategie per migliorare l'accessibilità e la valorizzazione della collezione. Il lavoro si conclude con una riflessione sul ruolo di Palazzo Abatellis nella scena culturale contemporanea e sulle sfide future per la sua conservazione e promozione.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127888181/An%C3%A1lisis_cr%C3%ADtico_de_la_Galer%C3%ADa_Regional_de_Palazzo_Abatellis"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121554222/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127839563/Fleur_rarissime_sur_les_fa%C3%AFences_de_Marseille_Le_Jasminum_Sambac_Jasmin_prolif%C3%A8re_jasmin_dArabie">Fleur rarissime sur les faïences de Marseille; 'Le Jasminum Sambac'. Jasmin prolifère, jasmin d'Arabie.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Fleur rarissime sur les faïences de Marseille; Le 'Jasminum Sambac'. Jasmin prolifère, Jasmin d'Arabie.</p></div><div class="summary">Fleur rarissime sur les faïences de Marseille à décors floraux ; <br />Sur une assiette de la Veuve PERRIN 2ème partie XVIIIème. <br />Le Jasmin 'prolifère'. (Fleur dans la fleur), Jasminum Sambac, jasmin d'Arabie.</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127839563/Fleur_rarissime_sur_les_fa%C3%AFences_de_Marseille_Le_Jasminum_Sambac_Jasmin_prolif%C3%A8re_jasmin_dArabie"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121512995/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127796795/CURRICULUM_VITAE_2024_Lilian_Ruhe">CURRICULUM VITAE 2024 Lilian Ruhe</a></div><div class="authors">by <a href="https://independent.academia.edu/LRuhe">Lilian Ruhe</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127796795/CURRICULUM_VITAE_2024_Lilian_Ruhe"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121477608/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127794117/Le_p%C3%A9ristyle_et_l_obstacle_remarques_sur_une_esth%C3%A9tique_du_regard_chez_la_font_de_saint_yenne">Le péristyle et l’obstacle : remarques sur une esthétique du regard chez la font de saint-yenne</a></div><div class="authors">by <a href="https://u-paris10.academia.edu/FabriceMoulin">Fabrice Moulin</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">HAL is a multi-disciplinary open access archive for the deposit and dissemination of scientific research documents, whether they are published or not. The documents may come from teaching and research institutions in France or abroad, or... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">HAL is a multi-disciplinary open access archive for the deposit and dissemination of scientific research documents, whether they are published or not. The documents may come from teaching and research institutions in France or abroad, or from public or private research centers. L'archive ouverte pluridisciplinaire HAL, est destinée au dépôt et à la diffusion de documents scientifiques de niveau recherche, publiés ou non, émanant des établissements d'enseignement et de recherche français ou étrangers, des laboratoires publics ou privés.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127794117/Le_p%C3%A9ristyle_et_l_obstacle_remarques_sur_une_esth%C3%A9tique_du_regard_chez_la_font_de_saint_yenne"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121475157/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127784172/R%C3%A9attribution_des_deux_services_Ma%C3%A7onniques_%C3%A0_fond_jaune_de_Marseille_%C3%A0_la_Veuve_PERRIN">Réattribution des deux services ‘Maçonniques à fond jaune de Marseille’, à la Veuve PERRIN.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Réattribution des deux services ‘Maçonniques à fond jaune de Marseille’, à la Veuve PERRIN.</p></div><div class="summary"><div class="summarized">Réattribution des deux services ‘Maçonniques à fond jaune de Marseille’, à la Veuve PERRIN. Les deux formes de plats; _ En grand feu & petit feu sont typiques de la production de La Veuve PERRIN. Des exemples marqués ont été... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Réattribution des deux services ‘Maçonniques à fond jaune de Marseille’, à la Veuve PERRIN. <br />Les deux formes de plats; <br />_ En grand feu & petit feu sont typiques de la production de La Veuve PERRIN. <br />Des exemples marqués ont été retrouvés. <br /> Joseph FAUCHIER n’a pas utilisé ces deux types de formes !</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127784172/R%C3%A9attribution_des_deux_services_Ma%C3%A7onniques_%C3%A0_fond_jaune_de_Marseille_%C3%A0_la_Veuve_PERRIN"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121466994/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127777003/Session_at_ASESC_online_29_Mar_25">Session at ASESC (online, 29 Mar 25</a></div><div class="authors">by <a href="https://uni-tuebingen.academia.edu/IrisBrahms">Iris Brahms</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, The Art of Balance</p></div><div class="summary"><div class="summarized">In Western politics and philosophy of the 18 th century, concepts of balance, equality, and democracy experienced a groundbreaking contouring that continues to have an impact until today (see McMahon 2023). These issues were negotiated... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">In Western politics and philosophy of the 18 th century, concepts of balance, equality, and democracy experienced a groundbreaking contouring that continues to have an impact until today (see McMahon 2023). These issues were negotiated not least in the arts. Our thesis is that the parallelism and simultaneity of opposing views and ideologies led to a striving for equilibrium and harmony, and was articulated, for example, within the ideas of social justice and political equality, or the goal of levelling extreme economic and financial differences, an idealistic balance that ultimately paved the way for new concepts of societal order, respectively democracy.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127777003/Session_at_ASESC_online_29_Mar_25"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121702253/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127767874/Le_th%C3%A9atre_moral_de_la_vie_humaine_repr%C3%A9sent%C3%A9e_en_plus_de_cent_tableaux_divers_tirez_du_po%C3%ABt_Horace">Le théatre moral de la vie humaine, représentée en plus de cent tableaux divers, tirez du poët Horace</a></div><div class="authors">by <a href="https://unibe-ch2.academia.edu/TamaraKobel">Tamara Kobel</a> and <details class="authors-dropdown"><summary>1 more</summary><div class="dropdown-content"><div class="dropdown-item"><a href="https://unibe-ch2.academia.edu/SAnnetteKranen">S. Annette Kranen</a></div></div></details></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Der Weg zum Glück. Die Berner Kebes-Tafel und die Bilderwelten des Barock: Ausstellungskatalog</p></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127767874/Le_th%C3%A9atre_moral_de_la_vie_humaine_repr%C3%A9sent%C3%A9e_en_plus_de_cent_tableaux_divers_tirez_du_po%C3%ABt_Horace"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121452740/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127740369/Wytyczne_hetmana_Wac%C5%82awa_Rzewuskiego_1706_1779_dla_s%C5%82u%C5%BCby_pa%C5%82acowej_Przyczynek_do_funkcjonowania_rezydencji_podhoreckiej_w_po%C5%82owie_XVIII_wieku">Wytyczne hetmana Wacława Rzewuskiego (1706-1779) dla służby pałacowej. Przyczynek do funkcjonowania rezydencji podhoreckiej w połowie XVIII wieku</a></div><div class="authors">by <a href="https://independent.academia.edu/SaeculumChristianum">Saeculum Christianum</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Saeculum Christianum</p></div><div class="summary"><div class="summarized">From 1729 the Palace in Podhorce was the residence of Grand Crown Hetman Waclaw Rzewuski (1706-1779). Hetman arranged a magnificent Old Polish magnate residence in the Podhorecki palace, having souvenirs of representatives of the Sobieski... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">From 1729 the Palace in Podhorce was the residence of Grand Crown Hetman Waclaw Rzewuski (1706-1779). Hetman arranged a magnificent Old Polish magnate residence in the Podhorecki palace, having souvenirs of representatives of the Sobieski family and the Ko-niecpolski family, as well as a gallery of works of art, an armory and a library. This article is an attempt to present the functioning of the Podhorce residence in the light of the guidance kept in the Book of inventory and instructions of the Podhorce castle from 1745-1754. Among the preserved guidelines, one can distinguish instructions concerning various areas of the functioning of the Podhorce residence, namely: welcoming guests, the kitchen and the table of residence, security, heating and lighting of the palace, as well as the Podhorce stables.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127740369/Wytyczne_hetmana_Wac%C5%82awa_Rzewuskiego_1706_1779_dla_s%C5%82u%C5%BCby_pa%C5%82acowej_Przyczynek_do_funkcjonowania_rezydencji_podhoreckiej_w_po%C5%82owie_XVIII_wieku"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121428632/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127719436/RAGA%C4%8C_Radoslav_Nezn%C3%A1me_maliarske_objedn%C3%A1vky_pr%C3%ADle%C5%BEitostnej_heraldickej_reprezent%C3%A1cie_pri_pohreboch_cirkevn%C3%BDch_hodnost%C3%A1rov_do_polovice_18_storo%C4%8Dia_vo_fonde_S%C3%BAkromn%C3%BD_arch%C3%ADv_Bratislavskej_kapituly">RAGAČ, Radoslav. Neznáme maliarske objednávky príležitostnej heraldickej reprezentácie pri pohreboch cirkevných hodnostárov do polovice 18. storočia vo fonde Súkromný archív Bratislavskej kapituly</a></div><div class="authors">by <a href="https://comeniusuniversity.academia.edu/radoslavragac">radoslav ragac</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Ars: časopis Ústavu Dejín Umenia Slovenskej Akadémie Vied, 39, 2006, 2, s. 226 - 233, ISSN 0044-9008</p></div><div class="summary"><div class="summarized">RAGAČ, Radoslav. Neznáme maliarske objednávky príležitostnej heraldickej reprezentácie pri pohreboch cirkevných hodnostárov do polovice 18. storočia vo fonde Súkromný archív Bratislavskej kapituly Autor na základe doposiaľ neznámych... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">RAGAČ, Radoslav. Neznáme maliarske objednávky príležitostnej heraldickej reprezentácie pri pohreboch cirkevných hodnostárov do polovice 18. storočia vo fonde Súkromný archív Bratislavskej kapituly <br /> <br />Autor na základe doposiaľ neznámych archívnych dokumentov, najmä účtovného charakteru, z archívneho fondu Súkromný archív Bratislavskej kapituly uloženého v Slovenskom národnom archíve opisuje jednotlivé prvky heraldickej reprezentácie pri pohreboch cirkevných hodnostárov do od prvégo známeho prípadu z roku 1638 až do polovice 18. storočia. Išlo najmä o početné papierové a textilné mortuáriá, ktoré boli dielami miestnych umelcov z Bratislavy a ďalšiu smútočnú výzdobu interiérov tunajších kostolov. Opisuje aj spôsoby ich používania počas smútočných obradov spolu so sviecami, ich umiestňovanie na zaužívané miesta v Bratislave a ďalšie detaily.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127719436/RAGA%C4%8C_Radoslav_Nezn%C3%A1me_maliarske_objedn%C3%A1vky_pr%C3%ADle%C5%BEitostnej_heraldickej_reprezent%C3%A1cie_pri_pohreboch_cirkevn%C3%BDch_hodnost%C3%A1rov_do_polovice_18_storo%C4%8Dia_vo_fonde_S%C3%BAkromn%C3%BD_arch%C3%ADv_Bratislavskej_kapituly"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121410870/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127711033/La_elocuencia_de_la_arquitectura_invenci%C3%B3n_y_significado_de_los_programas_decorativos_del_Barroco_valenciano_1691_1793_">La elocuencia de la arquitectura: invención y significado de los programas decorativos del Barroco valenciano (1691-1793)</a></div><div class="authors">by <a href="https://ucm.academia.edu/GaetanoGiannotta">Gaetano Giannotta</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">Entre 1691 y 1793 las superficies de las iglesias y de los palacios del territorio valenciano fueron sometidas a las exigencias del mensaje que se procuró transmitir a través de ellas. Se convirtieron, pues, en soportes para discursos de... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Entre 1691 y 1793 las superficies de las iglesias y de los palacios del territorio valenciano fueron sometidas a las exigencias del mensaje que se procuró transmitir a través de ellas. Se convirtieron, pues, en soportes para discursos de carácter visual que, como sus equivalentes retóricos, fueron el resultado de una invención previa de contenidos y tipos iconográficos, de su disposición en el espacio y de su trasmisión al público. El objetivo de este libro es analizar este fenómeno de manera diacrónica, ahondando en las personalidades que pensaron estos mensajes, en las distintas técnicas artísticas que fueron empleadas para materializarlos y en el significado que adquirieron para los observadores de la época. Todo ello revelará el carácter elocuente de los programas decorativos de esta centuria durante la cual las arquitecturas mudas fueron capaces de hablar y persuadir.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127711033/La_elocuencia_de_la_arquitectura_invenci%C3%B3n_y_significado_de_los_programas_decorativos_del_Barroco_valenciano_1691_1793_"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121403670/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127558810/Le_mimosa_de_la_Saint_Valentin">Le mimosa de la Saint Valentin</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Le mimosa de la Saint Valentin</p></div><div class="summary"><div class="summarized">Lorsque c'est l'été aux pays du Kangourou, c'est l'hiver sur la côte d'azur. Pourtant, cet arbre a su conserver son "calendrier génétique" d'origine et donc il n'hésite pas à dévoiler ses boules jaunes à la Saint-Valentin ou l'Epiphanie,... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Lorsque c'est l'été aux pays du Kangourou, c'est l'hiver sur la côte d'azur. Pourtant, cet arbre a su conserver son "calendrier génétique" d'origine et donc il n'hésite pas à dévoiler ses boules jaunes à la Saint-Valentin ou l'Epiphanie, pour les variétés plus précoces. <br />Sur un superbe bouillon de la Veuve PERRIN dernier 1/3 18éme, un bel exemple d' Acacia farnesiana, Mimosa de Farnèse, Cassier. (Mimosa variété sauvage).</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127558810/Le_mimosa_de_la_Saint_Valentin"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121274740/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127547554/Mirrors_and_memories_the_Chinese_Mirror_Cabinet_at_the_Hermitage_near_Bayreuth">Mirrors and memories : the Chinese Mirror Cabinet at the Hermitage near Bayreuth</a></div><div class="authors">by <a href="https://unige.academia.edu/MarieTheresStauffer">Marie Theres Stauffer</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Solitudo. Spaces, places, and times of solitude. Edited by Karl A.E. Enenkel, Christine Göttler in late medieval and early modern cultures</p></div><div class="summary"><div class="summarized">The study examines the mirror cabinet in a courtly retreat, the Hermitage near Bayreuth. What kind of relationship existed in the 18th century between a ceremonial cabinet with luxury materials such as mirrors and a place of spiritual... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">The study examines the mirror cabinet in a courtly retreat, the Hermitage near Bayreuth. What kind of relationship existed in the 18th century between a ceremonial cabinet with luxury materials such as mirrors and a place of spiritual seclusion?</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127547554/Mirrors_and_memories_the_Chinese_Mirror_Cabinet_at_the_Hermitage_near_Bayreuth"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121265042/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127520230/Aranjuez_Jard%C3%ADn_de_Isabel_II">Aranjuez. Jardín de Isabel II</a></div><div class="authors">by <a href="https://independent.academia.edu/AlbertoSanz61">Alberto Sanz</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Aranjuez Jardin De Isabel Ii En Arquitectura Y Desarrollo Urbano Comunidad De Madrid Pag 280 283 Colegio Oficial De Arquitectos De Madrid 2004</p></div><div class="summary"><div class="summarized">y Real, constituye uno de los puntos cruciales de articulación entre el conjunto del Palacio Real y la ciudad y, asimismo, uno de los primeros trazados para un espacio público ajardinado en España, a excepción de los diversos salones... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">y Real, constituye uno de los puntos cruciales de articulación entre el conjunto del Palacio Real y la ciudad y, asimismo, uno de los primeros trazados para un espacio público ajardinado en España, a excepción de los diversos salones arbolados creados con anterioridad. Localizado al sudeste del Palacio Real, el jardín se apoya en la calle de las Infantas, la vía meridional de las tres que componen el tridente que surge del Jardín del Parterre. Contigua a la</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127520230/Aranjuez_Jard%C3%ADn_de_Isabel_II"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121241913/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127520220/Aranjuez_Jard%C3%ADn_del_Parterre">Aranjuez. Jardín del Parterre</a></div><div class="authors">by <a href="https://independent.academia.edu/AlbertoSanz61">Alberto Sanz</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Aranjuez Jardin Del Parterre En Arquitectura Y Desarrollo Urbano Comunidad De Madrid Pag 240 245 Colegio Oficial De Arquitectos De Madrid 2004</p></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127520220/Aranjuez_Jard%C3%ADn_del_Parterre"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121241900/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127509161/Niche_reliquaire_abritant_un_moulage_du_visage_de_la_V%C3%A9n%C3%A9rable_S%C5%93ur_Anne_Madeleine_de_REMUZAT">Niche reliquaire abritant un moulage du visage de la Vénérable Sœur Anne Madeleine de REMUZAT.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Niche reliquaire abritant un moulage du visage de la Vénérable Sœur Anne Madeleine de REMUZAT.</p></div><div class="summary"><div class="summarized">Niche reliquaire abritant un moulage du visage de la Vénérable Sœur Anne Madeleine de REMUZAT. Hauteur : 0,45 m. Grand feu camaïeu de bleu. Décor de godrons et de lambrequins fleuris, avec deux personnages représentant la Foi et... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Niche reliquaire abritant  un moulage du  visage de la Vénérable Sœur Anne Madeleine de REMUZAT. <br />Hauteur : 0,45 m. Grand feu camaïeu de bleu. Décor de godrons et de lambrequins fleuris, avec deux personnages représentant la Foi et l'Espérance. Le décès de Madeleine de Remuzat le 15 Février 1730 permet de dater cette pièce. <br />Attribution : Joseph Fauchier, Marseille après le 15 Février 1730. <br />Œuvre de Sébastien CARBONEL, mouleur modeleur âgé de 35 ans (né en 1695).</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127509161/Niche_reliquaire_abritant_un_moulage_du_visage_de_la_V%C3%A9n%C3%A9rable_S%C5%93ur_Anne_Madeleine_de_REMUZAT"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121232292/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127501800/XVIII_%C9%99sr_t%C9%99sviri_s%C9%99n%C9%99tind%C9%99_portret_janr%C4%B1n%C4%B1n_%C9%99h%C9%99miyy%C9%99ti">XVIII əsr təsviri sənətində portret janrının əhəmiyyəti</a></div><div class="authors">by <a href="https://independent.academia.edu/%D0%9B%D1%8F%D0%BC%D0%B0%D0%BD%D0%9C%D0%B0%D0%BC%D0%B5%D0%B4%D0%BE%D0%B2%D0%B01">Ляман Мамедова</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, AXTARIŞLAR • RESEARCHES • ПОИСКИ</p></div><div class="summary"><div class="summarized">The article shows the main trends in the art of the 18th century and also analyzes some paintings of this period. New conditions of social and ideological life determine the formation of a new large stage in the history of artistic... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">The article shows the main trends in the art of the 18th century and also analyzes some paintings of this period. New conditions of social and ideological life determine the formation of a new large stage in the history of artistic culture. In the 18th century, a process of decisive changes<br />in the relationship between types and genres of art began, which reached its completion in the next century. The uniqueness of the striking contribution that European art of the 18th century made to the history of world artistic culture, in the fine arts, artistic progress was an important process. The best masters of the 18th century created art that was a step forward not only to their predecessors but also in the development of world artistic culture as a whole. They created an individual, refined<br />art that comparatively analyzed the subtlest nuances of feelings and moods. Graceful intimacy, restrained lyricism, and polite, merciless, analytical observation are the characteristic features of this art (especially in the portrait genre). An accurate sense of a subtly captured or wittily “staged” plot situation is the essence of the qualities, characteristic of both the remarkable portraiture of this century (Latour, Gainsborough, Houdon) and the best multi-figure genre compositions, be it gallant festivities and everyday scenes of Watteau and Fragonard, modest everyday motifs of Chardin or urban landscapes of Guardi.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127501800/XVIII_%C9%99sr_t%C9%99sviri_s%C9%99n%C9%99tind%C9%99_portret_janr%C4%B1n%C4%B1n_%C9%99h%C9%99miyy%C9%99ti"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121225463/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127472826/Piranesi_s_Invenzioni_capric_di_carceri_and_the_Cartesian_concept_of_dream">Piranesi’s Invenzioni capric di carceri and the Cartesian concept of dream</a></div><div class="authors">by <a href="https://huji.academia.edu/LKantorKazovsky">Lola Kantor-Kazovsky</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Piranesi@300</p></div><div class="summary"><div class="summarized">the human soul, which remained in manuscript. He did complete a few treatises that were connected to this major project, including a Trattato de' Fantasmi poetici. Here he took up and developed the approach of Addison, addressing mental... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">the human soul, which remained in manuscript. He did complete a few treatises that were connected to this major project, including a Trattato de' Fantasmi poetici. Here he took up and developed the approach of Addison, addressing mental images, illusions, and imagination in general as well as their role in poetic invention. In keeping with his own definition of poetry as a "chain of phantasms," he conceived his main poetic work Il globo di Venere as "il sogno" ("dream"). It was in complex dialogue with the "free-thinker" Conti that the Italian Catholic intellectual star Ludovico Antonio Muratori composed his own tract Della forza della fantasia umana, published in Venice in 1745. 28 In this book the paradox of the impossibility of knowing whether one is dreaming or awake was explained using metaphors of prison and confinement. This tract represented a significant shift in his outlook. In his earlier Riflessioni sopra il buon gusto (1708) he had characterised fantasy as the least desirable mental faculty, close to frenzy. In Forza della fantasia he operated in a more pronouncedly Cartesian and dualistic mode. He placed the spiritual and rational soul at the centre of cognitive activity, while describing all the various brain processes that serve the soul as material "fantasy." This material force, in his view, was a wondrous power that nonetheless had to be controlled by reason, lest it become harmful. Yet it had an indispensable cognitive function: the soul comes to know objects of the external world solely by means of contemplating their phantasms in the brain. Muratori's descriptions of fantasy employed metaphors that expressed his now ambivalent feelings towards it. He framed his discourse as a rhetorical praise of human cognition as the perfect architectural structure of God-a metaphor that ultimately derived from pre-modern literature. Architectural metaphors for the cognitive apparatus, such as "turret" or "house of memory," had been characteristic of medieval and post-medieval writings. However, in all medieval allegories of cognition these "turrets," even if their rooms were "painted by fantasy," had featured external senses as their windows. When combined with Cartesian scepticism about sense perception, however, human cognition became literally confinement in the conception of Muratori:</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127472826/Piranesi_s_Invenzioni_capric_di_carceri_and_the_Cartesian_concept_of_dream"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121199671/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127430393/The_construction_of_sexpartite_vaults_in_Europe">The construction of sexpartite vaults in Europe.</a></div><div class="authors">by <a href="https://csic.academia.edu/RocioMaira">Rocio Maira</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, 5th International Congress on construction History, Chicago (EEUU)</p></div><div class="summary"><div class="summarized">Sexpartite vaults constitute one of the most interesting chapters in European Gothic architecture. Originally, the use of the square cross-ribbed vault was limited to relatively small spaces, but when the need arose to cover spaces of... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Sexpartite vaults constitute one of the most interesting chapters in European Gothic architecture.  Originally, the use of the square cross-ribbed vault was limited to relatively small spaces, but when the need arose to cover spaces of considerable size, a new vault with very peculiar characteristics appeared. This new vault was a cross-ribbed vault that was reinforced in the centre by a rib that was parallel to the transverse ribs which effectively divided the vault in half. This configuration breaks the side arch into two fragments, creating a pair of windows on each side. The volumetrics of these vaults is extremely complex and the difficulties involved in their construction perhaps explain why they were abandoned in favour of the simple cross ribbed vault, now with rectangular sections. The existence of the sexpartite vault barely lasted more than fifty years, from the end of the XII century and the beginning of the XIII. <br /> <br />Towards the end of the 19th century Viollet-le-Duc  gave a succinct explanation of this type of vault. A. Choisy also, later, devotes some pages to the French sexpartite vault; since then, the subject has only been broached in a few references in later studies on Gothic architecture. However, despite its short period of existence, the sexpartite vault spread throughout Europe and was used to build important vaulting. Viollet-le-Duc's sexpartite vault could be considered to be the prototype of them all, while it is true that the studies that we have conducted so far lead us to affirm that there is a wide variety of vaults, with different volumetric spaces and different construction strategies. Therefore, we believe that this chapter of international Gothic deserves further study applying the knowledge and resources that are available today. <br /> <br />This paper has been written to explore the most significant European sexpartite vaults. New measurement technology has led to a revolution in research into the history of construction, allowing studies to be conducted that were hitherto impossible.  Thorough data collection using total station and photogrammetry has enabled us to identify the stereotomy of the voussoirs, tas-de-charges and keystones, as well as the bonding of the surfaces of the severies. A comparison of the construction techniques employed in the different vaults studied reveals common construction features and aspects that are specific to each country. Thus we are able to establish the relationship between sexpartite vaults in different European countries and their influence on each other.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127430393/The_construction_of_sexpartite_vaults_in_Europe"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121163351/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127340798/Writing_Watteau_Repainting_Pierrot_in_19th_Century_Paris">Writing Watteau, Repainting Pierrot in 19th-Century Paris</a></div><div class="authors">by <a href="https://gc-cuny.academia.edu/JudySund">Judy Sund</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">In the 25th chapter of their art world novel, Manette Salomon (1867), the Goncourt Brothers fictively imagine the process by which a 19th-century artist, obsessed with the mime Jean Gaspard Deburau, produces a painting that recalls... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">In the 25th chapter of their art world novel, Manette Salomon (1867), the Goncourt Brothers fictively imagine the process by which a 19th-century artist, obsessed with the mime Jean Gaspard Deburau, produces a painting that recalls Antoine Watteau's famed Pierrot (now in the collection of the Louvre).  Peppered with real-world details, the Goncourts' narrative, set in the year 1846, documents mid-19th century preoccupation with the artist, the character, and the picture, and encapsulates varied dimensions of Pierrot’s "reframing" in the years just prior to its donation to the Louvre.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127340798/Writing_Watteau_Repainting_Pierrot_in_19th_Century_Paris"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121086553/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127321873/In_loci_sacris_Intagli_e_intarsi_nella_prima_met%C3%A0_Settecento_nella_Sicilia_occidentale">In loci sacris.Intagli e intarsi nella prima metà Settecento nella Sicilia occidentale</a></div><div class="authors">by <a href="https://unipa.academia.edu/salvatoreanselmo">salvatore anselmo</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, in “Ricche Minere. Rivista semestrale di storia dell’arte”, a. XI, n. 22 , dicembre</p></div><div class="summary"><div class="summarized">Si esaminano le principali botteghe di intagliatori che hanno operato tra la fine del Seicento e la prima metà del Settecento nella Sicilia Occidentale. Sono ateliers che, talvolta con la magistrale guida di noti architetti o pittori... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Si esaminano le principali botteghe di intagliatori che hanno operato tra la fine del Seicento e la prima metà del Settecento nella Sicilia Occidentale. Sono ateliers che, talvolta con la magistrale guida di noti architetti o pittori isolani, hanno divulgato manufatti in legno con complessi intarsi, talvolta pure in madreperla, secondo la pertinente corrente culturale. Ad una produzione ancora vincolata alla temperie tardo manierista, ancora in auge allo scadere del XVII secolo, si sovrappongono opere barocche o tardo barocche, di matrice romana, prossime all’esuberante stile francese del rococò. Siffatti intagli - nello specifico armadi, cantorie, custodie, cori, paliotti, tabernacoli e tavoli - destinati ad ambienti chiesastici, attestano l’infiltrazione del barocco romano in Sicilia grazie a figure di spicco attive nel Città dei Papi, come quella dell’architetto crocifero Giacomo Amato. Questi, autore di un notevole corpus di disegni custodito nei depositi della Galleria Regionale della Sicilia di Palermo, Palazzo Abatellis, fu affiancato dal pittore Antonino Grano e dal più anziano marattesco Pietro Aquila (de Aquila). Le opere lignee, per le quali sono state avanzate ipotesi attributive, furono approntate per chiese o oratori palermitani ove, come confermano gli studi, risultano attestati non solo architetti ma anche pittori, scultori, marmorari, argentieri, orafi, corallai, ricamatori, tessitori e stuccatori, spesso in stretta sintonia tra loro. Si tratta, infatti, di équipe di artisti documentate nei più noti cantieri siciliani tra la fine del Sei e la prima metà del Settecento. Congiuntamente agli atelier palermitani operarono in Sicilia le botteghe locali, in particolate quelle agrigentine e trapanesi, le quali, lungi dall’essere estranee alle principali novità che diramarono gli intagliatori di Palermo, eseguirono intagli dal complesso programma iconografico, di sicuro suggerito da teologi o dai committenti. Significativa, a riguardo, è l’attività dei frati francescani, abili nella produzione di pregevoli intagli. Maggiore attenzione è riservata, infine, alle panche dell’oratorio di San Lorenzo di Palermo, costituite da 22 micro sculture in bosso eseguite tra il 1702 e il 1703 dal trapanese Leonardo Bongiorno, per le quali un inedito documento conferma l’ideazione di Giacomo Serpotta, il più noto stuccatore isolano, attivo, spesso, accanto al citato Amato.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127321873/In_loci_sacris_Intagli_e_intarsi_nella_prima_met%C3%A0_Settecento_nella_Sicilia_occidentale"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121071352/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127285944/Chronique_familiale_de_Jacques_ROUX_potier_%C3%A0_terre_%C3%A9poux_dAnne_ROUBION_et_leur_fils_Antoine_de_Moustiers_qui_seront_fa%C3%AFenciers_%C3%A0_Marseille_Saint_Jean_du_D%C3%A9sert_fin_XVII%C3%A8me_chez_Joseph_CLERISSY">Chronique familiale de ; Jacques ROUX potier à terre époux d'Anne ROUBION et leur fils Antoine de Moustiers qui seront faïenciers à Marseille, Saint Jean du Désert fin XVIIème, chez Joseph CLERISSY.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Chronique familiale de ; Jacques ROUX potier à terre époux d’Anne ROUBION.</p></div><div class="summary"><div class="summarized">Le 4 Novembre 1659, 10 potiers à terre demandent au Seigneur de la Palud, Louis de DEMANDOLX, le droit d’exploiter l’argile du dit terroir. « Le 4 novembre 1659, Antoine CLERISSY , Guillaume ROUBION , Francois CHAIS, André TRONQUET ,... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Le 4 Novembre 1659, 10 potiers à terre demandent au Seigneur de la Palud, Louis de DEMANDOLX, le droit d’exploiter l’argile du dit terroir. <br /> « Le 4 novembre 1659, Antoine CLERISSY , Guillaume ROUBION , Francois CHAIS, André TRONQUET , Jacques PIERRE, Honoré BERTRAND, Pierre FERRAT , Jacques ROUX , Jean et Antoine BOUSQUET , potiers de terre de Moustiers, donnent <br />procuration à François CHAIS, Pierre BERTRAND  et Jean BOUSQUET et leur concèdent le pouvoir de traiter avec le seigneur de La Palud  et obtenir de lui la faculté « de tirer du terrain dudit La Palud de terre servant à l'usage desdits mètres potiers durant le temps et terme de cinq ans pour et moyennant la somme qui sera entre eux accordée et soulz les pretz qui seront convenues par leurs dits procureurs et payer au temps et termes qui seront par eux prins,… et de consentir au barrement et consellation du precedant (acte) resceu par moy notère » <br />Le droit perçu par le seigneur était de 5 livres par an et par potier. <br /> <br />Source ; (Minutes de François CARBONEL notaire à Moustiers, 1659-60, f°339.Voir aussi dans les mêmes minutes 1665-6, f°44 ; 1667-8, f°222 ; 1686-90, f°1042).</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127285944/Chronique_familiale_de_Jacques_ROUX_potier_%C3%A0_terre_%C3%A9poux_dAnne_ROUBION_et_leur_fils_Antoine_de_Moustiers_qui_seront_fa%C3%AFenciers_%C3%A0_Marseille_Saint_Jean_du_D%C3%A9sert_fin_XVII%C3%A8me_chez_Joseph_CLERISSY"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/121040608/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127209862/Image_and_Mask_in_the_Painting_by_Francisco_Goya_The_Ontological_and_Axiological_Aspects_%D0%9E%D0%B1%D1%80%D0%B0%D0%B7_%D0%B8_%D0%BC%D0%B0%D1%81%D0%BA%D0%B0_%D0%B2_%D0%B6%D0%B8%D0%B2%D0%BE%D0%BF%D0%B8%D1%81%D0%B8_%D0%A4%D1%80%D0%B0%D0%BD%D1%81%D0%B8%D1%81%D0%BA%D0%BE_%D0%93%D0%BE%D0%B9%D0%B8_%D0%BE%D0%BD%D1%82%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%B8_%D0%B0%D0%BA%D1%81%D0%B8%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%B0%D1%81%D0%BF%D0%B5%D0%BA%D1%82%D1%8B">Image and Mask in the Painting by Francisco Goya: The Ontological and Axiological Aspects / Образ и маска в живописи Франсиско Гойи — онтологические и аксиологические аспекты</a></div><div class="authors">by <a href="https://sias.academia.edu/%D0%A5%D1%83%D0%B4%D0%BE%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%B0%D1%8F%D0%9A%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D0%B0">Художественная Культура</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Loukitcheva Krassimira L. Image and Mask in the Painting by Francisco Goya: The Ontological and Axiological Aspects. Hudozhestvennaya kul’tura [Art & Culture Studies], 2024, no. 3, pp. 12-65. https://doi.org/10.51678/2226-0072-2024-3-12-65.</p></div><div class="summary"><div class="summarized">It is widely recognized that F. Goya’s development of a picturesque manner is in the vein of his great predecessors — El Greco and D. Velázquez. However, with all the importance of the experimental novelty of this Spanish master’s... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">It is widely recognized that F. Goya’s development of a picturesque manner is in the vein of his great predecessors — El Greco and D. Velázquez. However, with all the importance of the experimental novelty of this Spanish master’s technique, the uniqueness of his creativity should be sought elsewhere. Goya managed to decidedly push the established boundaries of the European art expanding its range with the themes and problems that had previously been rarely and poorly represented. Anticipating an existential and anthropological shift that was evident back in the last decades of the 19th century and being almost a century ahead of it, those themes, plots, and problems were aimed at exteriorizing the inner world of man on the scale that appears to have never existed before. Goya systematically examines the human psyche in extreme existential situations when the conscious and the subconscious intertwine in a whimsical way. The specific feature of this perspective is an interest not in the individual and individuality but in the collective consciousness and the collective unconsciousness, as C. Jung would later justify it. The master’s true goal is to break through to where the archetypal components of the psyche, thinking, and behaviour rest.<br />In this sense, the images of the mentally disturbed and the imprisoned become semantically significant, the atmosphere of madhouses and prisons, the world of human imagination that engendered the sphere of the irrational. Goya seeks the truth about man scrutinizing him in extreme situations and critical states. The artist often approaches the visualization of all this through a theatrical element — through masks, role-playing, and games. He is interested in that harsh inversion where a person, put into inhuman, unbearable conditions, can no longer to remain rational and turns into a dreadful, meaningless human mask. The main characteristics of the artist’s approach are explored in comparison with thematically similar works by William Hogarth, Henry Fuseli, and Théodore Géricault. / Общепризнано, что развитие живописной манеры Ф. Гойи находится в русле его великих предшественников — Эль Греко и Д. Веласкеса. Но при всей значимости экспериментальной новизны техники испанского мастера, уникальность его творчества следует искать в другом. Гойе удалось решительно отодвинуть установившиеся горизонты и границы европейского искусства, включив в его сферу темы, которые до этого лишь редко и робко там проявлялись. Предвещая экзистенциально-антропологический поворот в искусстве с последних десятилетий XIX века, эти темы были направлены на экстериоризацию, невиданной глубины и масштаба, внутреннего мира человека. Гойя систематически изучает человеческую психику в экстремальных ситуациях экзистенции, когда сознание и подсознание причудливым образом переплетаются. Специфической чертой этого ракурса является интерес не к индивиду и индивидуальности, но к коллективному сознанию и коллективному бессознательному, как это позже обосновал К.Г. Юнг. Подлинная цель мастера — пробиться туда, где покоится архетипическая составляющая психики, мышления, поведения.<br />В этом плане семантически значимыми становятся образы умалишенных и заключенных, атмосфера сумасшедших домов и тюрем, мир человеческого воображения, породившего иррациональную сферу. Истину о человеке Гойя ищет, всматриваясь в него, когда тот переживает крайние, пороговые состояния. Часто художник приближается к визуализации всего этого с помощью театрального начала — через маски, ролевые воплощения и игры. Его интересует та жесткая инверсия, когда человек, брошенный в нечеловеческие условия, теряет способность оставаться разумным существом и превращается в жуткую человеческую маску. Основные характеристики подхода художника исследуются в сравнении со схожими по тематике произведениями У. Хогарта, Г. Фюсли, Т. Жерико.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127209862/Image_and_Mask_in_the_Painting_by_Francisco_Goya_The_Ontological_and_Axiological_Aspects_%D0%9E%D0%B1%D1%80%D0%B0%D0%B7_%D0%B8_%D0%BC%D0%B0%D1%81%D0%BA%D0%B0_%D0%B2_%D0%B6%D0%B8%D0%B2%D0%BE%D0%BF%D0%B8%D1%81%D0%B8_%D0%A4%D1%80%D0%B0%D0%BD%D1%81%D0%B8%D1%81%D0%BA%D0%BE_%D0%93%D0%BE%D0%B9%D0%B8_%D0%BE%D0%BD%D1%82%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%B8_%D0%B0%D0%BA%D1%81%D0%B8%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B5_%D0%B0%D1%81%D0%BF%D0%B5%D0%BA%D1%82%D1%8B"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120977209/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127193350/To_Be_Viewed_from_Both_Ends_The_Surviving_Polier_Albums">To Be Viewed from Both Ends: The Surviving Polier Albums</a></div><div class="authors">by <a href="https://uni-duesseldorf.academia.edu/FriederikeWeis">Friederike Weis</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Eighteenth-Century Indian Muraqqaʿs. Audiences – Artists – Patrons and Collectors (Islamic Manuscripts and Books, vol. 23), ed. Friederike Weis, Leiden: Brill</p></div><div class="summary"><div class="summarized">Antoine-Louis-Henri Polier (1741–1795) is one of the most prominent collectors of late-eighteenth-century muraqqaʿs. When he arrived in his hometown of Lausanne in 1788 after having spent thirty years in India, he brought with him at... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Antoine-Louis-Henri Polier (1741–1795) is one of the most prominent collectors of late-eighteenth-century muraqqaʿs. When he arrived in his hometown of Lausanne in 1788 after having spent thirty years in India, he brought with him at least twenty-five Indian albums that had been assembled in his own workshop, headed by the artist Mihr Chand. Twenty-one of these have been tracked down so far, of which sixteen can be considered muraqqaʿs consisting of pages with mostly Mughal-style painting and calligraphy, surrounded by elaborately illuminated margins. This article seeks to put Polier’s surviving albums into tentative chronological order, as related to his stays in Faizabad, Delhi, and Lucknow—based on dedications, dated calligraphic pieces, inscribed volume numbers, and a recently discovered, undated sale offer, preserved in the Bibliothèque nationale in Paris, that lists twenty-five numbered albums from Polier’s collection. It also aims at shedding light on the motivation behind Polier’s album gifts to friends during his last years in Lucknow. Moreover, this essay will examine more closely album I. 4598 (Museum für Islamische Kunst, Berlin), which displays an innovative feature of most of Polier’s muraqqaʿs: the juxtaposition of a calligraphic piece on the left and a painting on the right of each double-spread page, allowing to view these albums from both ends, either in the European or in the Persian manner.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127193350/To_Be_Viewed_from_Both_Ends_The_Surviving_Polier_Albums"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120963021/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127180641/Transcendental_Dimensions_of_Ancient_Dance_Culture_%D0%A2%D1%80%D0%B0%D0%BD%D1%81%D1%86%D0%B5%D0%BD%D0%B4%D0%B5%D0%BD%D1%82%D0%BD%D1%8B%D0%B5_%D0%B8%D0%B7%D0%BC%D0%B5%D1%80%D0%B5%D0%BD%D0%B8%D1%8F_%D1%82%D0%B0%D0%BD%D1%86%D0%B5%D0%B2%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B9_%D0%B0%D0%BD%D1%82%D0%B8%D1%87%D0%BD%D0%BE%D0%B9_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D1%8B">Transcendental Dimensions of Ancient Dance Culture / Трансцендентные измерения танцевальной античной культуры</a></div><div class="authors">by <a href="https://sias.academia.edu/%D0%A5%D1%83%D0%B4%D0%BE%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%B0%D1%8F%D0%9A%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D0%B0">Художественная Культура</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Божко А.Ю., Кухта М.С. Трансцендентные измерения танцевальной античной культуры // Художественная культура. 2024. № 2. С. 146–163. https://doi.org/10.51678/2226-0072-2024-2-146-163.</p></div><div class="summary"><div class="summarized">The article presents a study of sacred dances in ancient culture. The origins of dance and their connection with the mysteries are considered. The approach to dance as a language born in the infancy of mankind and closely related to myth... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">The article presents a study of sacred dances in ancient culture. The origins of dance and their connection with the mysteries are considered. The approach to dance as a language born in the infancy of mankind and closely related to myth allows identifying the semantic units of dance which express the mythological foundations of the creation of the universe and the birth of order from chaos. The procedure of understanding mythological meanings is based on the identification of symmetry structures. The authors of the article analyse the forms of dance compositions as systems of non‐verbal semantic constructs and study the image of the Labyrinth in the choreographic ancient tradition as a symbol of mastering and accumulating experience with subsequent transformation and comprehension of a new development stage of the soul. / Статья посвящена исследованию сакральных танцев в античной культуре. Рассмотрены истоки танца и их связь с мистериями. Подход к танцу как к языку, рожденному на заре становления человечества и тесно связанному с мифом, позволяет выделить семантико‐смысловые единицы танца, в которых выражены мифологические основания сотворения универсума, рождение порядка из хаоса. Процедура понимания мифологических смыслов осуществляется на основании выделения структур симметрии. Анализируются формы танцевальных композиций как системы смысловых невербальных конструкций. Исследуется образ Лабиринта в хореографической античной традиции как символ освоения и накопления опыта с последующей трансформацией и осознанием новой ступени развития души.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127180641/Transcendental_Dimensions_of_Ancient_Dance_Culture_%D0%A2%D1%80%D0%B0%D0%BD%D1%81%D1%86%D0%B5%D0%BD%D0%B4%D0%B5%D0%BD%D1%82%D0%BD%D1%8B%D0%B5_%D0%B8%D0%B7%D0%BC%D0%B5%D1%80%D0%B5%D0%BD%D0%B8%D1%8F_%D1%82%D0%B0%D0%BD%D1%86%D0%B5%D0%B2%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B9_%D0%B0%D0%BD%D1%82%D0%B8%D1%87%D0%BD%D0%BE%D0%B9_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D1%8B"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120952317/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127117406/INSTANTIATING_SPLENDOR_IN_THE_EARLY_MODERN_PALACE_PIETRO_DA_CORTONA_AND_THE_RHETORIC_OF_GOLD_IN_PALAZZO_PITTI_S_PLANETARY_ROOMS">INSTANTIATING SPLENDOR IN THE EARLY MODERN PALACE: PIETRO DA CORTONA AND THE RHETORIC OF GOLD IN PALAZZO PITTI’S PLANETARY ROOMS</a></div><div class="authors">by <a href="https://uniroma1.academia.edu/FrancescoFreddolini">Francesco Freddolini</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">Revisioni veronesiane. Note sulla storia collezionistica del Marte e Venere con Cupido e un cavallo della Galleria Sabauda . . . . . . . » F G , Ancora sul palazzetto del cardinale Odoardo Farnese: il ritrovamento di un amorino dormiente... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Revisioni veronesiane. Note sulla storia collezionistica del Marte e Venere con Cupido e un cavallo della Galleria Sabauda . . . . . . . » F G , Ancora sul palazzetto del cardinale Odoardo Farnese: il ritrovamento di un amorino dormiente "dei Carracci" dal camerino della Notte . .</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127117406/INSTANTIATING_SPLENDOR_IN_THE_EARLY_MODERN_PALACE_PIETRO_DA_CORTONA_AND_THE_RHETORIC_OF_GOLD_IN_PALAZZO_PITTI_S_PLANETARY_ROOMS"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120897963/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127049507/%D0%92%D0%BE%D0%B5%D0%BD%D0%BD%D1%8B%D0%B5_%D0%B3%D0%B5%D1%80%D0%BE%D0%B8_%D0%BE%D1%82%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%BE%D0%B9_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D0%B8_%D0%BA%D0%B0%D0%BA_exempla_virtutis_%D0%B2_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B5_%D1%8D%D0%BF%D0%BE%D1%85%D0%B8_%D0%BA%D0%BB%D0%B0%D1%81%D1%81%D0%B8%D1%86%D0%B8%D0%B7%D0%BC%D0%B0_%D0%B8_%D0%B7%D0%B0%D0%BF%D0%B0%D0%B4%D0%BD%D0%BE%D0%B5%D0%B2%D1%80%D0%BE%D0%BF%D0%B5%D0%B9%D1%81%D0%BA%D0%B8%D0%B9_%D0%BA%D0%BE%D0%BD%D1%82%D0%B5%D0%BA%D1%81%D1%82">Военные герои отечественной истории как exempla virtutis в русском искусстве эпохи классицизма и западноевропейский контекст</a></div><div class="authors">by <a href="https://spbu.academia.edu/%D0%95%D0%BA%D0%B0%D1%82%D0%B5%D1%80%D0%B8%D0%BD%D0%B0%D0%A1%D0%BA%D0%B2%D0%BE%D1%80%D1%86%D0%BE%D0%B2%D0%B0">Екатерина Скворцова</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Новое искусствознание</p></div><div class="summary"><div class="summarized">В искусстве России, Франции и Британии второй половины XVIII - начала XIX века есть ряд похожих исторических сюжетов. Близость одних обусловлена сходством отдельных событий истории разных стран, важных для государственной идеологии,... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">В искусстве России, Франции и Британии второй половины XVIII - начала XIX века есть ряд похожих исторических сюжетов. Близость одних обусловлена сходством отдельных событий истории разных стран, важных для государственной идеологии, других - подобием образа поведения действующих лиц, которые представлены как exemplа virtutis. Настоящая статья фокусируется на последних, а именно на таком частном случае, как полководцы, в том числе венценосные. Выявлены произведения русского и западноевропейского искусства, а также программы, не воплощенные в жизнь, в которых военные герои истории России, Франции и Британии, средневековые и современные, действуют, подобно великим античным: «Прощание воина с женой» («Прощание Гектора с Андромахой»), «Великодушие полководца» («Великодушие Александра Македонского/Сципиона Африканского»), «Полководец отказывается утолить жажду» («Александр Македонский отказывается испить воду, ибо ее не достаточно для всех воинов»). Сопоставление репрезентации событий в произведениях русского искусства со сведениями из доступных их создателям источников и исторических трудов позволило определить, в чем именно проявляется связь с античными прообразами (в отборе из разнообразного материала тех сюжетов или того варианта описания событий, что напоминают античные, в обращении к литературным сюжетам на темы истории, сочиненным как калька с античных). Рассмотрены визуальные способы акцентировать уподобление (рядоположение античных и отечественных сюжетов в одном пространстве или в одном заказе, заимствование иконографических мотивов).<br />There are similar subjects from the history of different countries in Russian, French and British art. Similarity of some of them<br />rests on likeness of events of the history of different countries important to state ideology. Similarity of other subjects is predestined by<br />likeness of the way of behavior of heroes who are presented as exemplа virtutis. The paper focuses on the latter and on such a case as<br />military heroes in particular. It reveals Russian and European artworks and unrealized programs for artworks in which military heroes of<br />Russia, France and Britain, medieval and contemporary, behave like the great ancient ones: “Warrior’s Farewell to his Wife” (“Hector’s<br />Farewell to Andromache”), “Military Commander’s Continence” (“Alexander the Great’s/Scipio’s Continence”), “Military Commander<br />Rejects to Quench his Thirst” (“Alexander Refuses to Drink Any Water until It Was Available for Everyone”). Comparison of representation<br />of events in Russian 18th-century art works with the information from sources and books on history available to the artists revealed how<br />exactly they were connected to their ancient counterparts (the choice of particular subjects or particular variant of account of events<br />resembling ancient ones from rich material, the choice of subjects on historical themes from fiction invented as calques from ancient<br />ones). The paper also examines visual ways to accentuate collation of ancient and modern (juxtaposition of ancient subjects and subjects<br />from national history in one space or in one commission, borrowing of iconographic motives).</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127049507/%D0%92%D0%BE%D0%B5%D0%BD%D0%BD%D1%8B%D0%B5_%D0%B3%D0%B5%D1%80%D0%BE%D0%B8_%D0%BE%D1%82%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%BE%D0%B9_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D0%B8_%D0%BA%D0%B0%D0%BA_exempla_virtutis_%D0%B2_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%BC_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B5_%D1%8D%D0%BF%D0%BE%D1%85%D0%B8_%D0%BA%D0%BB%D0%B0%D1%81%D1%81%D0%B8%D1%86%D0%B8%D0%B7%D0%BC%D0%B0_%D0%B8_%D0%B7%D0%B0%D0%BF%D0%B0%D0%B4%D0%BD%D0%BE%D0%B5%D0%B2%D1%80%D0%BE%D0%BF%D0%B5%D0%B9%D1%81%D0%BA%D0%B8%D0%B9_%D0%BA%D0%BE%D0%BD%D1%82%D0%B5%D0%BA%D1%81%D1%82"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120839985/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/127018398/FORTIA_Alphonse_de_Marquis_de_Forville_de_Piles_Gouverneur_de_Marseille_chef_d_Escadre_1708_">FORTIA (Alphonse de) Marquis de Forville de Piles. Gouverneur de Marseille chef d’Escadre (1708).</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, FORTIA (Alphonse de) Marquis de Forville de Piles. Gouverneur de Marseille chef d’Escadre</p></div><div class="summary">Grand plat d’apparat, Marseille aux Armes d’Alphonse de FORTIA Marquis de Forville de Piles Gouverneur de Marseille chef d’Escadre. Production d'avant 1711, date de sa mort.</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/127018398/FORTIA_Alphonse_de_Marquis_de_Forville_de_Piles_Gouverneur_de_Marseille_chef_d_Escadre_1708_"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120812662/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126941288/Cecil_William_1676_1745_Jacobite_conspirator_and_agent_Oxford_Dictionary_of_National_Biography">Cecil, William (1676–1745), Jacobite conspirator and agent Oxford Dictionary of National Biography</a></div><div class="authors">by <a href="https://independentresearcher.academia.edu/LawrenceSmith">Lawrence B . Smith</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary"><div class="summarized">He was not, as has previously been suggested, a 'younger son of the family of the earl of Salisbury' (Jones, 159), a confusion which arose because of his later close friendship with Charles Boyle, fourth earl of Orrery, who married Lady... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">He was not, as has previously been suggested, a 'younger son of the family of the earl of Salisbury' (Jones, 159), a confusion which arose because of his later close friendship with Charles Boyle, fourth earl of Orrery, who married Lady Elizabeth Cecil, sister of John, the sixth earl of Exeter, of whom William Cecil was once thought to be a brother. He was in fact a descendant of a di erent branch of the Cecil family, his father being 'a near Relation of the Right Honourable the Earl of Salisbury' and 'lineally descended from Lord Burleigh, Earl of Exeter' (monument inscription in the Westbrook chapel, Church of St Peter and St Archives Royal Arch., Stuart papers</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126941288/Cecil_William_1676_1745_Jacobite_conspirator_and_agent_Oxford_Dictionary_of_National_Biography"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120747041/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126932156/Die_Wiedergewinnung_des_mittelalterlichen_C%C3%B6lln_am_Petriplatz_Moderne_Dokumentations_und_Visualisierungsverfahren_in_der_arch%C3%A4ologischen_Praxis">Die Wiedergewinnung des mittelalterlichen Cölln am Petriplatz: Moderne Dokumentations- und Visualisierungsverfahren in der archäologischen Praxis</a></div><div class="authors">by <a href="https://independent.academia.edu/ClaudiaMariaMelisch">Claudia Maria Melisch</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Acta Praehistorica et Archaeologica</p></div><div class="summary"><div class="summarized">ließen bereits die geophysikalischen Untersuchungen vor Beginn der Schachtarbeiten erkennen. Die St.-Petri-Kirche ist durch Schriftquellen seit dem Mittelalter belegt und während ihrer mehr als 700jährigen Geschichte wenigstens fünfmal... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">ließen bereits die geophysikalischen Untersuchungen vor Beginn der Schachtarbeiten erkennen. Die St.-Petri-Kirche ist durch Schriftquellen seit dem Mittelalter belegt und während ihrer mehr als 700jährigen Geschichte wenigstens fünfmal um-bzw. neu gebaut worden. Seit sie im Jahr 1964 von der Erdoberfläche verschwand, entfiel sie auch dem allgemeinen Stadtgedächtnis. So war die Überraschung der Bürger und der Presse groß, als der alte Standort durch die Ausgrabungen wieder sichtbar gemacht wurde. Dass sich an und unter einer der meist befahrenen Straßen Berlins das Zentrum einer mittelalterlichen Stadt befand, löste Faszination und Bewunderung aus. Schnell wurde der Wunsch der Bürger nach einer Erhaltung der historischen Relikte deutlich. Auf den ausgegrabenen Grundmauern der Cöllnischen Lateinschule soll nunmehr ein Historisches Besucherzentrum entstehen, dessen Aufgabe es sein wird, die Berliner und ihre Gäste mit der Geschichte dieses alten Platzes vertraut zu machen. Darüber hinaus soll es Funde und Erkenntnisse aus innerstädtischen Ausgrabungen zeitgemäß präsentieren, um den archäologisch-historischen Diskurs zur Geschichte und zur Veränderung unserer Stadt zu befördern.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126932156/Die_Wiedergewinnung_des_mittelalterlichen_C%C3%B6lln_am_Petriplatz_Moderne_Dokumentations_und_Visualisierungsverfahren_in_der_arch%C3%A4ologischen_Praxis"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120739403/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126909294/Surtout_de_table_de_Saint_Jean_du_D%C3%A9sert_Marseille_fin_XVIIe_Aux_armes_parlantes_des_BAGUET_Seigneurs_de_Condamine_banquiers_and_agents_de_S_A_R_de_Savoie">Surtout de table de Saint Jean du Désert Marseille fin XVIIe; Aux armes parlantes des BAGUET Seigneurs de Condamine, banquiers & agents de S.A.R de Savoie.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, BAGUET de Condamine, banquiers & agents de S.A.R de Savoie à Marseille.</p></div><div class="summary"><div class="summarized">Surtout de table armorié à six pointes, bordé d’une galerie ajourée tressée à la manière d’une vannerie, au centre, les armes parlantes des BAGUET de Condamine, entourées d’une galerie circulaire cernée de deux belles couronnes... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Surtout de table armorié à six pointes, bordé d’une galerie ajourée tressée à la manière d’une vannerie, au centre, les armes parlantes des BAGUET de Condamine, entourées d’une galerie circulaire cernée de deux belles couronnes concentriques de lambrequins de style rouennais.<br />Six pièces connues au modèle.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126909294/Surtout_de_table_de_Saint_Jean_du_D%C3%A9sert_Marseille_fin_XVIIe_Aux_armes_parlantes_des_BAGUET_Seigneurs_de_Condamine_banquiers_and_agents_de_S_A_R_de_Savoie"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120719519/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126902289/_Codices_deperditi_%C5%9Aredniowieczne_r%C4%99kopisy_%C5%82aci%C5%84skie_Biblioteki_Narodowej_utracone_w_czasie_II_wojny_%C5%9Bwiatowej_Dziedzictwo_Kulturowe_po_Skasowanych_Klasztorach_8_2_2_t_2_cz_2_Wroc%C5%82aw_2016">‘Codices deperditi’. Średniowieczne rękopisy łacińskie Biblioteki Narodowej utracone w czasie II wojny światowej (Dziedzictwo Kulturowe po Skasowanych Klasztorach, 8/2,2), t. 2, cz. 2, Wrocław 2016</a></div><div class="authors">by <a href="https://pan-pl.academia.edu/jerzykaliszuk">Jerzy Kaliszuk</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025</p></div><div class="summary">volume 2, part 2: Catalogue of manuscripts, part 2.</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126902289/_Codices_deperditi_%C5%9Aredniowieczne_r%C4%99kopisy_%C5%82aci%C5%84skie_Biblioteki_Narodowej_utracone_w_czasie_II_wojny_%C5%9Bwiatowej_Dziedzictwo_Kulturowe_po_Skasowanych_Klasztorach_8_2_2_t_2_cz_2_Wroc%C5%82aw_2016"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120713182/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126892253/Con_Marta_I_S%C3%A1nchez_Vasco_Un_rinfresco_veneciano_del_marqu%C3%A9s_de_Castromonte_primer_embajador_de_las_Dos_Sicilias_la_celebraci%C3%B3n_de_las_bodas_de_Carlos_de_Borb%C3%B3n_y_Mar%C3%ADa_Amalia_de_Sajonia">Con Marta I. Sánchez Vasco, Un “rinfresco” veneciano del marqués de Castromonte, primer embajador de las Dos Sicilias: la celebración de las bodas de Carlos de Borbón y María Amalia de Sajonia</a></div><div class="authors">by <a href="https://uned.academia.edu/PilarDiezdelCorralCorredoira">Pilar Diez del Corral Corredoira</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Anthologica Annua, 71, pp. 77-106</p></div><div class="summary"><div class="summarized">This article examines the study of a refreshment held on the occasion of the wedding of Don Charles of Bourbon and Maria Amalia of Saxony in the Venetian court, documented through an Advertencia Ceremonial which was found among the... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">This article examines the study of a refreshment held on the occasion of the wedding of Don Charles of Bourbon and Maria Amalia of Saxony in the Venetian court, documented through an Advertencia Ceremonial which was found among the codices of the Spanish Embassy in Rome. To date, this is the only known testimony of the celebration at this venetian venue. The account not only attests to the importance of the marriage itself and the manner in which the celebration unfolded, but it also allows us to speculate about a series of connections between embassies, highlighting the existence of an efficient communication network among the Spanish legations, with its central hub in Rome.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126892253/Con_Marta_I_S%C3%A1nchez_Vasco_Un_rinfresco_veneciano_del_marqu%C3%A9s_de_Castromonte_primer_embajador_de_las_Dos_Sicilias_la_celebraci%C3%B3n_de_las_bodas_de_Carlos_de_Borb%C3%B3n_y_Mar%C3%ADa_Amalia_de_Sajonia"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120704074/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126869434/In_memoriam_dr_Ksenija_Rozman_1935_2024_">In memoriam: dr. Ksenija Rozman (1935–2024)</a></div><div class="authors">by <a href="https://uni-mb.academia.edu/FranciLazarini">Franci Lazarini</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Umetnostna kronika</p></div><div class="summary"><div class="summarized">Obituary for Slovenian art historian Dr Ksenija Rozman (1935–2024), the famous researcher of medieval, baroque and 19th-century painting and a pioneer of provenance studies in Slovenia. Published online:... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Obituary for Slovenian art historian Dr Ksenija Rozman (1935–2024), the famous researcher of medieval, baroque and 19th-century painting and a pioneer of provenance studies in Slovenia. <br /><br />Published online: <a href="https://umetnostna-kronika.si/zapis/memoriam-dr-ksenija-rozman-19352024" rel="nofollow">https://umetnostna-kronika.si/zapis/memoriam-dr-ksenija-rozman-19352024</a></div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126869434/In_memoriam_dr_Ksenija_Rozman_1935_2024_"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120684194/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126832806/R%C3%A9flexions_sur_un_d%C3%A9cor_d_Ol%C3%A9rys_apparu_avant_1749_and_qui_a_perdur%C3%A9_jusqu_%C3%A0_la_fin_XVIII%C3%A8me">Réflexions sur un décor d’Olérys apparu avant 1749 & qui a perduré jusqu’à la fin XVIIIème.</a></div><div class="authors">by <a href="https://independent.academia.edu/FrancisHernandez40">Francis Hernandez</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Réflexions sur un décor d’OLERYS apparu avant 1749.</p></div><div class="summary">Réflexions sur un décor d’OLERYS apparu avant 1749 & qui a perduré jusqu’à la fin XVIIIème.<br /> <br />Deux personnages accompagnés d’un chien, devant une pyramide, regardant le soleil se lever à l’Orient.</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126832806/R%C3%A9flexions_sur_un_d%C3%A9cor_d_Ol%C3%A9rys_apparu_avant_1749_and_qui_a_perdur%C3%A9_jusqu_%C3%A0_la_fin_XVIII%C3%A8me"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120652011/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126816192/Tabakspijpen_in_het_teken_van_de_Gewapende_Neutraliteit">Tabakspijpen in het teken van de Gewapende Neutraliteit</a></div><div class="authors">by <a href="https://essays24.academia.edu/JanvanOostveen">Jan van Oostveen</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Pijpelogische Kring Nederland</p></div><div class="summary"><div class="summarized">Soms zijn er tabakspijpen waarvan we door één of andere reden op het verkeerde been worden gebracht. Zo een tabakspijp is afgebeeld in "De Nederlandse kleipijp", pagina 111, waarbij een lint met de tekst "D:GEWAPENDE DENEMARKEN" is... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Soms zijn er tabakspijpen waarvan we door één of andere reden op het verkeerde been worden gebracht. Zo een tabakspijp is afgebeeld in "De Nederlandse kleipijp", pagina 111, waarbij een lint met de tekst "D:GEWAPENDE DENEMARKEN" is afgebeeld. Ondanks intensief speuren en navraag bij vele verzamelaars naar een tabakspijp met een identieke tekst is het niet gelukt om deze te vinden. Wel zijn vergelijkbare exemplaren aangetroffen maar dan met de tekst "D:GEWAPENDE NEUTRALITEIT". Deze laatste tabakspijpen staan centraal in dit artikel. In 1778 werd door Engeland aan Frankrijk de oorlog verklaard. Spanje koos de kant van Frankrijk en de Republiek koos ondanks Engelse verzoeken, de neutrale kant. Eind 1779 begeleidde de Nederlander Van Bylandt (deze naam wordt uitgesproken als Bieland) samen met vier andere oorlogsschepen 27 koopvaarders naar Frankrijk. Op 30 december 1779 werd dit konvooi ter hoogte van het eila_nd Wight onderschept door de Engelse marine onder leiding van de commandeur Charles Fielding. Fielding eiste de koopvaarders te mogen inspecteren op contrabandegoederen die bestemd waren voor Frankrijk. Een gesprek tussen Frederik Sigismund van Bylandt en Fielding leverde niets op. De Brit bleef echter bij zijn eis en na een plichtmatige schotenwisseling legde Van Bylandt zich erbij neer.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126816192/Tabakspijpen_in_het_teken_van_de_Gewapende_Neutraliteit"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120637109/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126814422/Kleipijpen_uit_Oudshoorn">Kleipijpen uit Oudshoorn</a></div><div class="authors">by <a href="https://essays24.academia.edu/JanvanOostveen">Jan van Oostveen</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Pijpelogische Kring Nederland</p></div><div class="summary">Clay tobacco pipes attibuted to the production centre of Oudshoorn</div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126814422/Kleipijpen_uit_Oudshoorn"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120902766/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126801489/Wizytacje_ko%C5%9Bcielne_z_lat_1741_1796_i_1824_jako_%C5%BAr%C3%B3d%C5%82o_do_historii_ko%C5%9Bcio%C5%82a_w_Zinkowcach_cz%C4%99%C5%9B%C4%87">Wizytacje kościelne z lat 1741, 1796 i 1824 jako źródło do historii kościoła w Zinkowcach – część</a></div><div class="authors">by <a href="https://independent.academia.edu/SaeculumChristianum">Saeculum Christianum</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Saeculum Christianum</p></div><div class="summary"><div class="summarized">Kościół świecki, parafialny, zinkowski Miasteczko Zinkowce, guberni podolskiej powiatu kamienieckiego, dawniej województwa podolskiego, niegdy[ś] stołowe dobra biskupów kamienieckich, potem po przyłączeniu kraju polskiego do Państwa... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Kościół świecki, parafialny, zinkowski Miasteczko Zinkowce, guberni podolskiej powiatu kamienieckiego, dawniej województwa podolskiego, niegdy[ś] stołowe dobra biskupów kamienieckich, potem po przyłączeniu kraju polskiego do Państwa Rosji, skonfiskowane i wraz z innemi dobrami darowane JW grafini Branickiej, dziś zaś w posiadaniu jej córki JW. grafowej Worońcowej zostają. Leży nad rzeką Smotryczem w rozdole, pod samym prawie miastem guber[nator]skim Kamieńcem i jest niejako jego przedmieściem. Budowy drewniane, brzydkie, z rzadka murowane. Dawniej, pokąd Żydom nie wolno było mieszkać w Kamieńcu, znacznie od Żydów kupców osiadłe i handlowne było, lecz teraz zupełnie zaniedbane i opuszczone. Odległe jest od miasta stołecznego gubernium Kamieńca Podolskiego, o jedną tylko wiorstę ku zachodowi. Między latami 1672 i 1699 panowaniu Turków ulegało. 1 Hydrotechnik, profesor WAT. Zainteresowania naukowe to wykorzystanie systemów hydrotechnicznych w budowlach obronnych XVII i XVIII w., historia i dawna kartografia Kamieńca Podolskiego.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126801489/Wizytacje_ko%C5%9Bcielne_z_lat_1741_1796_i_1824_jako_%C5%BAr%C3%B3d%C5%82o_do_historii_ko%C5%9Bcio%C5%82a_w_Zinkowcach_cz%C4%99%C5%9B%C4%87"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120624667/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126778262/%D0%A0%D0%BE%D0%BB%D1%8C_%D0%B0%D0%BA%D1%81%D0%B5%D1%81%D1%81%D1%83%D0%B0%D1%80%D0%B0_%D0%B2_%D0%B6%D0%B5%D0%BD%D1%81%D0%BA%D0%BE%D0%BC_%D0%B8%D0%BD%D1%82%D0%B5%D1%80%D1%8C%D0%B5%D1%80%D0%BD%D0%BE%D0%BC_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82%D0%B5_%D0%9C_%D0%AD_%D0%92%D0%B8%D0%B6%D0%B5_%D0%9B%D0%B5%D0%B1%D1%80%D0%B5%D0%BD_The_role_of_the_accessory_in_a_female_interior_portrait_by_E_Vig%C3%A9e_Le_Brun">Роль аксессуара в женском интерьерном портрете М.-Э. Виже-Лебрен / The role of the accessory in a female interior portrait by E. Vigée Le Brun</a></div><div class="authors">by <a href="https://rggu.academia.edu/IvanAbramkin">Ivan Abramkin</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Человек и культура</p></div><div class="summary"><div class="summarized">Статья посвящена рассмотрению женских интерьерных портретов, созданных М.-Э. Виже-Лебрен (1755-1842) во время пребывания в России (1795-1801 годы). Целью исследования является выявление роли аксессуара в портретной концепции французской... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Статья посвящена рассмотрению женских интерьерных портретов, созданных М.-Э. Виже-Лебрен (1755-1842) во время пребывания в России (1795-1801 годы). Целью исследования является выявление роли аксессуара в портретной концепции французской художницы, которая отличается пристальным вниманием к предметной составляющей живописи и разнообразным деталям. Актуальность работы обусловлена тем, что внимательное изучение данной группы произведений, представляющих модель в поясном срезе, способствует как сравнению с портретами, которые изображают фигуру в поколенном срезе или в полный рост и акцентируют объемно-пространственные аспекты в ее трактовке, так и выявлению специфики творческого подхода М.-Э. Виже-Лебрен при создании различных вариантов интерьерного портрета в России. Методология исследования основана на сочетании формального, сравнительно-исторического и контекстуального анализа для определения характерных черт интерьерного портрета в творчестве мастера. Проведенное исследование позволяет прийти к выводам о том, что аксессуар в портретной концепции французской художницы не только показывает увлечения модели и ее семейные добродетели, но и усиливает выразительность произведения и индивидуальность портретируемой. При этом следует отметить, что трактовка аксессуаров демонстрирует скорее знаки некоторого действия, чем активную вовлеченность в него, и тем самым имеет условный характер, типологически соответствуя распространенному варианту полупарадного мужского портрета в виде государственного деятеля. Кроме того, подход М.-Э. Виже-Лебрен к данному типу интерьерного портрета обладает рядом характерных черт, к числу которых относятся убедительность и компактность позы, яркий колорит, интенсивное освещение, значительное внимание к написанию костюма и особая роль аксессуаров для индивидуализации облика модели.<br /><br />The article is devoted to the consideration of female interior portraits created by E. Vigée Le Brun in Russia. The purpose of the study is to reveal the role of the accessory in the portrait concept of the French artist, which is characterized by close attention to the subject matter of painting. The relevance of the work is conditioned by the fact that a careful study of this group of works, which represent the model in a waist type, contributes both to the comparison with portraits that show the figure in a knee-high or full-length image and emphasize three-dimensional aspects in its interpretation, and to the identification of the specifics of E. Vigée Le Brun’s creative approach in creating different variants of interior portraiture. The research methodology is based on a combination of formal, comparative-historical and contextual analysis to determine the characteristic features of interior portraiture in the master's work. This research allows author to come to the conclusion that the accessory in the portrait concept of the French artist not only shows the interests of the model and her family virtues, but also enhances the expressiveness of the work and the individuality of the person portrayed. At the same time, it should be noted that the treatment of accessories demonstrates signs of some action rather than active involvement in it, and thus has a conventional character, typologically corresponding to the widespread variant of the semi-ceremonial male portrait as a statesman. In addition, E. Vigée Le Brun's approach to this type of interior portrait has a number of characteristic features, which include convincing and compact posture, bright color, intense lighting, considerable attention to the painting of the costume and the special role of accessories for individualizing the model's look.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126778262/%D0%A0%D0%BE%D0%BB%D1%8C_%D0%B0%D0%BA%D1%81%D0%B5%D1%81%D1%81%D1%83%D0%B0%D1%80%D0%B0_%D0%B2_%D0%B6%D0%B5%D0%BD%D1%81%D0%BA%D0%BE%D0%BC_%D0%B8%D0%BD%D1%82%D0%B5%D1%80%D1%8C%D0%B5%D1%80%D0%BD%D0%BE%D0%BC_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82%D0%B5_%D0%9C_%D0%AD_%D0%92%D0%B8%D0%B6%D0%B5_%D0%9B%D0%B5%D0%B1%D1%80%D0%B5%D0%BD_The_role_of_the_accessory_in_a_female_interior_portrait_by_E_Vig%C3%A9e_Le_Brun"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120604966/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126778026/%D0%9E%D0%B1%D1%80%D0%B0%D0%B7_%D0%9B%D0%BE%D0%BF%D1%83%D1%85%D0%B8%D0%BD%D0%BE%D0%B9_%D0%BE%D0%BF%D1%8B%D1%82_%D0%BF%D1%80%D0%B8%D1%81%D1%82%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B3%D0%BE_%D0%B2%D0%B7%D0%B3%D0%BB%D1%8F%D0%B4%D0%B0_Image_of_Lopukhina_Case_of_the_Gaze">Образ Лопухиной: опыт пристального взгляда / Image of Lopukhina: Case of the Gaze</a></div><div class="authors">by <a href="https://rggu.academia.edu/IvanAbramkin">Ivan Abramkin</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Вестник Кемеровского государственного университета культуры и искусств</p></div><div class="summary"><div class="summarized">Статья посвящена рассмотрению шедевра русской портретной живописи XVIII века – «Портрета М.И. Лопухиной», созданного известным мастером В.Л. Боровиковским (1757-1825) в 1797 году. При огромной популярности данного произведения в научной... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Статья посвящена рассмотрению шедевра русской портретной живописи XVIII века – «Портрета М.И. Лопухиной», созданного известным мастером В.Л. Боровиковским (1757-1825) в 1797 году. При огромной популярности данного произведения в научной литературе историография вопроса демонстрирует недостаточно подробное осмысление сущности его художественного воздействия, что и определяет актуальность исследования. Целью данной статьи является изучение композиционной организации произведения для определения положения и поведения модели в художественном пространстве портрета. Методология исследования сочетает формальный анализ с обращением к философским категориям, свойственным культуре на рубеже XVIII-XIX веков (Ф. Шеллинг, И. Кант, Г. Гегель), и характеристикам, отражающим опыт поэтического восприятия произведения (стихотворение Я.П. Полонского «К портрету», созданное в 1885 году). Пристальное рассмотрение «Портрета М.И. Лопухиной» позволяет сделать парадоксальный вывод о том, что контрастное взаимодействие характерного взгляда и гладкой живописи, плавной композиции, расслабленной фигуры в художественном решении произведения усиливает эффект гармонии, который ему столь свойствен. Этот образ воплощает баланс между индивидуальностью облика и идеальностью типа, что определяет его уникальность в художественном, философском и мировоззренческом отношении для истории русской культуры.<br /><br />The article is devoted to the consideration of the masterpiece of Russian portrait painting of 18th Century – “Portrait of M.I. Lopukhina”, created by famous artist V.L. Borovikovsky (1757-1825) in 1797. The highest quality of execution turned the portrait into a symbol of the pictorial tradition of the 1790s, an era associated with the spread of sentimentalism in Russian culture. With the immense popularity of this work in the scientific literature, the historiography shows insufficiently detailed comprehension of the essence of its artistic impact, which determines the relevance of the study. The purpose of this article is to study the compositional organization of the work to determine the position and behavior of the model in the artistic space of the portrait. The research methodology combines formal analysis with an appeal to philosophical categories inherent in the culture at the turn of the 18th and 19th centuries (F. Shelling, I. Kant and G. Gegel) and characteristics reflecting the experience of poetic perception of the work (the poem “To the Portrait” created by Y.P. Polonsky in 1885). A close examination of the portrait allows the author to draw a paradoxical conclusion that the contrasting interaction of the characteristic gaze and smooth painting, flowing composition, relaxed figure in the artistic solution of the work enhances the effect of harmony that is so peculiar to it. This image embodies the balance between the individuality of the appearance and the ideality of the type, which determines its uniqueness in artistic, philosophical and worldview way for the history of Russian culture.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126778026/%D0%9E%D0%B1%D1%80%D0%B0%D0%B7_%D0%9B%D0%BE%D0%BF%D1%83%D1%85%D0%B8%D0%BD%D0%BE%D0%B9_%D0%BE%D0%BF%D1%8B%D1%82_%D0%BF%D1%80%D0%B8%D1%81%D1%82%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B3%D0%BE_%D0%B2%D0%B7%D0%B3%D0%BB%D1%8F%D0%B4%D0%B0_Image_of_Lopukhina_Case_of_the_Gaze"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120604808/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126777845/%D0%98%D0%BD%D1%82%D0%B8%D0%BC%D0%BD%D1%8B%D0%B9_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82_%D1%81%D1%83%D0%B4%D1%8C%D0%B1%D0%B0_%D1%82%D0%B5%D1%80%D0%BC%D0%B8%D0%BD%D0%B0_%D0%B2_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D0%B8_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%B3%D0%BE_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B0_XVIII_%D0%B2%D0%B5%D0%BA%D0%B0_Intimate_Portrait_Fate_of_the_Term_in_the_Historiography_of_Russian_Art_of_18th_Century">Интимный портрет: судьба термина в историографии русского искусства XVIII века / Intimate Portrait: Fate of the Term in the Historiography of Russian Art of 18th Century</a></div><div class="authors">by <a href="https://rggu.academia.edu/IvanAbramkin">Ivan Abramkin</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Новое искусствознание</p></div><div class="summary"><div class="summarized">Статья посвящена рассмотрению феномена «интимный портрет» в отечественной историографии русского искусства XVIII века. Целью исследования является определение характерных черт интимного портрета, которые позволят выявить его специфику по... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">Статья посвящена рассмотрению феномена «интимный портрет» в отечественной историографии русского искусства XVIII века. Целью исследования является определение характерных черт интимного портрета, которые позволят выявить его специфику по сравнению с камерным вариантом изображения. Изучение советской научной литературы демонстрирует сосуществование четырех различных подходов к определению понятия в ранних трудах (довоенная историография) и сохранение двух противоположных точек зрения в более поздних работах (послевоенная историография). Обращение к современным публикациям по теме свидетельствует о неоднозначном понимании термина, который зачастую довольно отвлеченно применяется к конкретному изобразительному материалу. Прояснение исходного смысла понятия требует внимательного рассмотрения наиболее основательных трудов советского периода, которые дают возможность определить различия ученых в концепциях интимного портрета и сравнить степень их убедительности. Разрешение поставленной проблемы оказывается невозможным без внимания к творчеству Ф.С. Рокотова, которое играет определяющую роль в концептуальных построениях ученых разных периодов. Критический подход к осмыслению историографической традиции позволяет соотнести противоречивый характер искусства Ф.С. Рокотова с общими концепциями советских авторов для выработки более последовательного и целостного представления об интимном портрете. Результатом исследования является определение не только типологических характеристик интимного портрета, но и периода его распространения в русском искусстве. Интимный портрет характеризуется сочетанием следующих черт: принадлежность произведения к искусству графики, близость взаимоотношений художника и модели, небольшой размер, фрагментация изображения, принципиальное отсутствие позирования, живописная незаконченность выражения мимики и состояния модели, преувеличенный характер отдельных черт лица. Появление четкого и однозначного понятия для ограничения области его применения в перспективе повлияет на терминологическую строгость и ясность характеристик при рассмотрении как типологии портретного жанра, так и конкретных произведений.<br /><br />The article is devoted to the phenomenon of “intimate portrait” in the historiography of Russian art of the 18th century. The object of the study is to determine the characteristic features of intimate portrait, which will reveal its specificity in comparison with the informal version of the image. The study of Soviet scientific literature demonstrates the coexistence of four different approaches to the definition of the concept in early works (pre-war historiography) and the preservation of two opposing points of view in later works (post-war historiography). The reference to modern publications on the topic indicates an ambiguous understanding of the term, which is often rather abstractly applied to specific pieces of portraiture. Clarification of the initial meaning of the term requires careful consideration of the most thorough works of the Soviet period, which makes it possible to reveal the differences between the concepts of intimate portrait and compare the degree of their persuasiveness. The solution of the problem turns out to be impossible without attention to the works of F.S. Rokotov, which play a decisive role in the conceptions of scientists from different periods. A critical approach to understanding the historiographic tradition allows us to correlate the contradictory nature of Rokotov’s art with the general ideas of Soviet authors to develop a more consistent and holistic understanding of an intimate portrait. The goal of the article is to determine not only typological characteristics of intimate portrait, but also the period of its dissemination in Russian art. An intimate portrait is characterized by a combination of the following features: belonging of the work to the art of graphics, closeness of the relationship between the artist and the model, small size, fragmentation of the image, the principal absence of posing, pictorial incompleteness of facial expressions and the state of the model, exaggerated nature of certain portrait features. The emergence of a well-defined and unambiguous term to limit the scope of its application in the future will affect the terminological rigor and clarity of characteristics when considering both the typology of the portrait genre and specific pieces of art.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126777845/%D0%98%D0%BD%D1%82%D0%B8%D0%BC%D0%BD%D1%8B%D0%B9_%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82_%D1%81%D1%83%D0%B4%D1%8C%D0%B1%D0%B0_%D1%82%D0%B5%D1%80%D0%BC%D0%B8%D0%BD%D0%B0_%D0%B2_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D0%B8_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%B3%D0%BE_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B0_XVIII_%D0%B2%D0%B5%D0%BA%D0%B0_Intimate_Portrait_Fate_of_the_Term_in_the_Historiography_of_Russian_Art_of_18th_Century"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120604654/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126777736/The_Expression_of_Feminine_Sensibility_in_Russian_Portraiture_of_the_1790s">The Expression of Feminine Sensibility in Russian Portraiture of the 1790s</a></div><div class="authors">by <a href="https://rggu.academia.edu/IvanAbramkin">Ivan Abramkin</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Barutcieff S. (ed.). Depicting Emotions in Central and Eastern Europe (1400-1900)</p></div><div class="summary"><div class="summarized">The study is dedicated to female images created by leading painters in Russian art of the 1790s: Johann Baptist von Lampi the Elder, Vladimir Lukich Borovikovsky, and Élisabeth Louise Vigée Le Brun. The research object is to consider the... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">The study is dedicated to female images created by leading painters in Russian art of the 1790s: Johann Baptist von Lampi the Elder, Vladimir Lukich Borovikovsky, and Élisabeth Louise Vigée Le Brun. The research object is to consider the portrait painting of this period, called “era of sensibility”, in the context of the history of emotions. The examination of portraits makes it possible to determine the set of methods peculiar for each master and to reveal three different ways of displaying emotions which reflect variations of the feminine sensibility in the visual culture of Russian sentimentalism.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126777736/The_Expression_of_Feminine_Sensibility_in_Russian_Portraiture_of_the_1790s"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120604560/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126771821/Cocarde_tricolore_Geste_r%C3%A9volutionnaire_et_symbolique_nationale">Cocarde tricolore. Geste révolutionnaire et symbolique nationale</a></div><div class="authors">by <a href="https://usaintlouis.academia.edu/S%C3%A9bastienDubois">Sébastien Dubois</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Une histoire de la Belgique en 100 objets</p></div><div class="summary"><div class="summarized">La cocarde tricolore noire-jaune-rouge apparut pour la première fois à la fin du mois de mai 1787 dans les rues de Bruxelles. Elle est donc plus ancienne que la cocarde tricolore française, généralement datée du 13 juillet 1789. Insigne... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">La cocarde tricolore noire-jaune-rouge apparut pour la première fois à<br />la fin du mois de mai 1787 dans les rues de Bruxelles. Elle est donc plus<br />ancienne que la cocarde tricolore française, généralement datée du<br />13 juillet 1789. Insigne de révolte, l’objet se propagea et se transforma,<br />en quelques mois seulement, en un symbole national fort.</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126771821/Cocarde_tricolore_Geste_r%C3%A9volutionnaire_et_symbolique_nationale"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120599180/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && dropdown.hasAttribute('open')) { dropdown.removeAttribute('open'); } }); });</script></div><div class="div"><div class="work-card-container"><div class="title"><a attrs="data-click-track topics--work-card-title" href="https://www.academia.edu/126763716/Interior_with_Monkeys_by_Willem_van_Mieris_Images_of_Porcelain_in_Eighteenth_Century_Paintings_and_Art_Collections">Interior with Monkeys by Willem van Mieris: Images of Porcelain in Eighteenth-Century Paintings and Art Collections</a></div><div class="authors">by <a href="https://meijigakuiin.academia.edu/JunkoAono">Junko Aono</a></div><div class="work-metadata"><p class="ds-work-card--detail ds2-5-body-sm">2025, Benjamin Schmidt and Thijs Weststeijn (eds.), The Globalization of Netherlandish Art</p></div><div class="summary"><div class="summarized">The Library of Congress Cataloging-in-Publication Data is available online at LC record available at Typeface for the Latin, Greek, and Cyrillic scripts: "Brill". See and download: brill.com/brill-typeface. issn 1878-9048 isbn... <a class="more u-tcGrayDark u-linkUnstyled" href="#">more</a></div><div class="complete hidden">The Library of Congress Cataloging-in-Publication Data is available online at LC record available at Typeface for the Latin, Greek, and Cyrillic scripts: "Brill". See and download: brill.com/brill-typeface. issn 1878-9048 isbn 978-90-04-70584-5 (hardback) isbn 978-90-04-70585-2 (e-book)</div></div><div class="button-container"><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-view" href="https://www.academia.edu/126763716/Interior_with_Monkeys_by_Willem_van_Mieris_Images_of_Porcelain_in_Eighteenth_Century_Paintings_and_Art_Collections"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">description</span><span class="ds2-5-text-link__content">View Paper</span></a><a class="ds2-5-text-link no-padding" data-click-track="topics--work-card-download" href="https://www.academia.edu/attachments/120592267/download_file?st=MTc0MzAzMzUxOSw4LjIyMi4yMDguMTQ2&s=topics-page-work-card" rel="nofollow"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">arrow_downward</span><span class="ds2-5-text-link__content">Download</span></a></div></div><script>document.addEventListener('DOMContentLoaded', () => { const moreLinks = document.querySelectorAll('.more'); moreLinks.forEach(link => { const summary = link.closest('.summary'); const summarized = summary.querySelector('.summarized'); const complete = summary.querySelector('.complete'); // Only show more link if we have both summarized and complete content if (!summarized || !complete) { link.style.display = 'none'; return; } link.addEventListener('click', (e) => { e.preventDefault(); summarized.classList.add('hidden'); complete.classList.remove('hidden'); // Hide the more link since we don't want to toggle back link.style.display = 'none'; }); }); }); // To allow for closing the author dropdown when clicking outside of it document.addEventListener('click', (event) => { const dropdowns = document.querySelectorAll('details.authors-dropdown'); dropdowns.forEach(dropdown => { if (!dropdown.contains(event.target) && 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