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class="ipc-list-item__text" role="presentation">Born Today</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/chart/starmeter/?ref_=nv_cel_m" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Most Popular Celebs</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/news/celebrity/?ref_=nv_cel_nw" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Celebrity News</span></a></ul></div></div></span></div><div data-testid="nav-link-category" class="sc-hhIjBB gsTgDe"></div><div class="sc-eJobrH egPbEn navlinkcat noMarginItem" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-comm" tabindex="-1" data-category-id="comm" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label 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tabindex="0" aria-label="Toggle language selector" aria-disabled="false" for="nav-language-selector"><span class="ipc-btn__text">EN</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--arrow-drop-down ipc-btn__icon ipc-btn__icon--post navbar__flyout__text-button-post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M8.71 11.71l2.59 2.59c.39.39 1.02.39 1.41 0l2.59-2.59c.63-.63.18-1.71-.71-1.71H9.41c-.89 0-1.33 1.08-.7 1.71z"></path></svg></label><input class="ipc-menu__focused-state" type="checkbox" id="nav-language-selector" name="nav-language-selector" hidden="" tabindex="-1" aria-hidden="true"/><div class="ipc-menu mdc-menu ipc-menu--not-initialized ipc-menu--on-baseAlt ipc-menu--anchored ipc-menu--with-checkbox ipc-menu--expand-from-top-right navbar__flyout--menu" data-menu-id="nav-language-selector" role="presentation"><div class="ipc-menu__items mdc-menu__items" role="presentation"><div class="navbar__flyout--menu__background"><span id="nav-language-selector-contents"><ul class="ipc-list nav-fully-supported-languages ipc-list--baseAlt" role="menu" aria-orientation="vertical"><li role="menuitem" class="ipc-list__item sc-khIhrF itplCB disabled" tabindex="0" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Fully supported</span></li><li role="separator" class="ipc-list-divider"></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option selected" id="language-option-en-US" aria-label="English (United States)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-checked language-menu-item-icon selected-language-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path><circle cx="12" cy="12" r="5"></circle></svg></span><span class="ipc-list-item__text" role="presentation">English (United States)</span></li><li role="separator" class="ipc-list-divider"></li></ul><ul class="ipc-list nav-partially-supported-languages ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item sc-khIhrF itplCB" href="https://help.imdb.com/article/issues/G6TCMBKAAR5G95EN?ref_=loc_nav_sel_hlp" target="_blank" aria-label="Learn more about partially supported languages." tabindex="0" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Partially supported</span><span class="ipc-list-item__icon ipc-list-item__icon--post" role="presentation"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--help-outline" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.41 0-8-3.59-8-8s3.59-8 8-8 8 3.59 8 8-3.59 8-8 8zm-1-4h2v2h-2zm1.61-9.96c-2.06-.3-3.88.97-4.43 2.79-.18.58.26 1.17.87 1.17h.2c.41 0 .74-.29.88-.67.32-.89 1.27-1.5 2.3-1.28.95.2 1.65 1.13 1.57 2.1-.1 1.34-1.62 1.63-2.45 2.88 0 .01-.01.01-.01.02-.01.02-.02.03-.03.05-.09.15-.18.32-.25.5-.01.03-.03.05-.04.08-.01.02-.01.04-.02.07-.12.34-.2.75-.2 1.25h2c0-.42.11-.77.28-1.07.02-.03.03-.06.05-.09.08-.14.18-.27.28-.39.01-.01.02-.03.03-.04.1-.12.21-.23.33-.34.96-.91 2.26-1.65 1.99-3.56-.24-1.74-1.61-3.21-3.35-3.47z"></path></svg></span></a><li role="separator" class="ipc-list-divider"></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-fr-CA" aria-label="Français (Canada)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Français (Canada)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-fr-FR" aria-label="Français (France)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Français (France)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-de-DE" aria-label="Deutsch (Deutschland)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Deutsch (Deutschland)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-hi-IN" aria-label="हिंदी (भारत)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">हिंदी (भारत)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-it-IT" aria-label="Italiano (Italia)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Italiano (Italia)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-pt-BR" aria-label="Português (Brasil)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Português (Brasil)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-es-ES" aria-label="Español (España)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Español (España)</span></li><li role="menuitem" class="ipc-list__item sc-cTJlEM kCpPGc language-option" id="language-option-es-MX" aria-label="Español (México)" tabindex="0" aria-disabled="false"><span role="presentation" class="language-menu-item-span ipc-list-item__icon ipc-list-item__icon--pre"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked language-menu-item-icon " viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span><span class="ipc-list-item__text" role="presentation">Español (México)</span></li></ul></span></div></div></div></div><div class="sc-eGJXzN jHAJWx"></div></div><a class="ipc-btn ipc-btn--half-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-accent1 ipc-btn--theme-baseAlt ipc-btn--button-radius sc-dFRoor hnzDes imdb-header__app-button" tabindex="0" aria-label="Use app" aria-disabled="false" href="https://slyb.app.link/vtz1COZnXAb"><span class="ipc-btn__text">Use app</span></a></div></nav><script>if(typeof uet === 'function'){ uet('be', 'imdbHeader', {wb: 1}); }</script><script>if(typeof uex === 'function'){ uex('ld', 'imdbHeader', {wb: 1}); }</script><svg style="width:0;height:0;overflow:hidden;display:block" xmlns="http://www.w3.org/2000/svg" version="1.1"><defs><linearGradient id="ipc-svg-gradient-tv-logo-t" x1="31.973%" y1="53.409%" x2="153.413%" y2="-16.853%"><stop stop-color="#D01F49" offset="21.89%"></stop><stop stop-color="#E8138B" offset="83.44%"></stop></linearGradient><linearGradient id="ipc-svg-gradient-tv-logo-v" x1="-38.521%" y1="84.997%" x2="104.155%" y2="14.735%"><stop stop-color="#D01F49" offset="21.89%"></stop><stop stop-color="#E8138B" offset="83.44%"></stop></linearGradient></defs></svg><main role="main" class="ipc-page-wrapper ipc-page-wrapper--base"><div id="ipc-wrap-background-id" style="position:absolute;width:100%;height:100%"></div><div class="ipc-page-content-container ipc-page-content-container--center sc-f91e97af-0 jbRgdG" role="presentation"><div id="ipc-wrap-background-id" style="position:absolute;width:100%;height:100%"></div><script async=""> if (window && window.ad_utils && window.ad_utils.makeAtfSlotsCall) { window.ad_utils.makeAtfSlotsCall( false, '', 'inlinebottom,inline20,sis_pixel', undefined, {}); }</script><section class="ipc-page-background ipc-page-background--baseAlt inline20-page-background"><div class="ipc-page-content-container ipc-page-content-container--center" role="presentation"><div class="nas-slot"><div id="inline20_responsive_wrapper" class="slot_wrapper nas-spacing nas-dark" style="position:relative"><div></div></div></div></div></section><div class="ipc-page-content-container ipc-page-content-container--center" role="presentation"><section class="ipc-page-background ipc-page-background--base sc-5344c266-0 jAKHFn"><section class="ipc-page-section ipc-page-section--base sc-5344c266-1 epjnWj"><div class="sc-5344c266-3 kskZlU"><section class="ipc-page-section ipc-page-section--base ipc-page-section--bp-none sc-ada15aae-0 jYQwZF"><div class="ipc-title ipc-title--base ipc-title--page-title ipc-title--on-textPrimary" data-testid="tabbed-page-title"><hgroup><h1 class="ipc-title__text">Advanced search</h1></hgroup></div><section class="ipc-page-section ipc-page-section--none ipc-page-section--bp-none"><div class="ipc-tabs ipc-tabs--base ipc-tabs--align-left ipc-tabs--display-tab sc-5344c266-2 fHNrka tabs" role="presentation"><li class="ipc-tab-arrow ipc-tab-arrow--left" role="presentation"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--chevron-left-inline ipc-icon--inline ipc-tab-arrow--icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18.378 23.369c.398-.402.622-.947.622-1.516 0-.568-.224-1.113-.622-1.515l-8.249-8.34 8.25-8.34a2.16 2.16 0 0 0 .548-2.07A2.132 2.132 0 0 0 17.428.073a2.104 2.104 0 0 0-2.048.555l-9.758 9.866A2.153 2.153 0 0 0 5 12.009c0 .568.224 1.114.622 1.515l9.758 9.866c.808.817 2.17.817 2.998-.021z"></path></svg></li><ul class="ipc-tabs ipc-tabs--base ipc-tabs--align-left sc-5344c266-2 fHNrka tabs" role="tablist"><li class="ipc-tab ipc-tab--on-base" role="tab" tabindex="0" aria-selected="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--youtube ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M9.955 14.955v-5.91L15.182 12l-5.227 2.955zm11.627-7.769a2.505 2.505 0 0 0-1.768-1.768C18.254 5 12 5 12 5s-6.254 0-7.814.418c-.86.23-1.538.908-1.768 1.768C2 8.746 2 12 2 12s0 3.254.418 4.814c.23.86.908 1.538 1.768 1.768C5.746 19 12 19 12 19s6.254 0 7.814-.418a2.505 2.505 0 0 0 1.768-1.768C22 15.254 22 12 22 12s0-3.254-.418-4.814z"></path></svg><span>TITLES</span></li><li class="ipc-tab ipc-tab--on-base ipc-tab--active" role="tab" tabindex="0" aria-selected="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--people ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M16 11c1.66 0 2.99-1.34 2.99-3S17.66 5 16 5s-3 1.34-3 3 1.34 3 3 3zm-8 0c1.66 0 2.99-1.34 2.99-3S9.66 5 8 5 5 6.34 5 8s1.34 3 3 3zm0 2c-2.33 0-7 1.17-7 3.5V18c0 .55.45 1 1 1h12c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5zm8 0c-.29 0-.62.02-.97.05.02.01.03.03.04.04 1.14.83 1.93 1.94 1.93 3.41V18c0 .35-.07.69-.18 1H22c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5z"></path></svg><span>NAMES</span></li><li class="ipc-tab ipc-tab--on-base" role="tab" tabindex="0" aria-selected="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--subscriptions ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M19 8H5c-.55 0-1-.45-1-1s.45-1 1-1h14c.55 0 1 .45 1 1s-.45 1-1 1zm-2-6H7c-.55 0-1 .45-1 1s.45 1 1 1h10c.55 0 1-.45 1-1s-.45-1-1-1zm5 10v8c0 1.1-.9 2-2 2H4c-1.1 0-2-.9-2-2v-8c0-1.1.9-2 2-2h16c1.1 0 2 .9 2 2zm-6.81 3.56L10 12.73v6.53l5.19-2.82a.5.5 0 0 0 0-.88z"></path></svg><span>COLLABORATIONS</span></li><li role="presentation" data-currenttab="name" class="ipc-tabs__indicator" style="width:0;left:0"></li></ul><li class="ipc-tab-arrow ipc-tab-arrow--right" role="presentation"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--chevron-right-inline ipc-icon--inline ipc-tab-arrow--icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M5.622.631A2.153 2.153 0 0 0 5 2.147c0 .568.224 1.113.622 1.515l8.249 8.34-8.25 8.34a2.16 2.16 0 0 0-.548 2.07c.196.74.768 1.317 1.499 1.515a2.104 2.104 0 0 0 2.048-.555l9.758-9.866a2.153 2.153 0 0 0 0-3.03L8.62.61C7.812-.207 6.45-.207 5.622.63z"></path></svg></li></div><div role="tabpanel"><div><section class="ipc-page-background ipc-page-background--base sc-13add9d7-7 fWzbCe"><div class="sc-13add9d7-5 lkFtOq"><div class="sc-13add9d7-8 cCEHlh"></div><button data-testid="adv-search-get-results" class="ipc-btn ipc-btn--single-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-accent1 ipc-btn--theme-base ipc-btn--button-radius sc-13add9d7-4 cwcOrs hide-on-desktop hide-on-mobile" tabindex="0" aria-label="See results" aria-disabled="false"><span class="ipc-btn__text">See results</span></button></div><div class="ipc-page-grid ipc-page-grid--bias-left ipc-page-grid__item ipc-page-grid__item--span-2"><div class="sc-57ba0b6e-0 jSxaPY hide-on-mobile ipc-page-grid__item ipc-page-grid__item--span-1"><div class="sc-57ba0b6e-1 uHnvE">Search filters<button data-testid="adv-search-expand-all" class="ipc-btn ipc-btn--no-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-base ipc-btn--theme-base ipc-btn--button-radius ipc-btn--on-accent2 ipc-text-button sc-57ba0b6e-4 keRCAo" tabindex="0" aria-disabled="false"><span class="ipc-btn__text">Expand all</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--expand-more ipc-btn__icon ipc-btn__icon--post" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path opacity=".87" fill="none" d="M24 24H0V0h24v24z"></path><path d="M15.88 9.29L12 13.17 8.12 9.29a.996.996 0 1 0-1.41 1.41l4.59 4.59c.39.39 1.02.39 1.41 0l4.59-4.59a.996.996 0 0 0 0-1.41c-.39-.38-1.03-.39-1.42 0z"></path></svg></button></div><section class="ipc-page-background ipc-page-background--base sc-57ba0b6e-3 emCKSW"><div class="ipc-accordion sc-57ba0b6e-2 hQbStV accordion ipc-accordion--base ipc-accordion--dividers-between"><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="nameTextAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-nameTextAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-nameTextAccordion" data-testid="accordion-item-nameTextAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Name</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-nameTextAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-abd076ee-0 iZtkgd"><div class="ipc-textfield ipc-textfield--base" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="Name" id="text-input__9539" name="name-text-input" class="ipc-textfield__input" type="text" data-testid="test-nametext" placeholder="e.g. Audrey Hepburn" value=""/></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="birthDateAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-birthDateAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-birthDateAccordion" data-testid="accordion-item-birthDateAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Birth date</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-birthDateAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-7692e1bc-0 cOcdTE"> Enter full date <div class="sc-7692e1bc-1 fKunjm"><div class="ipc-textinput ipc-textinput--base sc-7692e1bc-3 byfiuT" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date from" id="text-input__10711" name="birth-date-start-input" class="ipc-textinput__input" type="date" data-testid="birthDate-start" autoComplete="off"/></div></div></div></div><p class="sc-7692e1bc-4 gvVgFS"> to </p><div class="ipc-textinput ipc-textinput--base sc-7692e1bc-3 byfiuT" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date to" id="text-input__10712" name="birth-date-end-input" class="ipc-textinput__input" type="date" data-testid="birthDate-end"/></div></div></div></div></div><p class="sc-7692e1bc-4 gvVgFS"> or just enter yyyy, or yyyy-mm below </p><div class="sc-7692e1bc-2 kJRAbv"><div class="ipc-textinput ipc-textinput--base sc-7692e1bc-3 byfiuT" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date from" id="text-input__10713" name="birth-year-month-start-input" class="ipc-textinput__input" type="text" data-testid="birthYearMonth-start" maxLength="7"/></div></div></div></div><p class="sc-7692e1bc-4 gvVgFS"> to </p><div class="ipc-textinput ipc-textinput--base sc-7692e1bc-3 byfiuT" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date to" id="text-input__10714" name="birth-year-month-end-input" class="ipc-textinput__input" type="text" data-testid="birthYearMonth-end" maxLength="7"/></div></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="birthdayAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-birthdayAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-birthdayAccordion" data-testid="accordion-item-birthdayAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Birthday</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-birthdayAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div data-testid="birthday-test-id" class="sc-6b2dc526-0 hHiQrj"><div class="ipc-textfield ipc-textfield--base sc-6b2dc526-1 bUSimF" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="Enter birthday" id="text-input__9540" name="birthday-input" class="ipc-textfield__input" type="text" autoComplete="off" data-testid="birthday-input-test-id" placeholder="MM-DD" value=""/></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="awardsAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-awardsAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-awardsAccordion" data-testid="accordion-item-awardsAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Awards & recognition</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-awardsAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actress_nominees"><span class="ipc-chip__text">Best Actress-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actor_nominees"><span class="ipc-chip__text">Best Actor-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actress_winners"><span class="ipc-chip__text">Best Actress-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actor_winners"><span class="ipc-chip__text">Best Actor-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actress_nominees"><span class="ipc-chip__text">Best Supporting Actress-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actor_nominees"><span class="ipc-chip__text">Best Supporting Actor-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actress_winners"><span class="ipc-chip__text">Best Supporting Actress-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actor_winners"><span class="ipc-chip__text">Best Supporting Actor-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_director_nominees"><span class="ipc-chip__text">Best Director-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-best_director_winner"><span class="ipc-chip__text">Best Director-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_nominee"><span class="ipc-chip__text">Oscar-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-emmy_nominee"><span class="ipc-chip__text">Emmy Award-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-golden_globe_nominated"><span class="ipc-chip__text">Golden Globe-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_winner"><span class="ipc-chip__text">Oscar-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-emmy_winner"><span class="ipc-chip__text">Emmy Award-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-golden_globe_winning"><span class="ipc-chip__text">Golden Globe-Winning</span></button></section></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="pageTopicsAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-pageTopicsAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-pageTopicsAccordion" data-testid="accordion-item-pageTopicsAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Page topics</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-pageTopicsAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-c8a95ade-1 dqjLsc"><div class="sc-c8a95ade-2 jNRccl">Only includes names with the selected topics</div><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-AWARD_NOMINATIONS"><span class="ipc-chip__text">Award Nominations</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIOGRAPHY"><span class="ipc-chip__text">Biography</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIRTH_DATE"><span class="ipc-chip__text">Birth Date</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIRTH_PLACE"><span class="ipc-chip__text">Place of birth</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-DEATH_DATE"><span class="ipc-chip__text">Death Date</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-DEATH_PLACE"><span class="ipc-chip__text">Place of death</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-HEIGHT_INFO"><span class="ipc-chip__text">Height info</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-QUOTES"><span class="ipc-chip__text">Quotes</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-TRIVIA"><span class="ipc-chip__text">Trivia</span></button></section><div class="ipc-select ipc-select--base sc-c8a95ade-0 kZClpK ipc-select--with-value ipc-select--with-label" role="presentation"><div class="ipc-select__container" role="presentation"><div class="ipc-select__field-container" role="presentation"><label class="ipc-select__label" for="within-topic-dropdown-id">Search within topic</label><div class="ipc-select__input-container"><select class="ipc-select__input" id="within-topic-dropdown-id" name="within-topic-dropdown" aria-invalid="false"><option value=""></option><option value="BIOGRAPHY" selected="">Biography</option><option value="BIRTH_PLACE">Place of birth</option><option value="DEATH_PLACE">Place of death</option><option value="QUOTES">Quotes</option><option value="TRIVIA">Trivia</option></select></div></div><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--arrow ipc-select__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path opacity=".87" fill="none" d="M24 24H0V0h24v24z"></path><path d="M15.88 9.29L12 13.17 8.12 9.29a.996.996 0 1 0-1.41 1.41l4.59 4.59c.39.39 1.02.39 1.41 0l4.59-4.59a.996.996 0 0 0 0-1.41c-.39-.38-1.03-.39-1.42 0z"></path></svg></div></div><div class="ipc-textfield ipc-textfield--base" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="e.g. Arrested" id="text-input__9541" name="within-topic-input" class="ipc-textfield__input" type="text" data-testid="test-within-page-topic" placeholder="e.g. Arrested" value=""/></div></div></div></div><button class="sc-c8a95ade-3 oXCOK ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: los angeles</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button><button class="sc-c8a95ade-3 oXCOK ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: california</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button><button class="sc-c8a95ade-3 oXCOK ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: usa</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="deathDateAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-deathDateAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-deathDateAccordion" data-testid="accordion-item-deathDateAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Death date</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-deathDateAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-682f278d-0 hPBps"><div class="sc-682f278d-1 eFWTFW"><div class="ipc-textinput ipc-textinput--base sc-682f278d-3 kTcbxf" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date from" id="text-input__10715" name="death-date-start-input" class="ipc-textinput__input" type="date" data-testid="deathDate-start" autoComplete="off"/></div></div></div></div><p class="sc-682f278d-4 iUOgPW"> to </p><div class="ipc-textinput ipc-textinput--base sc-682f278d-3 kTcbxf" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date to" id="text-input__10716" name="death-date-end-input" class="ipc-textinput__input" type="date" data-testid="deathDate-end"/></div></div></div></div></div><p class="sc-682f278d-4 iUOgPW"> or just enter yyyy, or yyyy-mm below </p><div class="sc-682f278d-2 lptWSL"><div class="ipc-textinput ipc-textinput--base sc-682f278d-3 kTcbxf" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date from" id="text-input__10717" name="death-year-month-start-input" class="ipc-textinput__input" type="text" data-testid="deathYearMonth-start" maxLength="7"/></div></div></div></div><p class="sc-682f278d-4 iUOgPW"> to </p><div class="ipc-textinput ipc-textinput--base sc-682f278d-3 kTcbxf" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date to" id="text-input__10718" name="death-year-month-end-input" class="ipc-textinput__input" type="text" data-testid="deathYearMonth-end" maxLength="7"/></div></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="genderIdentityAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-genderIdentityAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-genderIdentityAccordion" data-testid="accordion-item-genderIdentityAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Gender identity</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-genderIdentityAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-MALE"><span class="ipc-chip__text">Male</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-FEMALE"><span class="ipc-chip__text">Female</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-NON_BINARY"><span class="ipc-chip__text">Non-binary</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-OTHER"><span class="ipc-chip__text">Other</span></button></section></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="filmographyAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-filmographyAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-filmographyAccordion" data-testid="accordion-item-filmographyAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Credits</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-filmographyAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-a949ed6f-0 esgjUb"><div role="combobox" aria-haspopup="listbox" aria-owns="react-autowhatever-1" aria-expanded="false" class="react-autosuggest__container"><div class="sc-9d0ac180-1 gokzWz"><input type="text" autoComplete="off" aria-autocomplete="list" aria-controls="react-autowhatever-1" class="sc-9d0ac180-0 kBNQSh react-autosuggest__input" autoCapitalize="off" autoCorrect="off" spellcheck="true" aria-label="Autosuggest input field" data-testid="autosuggest-input-test-id-filmography" value=""/></div><div id="react-autowhatever-1" role="listbox" class="sc-9d0ac180-3 jPWAyA react-autosuggest__suggestions-container" data-testid="filmography-suggestions-container"></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="adultNamesAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-adultNamesAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-adultNamesAccordion" data-testid="accordion-item-adultNamesAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Adult names</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-adultNamesAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--none ipc-page-section--tp-none ipc-page-section--bp-none"><span class="ipc-boolean-input ipc-boolean-input--base ipc-radio-button"><span class="ipc-boolean-input__icon"><input aria-label="Exclude" data-testid="exclude-adult-names" name="Exclude" class="ipc-boolean-input__input" id="exclude-adult-names" type="radio" checked="" value="exclude-adult-names"/><span class="ipc-boolean-input__icon-wrapper" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-checked ipc-boolean-input__icon--accent2 ipc-boolean-input__icon--checked" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path><circle cx="12" cy="12" r="5"></circle></svg></span></span><label class="ipc-boolean-input__label" for="exclude-adult-names">Exclude</label></span><div class="sc-e0aeb5de-0 iWEFKJ"><span class="ipc-boolean-input ipc-boolean-input--base ipc-radio-button"><span class="ipc-boolean-input__icon"><input aria-label="Include" data-testid="include-adult-names" name="Include" class="ipc-boolean-input__input" id="include-adult-names" type="radio" value="include-adult-names"/><span class="ipc-boolean-input__icon-wrapper" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked ipc-boolean-input__icon--unchecked" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span></span><label class="ipc-boolean-input__label" for="include-adult-names">Include</label></span></div></section></div></div></div></div></section></div><div class="ipc-page-grid__item ipc-page-grid__item--span-2"><div class="sc-13add9d7-6 dCCeCI"><div class="sc-13add9d7-3 fwjHEn">1-50 of 19,327</div><div class="sc-13add9d7-1 fSfCTp"><button class="sc-13add9d7-0 bZyuVC hide-on-desktop ipc-chip ipc-chip--filled ipc-chip--on-base-accent2" tabindex="0" aria-disabled="false" data-testid="adv-search-edit"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--filter-list ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M11 18q-.425 0-.712-.288Q10 17.425 10 17t.288-.712Q10.575 16 11 16h2q.425 0 .713.288.287.287.287.712t-.287.712Q13.425 18 13 18zM4 8q-.425 0-.712-.287Q3 7.425 3 7t.288-.713Q3.575 6 4 6h16q.425 0 .712.287Q21 6.575 21 7t-.288.713Q20.425 8 20 8zm3 5q-.425 0-.713-.288Q6 12.425 6 12t.287-.713Q6.575 11 7 11h10q.425 0 .712.287.288.288.288.713t-.288.712Q17.425 13 17 13z"></path></svg></button><div class="sc-46db7fd4-0 bKwYWb"><span class="ipc-simple-select__container" data-testid="adv-srch-sort-by"><label class="ipc-simple-select__front-label" for="adv-srch-sort-by">Sort by</label><span class="ipc-simple-select ipc-simple-select--base ipc-simple-select--on-accent2"><label class="ipc-simple-select__selected-option" aria-hidden="true">Popularity</label><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--arrow-drop-down ipc-simple-select__icon--post" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M8.71 11.71l2.59 2.59c.39.39 1.02.39 1.41 0l2.59-2.59c.63-.63.18-1.71-.71-1.71H9.41c-.89 0-1.33 1.08-.7 1.71z"></path></svg><select id="adv-srch-sort-by" aria-label="Sort by" class="ipc-simple-select__input"><option value="POPULARITY" selected="">Popularity</option><option value="NAME">A-Z</option><option value="BIRTH_DATE">Birth date</option><option value="DEATH_DATE">Death date</option></select></span></span><button data-testid="test-sort-order" id="adv-srch-sort-order" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Ascending sort order" tabindex="0" aria-label="Ascending sort order" aria-disabled="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--ascending" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M12 22a.968.968 0 01-.713-.288A.967.967 0 0111 21V5.825L7.1 9.7a.977.977 0 01-.688.288A.93.93 0 015.7 9.7a.948.948 0 01-.275-.7c0-.283.092-.517.275-.7l5.6-5.6c.1-.1.208-.17.325-.212.117-.042.242-.063.375-.063s.258.02.375.063a.877.877 0 01.325.212l5.6 5.6a.933.933 0 01.275.688c0 .275-.092.512-.275.712-.2.2-.438.3-.713.3a.973.973 0 01-.712-.3L13 5.825V21c0 .283-.096.52-.287.712A.968.968 0 0112 22z"></path></svg></button></div></div><div class="sc-13add9d7-2 fepQkm"><div><button id="list-view-option-detailed" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Selected: Detailed view" tabindex="0" aria-label="Selected: Detailed view" aria-disabled="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--list-inline" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M1.5 13.5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 11.175 0 12s.675 1.5 1.5 1.5zm0 5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 16.175 0 17s.675 1.5 1.5 1.5zm0-10C2.325 8.5 3 7.825 3 7s-.675-1.5-1.5-1.5S0 6.175 0 7s.675 1.5 1.5 1.5zm4.857 5h16.286c.746 0 1.357-.675 1.357-1.5s-.61-1.5-1.357-1.5H6.357C5.611 10.5 5 11.175 5 12s.61 1.5 1.357 1.5zm0 5h16.286c.746 0 1.357-.675 1.357-1.5s-.61-1.5-1.357-1.5H6.357C5.611 15.5 5 16.175 5 17s.61 1.5 1.357 1.5zM5 7c0 .825.61 1.5 1.357 1.5h16.286C23.389 8.5 24 7.825 24 7s-.61-1.5-1.357-1.5H6.357C5.611 5.5 5 6.175 5 7zm-3.5 6.5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 11.175 0 12s.675 1.5 1.5 1.5zm0 5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 16.175 0 17s.675 1.5 1.5 1.5zm0-10C2.325 8.5 3 7.825 3 7s-.675-1.5-1.5-1.5S0 6.175 0 7s.675 1.5 1.5 1.5zm4.857 5h16.286c.746 0 1.357-.675 1.357-1.5s-.61-1.5-1.357-1.5H6.357C5.611 10.5 5 11.175 5 12s.61 1.5 1.357 1.5zm0 5h16.286c.746 0 1.357-.675 1.357-1.5s-.61-1.5-1.357-1.5H6.357C5.611 15.5 5 16.175 5 17s.61 1.5 1.357 1.5zM5 7c0 .825.61 1.5 1.357 1.5h16.286C23.389 8.5 24 7.825 24 7s-.61-1.5-1.357-1.5H6.357C5.611 5.5 5 6.175 5 7z"></path></svg></button><button id="list-view-option-grid" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onBase" title=" Grid view" tabindex="0" aria-label=" Grid view" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--grid-view" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M4.8 14h2.4c.44 0 .8-.3.8-.667v-2.666C8 10.3 7.64 10 7.2 10H4.8c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm0-6h2.4c.44 0 .8-.3.8-.667V4.667C8 4.3 7.64 4 7.2 4H4.8c-.44 0-.8.3-.8.667v2.666C4 7.7 4.36 8 4.8 8zm0 12h2.4c.44 0 .8-.3.8-.667v-2.666C8 16.3 7.64 16 7.2 16H4.8c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm6 0h2.4c.44 0 .8-.3.8-.667v-2.666c0-.367-.36-.667-.8-.667h-2.4c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm6 0h2.4c.44 0 .8-.3.8-.667v-2.666c0-.367-.36-.667-.8-.667h-2.4c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm-6-6h2.4c.44 0 .8-.3.8-.667v-2.666c0-.367-.36-.667-.8-.667h-2.4c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm0-6h2.4c.44 0 .8-.3.8-.667V4.667C14 4.3 13.64 4 13.2 4h-2.4c-.44 0-.8.3-.8.667v2.666c0 .367.36.667.8.667zm5.2 2.667v2.666c0 .367.36.667.8.667h2.4c.44 0 .8-.3.8-.667v-2.666c0-.367-.36-.667-.8-.667h-2.4c-.44 0-.8.3-.8.667zm0-6v2.666c0 .367.36.667.8.667h2.4c.44 0 .8-.3.8-.667V4.667C20 4.3 19.64 4 19.2 4h-2.4c-.44 0-.8.3-.8.667z"></path></svg></button><button id="list-view-option-compact" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onBase" title=" Compact view" tabindex="0" aria-label=" Compact view" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--menu" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M4 18h16c.55 0 1-.45 1-1s-.45-1-1-1H4c-.55 0-1 .45-1 1s.45 1 1 1zm0-5h16c.55 0 1-.45 1-1s-.45-1-1-1H4c-.55 0-1 .45-1 1s.45 1 1 1zM3 7c0 .55.45 1 1 1h16c.55 0 1-.45 1-1s-.45-1-1-1H4c-.55 0-1 .45-1 1z"></path></svg></button></div></div></div><ul class="ipc-metadata-list ipc-metadata-list--dividers-between sc-748571c8-0 gFCVNT detailed-list-view ipc-metadata-list--base" role="presentation"><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Kenneth Mitchell" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTU0NDE2NDkwMV5BMl5BanBnXkFtZTgwMzM4NDY1MjE@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTU0NDE2NDkwMV5BMl5BanBnXkFtZTgwMzM4NDY1MjE@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTU0NDE2NDkwMV5BMl5BanBnXkFtZTgwMzM4NDY1MjE@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTU0NDE2NDkwMV5BMl5BanBnXkFtZTgwMzM4NDY1MjE@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm1058987/?ref_=sr_i_1" aria-label="Kenneth Mitchell"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm1058987/?ref_=sr_t_1" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">1. Kenneth Mitchell</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0349825/?ref_=sr_knf_1">Miracle (2004)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Kenneth Mitchell was born on 25 November 1974 in Toronto, Ontario, Canada. He was an actor, known for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0349825/?ref_=sr">Miracle (2004)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0292506/?ref_=sr">The Recruit (2003)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt4154664/?ref_=sr">Captain Marvel (2019)</a>. He was married to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006721/?ref_=sr">Susan May Pratt</a>. He died on 24 February 2024 in Los Angeles, California, USA.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Dominique Dunne in Poltergeist (1982)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjE1NzEzNTI4MV5BMl5BanBnXkFtZTcwMjgyMTcxOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjE1NzEzNTI4MV5BMl5BanBnXkFtZTcwMjgyMTcxOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjE1NzEzNTI4MV5BMl5BanBnXkFtZTcwMjgyMTcxOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjE1NzEzNTI4MV5BMl5BanBnXkFtZTcwMjgyMTcxOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001161/?ref_=sr_i_2" aria-label="Dominique Dunne"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0001161/?ref_=sr_t_2" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">2. Dominique Dunne</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0084516/?ref_=sr_knf_2">Poltergeist (1982)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Dominique Ellen Dunne was born in Santa Monica, California, the daughter of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm6203876/?ref_=sr">Ellen Beatriz Griffin Dunne</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0242839/?ref_=sr">Dominick Dunne</a>, a producer, actor, and writer. Actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001162/?ref_=sr">Griffin Dunne</a> is her brother. After her parents' divorce, she moved first to New York, and then to Beverly Hills. Upon graduation from high school, Dominique went to the University of Colorado to study acting, leaving after one year to pursue her career. Three weeks after arriving in Hollywood, she landed her first gig. Other roles soon followed, notably her role as Dana Freeling, the eldest daughter in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0084516/?ref_=sr">Poltergeist (1982)</a>, and Dominique was soon well known in the Hollywood social scene. Well-liked by all who knew her, Dominique seemed to be at the top of the world. Then, at a party, she met <a class="ipc-md-link ipc-md-link--entity" href="/name/nm12512018/?ref_=sr">John Thomas Sweeney</a>, the chef at popular LA nightspot "Ma Maison." The two began a relationship, which turned stormy. Sweeney was uncontrollable and abusive (so abusive that Dominique did not need makeup to play the role of an abuse victim on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0081873/?ref_=sr">Hill Street Blues (1981)</a>). Dominique ended the relationship on October 30, 1982. That same night, a distraught Sweeney raced to her house, where she and actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0655478/?ref_=sr">David Packer</a> were rehearsing a scene from <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0085106/?ref_=sr">V (1983)</a>, dragged her outside, and strangled her, leaving her brain-dead. Five days later, she was removed from life support and died, cutting short a brilliant career and leaving behind scores of shocked and angry loved ones.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="James Caan at an event for Mercy (2009)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTI5NjkyNDQ3NV5BMl5BanBnXkFtZTcwNjY5NTQ0Mw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTI5NjkyNDQ3NV5BMl5BanBnXkFtZTcwNjY5NTQ0Mw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTI5NjkyNDQ3NV5BMl5BanBnXkFtZTcwNjY5NTQ0Mw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTI5NjkyNDQ3NV5BMl5BanBnXkFtZTcwNjY5NTQ0Mw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001001/?ref_=sr_i_3" aria-label="James Caan"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0001001/?ref_=sr_t_3" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">3. James Caan</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Director</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Stunts</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0083190/?ref_=sr_knf_3">Thief (1981)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.<br/><br/>He was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed "The Jewish Cowboy". However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0577073/?ref_=sr">Sanford Meisner</a>'s Neighborhood Playhouse. He then won a scholarship to study under acting coach <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0359640/?ref_=sr">Wynn Handman</a> and began to appear in several off-Broadway productions, including "I Roam" and "Mandingo".<br/><br/>He made his screen debut as a sailor in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057187/?ref_=sr">Irma la Douce (1963)</a> and began to impress audiences with his work in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0059641/?ref_=sr">Red Line 7000 (1965)</a> and the western <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0061619/?ref_=sr">El Dorado (1966)</a> alongside <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000078/?ref_=sr">John Wayne</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000053/?ref_=sr">Robert Mitchum</a>. Further work followed in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0063161/?ref_=sr">Journey to Shiloh (1968)</a> and in the sensitive <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064873/?ref_=sr">The Rain People (1969)</a>. However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068315/?ref_=sr">Brian's Song (1971)</a>.<br/><br/>With these strong performances under his belt, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a> then cast him as hot-tempered gangster Santino "Sonny" Corleone in the Mafia epic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068646/?ref_=sr">The Godfather (1972)</a>. The film was an enormous success, Caan scored a Best Supporting Actor nomination and, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071562/?ref_=sr">The Godfather: Part II (1974)</a> and then moved on to several very diverse projects. These included a cop-buddy crime partnership with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000273/?ref_=sr">Alan Arkin</a> in the uneven <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071521/?ref_=sr">Freebie and the Bean (1974)</a>, a superb performance as a man playing for his life in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071532/?ref_=sr">The Gambler (1974)</a> alongside <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001381/?ref_=sr">Lauren Hutton</a>, and pairing with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000659/?ref_=sr">Barbra Streisand</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0073026/?ref_=sr">Funny Lady (1975)</a>. Two further strong lead roles came up for him in 1975, first as futuristic sports star "Jonathon E" questioning the moral fiber of a sterile society in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0073631/?ref_=sr">Rollerball (1975)</a> and teaming up with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000380/?ref_=sr">Robert Duvall</a> in the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001603/?ref_=sr">Sam Peckinpah</a> spy thriller <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0073240/?ref_=sr">The Killer Elite (1975)</a>.<br/><br/>Unfortunately, Caan's rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either critics or audiences. These included such failures as the hokey <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0074608/?ref_=sr">Harry and Walter Go to New York (1976)</a>, the quasi-western <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077360/?ref_=sr">Comes a Horseman (1978)</a> and the saccharine <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078952/?ref_=sr">Chapter Two (1979)</a>. However, he did score again with the stylish <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000520/?ref_=sr">Michael Mann</a>-directed heist movie <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0083190/?ref_=sr">Thief (1981)</a>. He followed this with a supernatural romantic comedy titled <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0084210/?ref_=sr">Kiss Me Goodbye (1982)</a> and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093073/?ref_=sr">Gardens of Stone (1987)</a>.<br/><br/>Caan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0094631/?ref_=sr">Alien Nation (1988)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099422/?ref_=sr">Dick Tracy (1990)</a>, then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100157/?ref_=sr">Misery (1990)</a>. The 1990s were kind to him and he notched up roles as a band leader in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0101902/?ref_=sr">For the Boys (1991)</a>, another gangster in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0104438/?ref_=sr">Honeymoon in Vegas (1992)</a>, appeared in the indie hit <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0115734/?ref_=sr">Bottle Rocket (1996)</a> and pursued <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000216/?ref_=sr">Arnold Schwarzenegger</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0116213/?ref_=sr">Eraser (1996)</a>.<br/><br/>The demand on Caan's talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0138946/?ref_=sr">The Yards (2000)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0164003/?ref_=sr">City of Ghosts (2002)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0276919/?ref_=sr">Dogville (2003)</a>. In addition, he finds himself at the helm of the hit TV series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0364828/?ref_=sr">Las Vegas (2003)</a> as casino security chief "Big Ed" Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Billie Burke, circa 1935." class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTcyMjczNzk0NV5BMl5BanBnXkFtZTYwODI3MjI2._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTcyMjczNzk0NV5BMl5BanBnXkFtZTYwODI3MjI2._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTcyMjczNzk0NV5BMl5BanBnXkFtZTYwODI3MjI2._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTcyMjczNzk0NV5BMl5BanBnXkFtZTYwODI3MjI2._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000992/?ref_=sr_i_4" aria-label="Billie Burke"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000992/?ref_=sr_t_4" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">4. Billie Burke</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0032138/?ref_=sr_knf_4">The Wizard of Oz (1939)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Billie Burke was born Mary William Ethelbert Appleton Burke on August 7, 1884 in Washington, D.C. Her father was the internationally famous clown, Billy Burke, and she would spend most of her early years touring Europe before the family settled in London. In 1903, she appeared on the stage as an actress and came to America in 1907 to star opposite John Drew in "My Wife". A red-haired beauty, she became the toast of Broadway and married promoter <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0956067/?ref_=sr">Florenz Ziegfeld Jr.</a> in April 1914. Billie was signed in 1915 to make the film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0007167/?ref_=sr">Peggy (1916)</a>. Of the next 15 films that she made, she would make 14 in New York. In between films, she would return to the stage which was her first love. Her last films were released in 1921 and she went into semi-retirement until their fortune was wiped out in 1929. Billie would return to films to support herself and her husband. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0956067/?ref_=sr">Florenz Ziegfeld Jr.</a> would die, a broken man, in 1932.<br/><br/>It was in the comedy drama <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0023948/?ref_=sr">Dinner at Eight (1933)</a> that Billie would find the character that she would play the rest of her career. It is the hapless, feather-brained lady with the unmistakably high voice who would be more interested in little details than what was at hand. In some films, like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0028102/?ref_=sr">Piccadilly Jim (1936)</a>, she was obviously too old for the part, but played it to the hilt. Beginning in 1937, she starred in the "Topper" series of films (<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0029682/?ref_=sr">Topper (1937)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032043/?ref_=sr">Topper Takes a Trip (1938)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034303/?ref_=sr">Topper Returns (1941)</a>) for producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0730018/?ref_=sr">Hal Roach</a> in which she played Mrs. Topper with her usual fluffy performance. But for most of the people who were raised on television, she will always be remembered as Glinda, the Good Witch in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032138/?ref_=sr">The Wizard of Oz (1939)</a>. She continued to make films though out the 1940s and started another series with <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042451/?ref_=sr">Father of the Bride (1950)</a> and the follow-up <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0043526/?ref_=sr">Father's Little Dividend (1951)</a>.<br/><br/>A real trouper, she next went to television with the television series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044260/?ref_=sr">Doc Corkle (1952)</a>. The series was canceled after three weeks due to poor writing. By 1953, her career was slowing down and she would only make three more movies in 1959 and 1960. The best remembered one would be <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000406/?ref_=sr">John Ford</a>'s Western <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0054292/?ref_=sr">Sergeant Rutledge (1960)</a>. Billie Burke retired for good and lived in Los Angeles, California, where she died at age 85 of natural causes on May 14, 1970.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Austin Majors" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTQ3MDU0MzMxMl5BMl5BanBnXkFtZTcwNDI2MzMwNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTQ3MDU0MzMxMl5BMl5BanBnXkFtZTcwNDI2MzMwNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTQ3MDU0MzMxMl5BMl5BanBnXkFtZTcwNDI2MzMwNA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTQ3MDU0MzMxMl5BMl5BanBnXkFtZTcwNDI2MzMwNA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0538261/?ref_=sr_i_5" aria-label="Austin Majors"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0538261/?ref_=sr_t_5" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">5. Austin Majors</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Cinematographer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Editor</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0133240/?ref_=sr_knf_5">Treasure Planet (2002)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Austin Majors was a scholar as well as an actor, skipping a grade, and getting high marks in all subjects. Majors graduated second in his high school class in 2013. He later studied at the University of Southern California in the School of Cinematic Arts, majoring in Film and Television Production, minoring in Music Industry. Majors was a brother of the Alpha Tau Omega fraternity. An avid outdoorsman, hes was a junior assistant Scoutmaster in Boy Scouts. He has earned scouting's highest rank, obtaining the honor of Eagle Scout at the age of fourteen. Majors liked helping others and lent his support to a variety of charitable causes including Kids with a Cause, the Ronald McDonald House, and the Jonathan Jaques Childrens Cancer Center. When not in front of the camera, he enjoyed making films of his own, backpacking, riding horses, attending concerts, traveling and playing sports. Majors received the Young Artists Award for Best Performance in a Television Series for his compelling work on NYPD Blue. His work on Treasure Planet earned him another nomination for Best Performance in a Voice Over Role.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Marlon Brando in Last Tango in Paris (1972)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTg3MDYyMDE5OF5BMl5BanBnXkFtZTcwNjgyNTEzNA@@._V1_QL75_UY60_CR9,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTg3MDYyMDE5OF5BMl5BanBnXkFtZTcwNjgyNTEzNA@@._V1_QL75_UY60_CR9,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTg3MDYyMDE5OF5BMl5BanBnXkFtZTcwNjgyNTEzNA@@._V1_QL75_UY90_CR13,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTg3MDYyMDE5OF5BMl5BanBnXkFtZTcwNjgyNTEzNA@@._V1_QL75_UY120_CR18,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000008/?ref_=sr_i_6" aria-label="Marlon Brando"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000008/?ref_=sr_t_6" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">6. Marlon Brando</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Director</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0078788/?ref_=sr_knf_6">Apocalypse Now (1979)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000059/?ref_=sr">Laurence Olivier</a> in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0931783/?ref_=sr">Tennessee Williams</a>' <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044081/?ref_=sr">A Streetcar Named Desire (1951)</a> and a quarter-century after his last great performance as Col. Kurtz in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078788/?ref_=sr">Apocalypse Now (1979)</a>, all American actors are still being measured by the yardstick that was Brando. It was if the shadow of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000858/?ref_=sr">John Barrymore</a>, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0612847/?ref_=sr">Paul Muni</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0545298/?ref_=sr">Fredric March</a>. Only the luster of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000075/?ref_=sr">Spencer Tracy</a>'s reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.<br/><br/>Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0104720/?ref_=sr">Jocelyn Brando</a> was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000020/?ref_=sr">Henry Fonda</a>, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.<br/><br/>Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070849/?ref_=sr">Last Tango in Paris (1972)</a> ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000063/?ref_=sr">Anthony Quinn</a>, his Oscar-winning co-star in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045296/?ref_=sr">Viva Zapata! (1952)</a> told Brando's first wife <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0440542/?ref_=sr">Anna Kashfi</a>, "I admire Marlon's talent, but I don't envy the pain that created it."<br/><br/>Brando enrolled in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0685442/?ref_=sr">Erwin Piscator</a>'s Dramatic Workshop at New York's New School, and was mentored by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0012245/?ref_=sr">Stella Adler</a>, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario <a class="ipc-md-link ipc-md-link--entity" href="/name/nm2507427/?ref_=sr">Konstantin Stanislavski</a>, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.<br/><br/>Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0003593/?ref_=sr">Fred Zinnemann</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042727/?ref_=sr">The Men (1950)</a> for producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006452/?ref_=sr">Stanley Kramer</a>. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002092/?ref_=sr">John Garfield</a>, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1245243/?ref_=sr">Irene Mayer Selznick</a> had chosen to play the lead in a new <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0931783/?ref_=sr">Tennessee Williams</a> play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000044/?ref_=sr">Burt Lancaster</a> was next approached, but couldn't get out of a prior film commitment. Then director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001415/?ref_=sr">Elia Kazan</a> suggested Brando, whom he had directed to great effect in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0027173/?ref_=sr">Maxwell Anderson</a>'s play "Truckline Café," in which Brando co-starred with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001500/?ref_=sr">Karl Malden</a>, who was to remain a close friend for the next 60 years.<br/><br/>During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001500/?ref_=sr">Karl Malden</a> and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0434461/?ref_=sr">Pauline Kael</a>, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.<br/><br/>The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001788/?ref_=sr">Jessica Tandy</a>'s Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.<br/><br/>For his part, Brando believed that the audience sided with his Stanley because <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001788/?ref_=sr">Jessica Tandy</a> was too shrill. He thought <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000046/?ref_=sr">Vivien Leigh</a>, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.<br/><br/>Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0833448/?ref_=sr">Lee Strasberg</a> at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0012245/?ref_=sr">Stella Adler</a>'s husband, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0167353/?ref_=sr">Harold Clurman</a>, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience<br/><br/>Interestingly, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001415/?ref_=sr">Elia Kazan</a> believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.<br/><br/>After <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044081/?ref_=sr">A Streetcar Named Desire (1951)</a>, for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045296/?ref_=sr">Viva Zapata! (1952)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045943/?ref_=sr">Julius Caesar (1953)</a> and the summit of his early career, Kazan's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047296/?ref_=sr">On the Waterfront (1954)</a>. For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047677/?ref_=sr">The Wild One (1953)</a> ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000685/?ref_=sr">Jon Voight</a>, unprecedented in its audacious presentation of such a wide range of great acting. Director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001379/?ref_=sr">John Huston</a> said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000024/?ref_=sr">John Gielgud</a>, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.<br/><br/>It was this period of 1951-54 that revolutionized American acting, spawning such imitators as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000015/?ref_=sr">James Dean</a> - who modeled his acting and even his lifestyle on his hero Brando - the young <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000056/?ref_=sr">Paul Newman</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000537/?ref_=sr">Steve McQueen</a>. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000886/?ref_=sr">Warren Beatty</a> in Kazan's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055471/?ref_=sr">Splendor in the Grass (1961)</a>. "We are all Brando's children," <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000197/?ref_=sr">Jack Nicholson</a> pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046903/?ref_=sr">Désirée (1954)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0049830/?ref_=sr">The Teahouse of the August Moon (1956)</a>, he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.<br/><br/>In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0050933/?ref_=sr">Sayonara (1957)</a> (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055257/?ref_=sr">One-Eyed Jacks (1961)</a> that he made for his own production company, Pennebaker Productions (after his mother's maiden name). <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000040/?ref_=sr">Stanley Kubrick</a> had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0473583/?ref_=sr">Christiane Kubrick</a>, Stanley believed that Brando had wanted to direct the film himself all along.<br/><br/>Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055257/?ref_=sr">One-Eyed Jacks (1961)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0229424/?ref_=sr">Edward Dmytryk</a>'s filming of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0789758/?ref_=sr">Irwin Shaw</a>'s novel <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0052415/?ref_=sr">The Young Lions (1958)</a>. Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.<br/><br/><a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055257/?ref_=sr">One-Eyed Jacks (1961)</a> generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.<br/><br/>Between the production and release of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055257/?ref_=sr">One-Eyed Jacks (1961)</a>, Brando appeared in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001486/?ref_=sr">Sidney Lumet</a>'s film version of Tennessee Williams' play "Orpheus Descending," <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0052832/?ref_=sr">The Fugitive Kind (1960)</a> which teamed him with fellow Oscar winners <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0536167/?ref_=sr">Anna Magnani</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0940946/?ref_=sr">Joanne Woodward</a>. Following in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000072/?ref_=sr">Elizabeth Taylor</a>'s trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1094899/?ref_=sr">Hollis Alpert</a> had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0052832/?ref_=sr">The Fugitive Kind (1960)</a> finally released. Though Tennessee was hot, with movie versions of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0051459/?ref_=sr">Cat on a Hot Tin Roof (1958)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0053318/?ref_=sr">Suddenly, Last Summer (1959)</a> burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0052832/?ref_=sr">The Fugitive Kind (1960)</a> was a failure. This was followed by the so-so box-office reception of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055257/?ref_=sr">One-Eyed Jacks (1961)</a> in 1961 and then by a failure of a more monumental kind: <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056264/?ref_=sr">Mutiny on the Bounty (1962)</a>, a remake of the famed 1935 film.<br/><br/>Brando signed on to <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056264/?ref_=sr">Mutiny on the Bounty (1962)</a> after turning down the lead in the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000180/?ref_=sr">David Lean</a> classic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056172/?ref_=sr">Lawrence of Arabia (1962)</a> because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0715346/?ref_=sr">Carol Reed</a> (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0587277/?ref_=sr">Lewis Milestone</a>, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0448123/?ref_=sr">John F. Kennedy</a> asked director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000697/?ref_=sr">Billy Wilder</a> at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.<br/><br/>Brando and Taylor, whose <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056937/?ref_=sr">Cleopatra (1963)</a> nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056264/?ref_=sr">Mutiny on the Bounty (1962)</a>), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0049833/?ref_=sr">The Ten Commandments (1956)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0052618/?ref_=sr">Ben-Hur (1959)</a>, were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.<br/><br/>While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056937/?ref_=sr">Cleopatra (1963)</a> co-star <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000009/?ref_=sr">Richard Burton</a>, remained hot until the tanking of her own Tennessee Williams-renamed debacle <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062751/?ref_=sr">Boom (1968)</a>, Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.<br/><br/>Some of the films Brando made in the 1960s were noble failures, such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056632/?ref_=sr">The Ugly American (1963)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060120/?ref_=sr">The Appaloosa (1966)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062185/?ref_=sr">Reflections in a Golden Eye (1967)</a>. For every "Reflections," though, there seemed to be two or three outright debacles, such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057878/?ref_=sr">Bedtime Story (1964)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0059470/?ref_=sr">Morituri (1965)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060232/?ref_=sr">The Chase (1966)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0061523/?ref_=sr">A Countess from Hong Kong (1967)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062776/?ref_=sr">Candy (1968)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064728/?ref_=sr">The Night of the Following Day (1969)</a>. By the time Brando began making the anti-colonialist picture <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064866/?ref_=sr">Queimada (1969)</a> in Colombia with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0690597/?ref_=sr">Gillo Pontecorvo</a> in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0671957/?ref_=sr">Arthur Penn</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001379/?ref_=sr">John Huston</a> and the legendary <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000122/?ref_=sr">Charles Chaplin</a>, and with such top-drawer co-stars as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000057/?ref_=sr">David Niven</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000989/?ref_=sr">Yul Brynner</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000047/?ref_=sr">Sophia Loren</a> and Taylor.<br/><br/>The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000059/?ref_=sr">Laurence Olivier</a>, as his friend <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0714835/?ref_=sr">William Redfield</a> limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001768/?ref_=sr">Rod Steiger</a> tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.<br/><br/>Despite evidence in such films as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060120/?ref_=sr">The Appaloosa (1966)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062185/?ref_=sr">Reflections in a Golden Eye (1967)</a> that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.<br/><br/><a class="ipc-md-link ipc-md-link--entity" href="/name/nm0434461/?ref_=sr">Pauline Kael</a> wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000858/?ref_=sr">John Barrymore</a>, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062776/?ref_=sr">Candy (1968)</a>, seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001415/?ref_=sr">Elia Kazan</a>, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064041/?ref_=sr">The Arrangement (1969)</a>. However, after the assassination of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0455052/?ref_=sr">Martin Luther King</a>, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000056/?ref_=sr">Paul Newman</a> in a surefire script, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064115/?ref_=sr">Butch Cassidy and the Sundance Kid (1969)</a>, Brando decided to make <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064866/?ref_=sr">Queimada (1969)</a> with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0957016/?ref_=sr">Howard Zinn</a>. He subsequently appeared in the British film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069007/?ref_=sr">The Nightcomers (1971)</a>, a prequel to "Turn of the Screw" and another critical and box office failure.<br/><br/>Kazan, after a life in film and the theater, said that, aside from <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000080/?ref_=sr">Orson Welles</a>, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.<br/><br/><a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001986/?ref_=sr">Truman Capote</a>, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.<br/><br/><a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000032/?ref_=sr">Charlton Heston</a>, who participated in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0455052/?ref_=sr">Martin Luther King</a>'s 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001768/?ref_=sr">Rod Steiger</a> once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000051/?ref_=sr">James Mason</a>' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001715/?ref_=sr">George C. Scott</a>, by default.<br/><br/>Paramount thought that only <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000059/?ref_=sr">Laurence Olivier</a> would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a> won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068646/?ref_=sr">The Godfather (1972)</a>, a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070849/?ref_=sr">Last Tango in Paris (1972)</a> ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.<br/><br/>After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070849/?ref_=sr">Last Tango in Paris (1972)</a>," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0434461/?ref_=sr">Pauline Kael</a>, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070849/?ref_=sr">Last Tango in Paris (1972)</a> had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001603/?ref_=sr">Sam Peckinpah</a>'s summation of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0434461/?ref_=sr">Pauline Kael</a>: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.<br/><br/>After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000197/?ref_=sr">Jack Nicholson</a> in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0671957/?ref_=sr">Arthur Penn</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0074906/?ref_=sr">The Missouri Breaks (1976)</a>, a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078678/?ref_=sr">Roots: The Next Generations (1979)</a>, portraying <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0734339/?ref_=sr">George Lincoln Rockwell</a>; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078140/?ref_=sr">Raoni (1978)</a>, a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.<br/><br/>Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078346/?ref_=sr">Superman (1978)</a>. Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000148/?ref_=sr">Harrison Ford</a> set with <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0267626/?ref_=sr">K-19: The Widowmaker (2002)</a>. He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.<br/><br/>Before cashing his first paycheck for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078346/?ref_=sr">Superman (1978)</a>, Brando had picked up $2 million for his extended cameo in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078788/?ref_=sr">Apocalypse Now (1979)</a> in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001715/?ref_=sr">George C. Scott</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000024/?ref_=sr">John Gielgud</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0080754/?ref_=sr">The Formula (1980)</a>, but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0097243/?ref_=sr">A Dry White Season (1989)</a> after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099615/?ref_=sr">The Freshman (1990)</a>, winning rave reviews. He portrayed Tomas de Torquemada in the historical drama <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0103594/?ref_=sr">1492: Conquest of Paradise (1992)</a>, but his performance was denounced and the film was another box office failure. He made another comeback in the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000136/?ref_=sr">Johnny Depp</a> romantic drama <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0112883/?ref_=sr">Don Juan DeMarco (1994)</a>, which co-starred <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001159/?ref_=sr">Faye Dunaway</a> as his wife. He then appeared in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0116654/?ref_=sr">The Island of Dr. Moreau (1996)</a>, co-starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000174/?ref_=sr">Val Kilmer</a>, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.<br/><br/>Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042727/?ref_=sr">The Men (1950)</a>, Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Jeffrey Hunter in The Longest Day (1962)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjI3NTA1MzY5OV5BMl5BanBnXkFtZTcwMDU0MjYwOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjI3NTA1MzY5OV5BMl5BanBnXkFtZTcwMDU0MjYwOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjI3NTA1MzY5OV5BMl5BanBnXkFtZTcwMDU0MjYwOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjI3NTA1MzY5OV5BMl5BanBnXkFtZTcwMDU0MjYwOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001374/?ref_=sr_i_7" aria-label="Jeffrey Hunter"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0001374/?ref_=sr_t_7" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">7. Jeffrey Hunter</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0049730/?ref_=sr_knf_7">The Searchers (1956)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Jeffrey Hunter was born Henry Herman McKinnies Jr. on November 25, 1926 in New Orleans, Louisiana, an only child. His parents met at the University of Arkansas, and when he was almost four his family moved to Milwaukee, Wisconsin. In his teens, he acted in productions of the North Shore Children's Theater and, from 1942 to 1944, performed in summer stock with the local Port Players, along with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0373012/?ref_=sr">Eileen Heckart</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0705989/?ref_=sr">Charlotte Rae</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0196536/?ref_=sr">Morton DaCosta</a>. Hunter was also a radio actor at WTMJ, getting his first professional paycheck in 1945 for the wartime series "Those Who Serve." After graduation from Whitefish Bay High School, where he was co-captain of the football team, he enlisted in the United States Navy and underwent training at Great Lakes Naval Station, Illinois, in 1945-1946, but on the eve of his shipping out for active duty in Japan he took ill and received a medical discharge from the service.<br/><br/>Hunter attended and graduated from Northwestern University with a bachelor's degree in 1949, where he acquired more stage experience in Sheridan's "The Rivals" and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002106/?ref_=sr">Ruth Gordon</a>'s "Years Ago". He also did summer stock with Northwestern students at Eagles Mere, Pennsylvania in 1948, worked on two Northwestern Radio Playshop broadcasts, was president of Phi Delta Theta Fraternity, and was active in the campus film society with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0103192/?ref_=sr">David Bradley</a>, later acting in director David Bradley's production of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042622/?ref_=sr">Julius Caesar (1950)</a> in 1949. He then attended graduate school at the University of California at Los Angeles, where he studied radio and drama. He was in the cast of a UCLA production of Arthur Miller's "All My Sons" in May, 1950; on opening night, the good-looking Hunter drew the attention of talent scouts from Paramount and 20th Century-Fox Studios.<br/><br/>Hunter made a screen test with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0003225/?ref_=sr">Ed Begley</a> in a scene from "All My Sons" at Paramount (where he met <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0750640/?ref_=sr">Barbara Rush</a>, his future wife), but after an executive shake-up at that studio derailed his hiring, he was signed by 20th Century Fox (where he remained under contract until 1959) and within a month was sent on location in New York for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0043560/?ref_=sr">Fourteen Hours (1951)</a>. Hunter was kept fairly busy in pictures, working his way from featured roles to starring roles to first-billing within two years in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046267/?ref_=sr">Sailor of the King (1953)</a>. His big break came with John Ford's classic, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0049730/?ref_=sr">The Searchers (1956)</a>, where he played the young cowboy who accompanies <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000078/?ref_=sr">John Wayne</a> on his epic search for a child kidnapped by Comanches. Hunter got excellent reviews for his performance in this film and justifiably so, as he held his own well with the veteran Wayne.<br/><br/>Starring roles in two more John Ford movies followed, and in 1960, Hunter had one of his best roles in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0053901/?ref_=sr">Hell to Eternity (1960)</a>, the true story of World War II hero Guy Gabaldon. That same year, Hunter landed the role for which he is probably best known (although it's far from his best work), when he played Jesus in producer Samuel Bronston's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055047/?ref_=sr">King of Kings (1961)</a>, which due to Hunter's still youthful looks at 33, was dubbed by irreverent Hollywood wags "I Was a Teenage Jesus." After the cancellation of his Western series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056788/?ref_=sr">Temple Houston (1963)</a>, and his decision not to continue in the lead role of the current series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060028/?ref_=sr">Star Trek (1966)</a>, his career took a downturn, and Hunter eventually wound up in Europe working on cheap Westerns, at the time a sure sign of a career in trouble.<br/><br/>While in Spain in November 1968 to film Cry Chicago (¡Viva América!), a story about the Chicago Mafia, Hunter was injured in an on-set explosion when a car window near him, which had been rigged to explode outward, accidentally exploded inward. Hunter sustained a serious concussion. According to Hunter's wife Emily, he "went into shock" on the flight back to the United States after filming and "couldn't speak. He could hardly move." After landing, Hunter was taken to Good Samaritan Hospital in Los Angeles, but doctors could not find any serious injuries except for a displaced vertebra and a concussion.<br/><br/>On the afternoon of May 26, 1969, Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He fell, knocked over a planter, and struck his head on the banister, fracturing his skull. He was found unconscious by Frank Bellow, an actor and a friend of Hunter's, who came for a visit, and taken to Valley Presbyterian Hospital, where he underwent brain surgery. He died at about 9:30 the following morning at the age of 42.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Ray Bolger, c. 1938." class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTUyNTI0NjUxMl5BMl5BanBnXkFtZTYwOTIxMTM2._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTUyNTI0NjUxMl5BMl5BanBnXkFtZTYwOTIxMTM2._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTUyNTI0NjUxMl5BMl5BanBnXkFtZTYwOTIxMTM2._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTUyNTI0NjUxMl5BMl5BanBnXkFtZTYwOTIxMTM2._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001961/?ref_=sr_i_8" aria-label="Ray Bolger"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0001961/?ref_=sr_t_8" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">8. Ray Bolger</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0032138/?ref_=sr_knf_8">The Wizard of Oz (1939)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Ray Bolger was born Raymond Wallace Bolger on January 10, 1904 in Dorchester, Massachusetts, to Anne C. (Wallace) and James Edward Bolger, both Irish-Americans. Ray began his career in vaudeville. He was half of a team called "Sanford and Bolger" and also did numerous Broadway shows on his own. Like <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000037/?ref_=sr">Gene Kelly</a>, he was a song-and-dance man as well as an actor. He was signed to a contract with MGM and his first role was as himself in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0027698/?ref_=sr">The Great Ziegfeld (1936)</a>. This was soon followed by a role opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0007224/?ref_=sr">Eleanor Powell</a> in the romantic comedy <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0029499/?ref_=sr">Rosalie (1937)</a>. His first dancing and singing role was in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0030817/?ref_=sr">Sweethearts (1938)</a>, where he did the "wooden shoes" number with redheaded soprano/actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0531776/?ref_=sr">Jeanette MacDonald</a>. This got him noticed by MGM producers and resulted in his being cast in his most famous role, the Scarecrow in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032138/?ref_=sr">The Wizard of Oz (1939)</a>.<br/><br/>Surprisingly, even though the film was a success, Bolger's contract with MGM ended. He went to RKO Radio Pictures to make the romantic comedy <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034751/?ref_=sr">Four Jacks and a Jill (1942)</a>. After this, Bolger went to Broadway, where he received his greatest satisfaction. In 1953, he turned to television and received his own sitcom, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045455/?ref_=sr">Where's Raymond? (1953)</a>, later changed to "The Ray Bolger Show". After his series ended, Bolger guest starred on many television series such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0076984/?ref_=sr">Battlestar Galactica (1978)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077008/?ref_=sr">Fantasy Island (1977)</a>, and had some small roles in movies. In 1985, he co-hosted the documentary film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0090152/?ref_=sr">That's Dancing! (1985)</a> with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0591485/?ref_=sr">Liza Minnelli</a>. Ray Bolger died of bladder cancer in Los Angeles, California on January 15, 1987, five days after his 83rd birthday.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Vera-Ellen" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNzY4MDcyNDA5Ml5BMl5BanBnXkFtZTcwODE4MDIyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNzY4MDcyNDA5Ml5BMl5BanBnXkFtZTcwODE4MDIyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNzY4MDcyNDA5Ml5BMl5BanBnXkFtZTcwODE4MDIyOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNzY4MDcyNDA5Ml5BMl5BanBnXkFtZTcwODE4MDIyOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0893584/?ref_=sr_i_9" aria-label="Vera-Ellen"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0893584/?ref_=sr_t_9" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">9. Vera-Ellen</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0047673/?ref_=sr_knf_9">White Christmas (1954)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Vera-Ellen began dancing at the age of 10, and a few years later became one of the youngest Rockettes. She appeared in several Broadway musicals until she was spotted by film producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0326418/?ref_=sr">Samuel Goldwyn</a> in 1945. She was only 24 years old when Goldwyn cast her opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001414/?ref_=sr">Danny Kaye</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038260/?ref_=sr">Wonder Man (1945)</a>. She danced with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000001/?ref_=sr">Fred Astaire</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0043044/?ref_=sr">Three Little Words (1950)</a> and with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000037/?ref_=sr">Gene Kelly</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0041716/?ref_=sr">On the Town (1949)</a>. Blonde, slim of build, and a dancing sensation, she appeared in a string of light-hearted but successful films. Vera-Ellen retired from acting in the late 1950s.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Glynis Johns" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNjkzYTFmNmUtZjE2NC00MDFiLTk5Y2MtY2NkOTVmN2RlNWRkXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNjkzYTFmNmUtZjE2NC00MDFiLTk5Y2MtY2NkOTVmN2RlNWRkXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNjkzYTFmNmUtZjE2NC00MDFiLTk5Y2MtY2NkOTVmN2RlNWRkXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNjkzYTFmNmUtZjE2NC00MDFiLTk5Y2MtY2NkOTVmN2RlNWRkXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0424318/?ref_=sr_i_10" aria-label="Glynis Johns"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0424318/?ref_=sr_t_10" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">10. Glynis Johns</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0058331/?ref_=sr_knf_10">Mary Poppins (1964)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Glynis Johns was the daughter of actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0424345/?ref_=sr">Mervyn Johns</a>. Best known for her light comedy roles and often playful flirtation, Glynis was born in South Africa while her parents were on tour there (her mother was a concert pianist) but was always proud of her Welsh roots and took delight in playing the female lead (opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000009/?ref_=sr">Richard Burton</a>) in the classic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070854/?ref_=sr">Under Milk Wood (1971)</a>. She was probably best known for her role as the suffragette mother in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0058331/?ref_=sr">Mary Poppins (1964)</a> although she is probably best loved for her fishy roles in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040597/?ref_=sr">Miranda (1948)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047199/?ref_=sr">Mad About Men (1954)</a>. She had earlier showed she could take on the serious roles as well as in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0039398/?ref_=sr">Frieda (1947)</a>. Most recently seen (at the time of writing) in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0167427/?ref_=sr">Superstar (1999)</a>. Johns died in 2024, aged 100, having never received the damehood she had richly deserved for decades. Predeceased by her only son, she was survived by a grandson,Thomas Forwood, and three great-grandchildren.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="James Stewart" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjIwNzMzODY0NV5BMl5BanBnXkFtZTcwMDk3NDQyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjIwNzMzODY0NV5BMl5BanBnXkFtZTcwMDk3NDQyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjIwNzMzODY0NV5BMl5BanBnXkFtZTcwMDk3NDQyOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjIwNzMzODY0NV5BMl5BanBnXkFtZTcwMDk3NDQyOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000071/?ref_=sr_i_11" aria-label="James Stewart"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000071/?ref_=sr_t_11" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">11. James Stewart</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Director</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0052561/?ref_=sr_knf_11">Anatomy of a Murder (1959)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.<br/><br/>In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000020/?ref_=sr">Henry Fonda</a> to Hollywood, that things began to pick up.<br/><br/>After his first screen appearance in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0024838/?ref_=sr">Art Trouble (1934)</a>, Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001008/?ref_=sr">Frank Capra</a>, in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0030993/?ref_=sr">You Can't Take It with You (1938)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0031679/?ref_=sr">Mr. Smith Goes to Washington (1939)</a>, and, after World War II, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038650/?ref_=sr">It's a Wonderful Life (1946)</a> helped to launch his career as a star and to establish his screen persona as the likable everyman.<br/><br/>Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.<br/><br/>Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056217/?ref_=sr">The Man Who Shot Liberty Valance (1962)</a>), biopics (<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0041928/?ref_=sr">The Stratton Story (1949)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047030/?ref_=sr">The Glenn Miller Story (1954)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0051003/?ref_=sr">The Spirit of St. Louis (1957)</a>, for instance, thrillers (most notably his frequent collaborations with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000033/?ref_=sr">Alfred Hitchcock</a>), and even some screwball comedies.<br/><br/>On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Chadwick Boseman" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTk2OTY5MzcwMV5BMl5BanBnXkFtZTgwODM4MDI5MjI@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTk2OTY5MzcwMV5BMl5BanBnXkFtZTgwODM4MDI5MjI@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTk2OTY5MzcwMV5BMl5BanBnXkFtZTgwODM4MDI5MjI@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTk2OTY5MzcwMV5BMl5BanBnXkFtZTgwODM4MDI5MjI@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm1569276/?ref_=sr_i_12" aria-label="Chadwick Boseman"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm1569276/?ref_=sr_t_12" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">12. Chadwick Boseman</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt1825683/?ref_=sr_knf_12">Black Panther (2018)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Chadwick Boseman was an American actor. He is known for his portrayal of T'Challa / Black Panther in the Marvel Cinematic Universe from 2016 to 2019, particularly in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1825683/?ref_=sr">Black Panther (2018)</a>, and for his starring roles as several pioneering Americans, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0732697/?ref_=sr">Jackie Robinson</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0453562/?ref_=sr">42 (2013)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0113768/?ref_=sr">James Brown</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt2473602/?ref_=sr">Get on Up (2014)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0551208/?ref_=sr">Thurgood Marshall</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt5301662/?ref_=sr">Marshall (2017)</a>. He also had choice parts in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0469903/?ref_=sr">The Express (2008)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt2223990/?ref_=sr">Draft Day (2014)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1712192/?ref_=sr">Message from the King (2016)</a>. Born in Anderson, South Carolina, he attended Howard University and studied at the Oxford Mid-Summer Program for acting, before moving to Los Angeles in 2008 to pursue his craft on the big screen. He died in 2020, after a four year bout with colon cancer, during which time he had starred in several of the biggest movies ever made.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Teri Garr" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMmQ1MTdmNzAtZDI2ZS00NTNiLWI4NmItYzhhNzY4ZTA4ZDRmXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMmQ1MTdmNzAtZDI2ZS00NTNiLWI4NmItYzhhNzY4ZTA4ZDRmXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMmQ1MTdmNzAtZDI2ZS00NTNiLWI4NmItYzhhNzY4ZTA4ZDRmXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMmQ1MTdmNzAtZDI2ZS00NTNiLWI4NmItYzhhNzY4ZTA4ZDRmXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000414/?ref_=sr_i_13" aria-label="Teri Garr"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000414/?ref_=sr_t_13" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">13. Teri Garr</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Additional Crew</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0084805/?ref_=sr_knf_13">Tootsie (1982)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Teri Garr can claim a career in show business by birthright. She was the daughter of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0307963/?ref_=sr">Eddie Garr</a>, a Broadway stage and film actor, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0307972/?ref_=sr">Phyllis Garr</a>, a dancer. While she was still an infant, her family moved from Hollywood to New Jersey but, after the death of her father when she was 11, the family returned to Hollywood, where her mother became a wardrobe mistress for movies and television. While Garr's dancing can be seen in five <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000062/?ref_=sr">Elvis Presley</a> movies, her first speaking role in motion pictures was in the 1968 feature <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0063049/?ref_=sr">Head (1968)</a>, starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1119068/?ref_=sr">The Monkees</a>. In the 1970s she became well established in television with appearances on shows such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060028/?ref_=sr">Star Trek (1966)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062572/?ref_=sr">It Takes a Thief (1968)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0065317/?ref_=sr">McCloud (1970)</a>, and became a semi-regular on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0074058/?ref_=sr">The Sonny and Cher Show (1976)</a> as Cher's friend, Olivia. Garr has since risen to become one of Hollywood's most versatile, energetic and well-recognized actresses. She has starred in many memorable films, including <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072431/?ref_=sr">Young Frankenstein (1974)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0076489/?ref_=sr">Oh, God! (1977)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0075860/?ref_=sr">Close Encounters of the Third Kind (1977)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0085970/?ref_=sr">Mr. Mom (1983)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0088680/?ref_=sr">After Hours (1985)</a> and her Academy Award-nominated performance for Best Supporting Actress in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0084805/?ref_=sr">Tootsie (1982)</a>. Other film roles include <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078872/?ref_=sr">The Black Stallion (1979)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0084445/?ref_=sr">One from the Heart (1981)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0083900/?ref_=sr">The Escape Artist (1982)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0087263/?ref_=sr">Firstborn (1984)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0097731/?ref_=sr">Let It Ride (1989)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0095186/?ref_=sr">Full Moon in Blue Water (1988)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0098042/?ref_=sr">Out Cold (1989)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100604/?ref_=sr">Short Time (1990)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100899/?ref_=sr">Waiting for the Light (1990)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0104905/?ref_=sr">Mom and Dad Save the World (1992)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0114114/?ref_=sr">Perfect Alibi (1995)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0110907/?ref_=sr">Prêt-à-porter (1994)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0120133/?ref_=sr">A Simple Wish (1997)</a>.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Melinda Dillon in F·I·S·T (1978)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTc3ODM4MzAyNl5BMl5BanBnXkFtZTcwODUwODYzNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTc3ODM4MzAyNl5BMl5BanBnXkFtZTcwODUwODYzNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTc3ODM4MzAyNl5BMl5BanBnXkFtZTcwODUwODYzNA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTc3ODM4MzAyNl5BMl5BanBnXkFtZTcwODUwODYzNA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0227039/?ref_=sr_i_14" aria-label="Melinda Dillon"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0227039/?ref_=sr_t_14" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">14. Melinda Dillon</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0175880/?ref_=sr_knf_14">Magnolia (1999)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000229/?ref_=sr">Steven Spielberg</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0075860/?ref_=sr">Close Encounters of the Third Kind (1977)</a>. Dillon's performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0081974/?ref_=sr">Absence of Malice (1981)</a>. The performance won the actress a KCFCC Award.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Susan Anspach" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNjY5Mjk3NTAwM15BMl5BanBnXkFtZTgwNDc1MTMyNTM@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNjY5Mjk3NTAwM15BMl5BanBnXkFtZTgwNDc1MTMyNTM@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNjY5Mjk3NTAwM15BMl5BanBnXkFtZTgwNDc1MTMyNTM@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNjY5Mjk3NTAwM15BMl5BanBnXkFtZTgwNDc1MTMyNTM@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000769/?ref_=sr_i_15" aria-label="Susan Anspach"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000769/?ref_=sr_t_15" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">15. Susan Anspach</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0065724/?ref_=sr_knf_15">Five Easy Pieces (1970)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Susan Anspach was born on 23 November 1942 in Queens, New York City, New York, USA. She was an actress, known for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0065724/?ref_=sr">Five Easy Pieces (1970)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069097/?ref_=sr">Play It Again, Sam (1972)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077233/?ref_=sr">The Big Fix (1978)</a>. She was married to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0050466/?ref_=sr">Sherwood Ball</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0323813/?ref_=sr">Mark Goddard</a>. She died on 2 April 2018 in Los Angeles, California, USA.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Brittany Murphy at an event for The Dead Girl (2006)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTc4MjM0MzMwNl5BMl5BanBnXkFtZTYwMTU4NDg1._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTc4MjM0MzMwNl5BMl5BanBnXkFtZTYwMTU4NDg1._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTc4MjM0MzMwNl5BMl5BanBnXkFtZTYwMTU4NDg1._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTc4MjM0MzMwNl5BMl5BanBnXkFtZTYwMTU4NDg1._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0005261/?ref_=sr_i_16" aria-label="Brittany Murphy"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0005261/?ref_=sr_t_16" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">16. Brittany Murphy</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0112697/?ref_=sr_knf_16">Clueless (1995)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Brittany Murphy was born Brittany Anne Bertolotti on November 10, 1977 in Atlanta, Georgia, to Sharon Kathleen Murphy and Angelo Joseph Bertolotti. Her father's ancestry is Italian, and her mother is of Irish and Slovak descent. Her father moved the family back to Edison, New Jersey as a native New Yorker and to be closer to other siblings from previous marriages. While dining out one night in the presence of Hollywood royalty, Brittany at the age of 5 approached an adjoining table when Academy Award nominee <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000608/?ref_=sr">Burt Reynolds</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001719/?ref_=sr">George Segal</a> were seated. Brittany introduced herself to the Hollywood legends and confidently told them that someday she too would be a star.<br/><br/>She comes from a long line of international musicians and performers with three half-brothers and a sister. Angelo Bertolotti was torn from their tight-knit family as a made-man with the Italian Mafia. The Senior Bertolotti, who coined the nickname of "Britt" for his daughter, was also an entrepreneur and diplomat for organized crime families and one of the first to be subjected to a RICO prosecution. Brittany's interests and well-being were always her father's first goal and objective. To distance his talented daughter from his infamous past, Angelo allowed Sharon to use her maiden name for Brittany's, so that her shining star would not be overshadowed by a father's past, with the couple divorcing thereafter.<br/><br/>Brittany began receiving accolades and applause in regional theater at the early age of 9. At the age of 13, she landed several national commercials. She appeared on television and caught the attention of a personal manager and an agent. Soon, Brittany's mother Sharon turned full-time to being a "Stage Mom" where Angelo provided financial support throughout and their relationship is memorialized with a long and close history in pictures. The hopeful daughter and mother moved to Burbank, CA, where Brittany landed her first television role on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0101050/?ref_=sr">Blossom (1990)</a>. Hearts and doors opened up for a starring role on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0101085/?ref_=sr">Drexell's Class (1991)</a>, a short lived TV series.<br/><br/>Brittany's big screen movie debut started with <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0112697/?ref_=sr">Clueless (1995)</a>, where she was co-starring with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000224/?ref_=sr">Alicia Silverstone</a>. Britt soared, demonstrating her musical and artistic talents with dramatic and comedic roles landing a nomination for best leading female performance in the Young Artist Awards for her role in the television film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0164013/?ref_=sr">David and Lisa (1998)</a>. She garnered tremendous attention for her role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0172493/?ref_=sr">Girl, Interrupted (1999)</a> with Academy Award winner <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001401/?ref_=sr">Angelina Jolie</a>. Brittany's band, "Blessed Soul" was growing with her as lead singer and Britt lent her vocal talents to the TV hit, cartoon sensation, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0118375/?ref_=sr">King of the Hill (1997)</a> as the voice of Luanne.<br/><br/>She is alleged to have been a witness in the case of the former Department of Homeland Security employee and persecuted whistleblower Julia Davis. According to Davis, Brittany and her fiancée Simon Monjack were then targeted for retaliation that included land and aerial surveillance and a threatened prosecution. Monjack was arrested and detained by the Bureau of Immigration and Customs Enforcement (ICE). Brittany and Simon confided in Alex Ben Block of the Hollywood Reporter, telling him in an interview that they were under surveillance by helicopters and their telephones have been wiretapped. This information was published by THR posthumously, in an article entitled "The Last Difficult Days of Brittany Murphy."<br/><br/>On December 20, 2009, Brittany Murphy died an untimely death. The LAPD and Los Angeles County Coroner closed the case within one hour, attributing her death to pneumonia and anemia. Five months after Brittany's unexpected demise, her husband Simon Monjack was found dead in the house he shared with Brittany. The chief/spokesperson at the Los Angeles County Dept of Coroner, Craig Harvey, stated that Simon also died from the same exact causes as his wife, namely pneumonia and anemia. Neither Brittany, nor Simon, were given a thorough and complete forensic autopsy for poisons. Brittany's father, Angelo "AJ" Bertolotti, is pursuing the investigation of the true reasons behind Brittany's and Simon's sudden demise, as he believes that the two were murdered. Abnormally high levels of heavy metals and poisons were discovered in Brittany's hair, tested by two other independent forensic labs with famed Pathologist, attorney Cyril Wecht concluded from the appearances, Brittany could have been murdered and should be exhumed. Her father Angelo is preparing court actions to ensure she obtains justice.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Jonathan Brandis" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTczMjU5MjkzMF5BMl5BanBnXkFtZTcwNjk1MDQ4Nw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTczMjU5MjkzMF5BMl5BanBnXkFtZTcwNjk1MDQ4Nw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTczMjU5MjkzMF5BMl5BanBnXkFtZTcwNjk1MDQ4Nw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTczMjU5MjkzMF5BMl5BanBnXkFtZTcwNjk1MDQ4Nw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000970/?ref_=sr_i_17" aria-label="Jonathan Brandis"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000970/?ref_=sr_t_17" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">17. Jonathan Brandis</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Additional Crew</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Director</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0100240/?ref_=sr_knf_17">The Neverending Story II: The Next Chapter (1990)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Born in Danbury, Connecticut, USA, to Greg and Mary, Jonathan Brandis began his career at age 5, acting in several television commercials. He also appeared in small parts in several films and TV shows before his first starring role in the 1990 film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100240/?ref_=sr">The Neverending Story II: The Next Chapter (1990)</a>. He starred in popular films such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0104670/?ref_=sr">Ladybugs (1992)</a> and starred as Lucas Wolenczak in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000229/?ref_=sr">Steven Spielberg</a>'s television series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0106126/?ref_=sr">Seaquest DSV (1993)</a>. He doubled up his high school courses so he could finish a year early for his role on SeaQuest. After his career stalled for a bit, he was hoping his role in serious drama film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0251114/?ref_=sr">Hart's War (2002)</a> would relaunch it. However, most of his scenes ended up being cut from the finished film. This caused him to fall into a deep depression in which he would drink heavily and tragically end his own life on November 12th, 2003.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Bill Paxton at an event for Avatar (2009)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNjY2NTQwOTAyNV5BMl5BanBnXkFtZTcwNTUyNjYwMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNjY2NTQwOTAyNV5BMl5BanBnXkFtZTcwNTUyNjYwMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNjY2NTQwOTAyNV5BMl5BanBnXkFtZTcwNTUyNjYwMw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNjY2NTQwOTAyNV5BMl5BanBnXkFtZTcwNTUyNjYwMw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000200/?ref_=sr_i_18" aria-label="Bill Paxton"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000200/?ref_=sr_t_18" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">18. Bill Paxton</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0090605/?ref_=sr_knf_18">Aliens (1986)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Bill Paxton was born on May 17, 1955 in Fort Worth, Texas. He was the son of Mary Lou (Gray) and John Lane Paxton, a businessman and actor (as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0668123/?ref_=sr">John Paxton</a>). Bill moved to Los Angeles, California at age eighteen, where he found work in the film industry as a set dresser for <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000339/?ref_=sr">Roger Corman</a>'s New World Pictures. He made his film debut in the Corman film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072829/?ref_=sr">Crazy Mama (1975)</a>, directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001129/?ref_=sr">Jonathan Demme</a>. Moving to New York, Paxton studied acting under <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0012245/?ref_=sr">Stella Adler</a> at New York University. After landing a small role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0083131/?ref_=sr">Stripes (1981)</a>, he found steady work in low-budget films and television. He also directed, wrote and produced award-winning short films including <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0218976/?ref_=sr">Barnes & Barnes: Fish Heads (1980)</a>, which aired on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072562/?ref_=sr">Saturday Night Live (1975)</a>. His first appearance in a <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000116/?ref_=sr">James Cameron</a> film was a small role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0088247/?ref_=sr">The Terminator (1984)</a>, followed by his very memorable performance as Private Hudson in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0090605/?ref_=sr">Aliens (1986)</a> and as the nomadic vampire Severen in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000941/?ref_=sr">Kathryn Bigelow</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093605/?ref_=sr">Near Dark (1987)</a>. Bill also appeared in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000455/?ref_=sr">John Hughes</a>' <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0090305/?ref_=sr">Weird Science (1985)</a>, as Wyatt Donnelly's sadistic older brother Chet. Although he continued to work steadily in film and television, his big break did not come until his lead role in the critically acclaimed film-noir <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0102592/?ref_=sr">One False Move (1991)</a>. This quickly led to strong supporting roles as Wyatt Earp's naive younger brother Morgan in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0108358/?ref_=sr">Tombstone (1993)</a> and as Fred Haise, one of the three astronauts, in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0112384/?ref_=sr">Apollo 13 (1995)</a>, as well as in James Cameron's offering <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0111503/?ref_=sr">True Lies (1994)</a>.<br/><br/>Bill died on February 25, 2017, in Los Angeles, from complications following heart surgery. He was 61.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Alfred Hitchcock in Psycho (1960)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjNjZDM0NGUtZmE0Yy00MTI3LThkNTYtODVlZTUzM2M4Yjk5XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjNjZDM0NGUtZmE0Yy00MTI3LThkNTYtODVlZTUzM2M4Yjk5XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjNjZDM0NGUtZmE0Yy00MTI3LThkNTYtODVlZTUzM2M4Yjk5XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjNjZDM0NGUtZmE0Yy00MTI3LThkNTYtODVlZTUzM2M4Yjk5XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000033/?ref_=sr_i_19" aria-label="Alfred Hitchcock"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000033/?ref_=sr_t_19" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">19. Alfred Hitchcock</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Director</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0054215/?ref_=sr_knf_19">Psycho (1960)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.<br/><br/>Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0720904/?ref_=sr">Alma Reville</a>, though they never really spoke to each other. It was only after the director for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0818899/?ref_=sr">Always Tell Your Wife (1923)</a> fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0013444/?ref_=sr">Number 13 (1922)</a>, though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0016230/?ref_=sr">The Pleasure Garden (1925)</a>, a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0017075/?ref_=sr">The Lodger: A Story of the London Fog (1927)</a> . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0386877/?ref_=sr">Patricia Hitchcock</a> who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0030341/?ref_=sr">The Lady Vanishes (1938)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0031505/?ref_=sr">Jamaica Inn (1939)</a>, some of which also gained him fame in the USA.<br/><br/>In 1940, the Hitchcock family moved to Hollywood, where the producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006388/?ref_=sr">David O. Selznick</a> had hired him to direct an adaptation of 'Daphne du Maurier''s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032976/?ref_=sr">Rebecca (1940)</a>. After <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0035279/?ref_=sr">Saboteur (1942)</a>, as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0054215/?ref_=sr">Psycho (1960)</a>, Alfred Hitchcock's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0074512/?ref_=sr">Family Plot (1976)</a>, Alfred Hitchcock's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068611/?ref_=sr">Frenzy (1972)</a>.<br/><br/>Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.<br/><br/>During the making of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068611/?ref_=sr">Frenzy (1972)</a>, Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0499626/?ref_=sr">Ernest Lehman</a> called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000316/?ref_=sr">Mel Brooks</a> (director of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0076141/?ref_=sr">High Anxiety (1977)</a>, a comedy tribute to Hitchcock and his films), <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0431139/?ref_=sr">Louis Jourdan</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001500/?ref_=sr">Karl Malden</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001335/?ref_=sr">Tippi Hedren</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001463/?ref_=sr">Janet Leigh</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000076/?ref_=sr">François Truffaut</a>.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Annie Wersching" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BYzA3OTBhMDUtMmJmYy00ODc2LTljYzYtNmRmZGFkN2RlYmNjXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BYzA3OTBhMDUtMmJmYy00ODc2LTljYzYtNmRmZGFkN2RlYmNjXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BYzA3OTBhMDUtMmJmYy00ODc2LTljYzYtNmRmZGFkN2RlYmNjXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BYzA3OTBhMDUtMmJmYy00ODc2LTljYzYtNmRmZGFkN2RlYmNjXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm1156709/?ref_=sr_i_20" aria-label="Annie Wersching"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm1156709/?ref_=sr_t_20" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">20. Annie Wersching</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actress</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt2140553/?ref_=sr_knf_20">The Last of Us (2013)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">This talented actress was born Anne Marie Wersching and grew up in St. Louis, Missouri. She opted early on for a life in the entertainment industry, performing in community theatre and later as a dancer for some fourteen years with a troupe called the St. Louis Celtic Stepdancers. After moving to Chicago, she acted in several touring plays and at the Utah Shakespearean Festival. In 1999, Wersching graduated with a Bachelor of Fine Arts degree in Musical Theatre from the Millikin University School of Theater and Dance in Decatur, Illinois. Moving to Los Angeles, two years later, she appeared in a revival of the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0814227/?ref_=sr">Stephen Sondheim</a>-<a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006256/?ref_=sr">Richard Rodgers</a>-<a class="ipc-md-link ipc-md-link--entity" href="/name/nm0491306/?ref_=sr">Arthur Laurents</a> musical "Do I Hear a Waltz?" at the Pasadena Playhouse, as well as making her screen debut in an episode of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0244365/?ref_=sr">Star Trek: Enterprise (2001)</a>.<br/><br/>Testament to her acting skill have been lengthy stints on popular prime time series like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0285331/?ref_=sr">24 (2001)</a> (as the valiant but ill-fated FBI Special Agent Renee Walker), <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1405406/?ref_=sr">The Vampire Diaries (2009)</a> (Lily Salvatore), <a class="ipc-md-link ipc-md-link--entity" href="/title/tt5511582/?ref_=sr">Timeless (2016)</a> (as time traveler Emma Whitmore) and Marvel's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1236246/?ref_=sr">Runaways (2017)</a> (as charismatic villain turned ally Leslie Dean). She also gave a thoroughly convincing performance as extrovert rookie police officer Julia Brasher, involved with (Harry) <a class="ipc-md-link ipc-md-link--entity" href="/title/tt3502248/?ref_=sr">Bosch (2014)</a> at LAPD's Hollywood Division on both a professional and a personal level. Their relationship eventually soured in season two, although Brasher returned briefly for two episodes in season 7. Wersching became the third actress to play the dreaded Borg Queen (following in the footsteps of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000481/?ref_=sr">Alice Krige</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0860749/?ref_=sr">Susanna Thompson</a>) and did so to chilling effect in season two of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt8806524/?ref_=sr">Star Trek: Picard (2020)</a>. Her steady volume of television work has included guest appearances on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0158552/?ref_=sr">Charmed (1998)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0460681/?ref_=sr">Supernatural (2005)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0364845/?ref_=sr">NCIS: Naval Criminal Investigative Service (2003)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1600194/?ref_=sr">Hawaii Five-0 (2010)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1219024/?ref_=sr">Castle (2009)</a>.<br/><br/>Very much at the peak of her career, Annie Wersching was diagnosed with cancer in the summer of 2020, but kept her illness private and continued to work afterwards. She passed away at her home in Los Angeles, California on January 29, 2023, at age 45.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Lance Reddick in Fringe (2008)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTk1OTc3OTEyMl5BMl5BanBnXkFtZTgwODI0NTI0MjE@._V1_QL75_UY60_CR10,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTk1OTc3OTEyMl5BMl5BanBnXkFtZTgwODI0NTI0MjE@._V1_QL75_UY60_CR10,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTk1OTc3OTEyMl5BMl5BanBnXkFtZTgwODI0NTI0MjE@._V1_QL75_UY90_CR15,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTk1OTc3OTEyMl5BMl5BanBnXkFtZTgwODI0NTI0MjE@._V1_QL75_UY120_CR20,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0714698/?ref_=sr_i_21" aria-label="Lance Reddick"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0714698/?ref_=sr_t_21" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">21. Lance Reddick</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt2911666/?ref_=sr_knf_21">John Wick (2014)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Incisive, intense, multi-talented American actor Lance Solomon Reddick was born in Baltimore, Maryland, the younger of two sons, to Solomon Reddick and public schoolteacher Dorothy Gee. Having opted initially for a career in music, he attended first the Peabody Preparatory Institute and the Walden School before studying classical composition at the University of Rochester's Eastman School of Music, qualifying with a Bachelor's Degree. By the early '90s, however, Reddick was forced to re-evaluate his career plans because of a severe back injury suffered while pulling a double shift waiting on tables and delivering newspapers. A pressing need to make ends meet made him enroll at the Yale School of Drama, from where he went on to graduate in 1994 with a Master of Fine Arts Degree. He derived much inspiration from his classmate <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0316079/?ref_=sr">Paul Giamatti</a> and came to regard <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000358/?ref_=sr">Daniel Day-Lewis</a> as his quintessential acting role model.<br/><br/>Possessed of an athletic build and a deep, resonant voice, Reddick also had a self-declared affinity for accents. Preparing himself for his roles, he immersed himself fully into his characters as a "transformational performer", often rehearsing his lines in front of a mirror. He made his television debut in an episode of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0108876/?ref_=sr">New York Undercover (1994)</a>. Though he played a couple of drug addicts early on, he soon found himself much in demand-- and ultimately typecast -- as powerful authority figures, from police detectives (Johnny Basil in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0118421/?ref_=sr">Oz (1997)</a>) to FBI agents (<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0098844/?ref_=sr">Law & Order (1990)</a>) to senior police officer (Cedric Daniels in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0306414/?ref_=sr">The Wire (2002)</a>). One of his best known roles on the big screen was as the mysterious Mr. Charon, concierge at the Continental Hotel, scene of much of the action in the <a class="ipc-md-link ipc-md-link--entity" href="/title/tt2911666/?ref_=sr">John Wick (2014)</a> franchise.<br/><br/>Arguably, his most memorable character was that of Phillip Broyles, special agent-in-charge with the Department of Homeland Security, heading a team of experts investigating paranormal events in the outstanding science fiction drama series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1119644/?ref_=sr">Fringe (2008)</a>. Broyles was a no-nonsense tough guy, who, nevertheless, remained steadfastly loyal in defense of his team against insidious forces from within and without. Unlike Broyles, Reddick's other important recurring TV character, Chief Irving in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt3502248/?ref_=sr">Bosch (2014)</a>, was a morally ambiguous man motivated chiefly by political ambition. Both were flawless performances.<br/><br/>Prior to his sad and untimely passing in March 2023 at the age of 60, Reddick was much sought-after as a voice actor for animations and video games. He also never lost his lifelong passion for music, and, in 2007, released an album of his compositions entitled "Contemplations & Remembrances". In private life, the twice-married Reddick was said to have been very much devoted to his three dogs.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Patrick Swayze" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNDM2NjI0MjYyMV5BMl5BanBnXkFtZTYwMjY1ODMz._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNDM2NjI0MjYyMV5BMl5BanBnXkFtZTYwMjY1ODMz._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNDM2NjI0MjYyMV5BMl5BanBnXkFtZTYwMjY1ODMz._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNDM2NjI0MjYyMV5BMl5BanBnXkFtZTYwMjY1ODMz._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000664/?ref_=sr_i_22" aria-label="Patrick Swayze"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000664/?ref_=sr_t_22" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">22. Patrick Swayze</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Additional Crew</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0092890/?ref_=sr_knf_22">Dirty Dancing (1987)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Patrick Wayne Swayze was born on August 18, 1952 in Houston, Texas, to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0842029/?ref_=sr">Patsy Swayze</a> (née Yvonne Helen Karnes), a choreographer, and Jesse Wayne Swayze, a chemical plant engineer draftsman. His mother owned a dance school in Houston, where Patrick was also a student. His father passed away in 1982. He graduated from Waltrip High School in Houston, and attended San Jacinto College in Pasadena, Texas. He married actress/dancer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001568/?ref_=sr">Lisa Niemi</a> on June 12, 1975, whom he had known when she was 15 and a student at his mother's dance school. His New York City dance training included the Harkness Ballet School and Joffrey Ballet School. He first danced professionally as "Prince Charming" in "Disney on Parade". After a stint as "Danny Zuko" in the original Broadway production of "Grease", he made his film debut with a small role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0079912/?ref_=sr">Skatetown USA (1979)</a>. He made his television debut in 1981 on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068098/?ref_=sr">M*A*S*H (1972)</a>, as a soldier diagnosed with leukemia.<br/><br/>After many supporting roles in films and a lead role in the TV mini-series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0088583/?ref_=sr">North and South (1985)</a>, he landed his breakthrough role as dance instructor "Johnny Castle" in the hit film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0092890/?ref_=sr">Dirty Dancing (1987)</a>, for which he received a Golden Globe nomination. He received a second nomination for his portrayal of "Sam Wheat" in the blockbuster <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099653/?ref_=sr">Ghost (1990)</a>. <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099653/?ref_=sr">Ghost (1990)</a> was the highest-grossing film of 1990, and at one point, the fourth highest-grossing film of all time. Unfortunately, he did not capitalize on its success. His subsequent films like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0103976/?ref_=sr">City of Joy (1992)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0111359/?ref_=sr">Tall Tale (1995)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0120610/?ref_=sr">Black Dog (1998)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0219400/?ref_=sr">Waking Up in Reno (2002)</a> did not fare well with critics or audiences. In December 2003, he returned to Broadway as a replacement for the lead role of "Billy Flynn" in the acclaimed revival of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0437218/?ref_=sr">John Kander</a> & <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0247939/?ref_=sr">Fred Ebb</a>'s musical, "Chicago". The production also went on tour in several cities of the United States, including Los Angeles. In January 2008, he was diagnosed with pancreatic cancer. He fought the illness for well over a year and was able to continue working, but died on September 14, 2009.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Jack Haley" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BZjkxYWViNmQtYmU0Zi00NWFlLWIxZGItYzIzZjEyNjdmMmYyXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BZjkxYWViNmQtYmU0Zi00NWFlLWIxZGItYzIzZjEyNjdmMmYyXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BZjkxYWViNmQtYmU0Zi00NWFlLWIxZGItYzIzZjEyNjdmMmYyXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BZjkxYWViNmQtYmU0Zi00NWFlLWIxZGItYzIzZjEyNjdmMmYyXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0355095/?ref_=sr_i_23" aria-label="Jack Haley"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0355095/?ref_=sr_t_23" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">23. Jack Haley</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Writer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0032138/?ref_=sr_knf_23">The Wizard of Oz (1939)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Jack Haley was a movie and vaudeville actor who is always remembered as the Tin Man in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032138/?ref_=sr">The Wizard of Oz (1939)</a>. The Tin Man role was originally was going to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001171/?ref_=sr">Buddy Ebsen</a>, but due to allergic reaction from the aluminum powder makeup, Ebsen was taken out of the casting and Haley replaced him. To avoid the same problem arising, they used aluminum paste for Haley instead of the powder. Haley starred in over thirty other movies.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Humphrey Bogart" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BYjA0YmRkMTAtYTU0ZC00MTU5LTlmYjgtOTdkMDU4Y2M0OTU1XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BYjA0YmRkMTAtYTU0ZC00MTU5LTlmYjgtOTdkMDU4Y2M0OTU1XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BYjA0YmRkMTAtYTU0ZC00MTU5LTlmYjgtOTdkMDU4Y2M0OTU1XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BYjA0YmRkMTAtYTU0ZC00MTU5LTlmYjgtOTdkMDU4Y2M0OTU1XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000007/?ref_=sr_i_24" aria-label="Humphrey Bogart"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000007/?ref_=sr_t_24" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">24. Humphrey Bogart</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Additional Crew</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0034583/?ref_=sr_knf_24">Casablanca (1942)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0103755/?ref_=sr">William A. Brady</a> (the father of actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0103567/?ref_=sr">Alice Brady</a>), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0941233/?ref_=sr">Alexander Woollcott</a> described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0020714/?ref_=sr">Broadway's Like That (1930)</a>, co-starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0262190/?ref_=sr">Ruth Etting</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000951/?ref_=sr">Joan Blondell</a>. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0028096/?ref_=sr">The Petrified Forest (1936)</a> from Warner Bros. He won the part over <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000064/?ref_=sr">Edward G. Robinson</a> only after the star, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001366/?ref_=sr">Leslie Howard</a>, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0706368/?ref_=sr">George Raft</a> had stupidly rejected) with roles in classics such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0033717/?ref_=sr">High Sierra (1940)</a> and as Sam Spade in one of his most fondly remembered films, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0033870/?ref_=sr">The Maltese Falcon (1941)</a>. These were followed by <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034583/?ref_=sr">Casablanca (1942)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038355/?ref_=sr">The Big Sleep (1946)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040506/?ref_=sr">Key Largo (1948)</a>. Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000002/?ref_=sr">Lauren Bacall</a> and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040897/?ref_=sr">The Treasure of the Sierra Madre (1948)</a>. Bogie won the best actor Academy Award for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0043265/?ref_=sr">The African Queen (1951)</a> and was nominated for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034583/?ref_=sr">Casablanca (1942)</a> and as Captain Queeg in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046816/?ref_=sr">The Caine Mutiny (1954)</a>, a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-8a39b693-0 fzvMy"><div data-testid="nlib-img-container" class="sc-8a39b693-1 iYaWaE"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="John Wayne in El Dorado (1966)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BZTQ5NjBjNzUtNmU3My00ZWViLTk5MDYtM2YzM2MxYzk3MDU0XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BZTQ5NjBjNzUtNmU3My00ZWViLTk5MDYtM2YzM2MxYzk3MDU0XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BZTQ5NjBjNzUtNmU3My00ZWViLTk5MDYtM2YzM2MxYzk3MDU0XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BZTQ5NjBjNzUtNmU3My00ZWViLTk5MDYtM2YzM2MxYzk3MDU0XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000078/?ref_=sr_i_25" aria-label="John Wayne"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-8a39b693-3 ekUbVT"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-8a39b693-2 jroacI" data-testid="nlib-title"><a href="/name/nm0000078/?ref_=sr_t_25" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">25. John Wayne</h3></a></div><div class="sc-8a39b693-6 jXVses"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-8a39b693-4 hZa-Dtv base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Actor</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Producer</li><li role="presentation" class="ipc-inline-list__item sc-8a39b693-5 ixIpjq">Art Department</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0065126/?ref_=sr_knf_25">True Grit (1969)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.<br/><br/>Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0607300/?ref_=sr">Robert E. Morrison</a> swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0594291/?ref_=sr">Tom Mix</a> got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000406/?ref_=sr">John Ford</a> for whom, among others, he began doing bit parts, some billed as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000078/?ref_=sr">John Wayne</a>. His first featured film was <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0021140/?ref_=sr">Men Without Women (1930)</a>. After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0031971/?ref_=sr">Stagecoach (1939)</a>, the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0053580/?ref_=sr">The Alamo (1960)</a>, which he produced, directed and starred in. His patriotic stand was enshrined in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0063035/?ref_=sr">The Green Berets (1968)</a> which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0041841/?ref_=sr">Sands of Iwo Jima (1949)</a> and finally got the Oscar for his role as one-eyed Rooster Cogburn in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0065126/?ref_=sr">True Grit (1969)</a>. A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040369/?ref_=sr">Fort Apache (1948)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0041866/?ref_=sr">She Wore a Yellow Ribbon (1949)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042895/?ref_=sr">Rio Grande (1950)</a>.</div></div></div></div></div></div></li></ul><div class="sc-619d2eab-0 dxnOGI"><div class="sc-f09bd1f5-1 hoKmdt pagination-container"><span class="ipc-see-more sc-33e570c-0 cMGrFN single-page-see-more-button"><button class="ipc-btn ipc-btn--single-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-base ipc-btn--theme-base ipc-btn--button-radius ipc-btn--on-accent2 ipc-text-button ipc-see-more__button" tabindex="0" aria-disabled="false"><span class="ipc-btn__text"><span class="ipc-see-more__text">50 more</span></span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" 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}</script><script>window.addEventListener('load', (event) => { if (typeof window.csa !== 'undefined' && typeof window.csa === 'function') { var csaLatencyPlugin = window.csa('Content', { element: { slotId: 'LoadFooterJS', type: 'service-call' } }); csaLatencyPlugin('mark', 'clickToBodyBegin', 1733274887569); } })</script><script id="__NEXT_DATA__" type="application/json">{"props":{"pageProps":{"currentTab":{"labelId":"search_main_advanced_search_tabs_names","defaultMessage":"Names","subPageType":"name","refTagBase":"adv_srch_people","preIconName":"people"},"tabID":"name","searchInput":{"nameSearchInput":{"pageTopics":{"withinTopicMap":{"DEATH_PLACE":["los angeles"," california"," usa"]}}}},"initialStringCache":{},"searchResults":{"nameResults":{"nameListItems":[{"bio":"Kenneth Mitchell was born on 25 November 1974 in Toronto, Ontario, Canada. He was an actor, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0349825/?ref_=sr\"\u003eMiracle (2004)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0292506/?ref_=sr\"\u003eThe Recruit (2003)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4154664/?ref_=sr\"\u003eCaptain Marvel (2019)\u003c/a\u003e. He was married to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006721/?ref_=sr\"\u003eSusan May Pratt\u003c/a\u003e. He died on 24 February 2024 in Los Angeles, California, USA.","knownFor":{"originalTitleText":"Miracle","titleId":"tt0349825","titleText":"Miracle","canHaveEpisodes":false,"yearRange":{"year":2004}},"nameId":"nm1058987","nameText":"Kenneth Mitchell","professions":["Actor"],"primaryProfessions":["Actor"],"primaryImage":{"caption":"Kenneth Mitchell","height":1280,"width":853,"url":"https://m.media-amazon.com/images/M/MV5BMTU0NDE2NDkwMV5BMl5BanBnXkFtZTgwMzM4NDY1MjE@._V1_.jpg"}},{"bio":"Dominique Ellen Dunne was born in Santa Monica, California, the daughter of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm6203876/?ref_=sr\"\u003eEllen Beatriz Griffin Dunne\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0242839/?ref_=sr\"\u003eDominick Dunne\u003c/a\u003e, a producer, actor, and writer. Actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001162/?ref_=sr\"\u003eGriffin Dunne\u003c/a\u003e is her brother. After\nher parents\u0026#39; divorce, she moved first to New York, and then to Beverly Hills. Upon graduation from high school, Dominique went\nto the University of Colorado to study acting, leaving after one year\nto pursue her career. Three weeks after arriving in Hollywood, she\nlanded her first gig. Other roles soon followed, notably her role as\nDana Freeling, the eldest daughter in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084516/?ref_=sr\"\u003ePoltergeist (1982)\u003c/a\u003e, and Dominique was soon\nwell known in the Hollywood social scene. Well-liked by all who knew\nher, Dominique seemed to be at the top of the world. Then, at a party,\nshe met \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm12512018/?ref_=sr\"\u003eJohn Thomas Sweeney\u003c/a\u003e, the chef at popular LA nightspot \u0026quot;Ma\nMaison.\u0026quot; The two began a relationship, which turned stormy. Sweeney was\nuncontrollable and abusive (so abusive that Dominique did not need\nmakeup to play the role of an abuse victim on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081873/?ref_=sr\"\u003eHill Street Blues (1981)\u003c/a\u003e). Dominique ended\nthe relationship on October 30, 1982. That same night, a distraught\nSweeney raced to her house, where she and actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0655478/?ref_=sr\"\u003eDavid Packer\u003c/a\u003e were rehearsing\na scene from \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085106/?ref_=sr\"\u003eV (1983)\u003c/a\u003e, dragged her outside, and strangled her, leaving\nher brain-dead. Five days later, she was removed from life support and\ndied, cutting short a brilliant career and leaving behind scores of\nshocked and angry loved ones.","knownFor":{"originalTitleText":"Poltergeist","titleId":"tt0084516","titleText":"Poltergeist","canHaveEpisodes":false,"yearRange":{"year":1982}},"nameId":"nm0001161","nameText":"Dominique Dunne","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Dominique Dunne in Poltergeist (1982)","height":232,"width":174,"url":"https://m.media-amazon.com/images/M/MV5BMjE1NzEzNTI4MV5BMl5BanBnXkFtZTcwMjgyMTcxOA@@._V1_.jpg"}},{"bio":"A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.\u003cbr/\u003e\u003cbr/\u003eHe was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed \u0026quot;The Jewish Cowboy\u0026quot;. However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0577073/?ref_=sr\"\u003eSanford Meisner\u003c/a\u003e\u0026#39;s\nNeighborhood Playhouse. He then won a scholarship to study under acting coach \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0359640/?ref_=sr\"\u003eWynn Handman\u003c/a\u003e and began to appear in\nseveral off-Broadway productions, including \u0026quot;I Roam\u0026quot; and \u0026quot;Mandingo\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eHe made his screen debut as a sailor in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057187/?ref_=sr\"\u003eIrma la Douce (1963)\u003c/a\u003e and began to impress audiences with his work in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059641/?ref_=sr\"\u003eRed Line 7000 (1965)\u003c/a\u003e and the\nwestern \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061619/?ref_=sr\"\u003eEl Dorado (1966)\u003c/a\u003e alongside \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000078/?ref_=sr\"\u003eJohn Wayne\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000053/?ref_=sr\"\u003eRobert Mitchum\u003c/a\u003e. Further work followed in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063161/?ref_=sr\"\u003eJourney to Shiloh (1968)\u003c/a\u003e and in\nthe sensitive \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064873/?ref_=sr\"\u003eThe Rain People (1969)\u003c/a\u003e. However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068315/?ref_=sr\"\u003eBrian\u0026#39;s Song (1971)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eWith these strong performances under his belt, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e then cast him as hot-tempered gangster Santino \u0026quot;Sonny\u0026quot; Corleone in the Mafia epic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068646/?ref_=sr\"\u003eThe Godfather (1972)\u003c/a\u003e. The film was an enormous success, Caan scored a Best Supporting Actor nomination\nand, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071562/?ref_=sr\"\u003eThe Godfather: Part II (1974)\u003c/a\u003e and then moved on to several very diverse projects. These included a\ncop-buddy crime partnership with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000273/?ref_=sr\"\u003eAlan Arkin\u003c/a\u003e in the uneven \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071521/?ref_=sr\"\u003eFreebie and the Bean (1974)\u003c/a\u003e, a superb performance as a man playing for his life in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071532/?ref_=sr\"\u003eThe Gambler (1974)\u003c/a\u003e alongside \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001381/?ref_=sr\"\u003eLauren Hutton\u003c/a\u003e, and pairing with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000659/?ref_=sr\"\u003eBarbra Streisand\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073026/?ref_=sr\"\u003eFunny Lady (1975)\u003c/a\u003e. Two further strong\nlead roles came up for him in 1975, first as futuristic sports star \u0026quot;Jonathon E\u0026quot; questioning the moral fiber of a sterile society in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073631/?ref_=sr\"\u003eRollerball (1975)\u003c/a\u003e and teaming up with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000380/?ref_=sr\"\u003eRobert Duvall\u003c/a\u003e in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001603/?ref_=sr\"\u003eSam Peckinpah\u003c/a\u003e spy thriller \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073240/?ref_=sr\"\u003eThe Killer Elite (1975)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eUnfortunately, Caan\u0026#39;s rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either\ncritics or audiences. These included such failures as the hokey \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074608/?ref_=sr\"\u003eHarry and Walter Go to New York (1976)\u003c/a\u003e, the quasi-western \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077360/?ref_=sr\"\u003eComes a Horseman (1978)\u003c/a\u003e and the\nsaccharine \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078952/?ref_=sr\"\u003eChapter Two (1979)\u003c/a\u003e. However, he did score again with the stylish \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000520/?ref_=sr\"\u003eMichael Mann\u003c/a\u003e-directed heist movie \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083190/?ref_=sr\"\u003eThief (1981)\u003c/a\u003e. He followed this with a supernatural romantic comedy titled \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084210/?ref_=sr\"\u003eKiss Me Goodbye (1982)\u003c/a\u003e and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093073/?ref_=sr\"\u003eGardens of Stone (1987)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eCaan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0094631/?ref_=sr\"\u003eAlien Nation (1988)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099422/?ref_=sr\"\u003eDick Tracy (1990)\u003c/a\u003e, then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100157/?ref_=sr\"\u003eMisery (1990)\u003c/a\u003e. The 1990s were kind to him and he notched up roles as a band leader in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101902/?ref_=sr\"\u003eFor the Boys (1991)\u003c/a\u003e, another\ngangster in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0104438/?ref_=sr\"\u003eHoneymoon in Vegas (1992)\u003c/a\u003e, appeared in the indie hit \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115734/?ref_=sr\"\u003eBottle Rocket (1996)\u003c/a\u003e and pursued \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000216/?ref_=sr\"\u003eArnold Schwarzenegger\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0116213/?ref_=sr\"\u003eEraser (1996)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThe demand on Caan\u0026#39;s talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0138946/?ref_=sr\"\u003eThe Yards (2000)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0164003/?ref_=sr\"\u003eCity of Ghosts (2002)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0276919/?ref_=sr\"\u003eDogville (2003)\u003c/a\u003e. In addition, he finds himself at the helm of the hit TV series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0364828/?ref_=sr\"\u003eLas Vegas (2003)\u003c/a\u003e as casino security chief \u0026quot;Big Ed\u0026quot; Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.","knownFor":{"originalTitleText":"Thief","titleId":"tt0083190","titleText":"Thief","canHaveEpisodes":false,"yearRange":{"year":1981}},"nameId":"nm0001001","nameText":"James Caan","professions":["Actor","Director","Stunts"],"primaryProfessions":["Actor","Director","Stunts"],"primaryImage":{"caption":"James Caan at an event for Mercy (2009)","height":400,"width":267,"url":"https://m.media-amazon.com/images/M/MV5BMTI5NjkyNDQ3NV5BMl5BanBnXkFtZTcwNjY5NTQ0Mw@@._V1_.jpg"}},{"bio":"Billie Burke was born Mary William Ethelbert Appleton Burke on August\n7, 1884 in Washington, D.C. Her father was the internationally famous\nclown, Billy Burke, and she would spend most of her early years touring\nEurope before the family settled in London. In 1903, she appeared on\nthe stage as an actress and came to America in 1907 to star opposite\nJohn Drew in \u0026quot;My Wife\u0026quot;. A red-haired beauty, she became the toast of\nBroadway and married promoter\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0956067/?ref_=sr\"\u003eFlorenz Ziegfeld Jr.\u003c/a\u003e in April 1914.\nBillie was signed in 1915 to make the film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0007167/?ref_=sr\"\u003ePeggy (1916)\u003c/a\u003e. Of the next 15 films that she\nmade, she would make 14 in New York. In between films, she would return\nto the stage which was her first love. Her last films were released in\n1921 and she went into semi-retirement until their fortune was wiped\nout in 1929. Billie would return to films to support herself and her\nhusband. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0956067/?ref_=sr\"\u003eFlorenz Ziegfeld Jr.\u003c/a\u003e would\ndie, a broken man, in 1932.\u003cbr/\u003e\u003cbr/\u003eIt was in the comedy drama\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0023948/?ref_=sr\"\u003eDinner at Eight (1933)\u003c/a\u003e that\nBillie would find the character that she would play the rest of her\ncareer. It is the hapless, feather-brained lady with the unmistakably\nhigh voice who would be more interested in little details than what was\nat hand. In some films, like\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0028102/?ref_=sr\"\u003ePiccadilly Jim (1936)\u003c/a\u003e, she was\nobviously too old for the part, but played it to the hilt. Beginning in\n1937, she starred in the \u0026quot;Topper\u0026quot; series of films\n(\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0029682/?ref_=sr\"\u003eTopper (1937)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032043/?ref_=sr\"\u003eTopper Takes a Trip (1938)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034303/?ref_=sr\"\u003eTopper Returns (1941)\u003c/a\u003e) for\nproducer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0730018/?ref_=sr\"\u003eHal Roach\u003c/a\u003e in which she played\nMrs. Topper with her usual fluffy performance. But for most of the\npeople who were raised on television, she will always be remembered as\nGlinda, the Good Witch in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e. She\ncontinued to make films though out the 1940s and started another series\nwith\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042451/?ref_=sr\"\u003eFather of the Bride (1950)\u003c/a\u003e\nand the follow-up\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043526/?ref_=sr\"\u003eFather\u0026#39;s Little Dividend (1951)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eA real trouper, she next went to television with the television series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044260/?ref_=sr\"\u003eDoc Corkle (1952)\u003c/a\u003e. The series was\ncanceled after three weeks due to poor writing. By 1953, her career was\nslowing down and she would only make three more movies in 1959 and\n1960. The best remembered one would be\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000406/?ref_=sr\"\u003eJohn Ford\u003c/a\u003e\u0026#39;s Western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054292/?ref_=sr\"\u003eSergeant Rutledge (1960)\u003c/a\u003e.\nBillie Burke retired for good and lived in Los Angeles, California,\nwhere she died at age 85 of natural causes on May 14, 1970.","knownFor":{"originalTitleText":"The Wizard of Oz","titleId":"tt0032138","titleText":"The Wizard of Oz","canHaveEpisodes":false,"yearRange":{"year":1939}},"nameId":"nm0000992","nameText":"Billie Burke","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Billie Burke, circa 1935.","height":450,"width":353,"url":"https://m.media-amazon.com/images/M/MV5BMTcyMjczNzk0NV5BMl5BanBnXkFtZTYwODI3MjI2._V1_.jpg"}},{"bio":"Austin Majors was a scholar as well as an actor, skipping a grade, and getting high marks in all subjects. Majors graduated second in his high school class in 2013. He later studied at the University of Southern California in the School of Cinematic Arts, majoring in Film and Television Production, minoring in Music Industry. Majors was a brother of the Alpha Tau Omega fraternity. An avid outdoorsman, hes was a junior assistant Scoutmaster in Boy Scouts. He has earned scouting\u0026#39;s highest rank, obtaining the honor of Eagle Scout at the age of fourteen. Majors liked helping others and lent his support to a variety of charitable causes including Kids with a Cause, the Ronald McDonald House, and the Jonathan Jaques Childrens Cancer Center. When not in front of the camera, he enjoyed making films of his own, backpacking, riding horses, attending concerts, traveling and playing sports. Majors received the Young Artists Award for Best Performance in a Television Series for his compelling work on NYPD Blue. His work on Treasure Planet earned him another nomination for Best Performance in a Voice Over Role.","knownFor":{"originalTitleText":"Treasure Planet","titleId":"tt0133240","titleText":"Treasure Planet","canHaveEpisodes":false,"yearRange":{"year":2002}},"nameId":"nm0538261","nameText":"Austin Majors","professions":["Actor","Cinematographer","Editor"],"primaryProfessions":["Actor","Cinematographer","Editor"],"primaryImage":{"caption":"Austin Majors","height":686,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMTQ3MDU0MzMxMl5BMl5BanBnXkFtZTcwNDI2MzMwNA@@._V1_.jpg"}},{"bio":"Marlon Brando is widely considered the greatest movie actor of all\ntime, rivaled only by the more theatrically oriented\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000059/?ref_=sr\"\u003eLaurence Olivier\u003c/a\u003e in terms of esteem.\nUnlike Olivier, who preferred the stage to the screen, Brando\nconcentrated his talents on movies after bidding the Broadway stage\nadieu in 1949, a decision for which he was severely criticized when his\nstar began to dim in the 1960s and he was excoriated for squandering\nhis talents. No actor ever exerted such a profound influence on\nsucceeding generations of actors as did Brando. More than 50 years\nafter he first scorched the screen as Stanley Kowalski in the movie\nversion of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0931783/?ref_=sr\"\u003eTennessee Williams\u003c/a\u003e\u0026#39;\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044081/?ref_=sr\"\u003eA Streetcar Named Desire (1951)\u003c/a\u003e\nand a quarter-century after his last great performance as Col. Kurtz in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078788/?ref_=sr\"\u003eApocalypse Now (1979)\u003c/a\u003e, all\nAmerican actors are still being measured by the yardstick that was\nBrando. It was if the shadow of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000858/?ref_=sr\"\u003eJohn Barrymore\u003c/a\u003e, the great\nAmerican actor closest to Brando in terms of talent and stardom,\ndominated the acting field up until the 1970s. He did not, nor did any\nother actor so dominate the public\u0026#39;s consciousness of what WAS an actor\nbefore or since Brando\u0026#39;s 1951 on-screen portrayal of Stanley made him a\ncultural icon. Brando eclipsed the reputation of other great actors\ncirca 1950, such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0612847/?ref_=sr\"\u003ePaul Muni\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0545298/?ref_=sr\"\u003eFredric March\u003c/a\u003e. Only the luster of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000075/?ref_=sr\"\u003eSpencer Tracy\u003c/a\u003e\u0026#39;s reputation hasn\u0026#39;t\ndimmed when seen in the starlight thrown off by Brando. However,\nneither Tracy nor Olivier created an entire school of acting just by\nthe force of his personality. Brando did.\u003cbr/\u003e\u003cbr/\u003eMarlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to\nMarlon Brando, Sr., a calcium carbonate salesman, and his artistically\ninclined wife, the former Dorothy Julia Pennebaker. \u0026quot;Bud\u0026quot; Brando was\none of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish;\nhis surname originated with a distant German immigrant ancestor named\n\u0026quot;Brandau.\u0026quot; His oldest sister\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0104720/?ref_=sr\"\u003eJocelyn Brando\u003c/a\u003e was also an actress,\ntaking after their mother, who engaged in amateur theatricals and\nmentored a then-unknown \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000020/?ref_=sr\"\u003eHenry Fonda\u003c/a\u003e, another\nNebraska native, in her role as director of the Omaha Community\nPlayhouse. Frannie, Brando\u0026#39;s other sibling, was a visual artist. Both\nBrando sisters contrived to leave the Midwest for New York City,\nJocelyn to study acting and Frannie to study art. Marlon managed to\nescape the vocational doldrums forecast for him by his cold, distant\nfather and his disapproving schoolteachers by striking out for The Big\nApple in 1943, following Jocelyn into the acting profession. Acting was\nthe only thing he was good at, for which he received praise, so he was\ndetermined to make it his career - a high-school dropout, he had\nnothing else to fall back on, having been rejected by the military due\nto a knee injury he incurred playing football at Shattuck Military\nAcademy, Brando Sr.\u0026#39;s alma mater. The school booted Marlon out as\nincorrigible before graduation.\u003cbr/\u003e\u003cbr/\u003eActing was a skill he honed as a child, the lonely son of alcoholic\nparents. With his father away on the road, and his mother frequently\nintoxicated to the point of stupefaction, the young Bud would play-act\nfor her to draw her out of her stupor and to attract her attention and\nlove. His mother was exceedingly neglectful, but he loved her,\nparticularly for instilling in him a love of nature, a feeling which\ninformed his character Paul in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070849/?ref_=sr\"\u003eLast Tango in Paris (1972)\u003c/a\u003e\n(\u0026quot;Last Tango in Paris\u0026quot;) when he is recalling his childhood for his\nyoung lover Jeanne. \u0026quot;I don\u0026#39;t have many good memories,\u0026quot; Paul confesses,\nand neither did Brando of his childhood. Sometimes he had to go down to\nthe town jail to pick up his mother after she had spent the night in\nthe drunk tank and bring her home, events that traumatized the young\nboy but may have been the grain that irritated the oyster of his\ntalent, producing the pearls of his performances.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000063/?ref_=sr\"\u003eAnthony Quinn\u003c/a\u003e, his Oscar-winning\nco-star in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045296/?ref_=sr\"\u003eViva Zapata! (1952)\u003c/a\u003e told\nBrando\u0026#39;s first wife \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0440542/?ref_=sr\"\u003eAnna Kashfi\u003c/a\u003e, \u0026quot;I admire\nMarlon\u0026#39;s talent, but I don\u0026#39;t envy the pain that created it.\u0026quot;\u003cbr/\u003e\u003cbr/\u003eBrando enrolled in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0685442/?ref_=sr\"\u003eErwin Piscator\u003c/a\u003e\u0026#39;s\nDramatic Workshop at New York\u0026#39;s New School, and was mentored by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0012245/?ref_=sr\"\u003eStella Adler\u003c/a\u003e, a member of a famous Yiddish\nTheatre acting family. Adler helped introduce to the New York stage the\n\u0026quot;emotional memory\u0026quot; technique of Russian theatrical actor, director and\nimpresario\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2507427/?ref_=sr\"\u003eKonstantin Stanislavski\u003c/a\u003e, whose\nmotto was \u0026quot;Think of your own experiences and use them truthfully.\u0026quot; The\nresults of this meeting between an actor and the teacher preparing him\nfor a life in the theater would mark a watershed in American acting and\nculture.\u003cbr/\u003e\u003cbr/\u003eBrando made his debut on the boards of Broadway on October 19, 1944, in\n\u0026quot;I Remember Mama,\u0026quot; a great success. As a young Broadway actor, Brando\nwas invited by talent scouts from several different studios to\nscreen-test for them, but he turned them down because he would not let\nhimself be bound by the then-standard seven-year contract. Brando would\nmake his film debut quite some time later in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0003593/?ref_=sr\"\u003eFred Zinnemann\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042727/?ref_=sr\"\u003eThe Men (1950)\u003c/a\u003e for producer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006452/?ref_=sr\"\u003eStanley Kramer\u003c/a\u003e. Playing a paraplegic\nsoldier, Brando brought new levels of realism to the screen, expanding\non the verisimilitude brought to movies by Group Theatre alumni\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002092/?ref_=sr\"\u003eJohn Garfield\u003c/a\u003e, the predecessor\nclosest to him in the raw power he projected on-screen. Ironically, it\nwas Garfield whom producer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1245243/?ref_=sr\"\u003eIrene Mayer Selznick\u003c/a\u003e had chosen to\nplay the lead in a new\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0931783/?ref_=sr\"\u003eTennessee Williams\u003c/a\u003e play she was about\nto produce, but negotiations broke down when Garfield demanded an\nownership stake in \u0026quot;A Streetcar Named Desire.\u0026quot;\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000044/?ref_=sr\"\u003eBurt Lancaster\u003c/a\u003e was next approached, but\ncouldn\u0026#39;t get out of a prior film commitment. Then director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001415/?ref_=sr\"\u003eElia Kazan\u003c/a\u003e suggested Brando, whom he had\ndirected to great effect in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0027173/?ref_=sr\"\u003eMaxwell Anderson\u003c/a\u003e\u0026#39;s play\n\u0026quot;Truckline Café,\u0026quot; in which Brando co-starred with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001500/?ref_=sr\"\u003eKarl Malden\u003c/a\u003e, who was to remain a close\nfriend for the next 60 years.\u003cbr/\u003e\u003cbr/\u003eDuring the production of \u0026quot;Truckline Café,\u0026quot; Kazan had found that\nBrando\u0026#39;s presence was so magnetic, he had to re-block the play to keep\nMarlon near other major characters\u0026#39; stage business, as the audience\ncould not take its eyes off of him. For the scene where Brando\u0026#39;s\ncharacter re-enters the stage after killing his wife, Kazan placed him\nupstage-center, partially obscured by scenery, but where the audience\ncould still see him as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001500/?ref_=sr\"\u003eKarl Malden\u003c/a\u003e and\nothers played out their scene within the café set. When he eventually\nentered the scene, crying, the effect was electric. A young\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434461/?ref_=sr\"\u003ePauline Kael\u003c/a\u003e, arriving late to the play,\nhad to avert her eyes when Brando made this entrance as she believed\nthe young actor on stage was having a real-life conniption. She did not\nlook back until her escort commented that the young man was a great\nactor.\u003cbr/\u003e\u003cbr/\u003eThe problem with casting Brando as Stanley was that he was much younger\nthan the character as written by Williams. However, after a meeting\nbetween Brando and Williams, the playwright eagerly agreed that Brando\nwould make an ideal Stanley. Williams believed that by casting a\nyounger actor, the Neanderthalish Kowalski would evolve from being a\nvicious older man to someone whose unintentional cruelty can be\nattributed to his youthful ignorance. Brando ultimately was\ndissatisfied with his performance, though, saying he never was able to\nbring out the humor of the character, which was ironic as his\ncharacterization often drew laughs from the audience at the expense of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001788/?ref_=sr\"\u003eJessica Tandy\u003c/a\u003e\u0026#39;s Blanche Dubois. During the\nout-of-town tryouts, Kazan realized that Brando\u0026#39;s magnetism was\nattracting attention and audience sympathy away from Blanche to\nStanley, which was not what the playwright intended. The audience\u0026#39;s\nsympathy should be solely with Blanche, but many spectators were\nidentifying with Stanley. Kazan queried Williams on the matter,\nbroaching the idea of a slight rewrite to tip the scales back to more\nof a balance between Stanley and Blanche, but Williams demurred,\nsmitten as he was by Brando, just like the preview audiences.\u003cbr/\u003e\u003cbr/\u003eFor his part, Brando believed that the audience sided with his Stanley\nbecause \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001788/?ref_=sr\"\u003eJessica Tandy\u003c/a\u003e was too shrill. He\nthought \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000046/?ref_=sr\"\u003eVivien Leigh\u003c/a\u003e, who played the part\nin the movie, was ideal, as she was not only a great beauty but she WAS\nBlanche Dubois, troubled as she was in her real life by mental illness\nand nymphomania. Brando\u0026#39;s appearance as Stanley on stage and on screen\nrevolutionized American acting by introducing \u0026quot;The Method\u0026quot; into\nAmerican consciousness and culture. Method acting, rooted in Adler\u0026#39;s\nstudy at the Moscow Art Theatre of Stanislavsky\u0026#39;s theories that she\nsubsequently introduced to the Group Theatre, was a more naturalistic\nstyle of performing, as it engendered a close identification of the\nactor with the character\u0026#39;s emotions. Adler took first place among\nBrando\u0026#39;s acting teachers, and socially she helped turn him from an\nunsophisticated Midwestern farm boy into a knowledgeable and\ncosmopolitan artist who one day would socialize with presidents.\u003cbr/\u003e\u003cbr/\u003eBrando didn\u0026#39;t like the term \u0026quot;The Method,\u0026quot; which quickly became the\nprominent paradigm taught by such acting gurus as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0833448/?ref_=sr\"\u003eLee Strasberg\u003c/a\u003e at the Actors Studio. Brando\ndenounced Strasberg in his autobiography \u0026quot;Songs My Mother Taught Me\u0026quot;\n(1994), saying that he was a talentless exploiter who claimed he had\nbeen Brando\u0026#39;s mentor. The Actors Studio had been founded by Strasberg\nalong with Kazan and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0012245/?ref_=sr\"\u003eStella Adler\u003c/a\u003e\u0026#39;s\nhusband, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0167353/?ref_=sr\"\u003eHarold Clurman\u003c/a\u003e, all Group\nTheatre alumni, all political progressives deeply committed to the\ndidactic function of the stage. Brando credits his knowledge of the\ncraft to Adler and Kazan, while Kazan in his autobiography \u0026quot;A Life\u0026quot;\nclaimed that Brando\u0026#39;s genius thrived due to the thorough training Adler\nhad given him. Adler\u0026#39;s method emphasized that authenticity in acting is\nachieved by drawing on inner reality to expose deep emotional\nexperience\u003cbr/\u003e\u003cbr/\u003eInterestingly, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001415/?ref_=sr\"\u003eElia Kazan\u003c/a\u003e believed that\nBrando had ruined two generations of actors, his contemporaries and\nthose who came after him, all wanting to emulate the great Brando by\nemploying The Method. Kazan felt that Brando was never a Method actor,\nthat he had been highly trained by Adler and did not rely on gut\ninstincts for his performances, as was commonly believed. Many a young\nactor, mistaken about the true roots of Brando\u0026#39;s genius, thought that\nall it took was to find a character\u0026#39;s motivation, empathize with the\ncharacter through sense and memory association, and regurgitate it all\non stage to become the character. That\u0026#39;s not how the superbly trained\nBrando did it; he could, for example, play accents, whereas your\naverage American Method actor could not. There was a method to Brando\u0026#39;s\nart, Kazan felt, but it was not The Method.\u003cbr/\u003e\u003cbr/\u003eAfter\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044081/?ref_=sr\"\u003eA Streetcar Named Desire (1951)\u003c/a\u003e,\nfor which he received the first of his eight Academy Award nominations,\nBrando appeared in a string of Academy Award-nominated performances -\nin \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045296/?ref_=sr\"\u003eViva Zapata! (1952)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045943/?ref_=sr\"\u003eJulius Caesar (1953)\u003c/a\u003e and the summit\nof his early career, Kazan\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047296/?ref_=sr\"\u003eOn the Waterfront (1954)\u003c/a\u003e. For\nhis \u0026quot;Waterfront\u0026quot; portrayal of meat-headed longshoreman Terry Malloy,\nthe washed-up pug who \u0026quot;coulda been a contender,\u0026quot; Brando won his first\nOscar. Along with his iconic performance as the rebel-without-a-cause\nJohnny in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047677/?ref_=sr\"\u003eThe Wild One (1953)\u003c/a\u003e (\u0026quot;What\nare you rebelling against?\u0026quot; Johnny is asked. \u0026quot;What have ya got?\u0026quot; is his\nreply), the first wave of his career was, according to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000685/?ref_=sr\"\u003eJon Voight\u003c/a\u003e, unprecedented in its audacious\npresentation of such a wide range of great acting. Director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001379/?ref_=sr\"\u003eJohn Huston\u003c/a\u003e said his performance of\nMarc Antony was like seeing the door of a furnace opened in a dark\nroom, and co-star \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000024/?ref_=sr\"\u003eJohn Gielgud\u003c/a\u003e, the premier\nShakespearean actor of the 20th century, invited Brando to join his\nrepertory company.\u003cbr/\u003e\u003cbr/\u003eIt was this period of 1951-54 that revolutionized American acting,\nspawning such imitators as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000015/?ref_=sr\"\u003eJames Dean\u003c/a\u003e - who modeled his acting and even his lifestyle on his hero Brando - the young \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000537/?ref_=sr\"\u003eSteve McQueen\u003c/a\u003e. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the \u0026quot;New Brando,\u0026quot; such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000886/?ref_=sr\"\u003eWarren Beatty\u003c/a\u003e in Kazan\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055471/?ref_=sr\"\u003eSplendor in the Grass (1961)\u003c/a\u003e.\n\u0026quot;We are all Brando\u0026#39;s children,\u0026quot;\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000197/?ref_=sr\"\u003eJack Nicholson\u003c/a\u003e pointed out in\n1972. \u0026quot;He gave us our freedom.\u0026quot; He was truly \u0026quot;The Godfather\u0026quot; of\nAmerican acting - and he was just 30 years old. Though he had a couple of failures, like \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046903/?ref_=sr\"\u003eDésirée (1954)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049830/?ref_=sr\"\u003eThe Teahouse of the August Moon (1956)\u003c/a\u003e, he was clearly miscast in them and hadn\u0026#39;t sought out the parts so largely escaped blame.\u003cbr/\u003e\u003cbr/\u003eIn the second period of his career, 1955-62, Brando managed to uniquely\nestablish himself as a great actor who also was a Top 10 movie star,\nalthough that star began to dim after the box-office high point of his\nearly career, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050933/?ref_=sr\"\u003eSayonara (1957)\u003c/a\u003e (for which\nhe received his fifth Best Actor Oscar nomination). Brando tried his\nhand at directing a film, the well-reviewed\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055257/?ref_=sr\"\u003eOne-Eyed Jacks (1961)\u003c/a\u003e that he made\nfor his own production company, Pennebaker Productions (after his\nmother\u0026#39;s maiden name). \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000040/?ref_=sr\"\u003eStanley Kubrick\u003c/a\u003e\nhad been hired to direct the film, but after months of script rewrites\nin which Brando participated, Kubrick and Brando had a falling out and\nKubrick was sacked. According to his widow\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0473583/?ref_=sr\"\u003eChristiane Kubrick\u003c/a\u003e, Stanley believed\nthat Brando had wanted to direct the film himself all along.\u003cbr/\u003e\u003cbr/\u003eTales proliferated about the profligacy of Brando the director, burning\nup a million and a half feet of expensive VistaVision film at 50 cents\na foot, fully ten times the normal amount of raw stock expended during\nproduction of an equivalent motion picture. Brando took so long editing\nthe film that he was never able to present the studio with a cut.\nParamount took it away from him and tacked on a re-shot ending that\nBrando was dissatisfied with, as it made the Oedipal figure of Dad\nLongworth into a villain. In any normal film Dad would have been the\nheavy, but Brando believed that no one was innately evil, that it was a\nmatter of an individual responding to, and being molded by, one\u0026#39;s\nenvironment. It was not a black-and-white world, Brando felt, but a\ngray world in which once-decent people could do horrible things. This\nattitude explains his sympathetic portrayal of Nazi officer Christian\nDiestl in the film he made before shooting\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055257/?ref_=sr\"\u003eOne-Eyed Jacks (1961)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0229424/?ref_=sr\"\u003eEdward Dmytryk\u003c/a\u003e\u0026#39;s filming of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0789758/?ref_=sr\"\u003eIrwin Shaw\u003c/a\u003e\u0026#39;s novel\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052415/?ref_=sr\"\u003eThe Young Lions (1958)\u003c/a\u003e. Shaw\ndenounced Brando\u0026#39;s performance, but audiences obviously disagreed, as\nthe film was a major hit. It would be the last hit movie Brando would\nhave for more than a decade.\u003cbr/\u003e\u003cbr/\u003e\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055257/?ref_=sr\"\u003eOne-Eyed Jacks (1961)\u003c/a\u003e generated\nrespectable numbers at the box office, but the production costs were\nexorbitant - a then-staggering $6 million - which made it run a\ndeficit. A film essentially is \u0026quot;made\u0026quot; in the editing room, and Brando\nfound cutting to be a terribly boring process, which was why the studio\neventually took the film away from him. Despite his proved talent in\nhandling actors and a large production, Brando never again directed\nanother film, though he would claim that all actors essentially direct\nthemselves during the shooting of a picture.\u003cbr/\u003e\u003cbr/\u003eBetween the production and release of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055257/?ref_=sr\"\u003eOne-Eyed Jacks (1961)\u003c/a\u003e, Brando\nappeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001486/?ref_=sr\"\u003eSidney Lumet\u003c/a\u003e\u0026#39;s film version of\nTennessee Williams\u0026#39; play \u0026quot;Orpheus Descending,\u0026quot;\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052832/?ref_=sr\"\u003eThe Fugitive Kind (1960)\u003c/a\u003e which\nteamed him with fellow Oscar winners\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0536167/?ref_=sr\"\u003eAnna Magnani\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0940946/?ref_=sr\"\u003eJoanne Woodward\u003c/a\u003e. Following in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000072/?ref_=sr\"\u003eElizabeth Taylor\u003c/a\u003e\u0026#39;s trailblazing\nfootsteps, Brando became the second performer to receive a $1-million\nsalary for a motion picture, so high were the expectations for this\nre-teaming of Kowalski and his creator (in 1961 critic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1094899/?ref_=sr\"\u003eHollis Alpert\u003c/a\u003e had published a book \u0026quot;Brando\nand the Shadow of Stanley Kowalski\u0026quot;). Critics and audiences waiting for\nanother incendiary display from Brando in a Williams work were\ndisappointed when the renamed\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052832/?ref_=sr\"\u003eThe Fugitive Kind (1960)\u003c/a\u003e\nfinally released. Though Tennessee was hot, with movie versions of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051459/?ref_=sr\"\u003eCat on a Hot Tin Roof (1958)\u003c/a\u003e\nand\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053318/?ref_=sr\"\u003eSuddenly, Last Summer (1959)\u003c/a\u003e\nburning up the box office and receiving kudos from the Academy of\nMotion Picture Arts \u0026amp; Sciences,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052832/?ref_=sr\"\u003eThe Fugitive Kind (1960)\u003c/a\u003e was a\nfailure. This was followed by the so-so box-office reception of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055257/?ref_=sr\"\u003eOne-Eyed Jacks (1961)\u003c/a\u003e in 1961 and\nthen by a failure of a more monumental kind:\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056264/?ref_=sr\"\u003eMutiny on the Bounty (1962)\u003c/a\u003e,\na remake of the famed 1935 film.\u003cbr/\u003e\u003cbr/\u003eBrando signed on to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056264/?ref_=sr\"\u003eMutiny on the Bounty (1962)\u003c/a\u003e\nafter turning down the lead in the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000180/?ref_=sr\"\u003eDavid Lean\u003c/a\u003e classic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056172/?ref_=sr\"\u003eLawrence of Arabia (1962)\u003c/a\u003e\nbecause he didn\u0026#39;t want to spend a year in the desert riding around on a\ncamel. He received another $1-million salary, plus $200,000 in overages\nas the shoot went overtime and over budget. During principal\nphotography, highly respected director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0715346/?ref_=sr\"\u003eCarol Reed\u003c/a\u003e (an eventual Academy Award\nwinner) was fired, and his replacement, two-time Oscar winner\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0587277/?ref_=sr\"\u003eLewis Milestone\u003c/a\u003e, was shunted aside by\nBrando as Marlon basically took over the direction of the film himself.\nThe long shoot became so notorious that President\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0448123/?ref_=sr\"\u003eJohn F. Kennedy\u003c/a\u003e asked director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000697/?ref_=sr\"\u003eBilly Wilder\u003c/a\u003e at a cocktail party not \u0026quot;when\u0026quot;\nbut \u0026quot;if\u0026quot; the \u0026quot;Bounty\u0026quot; shoot would ever be over. The MGM remake of one\nof its classic Golden Age films garnered a Best Picture Oscar\nnomination and was one of the top grossing films of 1962, yet failed to\ngo into the black due to its Brobdingnagian budget estimated at $20\nmillion, which is equivalent to $120 million when adjusted for\ninflation.\u003cbr/\u003e\u003cbr/\u003eBrando and Taylor, whose\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056937/?ref_=sr\"\u003eCleopatra (1963)\u003c/a\u003e nearly bankrupted 20th\nCentury-Fox due to its huge cost overruns (its final budget was more\nthan twice that of Brando\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056264/?ref_=sr\"\u003eMutiny on the Bounty (1962)\u003c/a\u003e),\nwere pilloried by the show business press for being the epitome of the\npampered, self-indulgent stars who were ruining the industry. Seeking\nscapegoats, the Hollywood press conveniently ignored the financial\npressures on the studios. The studios had been hurt by television and\nby the antitrust-mandated divestiture of their movie theater chains,\ncausing a large outflow of production to Italy and other countries in\nthe 1950s and 1960s in order to lower costs. The studio bosses, seeking\nto replicate such blockbuster hits as the remakes of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049833/?ref_=sr\"\u003eThe Ten Commandments (1956)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052618/?ref_=sr\"\u003eBen-Hur (1959)\u003c/a\u003e, were the real\nculprits behind the losses generated by large-budgeted films that found\nit impossible to recoup their costs despite long lines at the box\noffice.\u003cbr/\u003e\u003cbr/\u003eWhile Elizabeth Taylor, receiving the unwanted gift of reams of\npublicity from her adulterous romance with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056937/?ref_=sr\"\u003eCleopatra (1963)\u003c/a\u003e co-star\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000009/?ref_=sr\"\u003eRichard Burton\u003c/a\u003e, remained hot\nuntil the tanking of her own Tennessee Williams-renamed debacle\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062751/?ref_=sr\"\u003eBoom (1968)\u003c/a\u003e, Brando from 1963 until the end\nof the decade appeared in one box-office failure after another as he\nworked out a contract he had signed with Universal Pictures. The\nindustry had grown tired of Brando and his idiosyncrasies, though he\ncontinued to be offered prestige projects up through 1968.\u003cbr/\u003e\u003cbr/\u003eSome of the films Brando made in the 1960s were noble failures, such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056632/?ref_=sr\"\u003eThe Ugly American (1963)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060120/?ref_=sr\"\u003eThe Appaloosa (1966)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062185/?ref_=sr\"\u003eReflections in a Golden Eye (1967)\u003c/a\u003e.\nFor every \u0026quot;Reflections,\u0026quot; though, there seemed to be two or three\noutright debacles, such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057878/?ref_=sr\"\u003eBedtime Story (1964)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059470/?ref_=sr\"\u003eMorituri (1965)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060232/?ref_=sr\"\u003eThe Chase (1966)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061523/?ref_=sr\"\u003eA Countess from Hong Kong (1967)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062776/?ref_=sr\"\u003eCandy (1968)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064728/?ref_=sr\"\u003eThe Night of the Following Day (1969)\u003c/a\u003e.\nBy the time Brando began making the anti-colonialist picture\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064866/?ref_=sr\"\u003eQueimada (1969)\u003c/a\u003e in Colombia with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0690597/?ref_=sr\"\u003eGillo Pontecorvo\u003c/a\u003e in the director\u0026#39;s\nchair, he was box-office poison, despite having worked in the previous\nfive years with such top directors as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0671957/?ref_=sr\"\u003eArthur Penn\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001379/?ref_=sr\"\u003eJohn Huston\u003c/a\u003e and the legendary\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000122/?ref_=sr\"\u003eCharles Chaplin\u003c/a\u003e, and with such\ntop-drawer co-stars as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000057/?ref_=sr\"\u003eDavid Niven\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000989/?ref_=sr\"\u003eYul Brynner\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000047/?ref_=sr\"\u003eSophia Loren\u003c/a\u003e and Taylor.\u003cbr/\u003e\u003cbr/\u003eThe rap on Brando in the 1960s was that a great talent had ruined his\npotential to be America\u0026#39;s answer to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000059/?ref_=sr\"\u003eLaurence Olivier\u003c/a\u003e, as his friend\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0714835/?ref_=sr\"\u003eWilliam Redfield\u003c/a\u003e limned the dilemma in\nhis book \u0026quot;Letters from an Actor\u0026quot; (1967), a memoir about Redfield\u0026#39;s\nappearance in Burton\u0026#39;s 1964 theatrical production of \u0026quot;Hamlet.\u0026quot; By\nfailing to go back on stage and recharge his artistic batteries,\nsomething British actors such as Burton were not afraid to do, Brando\nhad stifled his great talent, by refusing to tackle the classical\nrepertoire and contemporary drama. Actors and critics had yearned for\nan American response to the high-acting style of the Brits, and while\nMethod actors such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001768/?ref_=sr\"\u003eRod Steiger\u003c/a\u003e tried to\ncreate an American style, they were hampered in their quest, as their\nking was lost in a wasteland of Hollywood movies that were beneath his\ntalent. Many of his early supporters now turned on him, claiming he was\na crass sellout.\u003cbr/\u003e\u003cbr/\u003eDespite evidence in such films as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060120/?ref_=sr\"\u003eThe Appaloosa (1966)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062185/?ref_=sr\"\u003eReflections in a Golden Eye (1967)\u003c/a\u003e\nthat Brando was in fact doing some of the best acting of his life,\ncritics, perhaps with an eye on the box office, slammed him for failing\nto live up to, and nurture, his great gift. Brando\u0026#39;s political\nactivism, starting in the early 1960s with his championing of Native\nAmericans\u0026#39; rights, followed by his participation in the Southern\nChristian Leadership Conference\u0026#39;s March on Washington in 1963, and\nfollowed by his appearance at a Black Panther rally in 1968, did not\nwin him many admirers in the establishment. In fact, there was a de\nfacto embargo on Brando films in the recently segregated (officially,\nat least) southeastern US in the 1960s. Southern exhibitors simply\nwould not book his films, and producers took notice. After 1968, Brando\nwould not work for three years.\u003cbr/\u003e\u003cbr/\u003e\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434461/?ref_=sr\"\u003ePauline Kael\u003c/a\u003e wrote of Brando that he was\nFortune\u0026#39;s fool. She drew a parallel with the latter career of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000858/?ref_=sr\"\u003eJohn Barrymore\u003c/a\u003e, a similarly\ngifted thespian with talents as prodigious, who seemingly threw them\naway. Brando, like the late-career Barrymore, had become a great ham,\nevidenced by his turn as the faux Indian guru in the egregious\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062776/?ref_=sr\"\u003eCandy (1968)\u003c/a\u003e, seemingly because the\nmaterial was so beneath his talent. Most observers of Brando in the\n1960s believed that he needed to be reunited with his old mentor\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001415/?ref_=sr\"\u003eElia Kazan\u003c/a\u003e, a relationship that had soured\ndue to Kazan\u0026#39;s friendly testimony naming names before the notorious\nHouse un-American Activities Committee. Perhaps Brando believed this,\ntoo, as he originally accepted an offer to appear as the star of\nKazan\u0026#39;s film adaptation of his own novel,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064041/?ref_=sr\"\u003eThe Arrangement (1969)\u003c/a\u003e. However,\nafter the assassination of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0455052/?ref_=sr\"\u003eMartin Luther King\u003c/a\u003e, Brando backed out\nof the film, telling Kazan that he could not appear in a Hollywood film\nafter this tragedy. Also reportedly turning down a role opposite\nbox-office king \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e in a\nsurefire script,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064115/?ref_=sr\"\u003eButch Cassidy and the Sundance Kid (1969)\u003c/a\u003e,\nBrando decided to make \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064866/?ref_=sr\"\u003eQueimada (1969)\u003c/a\u003e\nwith Pontecorvo. The film, a searing indictment of racism and\ncolonialism, flopped at the box office but won the esteem of\nprogressive critics and cultural arbiters such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0957016/?ref_=sr\"\u003eHoward Zinn\u003c/a\u003e. He subsequently appeared in the British film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069007/?ref_=sr\"\u003eThe Nightcomers (1971)\u003c/a\u003e, a prequel to \u0026quot;Turn of the Screw\u0026quot; and another critical and box office failure.\u003cbr/\u003e\u003cbr/\u003eKazan, after a life in film and the theater, said that, aside from\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000080/?ref_=sr\"\u003eOrson Welles\u003c/a\u003e, whose greatness lay in\nfilm making, he only met one actor who was a genius: Brando. Richard\nBurton, an intellectual with a keen eye for observation if not for his\nown film projects, said that he found Brando to be very bright, unlike\nthe public perception of him as a Terry Malloy-type character that he\nhimself inadvertently promoted through his boorish behavior. Brando\u0026#39;s\nproblem, Burton felt, was that he was unique, and that he had gotten\ntoo much fame too soon at too early an age. Cut off from being nurtured\nby normal contact with society, fame had distorted Brando\u0026#39;s personality\nand his ability to cope with the world, as he had not had time to grow\nup outside the limelight.\u003cbr/\u003e\u003cbr/\u003e\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001986/?ref_=sr\"\u003eTruman Capote\u003c/a\u003e, who eviscerated Brando in\nprint in the mid-\u0026#39;50s and had as much to do with the public perception\nof the dyslexic Brando as a dumbbell, always said that the best actors\nwere ignorant, and that an intelligent person could not be a good\nactor. However, Brando was highly intelligent, and possessed of a rare\ngenius in a then-deprecated art, acting. The problem that an\nintelligent performer has in movies is that it is the director, and not\nthe actor, who has the power in his chosen field. Greatness in the\nother arts is defined by how much control the artist is able to exert\nover his chosen medium, but in movie acting, the medium is controlled\nby a person outside the individual artist. It is an axiom of the cinema\nthat a performance, as is a film, is \u0026quot;created\u0026quot; in the cutting room,\nthus further removing the actor from control over his art. Brando had\ntried his hand at directing, in controlling the whole artistic\nenterprise, but he could not abide the cutting room, where a film and\nthe film\u0026#39;s performances are made. This lack of control over his art was\nthe root of Brando\u0026#39;s discontent with acting, with movies, and,\neventually, with the whole wide world that invested so much cachet in\nmovie actors, as long as \u0026quot;they\u0026quot; were at the top of the box-office\ncharts. Hollywood was a matter of \u0026quot;they\u0026quot; and not the work, and Brando\nbecame disgusted.\u003cbr/\u003e\u003cbr/\u003e\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000032/?ref_=sr\"\u003eCharlton Heston\u003c/a\u003e, who participated in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0455052/?ref_=sr\"\u003eMartin Luther King\u003c/a\u003e\u0026#39;s 1963 March on\nWashington with Brando, believes that Marlon was the great actor of his\ngeneration. However, noting a story that Brando had once refused a role\nin the early 1960s with the excuse \u0026quot;How can I act when people are\nstarving in India?,\u0026quot; Heston believes that it was this attitude, the\ninability to separate one\u0026#39;s idealism from one\u0026#39;s work, that prevented\nBrando from reaching his potential. As\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001768/?ref_=sr\"\u003eRod Steiger\u003c/a\u003e once said, Brando had it all,\ngreat stardom and a great talent. He could have taken his audience on a\ntrip to the stars, but he simply would not. Steiger, one of Brando\u0026#39;s\nchildren even though a contemporary, could not understand it. When\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000051/?ref_=sr\"\u003eJames Mason\u003c/a\u003e\u0026#39; was asked in 1971 who\nwas the best American actor, he had replied that since Brando had let\nhis career go belly-up, it had to be\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001715/?ref_=sr\"\u003eGeorge C. Scott\u003c/a\u003e, by default.\u003cbr/\u003e\u003cbr/\u003eParamount thought that only\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000059/?ref_=sr\"\u003eLaurence Olivier\u003c/a\u003e would suffice, but\nLord Olivier was ill. The young director believed there was only one\nactor who could play godfather to the group of Young Turk actors he had\nassembled for his film, The Godfather of method acting himself - Marlon\nBrando. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e won\nthe fight for Brando, Brando won - and refused - his second Oscar, and\nParamount won a pot of gold by producing the then top-grossing film of\nall-time, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068646/?ref_=sr\"\u003eThe Godfather (1972)\u003c/a\u003e, a\ngangster movie most critics now judge one of the greatest American\nfilms of all time. Brando followed his iconic portrayal of Don Corleone\nwith his Oscar-nominated turn in the high-grossing and highly\nscandalous\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070849/?ref_=sr\"\u003eLast Tango in Paris (1972)\u003c/a\u003e\n(\u0026quot;Last Tango in Paris\u0026quot;), the first film dealing explicitly with\nsexuality in which an actor of Brando\u0026#39;s stature had participated. He\nwas now again a top ten box office star and once again heralded as the\ngreatest actor of his generation, an unprecedented comeback that put\nhim on the cover of \u0026quot;Time\u0026quot; magazine and would make him the highest-paid\nactor in the history of motion pictures by the end of the decade.\nLittle did the world know that Brando, who had struggled through many\nprojects in good faith during the 1960s, delivering some of his best\nacting, only to be excoriated and ignored as the films did not do well\nat the box office, essentially was through with the movies.\u003cbr/\u003e\u003cbr/\u003eAfter reaching the summit of his career, a rarefied atmosphere never\nreached before or since by any actor, Brando essentially walked away.\nHe would give no more of himself after giving everything as he had done\nin \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070849/?ref_=sr\"\u003eLast Tango in Paris (1972)\u003c/a\u003e,\u0026quot; a performance that embarrassed him, according\nto his autobiography. Brando had come as close to any actor to being\nthe \u0026quot;auteur,\u0026quot; or author, of a film, as the English-language scenes of\n\u0026quot;Tango\u0026quot; were created by encouraging Brando to improvise. The\nimprovisations were written down and turned into a shooting script, and\nthe scripted improvisations were shot the next day.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434461/?ref_=sr\"\u003ePauline Kael\u003c/a\u003e, the Brando of movie critics\nin that she was the most influential arbiter of cinematic quality of\nher generation and spawned a whole legion of Kael wannabes, said\nBrando\u0026#39;s performance in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070849/?ref_=sr\"\u003eLast Tango in Paris (1972)\u003c/a\u003e had revolutionized the art of\nfilm. Brando, who had to act to gain his mother\u0026#39;s attention; Brando,\nwho believed acting at best was nothing special as everyone in the\nworld engaged in it every day of their lives to get what they wanted\nfrom other people; Brando, who believed acting at its worst was a\nchildish charade and that movie stardom was a whorish fraud, would have\nagreed with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001603/?ref_=sr\"\u003eSam Peckinpah\u003c/a\u003e\u0026#39;s summation of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434461/?ref_=sr\"\u003ePauline Kael\u003c/a\u003e: \u0026quot;Pauline\u0026#39;s a brilliant critic\nbut sometimes she\u0026#39;s just cracking walnuts with her ass.\u0026quot; He probably would have done so in a\nsimulacrum of those words, too.\u003cbr/\u003e\u003cbr/\u003eAfter another three-year hiatus, Brando took on just one more major\nrole for the next 20 years, as the bounty hunter after\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000197/?ref_=sr\"\u003eJack Nicholson\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0671957/?ref_=sr\"\u003eArthur Penn\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074906/?ref_=sr\"\u003eThe Missouri Breaks (1976)\u003c/a\u003e, a\nwestern that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando\u0026#39;s performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078678/?ref_=sr\"\u003eRoots: The Next Generations (1979)\u003c/a\u003e, portraying \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0734339/?ref_=sr\"\u003eGeorge Lincoln Rockwell\u003c/a\u003e; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078140/?ref_=sr\"\u003eRaoni (1978)\u003c/a\u003e, a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.\u003cbr/\u003e\u003cbr/\u003eLater in his career, Brando concentrated on extracting the maximum amount of\ncapital for the least amount of work from producers, as when he got the\nSalkind brothers to pony up a then-record $3.7 million against 10% of\nthe gross for 13 days work on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078346/?ref_=sr\"\u003eSuperman (1978)\u003c/a\u003e. Factoring in inflation,\nthe straight salary for \u0026quot;Superman\u0026quot; equals or exceeds the new record of\n$1 million a day \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000148/?ref_=sr\"\u003eHarrison Ford\u003c/a\u003e set\nwith\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0267626/?ref_=sr\"\u003eK-19: The Widowmaker (2002)\u003c/a\u003e. He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie\u0026#39;s sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.\u003cbr/\u003e\u003cbr/\u003eBefore cashing his first paycheck for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078346/?ref_=sr\"\u003eSuperman (1978)\u003c/a\u003e, Brando had picked up $2\nmillion for his extended cameo in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078788/?ref_=sr\"\u003eApocalypse Now (1979)\u003c/a\u003e in a role,\nthat of Col. Kurtz, that he authored on-camera through improvisation\nwhile Coppola shot take after take. It was Brando\u0026#39;s last bravura star\nperformance. He co-starred with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001715/?ref_=sr\"\u003eGeorge C. Scott\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000024/?ref_=sr\"\u003eJohn Gielgud\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080754/?ref_=sr\"\u003eThe Formula (1980)\u003c/a\u003e, but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination\nfor his supporting role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097243/?ref_=sr\"\u003eA Dry White Season (1989)\u003c/a\u003e\nafter coming out of a near-decade-long retirement. Contrary to those\nwho claimed he now only was in it for the money, Brando donated his\nentire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099615/?ref_=sr\"\u003eThe Freshman (1990)\u003c/a\u003e, winning rave reviews. He portrayed Tomas de Torquemada in the historical drama \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103594/?ref_=sr\"\u003e1492: Conquest of Paradise (1992)\u003c/a\u003e, but his performance was denounced and the film was another box office failure. He made another comeback in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000136/?ref_=sr\"\u003eJohnny Depp\u003c/a\u003e romantic drama \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0112883/?ref_=sr\"\u003eDon Juan DeMarco (1994)\u003c/a\u003e, which co-starred \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001159/?ref_=sr\"\u003eFaye Dunaway\u003c/a\u003e as his wife. He then appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0116654/?ref_=sr\"\u003eThe Island of Dr. Moreau (1996)\u003c/a\u003e, co-starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000174/?ref_=sr\"\u003eVal Kilmer\u003c/a\u003e, who he didn\u0026#39;t get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.\u003cbr/\u003e\u003cbr/\u003eBrando had first attracted media attention at the age of 24, when\n\u0026quot;Life\u0026quot; magazine ran a photo of himself and his sister Jocelyn, who were\nboth then appearing on Broadway. The curiosity continued, and\nsnowballed. Playing the paraplegic soldier of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042727/?ref_=sr\"\u003eThe Men (1950)\u003c/a\u003e, Brando had gone to live\nat a Veterans Administration hospital with actual disabled veterans,\nand confined himself to a wheelchair for weeks. It was an acting\nmethod, research, that no one in Hollywood had ever heard of before,\nand that willingness to experience life.","knownFor":{"originalTitleText":"Apocalypse Now","titleId":"tt0078788","titleText":"Apocalypse Now","canHaveEpisodes":false,"yearRange":{"year":1979}},"nameId":"nm0000008","nameText":"Marlon Brando","professions":["Actor","Director","Writer"],"primaryProfessions":["Actor","Director","Writer"],"primaryImage":{"caption":"Marlon Brando in Last Tango in Paris (1972)","height":792,"width":1023,"url":"https://m.media-amazon.com/images/M/MV5BMTg3MDYyMDE5OF5BMl5BanBnXkFtZTcwNjgyNTEzNA@@._V1_.jpg"}},{"bio":"Jeffrey Hunter was born Henry Herman McKinnies Jr. on November 25, 1926 in New Orleans, Louisiana, an only child. His parents met at the University of Arkansas, and when he was almost four his family moved to Milwaukee, Wisconsin. In his teens, he acted in productions of the North Shore Children\u0026#39;s Theater and, from 1942 to 1944, performed in summer stock with the local Port Players, along with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0373012/?ref_=sr\"\u003eEileen Heckart\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0705989/?ref_=sr\"\u003eCharlotte Rae\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0196536/?ref_=sr\"\u003eMorton DaCosta\u003c/a\u003e. Hunter was also a radio actor at WTMJ, getting his first professional paycheck in 1945 for the wartime series \u0026quot;Those Who Serve.\u0026quot; After graduation from Whitefish Bay High School, where he was co-captain of the football team, he enlisted in the United States Navy and underwent training at Great Lakes Naval Station, Illinois, in 1945-1946, but on the eve of his shipping out for active duty in Japan he took ill and received a medical discharge from the service.\u003cbr/\u003e\u003cbr/\u003eHunter attended and graduated from Northwestern University with a bachelor\u0026#39;s degree in 1949, where he acquired more stage experience in Sheridan\u0026#39;s \u0026quot;The Rivals\u0026quot; and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002106/?ref_=sr\"\u003eRuth Gordon\u003c/a\u003e\u0026#39;s \u0026quot;Years Ago\u0026quot;. He also did summer stock with Northwestern students at Eagles Mere, Pennsylvania in 1948, worked on two Northwestern Radio Playshop broadcasts, was president of Phi Delta Theta Fraternity, and was active in the campus film society with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0103192/?ref_=sr\"\u003eDavid Bradley\u003c/a\u003e, later acting in director David Bradley\u0026#39;s production of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042622/?ref_=sr\"\u003eJulius Caesar (1950)\u003c/a\u003e in 1949. He then attended graduate school at the University of California at Los Angeles, where he studied radio and drama. He was in the cast of a UCLA production of Arthur Miller\u0026#39;s \u0026quot;All My Sons\u0026quot; in May, 1950; on opening night, the good-looking Hunter drew the attention of talent scouts from Paramount and 20th Century-Fox Studios.\u003cbr/\u003e\u003cbr/\u003eHunter made a screen test with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0003225/?ref_=sr\"\u003eEd Begley\u003c/a\u003e in a scene from \u0026quot;All My Sons\u0026quot; at Paramount (where he met \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0750640/?ref_=sr\"\u003eBarbara Rush\u003c/a\u003e, his future wife), but after an executive shake-up at that studio derailed his hiring, he was signed by 20th Century Fox (where he remained under contract until 1959) and within a month was sent on location in New York for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043560/?ref_=sr\"\u003eFourteen Hours (1951)\u003c/a\u003e. Hunter was kept fairly busy in pictures, working his way from featured roles to starring roles to first-billing within two years in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046267/?ref_=sr\"\u003eSailor of the King (1953)\u003c/a\u003e. His big break came with John Ford\u0026#39;s classic, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049730/?ref_=sr\"\u003eThe Searchers (1956)\u003c/a\u003e, where he played the young cowboy who accompanies \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000078/?ref_=sr\"\u003eJohn Wayne\u003c/a\u003e on his epic search for a child kidnapped by Comanches. Hunter got excellent reviews for his performance in this film and justifiably so, as he held his own well with the veteran Wayne.\u003cbr/\u003e\u003cbr/\u003eStarring roles in two more John Ford movies followed, and in 1960, Hunter had one of his best roles in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053901/?ref_=sr\"\u003eHell to Eternity (1960)\u003c/a\u003e, the true story of World War II hero Guy Gabaldon. That same year, Hunter landed the role for which he is probably best known (although it\u0026#39;s far from his best work), when he played Jesus in producer Samuel Bronston\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055047/?ref_=sr\"\u003eKing of Kings (1961)\u003c/a\u003e, which due to Hunter\u0026#39;s still youthful looks at 33, was dubbed by irreverent Hollywood wags \u0026quot;I Was a Teenage Jesus.\u0026quot; After the cancellation of his Western series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056788/?ref_=sr\"\u003eTemple Houston (1963)\u003c/a\u003e, and his decision not to continue in the lead role of the current series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060028/?ref_=sr\"\u003eStar Trek (1966)\u003c/a\u003e, his career took a downturn, and Hunter eventually wound up in Europe working on cheap Westerns, at the time a sure sign of a career in trouble.\u003cbr/\u003e\u003cbr/\u003eWhile in Spain in November 1968 to film Cry Chicago (¡Viva América!), a story about the Chicago Mafia, Hunter was injured in an on-set explosion when a car window near him, which had been rigged to explode outward, accidentally exploded inward. Hunter sustained a serious concussion. According to Hunter\u0026#39;s wife Emily, he \u0026quot;went into shock\u0026quot; on the flight back to the United States after filming and \u0026quot;couldn\u0026#39;t speak. He could hardly move.\u0026quot; After landing, Hunter was taken to Good Samaritan Hospital in Los Angeles, but doctors could not find any serious injuries except for a displaced vertebra and a concussion.\u003cbr/\u003e\u003cbr/\u003eOn the afternoon of May 26, 1969, Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He fell, knocked over a planter, and struck his head on the banister, fracturing his skull. He was found unconscious by Frank Bellow, an actor and a friend of Hunter\u0026#39;s, who came for a visit, and taken to Valley Presbyterian Hospital, where he underwent brain surgery. He died at about 9:30 the following morning at the age of 42.","knownFor":{"originalTitleText":"The Searchers","titleId":"tt0049730","titleText":"The Searchers","canHaveEpisodes":false,"yearRange":{"year":1956}},"nameId":"nm0001374","nameText":"Jeffrey Hunter","professions":["Actor","Producer","Soundtrack"],"primaryProfessions":["Actor","Producer","Soundtrack"],"primaryImage":{"caption":"Jeffrey Hunter in The Longest Day (1962)","height":2048,"width":1638,"url":"https://m.media-amazon.com/images/M/MV5BMjI3NTA1MzY5OV5BMl5BanBnXkFtZTcwMDU0MjYwOA@@._V1_.jpg"}},{"bio":"Ray Bolger was born Raymond Wallace Bolger on January 10, 1904 in Dorchester, Massachusetts, to Anne C. (Wallace) and James Edward Bolger, both Irish-Americans. Ray began his career in vaudeville. He was half of a team called \u0026quot;Sanford and Bolger\u0026quot; and also did numerous Broadway shows on his own. Like \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000037/?ref_=sr\"\u003eGene Kelly\u003c/a\u003e, he was a song-and-dance man as well as an actor. He was signed to a contract with MGM and his first role was as himself in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0027698/?ref_=sr\"\u003eThe Great Ziegfeld (1936)\u003c/a\u003e. This was soon followed by a role opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0007224/?ref_=sr\"\u003eEleanor Powell\u003c/a\u003e in the romantic comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0029499/?ref_=sr\"\u003eRosalie (1937)\u003c/a\u003e. His first dancing and singing role was in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0030817/?ref_=sr\"\u003eSweethearts (1938)\u003c/a\u003e, where he did the \u0026quot;wooden shoes\u0026quot; number with redheaded soprano/actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0531776/?ref_=sr\"\u003eJeanette MacDonald\u003c/a\u003e. This got him noticed by MGM producers and resulted in his being cast in his most famous role, the Scarecrow in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eSurprisingly, even though the film was a success, Bolger\u0026#39;s contract with MGM ended. He went to RKO Radio Pictures to make the romantic comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034751/?ref_=sr\"\u003eFour Jacks and a Jill (1942)\u003c/a\u003e. After this, Bolger went to Broadway, where he received his greatest satisfaction. In 1953, he turned to television and received his own sitcom, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045455/?ref_=sr\"\u003eWhere\u0026#39;s Raymond? (1953)\u003c/a\u003e, later changed to \u0026quot;The Ray Bolger Show\u0026quot;. After his series ended, Bolger guest starred on many television series such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076984/?ref_=sr\"\u003eBattlestar Galactica (1978)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077008/?ref_=sr\"\u003eFantasy Island (1977)\u003c/a\u003e, and had some small roles in movies. In 1985, he co-hosted the documentary film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090152/?ref_=sr\"\u003eThat\u0026#39;s Dancing! (1985)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0591485/?ref_=sr\"\u003eLiza Minnelli\u003c/a\u003e. Ray Bolger died of bladder cancer in Los Angeles, California on January 15, 1987, five days after his 83rd birthday.","knownFor":{"originalTitleText":"The Wizard of Oz","titleId":"tt0032138","titleText":"The Wizard of Oz","canHaveEpisodes":false,"yearRange":{"year":1939}},"nameId":"nm0001961","nameText":"Ray Bolger","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Ray Bolger, c. 1938.","height":450,"width":343,"url":"https://m.media-amazon.com/images/M/MV5BMTUyNTI0NjUxMl5BMl5BanBnXkFtZTYwOTIxMTM2._V1_.jpg"}},{"bio":"Vera-Ellen began dancing at the age of 10, and a few years later became\none of the youngest Rockettes. She appeared in several Broadway\nmusicals until she was spotted by film producer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0326418/?ref_=sr\"\u003eSamuel Goldwyn\u003c/a\u003e in 1945. She\nwas only 24 years old when Goldwyn cast her opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001414/?ref_=sr\"\u003eDanny Kaye\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038260/?ref_=sr\"\u003eWonder Man (1945)\u003c/a\u003e. She danced with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000001/?ref_=sr\"\u003eFred Astaire\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043044/?ref_=sr\"\u003eThree Little Words (1950)\u003c/a\u003e and with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000037/?ref_=sr\"\u003eGene Kelly\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041716/?ref_=sr\"\u003eOn the Town (1949)\u003c/a\u003e. Blonde, slim of build, and a dancing sensation, she appeared\nin a string of light-hearted but successful films. Vera-Ellen retired\nfrom acting in the late 1950s.","knownFor":{"originalTitleText":"White Christmas","titleId":"tt0047673","titleText":"White Christmas","canHaveEpisodes":false,"yearRange":{"year":1954}},"nameId":"nm0893584","nameText":"Vera-Ellen","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Vera-Ellen","height":2048,"width":1638,"url":"https://m.media-amazon.com/images/M/MV5BNzY4MDcyNDA5Ml5BMl5BanBnXkFtZTcwODE4MDIyOA@@._V1_.jpg"}},{"bio":"Glynis Johns was the daughter of actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0424345/?ref_=sr\"\u003eMervyn Johns\u003c/a\u003e. Best known for her light comedy roles and often playful flirtation, Glynis was born in South Africa while her parents were on tour there (her mother was a concert pianist) but was always proud of her Welsh roots and took delight in playing the female lead (opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000009/?ref_=sr\"\u003eRichard Burton\u003c/a\u003e) in the classic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070854/?ref_=sr\"\u003eUnder Milk Wood (1971)\u003c/a\u003e. She was probably best known for her role as the suffragette mother in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058331/?ref_=sr\"\u003eMary Poppins (1964)\u003c/a\u003e although she is probably best loved for her fishy roles in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040597/?ref_=sr\"\u003eMiranda (1948)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047199/?ref_=sr\"\u003eMad About Men (1954)\u003c/a\u003e. She had earlier showed she could take on the serious roles as well as in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039398/?ref_=sr\"\u003eFrieda (1947)\u003c/a\u003e. Most recently seen (at the time of writing) in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0167427/?ref_=sr\"\u003eSuperstar (1999)\u003c/a\u003e. Johns died in 2024, aged 100, having never received the damehood she had richly deserved for decades. Predeceased by her only son, she was survived by a grandson,Thomas Forwood, and three great-grandchildren.","knownFor":{"originalTitleText":"Mary Poppins","titleId":"tt0058331","titleText":"Mary Poppins","canHaveEpisodes":false,"yearRange":{"year":1964}},"nameId":"nm0424318","nameText":"Glynis Johns","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Glynis Johns","height":3899,"width":3124,"url":"https://m.media-amazon.com/images/M/MV5BNjkzYTFmNmUtZjE2NC00MDFiLTk5Y2MtY2NkOTVmN2RlNWRkXkEyXkFqcGc@._V1_.jpg"}},{"bio":"James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.\u003cbr/\u003e\u003cbr/\u003eIn 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000020/?ref_=sr\"\u003eHenry Fonda\u003c/a\u003e to Hollywood, that things began to pick up.\u003cbr/\u003e\u003cbr/\u003eAfter his first screen appearance in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0024838/?ref_=sr\"\u003eArt Trouble (1934)\u003c/a\u003e, Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001008/?ref_=sr\"\u003eFrank Capra\u003c/a\u003e, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0030993/?ref_=sr\"\u003eYou Can\u0026#39;t Take It with You (1938)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031679/?ref_=sr\"\u003eMr. Smith Goes to Washington (1939)\u003c/a\u003e, and, after World War II, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038650/?ref_=sr\"\u003eIt\u0026#39;s a Wonderful Life (1946)\u003c/a\u003e helped to launch his career as a star and to establish his screen persona as the likable everyman.\u003cbr/\u003e\u003cbr/\u003eHaving learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.\u003cbr/\u003e\u003cbr/\u003eStewart\u0026#39;s acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood\u0026#39;s best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056217/?ref_=sr\"\u003eThe Man Who Shot Liberty Valance (1962)\u003c/a\u003e), biopics (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041928/?ref_=sr\"\u003eThe Stratton Story (1949)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047030/?ref_=sr\"\u003eThe Glenn Miller Story (1954)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051003/?ref_=sr\"\u003eThe Spirit of St. Louis (1957)\u003c/a\u003e, for instance, thrillers (most notably his frequent collaborations with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000033/?ref_=sr\"\u003eAlfred Hitchcock\u003c/a\u003e), and even some screwball comedies.\u003cbr/\u003e\u003cbr/\u003eOn June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, \u0026quot;I\u0026#39;m going to be with Gloria now\u0026quot;.","knownFor":{"originalTitleText":"Anatomy of a Murder","titleId":"tt0052561","titleText":"Anatomy of a Murder","canHaveEpisodes":false,"yearRange":{"year":1959}},"nameId":"nm0000071","nameText":"James Stewart","professions":["Actor","Director","Producer"],"primaryProfessions":["Actor","Director","Producer"],"primaryImage":{"caption":"James Stewart","height":2048,"width":1638,"url":"https://m.media-amazon.com/images/M/MV5BMjIwNzMzODY0NV5BMl5BanBnXkFtZTcwMDk3NDQyOA@@._V1_.jpg"}},{"bio":"Chadwick Boseman was an American actor. He is known for his portrayal of T\u0026#39;Challa / Black Panther in the Marvel Cinematic Universe from 2016 to 2019, particularly in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1825683/?ref_=sr\"\u003eBlack Panther (2018)\u003c/a\u003e, and for his starring roles as several pioneering Americans, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0732697/?ref_=sr\"\u003eJackie Robinson\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0453562/?ref_=sr\"\u003e42 (2013)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0113768/?ref_=sr\"\u003eJames Brown\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2473602/?ref_=sr\"\u003eGet on Up (2014)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0551208/?ref_=sr\"\u003eThurgood Marshall\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt5301662/?ref_=sr\"\u003eMarshall (2017)\u003c/a\u003e. He also had choice parts in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0469903/?ref_=sr\"\u003eThe Express (2008)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2223990/?ref_=sr\"\u003eDraft Day (2014)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1712192/?ref_=sr\"\u003eMessage from the King (2016)\u003c/a\u003e. Born in Anderson, South Carolina, he attended Howard University and studied at the Oxford Mid-Summer Program for acting, before moving to Los Angeles in 2008 to pursue his craft on the big screen. He died in 2020, after a four year bout with colon cancer, during which time he had starred in several of the biggest movies ever made.","knownFor":{"originalTitleText":"Black Panther","titleId":"tt1825683","titleText":"Black Panther","canHaveEpisodes":false,"yearRange":{"year":2018}},"nameId":"nm1569276","nameText":"Chadwick Boseman","professions":["Actor","Producer","Writer"],"primaryProfessions":["Actor","Producer","Writer"],"primaryImage":{"caption":"Chadwick Boseman","height":1125,"width":750,"url":"https://m.media-amazon.com/images/M/MV5BMTk2OTY5MzcwMV5BMl5BanBnXkFtZTgwODM4MDI5MjI@._V1_.jpg"}},{"bio":"Teri Garr can claim a career in show business by birthright. She was the daughter of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0307963/?ref_=sr\"\u003eEddie Garr\u003c/a\u003e, a Broadway stage and film actor, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0307972/?ref_=sr\"\u003ePhyllis Garr\u003c/a\u003e, a dancer. While she was still an infant, her family moved from Hollywood to New Jersey but, after the death of her father when she was 11, the family returned to Hollywood, where her mother became a wardrobe mistress for movies and television. While Garr\u0026#39;s dancing can be seen in five \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000062/?ref_=sr\"\u003eElvis Presley\u003c/a\u003e movies, her first speaking role in motion pictures was in the 1968 feature \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063049/?ref_=sr\"\u003eHead (1968)\u003c/a\u003e, starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1119068/?ref_=sr\"\u003eThe Monkees\u003c/a\u003e. In the 1970s she became well established in television with appearances on shows such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060028/?ref_=sr\"\u003eStar Trek (1966)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062572/?ref_=sr\"\u003eIt Takes a Thief (1968)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065317/?ref_=sr\"\u003eMcCloud (1970)\u003c/a\u003e, and became a semi-regular on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074058/?ref_=sr\"\u003eThe Sonny and Cher Show (1976)\u003c/a\u003e as Cher\u0026#39;s friend, Olivia. Garr has since risen to become one of Hollywood\u0026#39;s most versatile, energetic and well-recognized actresses. She has starred in many memorable films, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072431/?ref_=sr\"\u003eYoung Frankenstein (1974)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076489/?ref_=sr\"\u003eOh, God! (1977)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075860/?ref_=sr\"\u003eClose Encounters of the Third Kind (1977)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085970/?ref_=sr\"\u003eMr. Mom (1983)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088680/?ref_=sr\"\u003eAfter Hours (1985)\u003c/a\u003e and her Academy Award-nominated performance for Best Supporting Actress in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084805/?ref_=sr\"\u003eTootsie (1982)\u003c/a\u003e. Other film roles include \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078872/?ref_=sr\"\u003eThe Black Stallion (1979)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084445/?ref_=sr\"\u003eOne from the Heart (1981)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083900/?ref_=sr\"\u003eThe Escape Artist (1982)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087263/?ref_=sr\"\u003eFirstborn (1984)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097731/?ref_=sr\"\u003eLet It Ride (1989)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095186/?ref_=sr\"\u003eFull Moon in Blue Water (1988)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098042/?ref_=sr\"\u003eOut Cold (1989)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100604/?ref_=sr\"\u003eShort Time (1990)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100899/?ref_=sr\"\u003eWaiting for the Light (1990)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0104905/?ref_=sr\"\u003eMom and Dad Save the World (1992)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0114114/?ref_=sr\"\u003ePerfect Alibi (1995)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0110907/?ref_=sr\"\u003ePrêt-à-porter (1994)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120133/?ref_=sr\"\u003eA Simple Wish (1997)\u003c/a\u003e.","knownFor":{"originalTitleText":"Tootsie","titleId":"tt0084805","titleText":"Tootsie","canHaveEpisodes":false,"yearRange":{"year":1982}},"nameId":"nm0000414","nameText":"Teri Garr","professions":["Actress","Additional Crew","Soundtrack"],"primaryProfessions":["Actress","Additional Crew","Soundtrack"],"primaryImage":{"caption":"Teri Garr","height":3000,"width":2091,"url":"https://m.media-amazon.com/images/M/MV5BMmQ1MTdmNzAtZDI2ZS00NTNiLWI4NmItYzhhNzY4ZTA4ZDRmXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000229/?ref_=sr\"\u003eSteven Spielberg\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075860/?ref_=sr\"\u003eClose Encounters of the Third Kind (1977)\u003c/a\u003e. Dillon\u0026#39;s performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081974/?ref_=sr\"\u003eAbsence of Malice (1981)\u003c/a\u003e. The performance won the actress a KCFCC Award.","knownFor":{"originalTitleText":"Magnolia","titleId":"tt0175880","titleText":"Magnolia","canHaveEpisodes":false,"yearRange":{"year":1999}},"nameId":"nm0227039","nameText":"Melinda Dillon","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Melinda Dillon in F·I·S·T (1978)","height":1023,"width":788,"url":"https://m.media-amazon.com/images/M/MV5BMTc3ODM4MzAyNl5BMl5BanBnXkFtZTcwODUwODYzNA@@._V1_.jpg"}},{"bio":"Susan Anspach was born on 23 November 1942 in Queens, New York City, New York, USA. She was an actress, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065724/?ref_=sr\"\u003eFive Easy Pieces (1970)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069097/?ref_=sr\"\u003ePlay It Again, Sam (1972)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077233/?ref_=sr\"\u003eThe Big Fix (1978)\u003c/a\u003e. She was married to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0050466/?ref_=sr\"\u003eSherwood Ball\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0323813/?ref_=sr\"\u003eMark Goddard\u003c/a\u003e. She died on 2 April 2018 in Los Angeles, California, USA.","knownFor":{"originalTitleText":"Five Easy Pieces","titleId":"tt0065724","titleText":"Five Easy Pieces","canHaveEpisodes":false,"yearRange":{"year":1970}},"nameId":"nm0000769","nameText":"Susan Anspach","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Susan Anspach","height":2048,"width":1494,"url":"https://m.media-amazon.com/images/M/MV5BNjY5Mjk3NTAwM15BMl5BanBnXkFtZTgwNDc1MTMyNTM@._V1_.jpg"}},{"bio":"Brittany Murphy was born Brittany Anne Bertolotti on November 10, 1977 in Atlanta, Georgia, to Sharon Kathleen Murphy and Angelo Joseph Bertolotti. Her father\u0026#39;s ancestry is Italian, and her mother is of Irish and Slovak descent. Her father moved the family back to Edison,\nNew Jersey as a native New Yorker and to be closer to other siblings from previous marriages. While dining out one night in the presence of\nHollywood royalty, Brittany at the age of 5 approached an adjoining table when Academy Award nominee \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000608/?ref_=sr\"\u003eBurt Reynolds\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001719/?ref_=sr\"\u003eGeorge Segal\u003c/a\u003e were seated. Brittany introduced herself to the Hollywood legends and confidently told them that someday she too would be a star.\u003cbr/\u003e\u003cbr/\u003eShe comes from a long line of international musicians and performers with three half-brothers and a sister. Angelo Bertolotti was torn from their tight-knit family as a made-man with the Italian Mafia. The Senior Bertolotti, who coined the nickname of \u0026quot;Britt\u0026quot; for his daughter, was\nalso an entrepreneur and diplomat for organized crime families and one of the first to be subjected to a RICO prosecution. Brittany\u0026#39;s interests and well-being were always her father\u0026#39;s first goal and objective. To distance his talented daughter from his infamous past, Angelo allowed Sharon to use her maiden name for Brittany\u0026#39;s, so that her shining star would not be overshadowed by a father\u0026#39;s past, with the couple divorcing thereafter.\u003cbr/\u003e\u003cbr/\u003eBrittany began receiving accolades and applause in regional theater at the early age of 9. At the age of 13, she landed several national commercials. She appeared on television and caught the attention of a personal manager and an agent. Soon, Brittany\u0026#39;s mother Sharon turned full-time to being a \u0026quot;Stage Mom\u0026quot; where Angelo provided financial support throughout and their relationship is memorialized with a long and close history in pictures. The hopeful daughter and mother moved to Burbank, CA, where Brittany landed her first television role on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101050/?ref_=sr\"\u003eBlossom (1990)\u003c/a\u003e. Hearts and doors opened up for a starring role on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101085/?ref_=sr\"\u003eDrexell\u0026#39;s Class (1991)\u003c/a\u003e, a short lived TV series.\u003cbr/\u003e\u003cbr/\u003eBrittany\u0026#39;s big screen movie debut started with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0112697/?ref_=sr\"\u003eClueless (1995)\u003c/a\u003e, where she was co-starring with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000224/?ref_=sr\"\u003eAlicia Silverstone\u003c/a\u003e. Britt soared, demonstrating her musical and artistic talents with dramatic and comedic roles landing a nomination for best leading female performance in the Young Artist Awards for her role in the television film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0164013/?ref_=sr\"\u003eDavid and Lisa (1998)\u003c/a\u003e. She garnered tremendous attention for her role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0172493/?ref_=sr\"\u003eGirl, Interrupted (1999)\u003c/a\u003e with Academy Award winner \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001401/?ref_=sr\"\u003eAngelina Jolie\u003c/a\u003e. Brittany\u0026#39;s band, \u0026quot;Blessed Soul\u0026quot; was growing with her as lead singer and Britt lent her vocal talents to the TV hit, cartoon sensation, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118375/?ref_=sr\"\u003eKing of the Hill (1997)\u003c/a\u003e as the voice of Luanne.\u003cbr/\u003e\u003cbr/\u003eShe is alleged to have been a witness in the case of the former Department of Homeland Security employee and persecuted whistleblower Julia Davis. According to Davis, Brittany and her fiancée Simon Monjack were then targeted for retaliation that included land and aerial surveillance and a threatened prosecution. Monjack was arrested and detained by the Bureau of Immigration and Customs Enforcement (ICE). Brittany and Simon confided in Alex Ben Block of the Hollywood Reporter, telling him in an interview that they were under surveillance by helicopters and their telephones have been wiretapped. This information was published by THR posthumously, in an article entitled \u0026quot;The Last Difficult Days of Brittany Murphy.\u0026quot;\u003cbr/\u003e\u003cbr/\u003eOn December 20, 2009, Brittany Murphy died an untimely death. The LAPD and Los Angeles County Coroner closed the case within one hour, attributing her death to pneumonia and anemia. Five months after Brittany\u0026#39;s unexpected demise, her husband Simon Monjack was found dead in the house he shared with Brittany. The chief/spokesperson at the Los Angeles County Dept of Coroner, Craig Harvey, stated that Simon also died from the same exact causes as his wife, namely pneumonia and anemia. Neither Brittany, nor Simon, were given a thorough and complete forensic autopsy for poisons. Brittany\u0026#39;s father, Angelo \u0026quot;AJ\u0026quot; Bertolotti, is pursuing the investigation of the true reasons behind Brittany\u0026#39;s and Simon\u0026#39;s sudden demise, as he believes that the two were murdered. Abnormally high levels of heavy metals and poisons were discovered in Brittany\u0026#39;s hair, tested by two other independent forensic labs with famed Pathologist, attorney Cyril Wecht concluded from the appearances, Brittany could have been murdered and should be exhumed. Her father Angelo is preparing court actions to ensure she obtains justice.","knownFor":{"originalTitleText":"Clueless","titleId":"tt0112697","titleText":"Clueless","canHaveEpisodes":false,"yearRange":{"year":1995}},"nameId":"nm0005261","nameText":"Brittany Murphy","professions":["Actress","Producer","Soundtrack"],"primaryProfessions":["Actress","Producer","Soundtrack"],"primaryImage":{"caption":"Brittany Murphy at an event for The Dead Girl (2006)","height":400,"width":291,"url":"https://m.media-amazon.com/images/M/MV5BMTc4MjM0MzMwNl5BMl5BanBnXkFtZTYwMTU4NDg1._V1_.jpg"}},{"bio":"Born in Danbury, Connecticut, USA, to Greg and Mary, Jonathan Brandis\nbegan his career at age 5, acting in several television commercials. He also\nappeared in small parts in several films and TV shows before his first\nstarring role in the 1990 film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100240/?ref_=sr\"\u003eThe Neverending Story II: The Next Chapter (1990)\u003c/a\u003e.\nHe starred in popular films such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0104670/?ref_=sr\"\u003eLadybugs (1992)\u003c/a\u003e and starred as Lucas\nWolenczak in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000229/?ref_=sr\"\u003eSteven Spielberg\u003c/a\u003e\u0026#39;s\ntelevision series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0106126/?ref_=sr\"\u003eSeaquest DSV (1993)\u003c/a\u003e. He doubled\nup his high school courses so he could finish a year early for his role\non SeaQuest. After his career stalled for a bit, he was hoping his role in serious drama film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0251114/?ref_=sr\"\u003eHart\u0026#39;s War (2002)\u003c/a\u003e would relaunch it. However, most of his scenes ended up being cut from the finished film. This caused him to fall into a deep depression in which he would drink heavily and tragically end his own life on November 12th, 2003.","knownFor":{"originalTitleText":"The Neverending Story II: The Next Chapter","titleId":"tt0100240","titleText":"The Neverending Story II: The Next Chapter","canHaveEpisodes":false,"yearRange":{"year":1990}},"nameId":"nm0000970","nameText":"Jonathan Brandis","professions":["Actor","Additional Crew","Director"],"primaryProfessions":["Actor","Additional Crew","Director"],"primaryImage":{"caption":"Jonathan Brandis","height":2048,"width":1372,"url":"https://m.media-amazon.com/images/M/MV5BMTczMjU5MjkzMF5BMl5BanBnXkFtZTcwNjk1MDQ4Nw@@._V1_.jpg"}},{"bio":"Bill Paxton was born on May 17, 1955 in Fort Worth, Texas. He was the son of Mary Lou (Gray) and John Lane Paxton, a businessman and actor (as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0668123/?ref_=sr\"\u003eJohn Paxton\u003c/a\u003e). Bill moved to Los Angeles, California at age eighteen, where he found work in the film industry as a set dresser for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000339/?ref_=sr\"\u003eRoger Corman\u003c/a\u003e\u0026#39;s New World Pictures. He made his film debut in the Corman film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072829/?ref_=sr\"\u003eCrazy Mama (1975)\u003c/a\u003e, directed by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001129/?ref_=sr\"\u003eJonathan Demme\u003c/a\u003e. Moving to New York, Paxton studied acting under \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0012245/?ref_=sr\"\u003eStella Adler\u003c/a\u003e at New York University. After landing a small role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083131/?ref_=sr\"\u003eStripes (1981)\u003c/a\u003e, he found steady work in low-budget films and television. He also directed, wrote and produced award-winning short films including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0218976/?ref_=sr\"\u003eBarnes \u0026amp; Barnes: Fish Heads (1980)\u003c/a\u003e, which aired on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072562/?ref_=sr\"\u003eSaturday Night Live (1975)\u003c/a\u003e. His first appearance in a \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000116/?ref_=sr\"\u003eJames Cameron\u003c/a\u003e film was a small role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088247/?ref_=sr\"\u003eThe Terminator (1984)\u003c/a\u003e, followed by his very memorable performance as Private Hudson in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090605/?ref_=sr\"\u003eAliens (1986)\u003c/a\u003e and as the nomadic vampire Severen in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000941/?ref_=sr\"\u003eKathryn Bigelow\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093605/?ref_=sr\"\u003eNear Dark (1987)\u003c/a\u003e. Bill also appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000455/?ref_=sr\"\u003eJohn Hughes\u003c/a\u003e\u0026#39; \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090305/?ref_=sr\"\u003eWeird Science (1985)\u003c/a\u003e, as Wyatt Donnelly\u0026#39;s sadistic older brother Chet. Although he continued to work steadily in film and television, his big break did not come until his lead role in the critically acclaimed film-noir \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102592/?ref_=sr\"\u003eOne False Move (1991)\u003c/a\u003e. This quickly led to strong supporting roles as Wyatt Earp\u0026#39;s naive younger brother Morgan in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108358/?ref_=sr\"\u003eTombstone (1993)\u003c/a\u003e and as Fred Haise, one of the three astronauts, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0112384/?ref_=sr\"\u003eApollo 13 (1995)\u003c/a\u003e, as well as in James Cameron\u0026#39;s offering \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0111503/?ref_=sr\"\u003eTrue Lies (1994)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eBill died on February 25, 2017, in Los Angeles, from complications following heart surgery. He was 61.","knownFor":{"originalTitleText":"Aliens","titleId":"tt0090605","titleText":"Aliens","canHaveEpisodes":false,"yearRange":{"year":1986}},"nameId":"nm0000200","nameText":"Bill Paxton","professions":["Actor","Producer","Writer"],"primaryProfessions":["Actor","Producer","Writer"],"primaryImage":{"caption":"Bill Paxton at an event for Avatar (2009)","height":400,"width":290,"url":"https://m.media-amazon.com/images/M/MV5BNjY2NTQwOTAyNV5BMl5BanBnXkFtZTcwNTUyNjYwMw@@._V1_.jpg"}},{"bio":"Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was\nthe son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer\nWilliam Hitchcock (1862 - 1914). His parents were both of half English\nand half Irish ancestry. He had two older siblings, William Hitchcock\n(born 1890) and Eileen Hitchcock (born 1892). Raised as a strict\nCatholic and attending Saint Ignatius College, a school run by Jesuits,\nHitch had very much of a regular upbringing. His first job outside of\nthe family business was in 1915 as an estimator for the Henley\nTelegraph and Cable Company. His interest in movies began at around\nthis time, frequently visiting the cinema and reading US trade\njournals.\u003cbr/\u003e\u003cbr/\u003eHitchcock entering the film industry in 1919 as a title card designer.\nIt was there that he met \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0720904/?ref_=sr\"\u003eAlma Reville\u003c/a\u003e, though they never\nreally spoke to each other. It was only after the director for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0818899/?ref_=sr\"\u003eAlways Tell Your Wife (1923)\u003c/a\u003e\nfell ill and Hitchcock was named director to complete the film that he\nand Reville began to collaborate. Hitchcock had his first real crack at\ndirecting a film, start to finish, in 1923 when he was hired to direct\nthe film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0013444/?ref_=sr\"\u003eNumber 13 (1922)\u003c/a\u003e, though the\nproduction wasn\u0026#39;t completed due to the studio\u0026#39;s closure (he later remade it as a sound film). Hitchcock\ndidn\u0026#39;t give up then. He directed\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0016230/?ref_=sr\"\u003eThe Pleasure Garden (1925)\u003c/a\u003e, a\nBritish/German production, which was very popular. Hitchcock made his\nfirst trademark film in 1927,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0017075/?ref_=sr\"\u003eThe Lodger: A Story of the London Fog (1927)\u003c/a\u003e\n. In the same year, on the 2nd of December, Hitchcock married Alma\nReville. They had one child,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0386877/?ref_=sr\"\u003ePatricia Hitchcock\u003c/a\u003e who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0030341/?ref_=sr\"\u003eThe Lady Vanishes (1938)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031505/?ref_=sr\"\u003eJamaica Inn (1939)\u003c/a\u003e, some of which\nalso gained him fame in the USA.\u003cbr/\u003e\u003cbr/\u003eIn 1940, the Hitchcock family moved to Hollywood, where the producer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006388/?ref_=sr\"\u003eDavid O. Selznick\u003c/a\u003e had hired him to direct an adaptation of \u0026#39;Daphne du Maurier\u0026#39;\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032976/?ref_=sr\"\u003eRebecca (1940)\u003c/a\u003e.\nAfter \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0035279/?ref_=sr\"\u003eSaboteur (1942)\u003c/a\u003e, as his fame as a director grew, film companies began\nto refer to his films as \u0026#39;Alfred Hitchcock\u0026#39;s\u0026#39;, for example\nAlfred Hitcock\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054215/?ref_=sr\"\u003ePsycho (1960)\u003c/a\u003e, Alfred Hitchcock\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074512/?ref_=sr\"\u003eFamily Plot (1976)\u003c/a\u003e, Alfred\nHitchcock\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068611/?ref_=sr\"\u003eFrenzy (1972)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.\u003cbr/\u003e\u003cbr/\u003eDuring the\nmaking of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068611/?ref_=sr\"\u003eFrenzy (1972)\u003c/a\u003e, Hitchcock\u0026#39;s wife\nAlma suffered a paralyzing stroke which made her unable to walk very\nwell. On March 7, 1979, Hitchcock was awarded the AFI Life\nAchievement Award, where he said: \u0026quot;I beg permission\nto mention by name only four people who have given me the most\naffection, appreciation, and encouragement, and constant collaboration.\nThe first of the four is a film editor, the second is a scriptwriter,\nthe third is the mother of my daughter Pat, and the fourth is as fine a\ncook as ever performed miracles in a domestic kitchen and their names\nare Alma Reville.\u0026quot; By this time, he was ill with angina and his\nkidneys had already started to fail. He had started to write a screenplay\nwith \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0499626/?ref_=sr\"\u003eErnest Lehman\u003c/a\u003e called The Short Night but he fired Lehman and\nhired young writer David Freeman to rewrite the script. Due to\nHitchcock\u0026#39;s failing health the film was never made, but Freeman\npublished the script after Hitchcock\u0026#39;s death. In late 1979, Hitchcock\nwas knighted, making him Sir Alfred Hitchcock. On the 29th April 1980,\n9:17AM, he died peacefully in his sleep due to renal failure. His\nfuneral was held in the Church of Good Shepherd in Beverly Hills.\nFather Thomas Sullivan led the service with over 600 people attended\nthe service, among them were\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000316/?ref_=sr\"\u003eMel Brooks\u003c/a\u003e (director of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076141/?ref_=sr\"\u003eHigh Anxiety (1977)\u003c/a\u003e, a comedy\ntribute to Hitchcock and his films),\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0431139/?ref_=sr\"\u003eLouis Jourdan\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001500/?ref_=sr\"\u003eKarl Malden\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001335/?ref_=sr\"\u003eTippi Hedren\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001463/?ref_=sr\"\u003eJanet Leigh\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000076/?ref_=sr\"\u003eFrançois Truffaut\u003c/a\u003e.","knownFor":{"originalTitleText":"Psycho","titleId":"tt0054215","titleText":"Psycho","canHaveEpisodes":false,"yearRange":{"year":1960}},"nameId":"nm0000033","nameText":"Alfred Hitchcock","professions":["Director","Producer","Writer"],"primaryProfessions":["Director","Producer","Writer"],"primaryImage":{"caption":"Alfred Hitchcock in Psycho (1960)","height":3510,"width":2779,"url":"https://m.media-amazon.com/images/M/MV5BMjNjZDM0NGUtZmE0Yy00MTI3LThkNTYtODVlZTUzM2M4Yjk5XkEyXkFqcGc@._V1_.jpg"}},{"bio":"This talented actress was born Anne Marie Wersching and grew up in St. Louis, Missouri. She opted early on for a life in the entertainment industry, performing in community theatre and later as a dancer for some fourteen years with a troupe called the St. Louis Celtic Stepdancers. After moving to Chicago, she acted in several touring plays and at the Utah Shakespearean Festival. In 1999, Wersching graduated with a Bachelor of Fine Arts degree in Musical Theatre from the Millikin University School of Theater and Dance in Decatur, Illinois. Moving to Los Angeles, two years later, she appeared in a revival of the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0814227/?ref_=sr\"\u003eStephen Sondheim\u003c/a\u003e-\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006256/?ref_=sr\"\u003eRichard Rodgers\u003c/a\u003e-\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0491306/?ref_=sr\"\u003eArthur Laurents\u003c/a\u003e musical \u0026quot;Do I Hear a Waltz?\u0026quot; at the Pasadena Playhouse, as well as making her screen debut in an episode of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0244365/?ref_=sr\"\u003eStar Trek: Enterprise (2001)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eTestament to her acting skill have been lengthy stints on popular prime time series like \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0285331/?ref_=sr\"\u003e24 (2001)\u003c/a\u003e (as the valiant but ill-fated FBI Special Agent Renee Walker), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1405406/?ref_=sr\"\u003eThe Vampire Diaries (2009)\u003c/a\u003e (Lily Salvatore), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt5511582/?ref_=sr\"\u003eTimeless (2016)\u003c/a\u003e (as time traveler Emma Whitmore) and Marvel\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1236246/?ref_=sr\"\u003eRunaways (2017)\u003c/a\u003e (as charismatic villain turned ally Leslie Dean). She also gave a thoroughly convincing performance as extrovert rookie police officer Julia Brasher, involved with (Harry) \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3502248/?ref_=sr\"\u003eBosch (2014)\u003c/a\u003e at LAPD\u0026#39;s Hollywood Division on both a professional and a personal level. Their relationship eventually soured in season two, although Brasher returned briefly for two episodes in season 7. Wersching became the third actress to play the dreaded Borg Queen (following in the footsteps of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000481/?ref_=sr\"\u003eAlice Krige\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0860749/?ref_=sr\"\u003eSusanna Thompson\u003c/a\u003e) and did so to chilling effect in season two of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt8806524/?ref_=sr\"\u003eStar Trek: Picard (2020)\u003c/a\u003e. Her steady volume of television work has included guest appearances on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0158552/?ref_=sr\"\u003eCharmed (1998)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0460681/?ref_=sr\"\u003eSupernatural (2005)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0364845/?ref_=sr\"\u003eNCIS: Naval Criminal Investigative Service (2003)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1600194/?ref_=sr\"\u003eHawaii Five-0 (2010)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1219024/?ref_=sr\"\u003eCastle (2009)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eVery much at the peak of her career, Annie Wersching was diagnosed with cancer in the summer of 2020, but kept her illness private and continued to work afterwards. She passed away at her home in Los Angeles, California on January 29, 2023, at age 45.","knownFor":{"originalTitleText":"The Last of Us","titleId":"tt2140553","titleText":"The Last of Us","canHaveEpisodes":false,"yearRange":{"year":2013}},"nameId":"nm1156709","nameText":"Annie Wersching","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Annie Wersching","height":861,"width":561,"url":"https://m.media-amazon.com/images/M/MV5BYzA3OTBhMDUtMmJmYy00ODc2LTljYzYtNmRmZGFkN2RlYmNjXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Incisive, intense, multi-talented American actor Lance Solomon Reddick was born in Baltimore, Maryland, the younger of two sons, to Solomon Reddick and public schoolteacher Dorothy Gee. Having opted initially for a career in music, he attended first the Peabody Preparatory Institute and the Walden School before studying classical composition at the University of Rochester\u0026#39;s Eastman School of Music, qualifying with a Bachelor\u0026#39;s Degree. By the early \u0026#39;90s, however, Reddick was forced to re-evaluate his career plans because of a severe back injury suffered while pulling a double shift waiting on tables and delivering newspapers. A pressing need to make ends meet made him enroll at the Yale School of Drama, from where he went on to graduate in 1994 with a Master of Fine Arts Degree. He derived much inspiration from his classmate \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0316079/?ref_=sr\"\u003ePaul Giamatti\u003c/a\u003e and came to regard \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000358/?ref_=sr\"\u003eDaniel Day-Lewis\u003c/a\u003e as his quintessential acting role model.\u003cbr/\u003e\u003cbr/\u003ePossessed of an athletic build and a deep, resonant voice, Reddick also had a self-declared affinity for accents. Preparing himself for his roles, he immersed himself fully into his characters as a \u0026quot;transformational performer\u0026quot;, often rehearsing his lines in front of a mirror. He made his television debut in an episode of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108876/?ref_=sr\"\u003eNew York Undercover (1994)\u003c/a\u003e. Though he played a couple of drug addicts early on, he soon found himself much in demand-- and ultimately typecast -- as powerful authority figures, from police detectives (Johnny Basil in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118421/?ref_=sr\"\u003eOz (1997)\u003c/a\u003e) to FBI agents (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098844/?ref_=sr\"\u003eLaw \u0026amp; Order (1990)\u003c/a\u003e) to senior police officer (Cedric Daniels in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0306414/?ref_=sr\"\u003eThe Wire (2002)\u003c/a\u003e). One of his best known roles on the big screen was as the mysterious Mr. Charon, concierge at the Continental Hotel, scene of much of the action in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2911666/?ref_=sr\"\u003eJohn Wick (2014)\u003c/a\u003e franchise.\u003cbr/\u003e\u003cbr/\u003eArguably, his most memorable character was that of Phillip Broyles, special agent-in-charge with the Department of Homeland Security, heading a team of experts investigating paranormal events in the outstanding science fiction drama series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1119644/?ref_=sr\"\u003eFringe (2008)\u003c/a\u003e. Broyles was a no-nonsense tough guy, who, nevertheless, remained steadfastly loyal in defense of his team against insidious forces from within and without. Unlike Broyles, Reddick\u0026#39;s other important recurring TV character, Chief Irving in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3502248/?ref_=sr\"\u003eBosch (2014)\u003c/a\u003e, was a morally ambiguous man motivated chiefly by political ambition. Both were flawless performances.\u003cbr/\u003e\u003cbr/\u003ePrior to his sad and untimely passing in March 2023 at the age of 60, Reddick was much sought-after as a voice actor for animations and video games. He also never lost his lifelong passion for music, and, in 2007, released an album of his compositions entitled \u0026quot;Contemplations \u0026amp; Remembrances\u0026quot;. In private life, the twice-married Reddick was said to have been very much devoted to his three dogs.","knownFor":{"originalTitleText":"John Wick","titleId":"tt2911666","titleText":"John Wick","canHaveEpisodes":false,"yearRange":{"year":2014}},"nameId":"nm0714698","nameText":"Lance Reddick","professions":["Actor","Producer","Soundtrack"],"primaryProfessions":["Actor","Producer","Soundtrack"],"primaryImage":{"caption":"Lance Reddick in Fringe (2008)","height":375,"width":500,"url":"https://m.media-amazon.com/images/M/MV5BMTk1OTc3OTEyMl5BMl5BanBnXkFtZTgwODI0NTI0MjE@._V1_.jpg"}},{"bio":"Patrick Wayne Swayze was born on August 18, 1952 in Houston, Texas, to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0842029/?ref_=sr\"\u003ePatsy Swayze\u003c/a\u003e (née Yvonne Helen Karnes), a choreographer, and Jesse Wayne Swayze, a chemical plant\nengineer draftsman. His mother owned a dance school in\nHouston, where Patrick was also a student. His father passed away in\n1982. He graduated from Waltrip High School in Houston, and attended\nSan Jacinto College in Pasadena, Texas. He married actress/dancer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001568/?ref_=sr\"\u003eLisa Niemi\u003c/a\u003e on June 12, 1975, whom he had\nknown when she was 15 and a student at his mother\u0026#39;s dance school. His\nNew York City dance training included the Harkness Ballet School and\nJoffrey Ballet School. He first danced professionally as \u0026quot;Prince\nCharming\u0026quot; in \u0026quot;Disney on Parade\u0026quot;. After a stint as \u0026quot;Danny Zuko\u0026quot; in the\noriginal Broadway production of \u0026quot;Grease\u0026quot;, he made his film debut with a\nsmall role in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079912/?ref_=sr\"\u003eSkatetown USA (1979)\u003c/a\u003e. He\nmade his television debut in 1981 on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068098/?ref_=sr\"\u003eM*A*S*H (1972)\u003c/a\u003e, as a soldier\ndiagnosed with leukemia.\u003cbr/\u003e\u003cbr/\u003eAfter many supporting roles in films and a lead role in the TV\nmini-series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088583/?ref_=sr\"\u003eNorth and South (1985)\u003c/a\u003e, he\nlanded his breakthrough role as dance instructor \u0026quot;Johnny Castle\u0026quot; in the\nhit film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092890/?ref_=sr\"\u003eDirty Dancing (1987)\u003c/a\u003e, for\nwhich he received a Golden Globe nomination. He received a second\nnomination for his portrayal of \u0026quot;Sam Wheat\u0026quot; in the blockbuster\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099653/?ref_=sr\"\u003eGhost (1990)\u003c/a\u003e.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099653/?ref_=sr\"\u003eGhost (1990)\u003c/a\u003e was the highest-grossing film\nof 1990, and at one point, the fourth highest-grossing film of all\ntime. Unfortunately, he did not capitalize on its success. His\nsubsequent films like\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103976/?ref_=sr\"\u003eCity of Joy (1992)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0111359/?ref_=sr\"\u003eTall Tale (1995)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120610/?ref_=sr\"\u003eBlack Dog (1998)\u003c/a\u003e, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0219400/?ref_=sr\"\u003eWaking Up in Reno (2002)\u003c/a\u003e did\nnot fare well with critics or audiences. In December 2003, he returned\nto Broadway as a replacement for the lead role of \u0026quot;Billy Flynn\u0026quot; in the\nacclaimed revival of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0437218/?ref_=sr\"\u003eJohn Kander\u003c/a\u003e \u0026amp;\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0247939/?ref_=sr\"\u003eFred Ebb\u003c/a\u003e\u0026#39;s musical, \u0026quot;Chicago\u0026quot;. The production\nalso went on tour in several cities of the United States, including Los\nAngeles. In January 2008, he was diagnosed with pancreatic cancer. He\nfought the illness for well over a year and was able to continue\nworking, but died on September 14, 2009.","knownFor":{"originalTitleText":"Dirty Dancing","titleId":"tt0092890","titleText":"Dirty Dancing","canHaveEpisodes":false,"yearRange":{"year":1987}},"nameId":"nm0000664","nameText":"Patrick Swayze","professions":["Actor","Producer","Additional Crew"],"primaryProfessions":["Actor","Producer","Additional Crew"],"primaryImage":{"caption":"Patrick Swayze","height":400,"width":279,"url":"https://m.media-amazon.com/images/M/MV5BNDM2NjI0MjYyMV5BMl5BanBnXkFtZTYwMjY1ODMz._V1_.jpg"}},{"bio":"Jack Haley was a movie and vaudeville actor who is always remembered as\nthe Tin Man in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e. The Tin Man role was originally was going to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001171/?ref_=sr\"\u003eBuddy Ebsen\u003c/a\u003e, but due to allergic reaction from the aluminum powder makeup,\nEbsen was taken out of the casting and Haley replaced him. To avoid the\nsame problem arising, they used aluminum paste for Haley instead of the\npowder. Haley starred in over thirty other movies.","knownFor":{"originalTitleText":"The Wizard of Oz","titleId":"tt0032138","titleText":"The Wizard of Oz","canHaveEpisodes":false,"yearRange":{"year":1939}},"nameId":"nm0355095","nameText":"Jack Haley","professions":["Actor","Writer","Producer"],"primaryProfessions":["Actor","Writer","Producer"],"primaryImage":{"caption":"Jack Haley","height":1422,"width":1088,"url":"https://m.media-amazon.com/images/M/MV5BZjkxYWViNmQtYmU0Zi00NWFlLWIxZGItYzIzZjEyNjdmMmYyXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly\naddicted to opium). Bogart\nwas educated at Trinity School, NYC, and was sent to Phillips Academy\nin Andover, Massachusetts, in preparation for medical studies at Yale.\nHe was expelled from Phillips and joined the U.S. Naval Reserve. From\n1920 to 1922, he managed a stage company owned by family friend\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0103755/?ref_=sr\"\u003eWilliam A. Brady\u003c/a\u003e (the father of actress\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0103567/?ref_=sr\"\u003eAlice Brady\u003c/a\u003e), performing a variety of tasks\nat Brady\u0026#39;s film studio in New York. He then began regular stage\nperformances. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0941233/?ref_=sr\"\u003eAlexander Woollcott\u003c/a\u003e\ndescribed his acting in a 1922 play as inadequate. In 1930, he gained a\ncontract with Fox, his feature film debut in a ten-minute short,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020714/?ref_=sr\"\u003eBroadway\u0026#39;s Like That (1930)\u003c/a\u003e,\nco-starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0262190/?ref_=sr\"\u003eRuth Etting\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000951/?ref_=sr\"\u003eJoan Blondell\u003c/a\u003e. Fox released him after two\nyears. After five years of stage and minor film roles, he had his\nbreakthrough role in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0028096/?ref_=sr\"\u003eThe Petrified Forest (1936)\u003c/a\u003e\nfrom Warner Bros. He won the part over\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000064/?ref_=sr\"\u003eEdward G. Robinson\u003c/a\u003e only after the\nstar, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001366/?ref_=sr\"\u003eLeslie Howard\u003c/a\u003e, threatened\nWarner Bros. that he would quit unless Bogart was given the key role of\nDuke Mantee, which he had played in the Broadway production with\nHoward. The film was a major success and led to a long-term contract\nwith Warner Bros. From 1936 to 1940, Bogart appeared in 28 films,\nusually as a gangster, twice in Westerns and even a horror film. His\nlandmark year was 1941 (often capitalizing on parts\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0706368/?ref_=sr\"\u003eGeorge Raft\u003c/a\u003e had stupidly rejected) with\nroles in classics such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033717/?ref_=sr\"\u003eHigh Sierra (1940)\u003c/a\u003e and as Sam Spade\nin one of his most fondly remembered films,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033870/?ref_=sr\"\u003eThe Maltese Falcon (1941)\u003c/a\u003e.\nThese were followed by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034583/?ref_=sr\"\u003eCasablanca (1942)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038355/?ref_=sr\"\u003eThe Big Sleep (1946)\u003c/a\u003e, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040506/?ref_=sr\"\u003eKey Largo (1948)\u003c/a\u003e. Bogart, despite his\nerratic education, was incredibly well-read and he favored writers and\nintellectuals within his small circle of friends. In 1947, he joined\nwife \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000002/?ref_=sr\"\u003eLauren Bacall\u003c/a\u003e and other actors\nprotesting the House Un-American Activities Committee witch hunts. He\nalso formed his own production company, and the next year made\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040897/?ref_=sr\"\u003eThe Treasure of the Sierra Madre (1948)\u003c/a\u003e.\nBogie won the best actor Academy Award for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043265/?ref_=sr\"\u003eThe African Queen (1951)\u003c/a\u003e and\nwas nominated for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034583/?ref_=sr\"\u003eCasablanca (1942)\u003c/a\u003e\nand as Captain Queeg in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046816/?ref_=sr\"\u003eThe Caine Mutiny (1954)\u003c/a\u003e, a\nfilm made when he was already seriously ill. He died in his sleep at\nhis Hollywood home following surgeries and a battle with throat cancer.","knownFor":{"originalTitleText":"Casablanca","titleId":"tt0034583","titleText":"Casablanca","canHaveEpisodes":false,"yearRange":{"year":1942}},"nameId":"nm0000007","nameText":"Humphrey Bogart","professions":["Actor","Producer","Additional Crew"],"primaryProfessions":["Actor","Producer","Additional Crew"],"primaryImage":{"caption":"Humphrey Bogart","height":4203,"width":3295,"url":"https://m.media-amazon.com/images/M/MV5BYjA0YmRkMTAtYTU0ZC00MTU5LTlmYjgtOTdkMDU4Y2M0OTU1XkEyXkFqcGc@._V1_.jpg"}},{"bio":"John Wayne was born Marion Robert Morrison in Iowa, to Mary\nAlberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.\u003cbr/\u003e\u003cbr/\u003eClyde developed a lung condition that required him to move his family\nfrom Iowa to the warmer climate of southern California, where they\ntried ranching in the Mojave Desert. Until the ranch failed, Marion and\nhis younger brother\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0607300/?ref_=sr\"\u003eRobert E. Morrison\u003c/a\u003e swam in an\nirrigation ditch and rode a horse to school. When the ranch failed, the\nfamily moved to Glendale, California, where Marion delivered medicines\nfor his father, sold newspapers and had an Airedale dog named \u0026quot;Duke\u0026quot;\n(the source of his own nickname). He did well at school both\nacademically and in football. When he narrowly failed admission to\nAnnapolis he went to USC on a football scholarship 1925-7.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0594291/?ref_=sr\"\u003eTom Mix\u003c/a\u003e got him a summer job as a prop\nman in exchange for football tickets. On the set he became close\nfriends with director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000406/?ref_=sr\"\u003eJohn Ford\u003c/a\u003e for\nwhom, among others, he began doing bit parts, some billed as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000078/?ref_=sr\"\u003eJohn Wayne\u003c/a\u003e. His first featured film\nwas \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0021140/?ref_=sr\"\u003eMen Without Women (1930)\u003c/a\u003e.\nAfter more than 70 low-budget westerns and adventures, mostly routine,\nWayne\u0026#39;s career was stuck in a rut until Ford cast him in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031971/?ref_=sr\"\u003eStagecoach (1939)\u003c/a\u003e, the movie that made\nhim a star. He appeared in nearly 250 movies, many of epic proportions.\nFrom 1942-43 he was in a radio series, \u0026quot;The Three Sheets to the Wind\u0026quot;,\nand in 1944 he helped found the Motion Picture Alliance for the\nPreservation of American Ideals, a Conservative political organization,\nlater becoming its President. His conservative political stance was\nalso reflected in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053580/?ref_=sr\"\u003eThe Alamo (1960)\u003c/a\u003e,\nwhich he produced, directed and starred in. His patriotic stand was\nenshrined in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063035/?ref_=sr\"\u003eThe Green Berets (1968)\u003c/a\u003e which he\nco-directed and starred in. Over the years Wayne was beset with health\nproblems. In September 1964 he had a cancerous left lung removed;\nin 1977 when Star Wars: Episode IV - A New Hope was being made,\nJohn Waynes archive voice was used for the character Garindan ezz Zavor,\nlater in March 1978 there was heart valve replacement surgery; and in January\n1979 his stomach was removed. He received the Best Actor nomination for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041841/?ref_=sr\"\u003eSands of Iwo Jima (1949)\u003c/a\u003e and\nfinally got the Oscar for his role as one-eyed Rooster Cogburn in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065126/?ref_=sr\"\u003eTrue Grit (1969)\u003c/a\u003e. A Congressional Gold\nMedal was struck in his honor in 1979. He is perhaps best remembered\nfor his parts in Ford\u0026#39;s cavalry trilogy -\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040369/?ref_=sr\"\u003eFort Apache (1948)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041866/?ref_=sr\"\u003eShe Wore a Yellow Ribbon (1949)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042895/?ref_=sr\"\u003eRio Grande (1950)\u003c/a\u003e.","knownFor":{"originalTitleText":"True Grit","titleId":"tt0065126","titleText":"True Grit","canHaveEpisodes":false,"yearRange":{"year":1969}},"nameId":"nm0000078","nameText":"John Wayne","professions":["Actor","Producer","Art Department"],"primaryProfessions":["Actor","Producer","Art Department"],"primaryImage":{"caption":"John Wayne in El Dorado (1966)","height":5079,"width":4022,"url":"https://m.media-amazon.com/images/M/MV5BZTQ5NjBjNzUtNmU3My00ZWViLTk5MDYtM2YzM2MxYzk3MDU0XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Jovial, somewhat flamboyant Frank Morgan (born Francis Wuppermann) will\nforever be remembered as the title character in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e, but he\nwas a veteran and respected actor long before he played that part, and\nturned in outstanding performances both before and after that film. One\nof 11 children of a wealthy manufacturer, Morgan followed his older\nbrother, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0604960/?ref_=sr\"\u003eRalph Morgan\u003c/a\u003e (born Raphael\nWuppermann) into the acting profession, making his Broadway debut in\n1914 and his film debut two years later. Morgan specialized in playing\ncourtly, sometimes eccentric or befuddled but ultimately sympathetic\ncharacters, such as the alcoholic telegraph operator in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036022/?ref_=sr\"\u003eThe Human Comedy (1943)\u003c/a\u003e or the\nshop owner in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033045/?ref_=sr\"\u003eThe Shop Around the Corner (1940)\u003c/a\u003e.\nHe was nominated for an Academy Award for Best Actor for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0024816/?ref_=sr\"\u003eThe Affairs of Cellini (1934)\u003c/a\u003e.\nFrank Morgan died at age 59 of a heart attack on September 18, 1949 in\nBeverly Hills, California.","knownFor":{"originalTitleText":"The Wizard of Oz","titleId":"tt0032138","titleText":"The Wizard of Oz","canHaveEpisodes":false,"yearRange":{"year":1939}},"nameId":"nm0604656","nameText":"Frank Morgan","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Frank Morgan in The Wizard of Oz (1939)","height":1494,"width":2048,"url":"https://m.media-amazon.com/images/M/MV5BMTkzMTc0MzQ2OV5BMl5BanBnXkFtZTcwMzI5NTkxNA@@._V1_.jpg"}},{"bio":"Anne Celeste Heche was an American actress, director, and screenwriter. She came to recognition portraying Vicky Hudson and Marley Love in the soap opera \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057731/?ref_=sr\"\u003eAnother World (1964)\u003c/a\u003e, which won her a Daytime Emmy Award and two Soap Opera Digest Awards. She came to mainstream prominence in the late 1990s with roles in the crime drama film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119008/?ref_=sr\"\u003eDonnie Brasco (1997)\u003c/a\u003e, the disaster film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120461/?ref_=sr\"\u003eVolcano (1997)\u003c/a\u003e, the slasher film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119345/?ref_=sr\"\u003eI Know What You Did Last Summer (1997)\u003c/a\u003e, the action comedy film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120828/?ref_=sr\"\u003eSix Days Seven Nights (1998)\u003c/a\u003e, and the drama-thriller film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0124595/?ref_=sr\"\u003eReturn to Paradise (1998)\u003c/a\u003e.","knownFor":{"originalTitleText":"Six Days Seven Nights","titleId":"tt0120828","titleText":"Six Days Seven Nights","canHaveEpisodes":false,"yearRange":{"year":1998}},"nameId":"nm0000162","nameText":"Anne Heche","professions":["Actress","Producer","Writer"],"primaryProfessions":["Actress","Producer","Writer"],"primaryImage":{"caption":"Anne Heche","height":683,"width":451,"url":"https://m.media-amazon.com/images/M/MV5BMTI1MzgwNzc2Ml5BMl5BanBnXkFtZTYwNTU3NjAz._V1_.jpg"}},{"bio":"Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world\u0026#39;s most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.\u003cbr/\u003e\u003cbr/\u003eShe was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn\u0026#39;s biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.\u003cbr/\u003e\u003cbr/\u003eMarilyn was then taken in by Gladys\u0026#39; best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan\u0026#39;s Home in 1935. Marilyn was traumatized by her experience there despite the Orphan\u0026#39;s Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace\u0026#39;s husband began molesting Marilyn. Marilyn went to live with Grace\u0026#39;s Aunt Ana after this incident, although due to Aunt Ana\u0026#39;s advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.\u003cbr/\u003e\u003cbr/\u003eShe decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors\u0026#39; lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : \u0026quot;Every Baby Needs a Da Da Daddy\u0026quot;, \u0026quot;Anyone Can Tell I Love You\u0026quot; and \u0026quot;The Ladies of the Chorus\u0026quot; with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.\u003cbr/\u003e\u003cbr/\u003eWhen she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York\u0026#39;s Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something\u0026#39;s Got to Give (1962) due to chronic lateness and drug dependency.\u003cbr/\u003e\u003cbr/\u003eOn August 4, 1962, Marilyn Monroe\u0026#39;s day began with threatening phone calls. Dr. Ralph Greenson, Marilyn\u0026#39;s physician, came over the following day and quoted later in a document \u0026quot;Felt it was possible that Marilyn had felt rejected by some of the people she had been close to.\u0026quot; Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn\u0026#39;s house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn\u0026#39;t stay, and around 7:30pm she telephoned him to say that her second husband\u0026#39;s son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a \u0026#39;probable suicide\u0026#39; though many conspiracies would follow in the years after her death.","knownFor":{"originalTitleText":"Some Like It Hot","titleId":"tt0053291","titleText":"Some Like It Hot","canHaveEpisodes":false,"yearRange":{"year":1959}},"nameId":"nm0000054","nameText":"Marilyn Monroe","professions":["Actress","Writer","Soundtrack"],"primaryProfessions":["Actress","Writer","Soundtrack"],"primaryImage":{"caption":"Marilyn Monroe","height":3803,"width":3186,"url":"https://m.media-amazon.com/images/M/MV5BZjJhNWVkMTAtOGE4NS00NTgzLWI4NjAtNTUyNTFjZmVlNDY4XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Elizabeth Montgomery was born into show business. Her parents were\nscreen actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0599910/?ref_=sr\"\u003eRobert Montgomery\u003c/a\u003e\nand Broadway actress\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0020493/?ref_=sr\"\u003eElizabeth Allen\u003c/a\u003e. Elizabeth\ngraduated from the Spence School in New York City and attended the\nAcademy of Dramatic Arts in New York. After three years\u0026#39; intensive\ntraining, she made her TV debut in her father\u0026#39;s 1950s playhouse series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042141/?ref_=sr\"\u003eRobert Montgomery Presents (1950)\u003c/a\u003e\nand appeared in more than 200 live programs over the next decade. She\nonce remarked, \u0026quot;I guess you could say I\u0026#39;m a TV baby.\u0026quot; Notable early\nfilm roles included\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047956/?ref_=sr\"\u003eThe Court-Martial of Billy Mitchell (1955)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057200/?ref_=sr\"\u003eJohnny Cool (1963)\u003c/a\u003e. However, she is best remembered for her leading\nrole as the witch Samantha in the top-rated ABC sitcom\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057733/?ref_=sr\"\u003eBewitched (1964)\u003c/a\u003e. Her family -\nmother Endora (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001547/?ref_=sr\"\u003eAgnes Moorehead\u003c/a\u003e),\nlook-alike cousin Serena (Montgomery, wearing a dark wig) and advertising executive husband Darrin\n(first \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0948685/?ref_=sr\"\u003eDick York\u003c/a\u003e then\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0765102/?ref_=sr\"\u003eDick Sargent\u003c/a\u003e) - tried to suppress her\nsupernatural skills but often turned to her tricks to solve problems.\nThe signal of impending witchcraft was a twitch of Samantha\u0026#39;s nose.\nAfter her first and only TV series ended she turned to made-for-TV\nmovies, many of which won critical praise:\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071286/?ref_=sr\"\u003eA Case of Rape (1974)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073273/?ref_=sr\"\u003eThe Legend of Lizzie Borden (1975)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0106423/?ref_=sr\"\u003eBlack Widow Murders: The Blanche Taylor Moore Story (1993)\u003c/a\u003e.\nShe narrated the movie\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105089/?ref_=sr\"\u003eThe Panama Deception (1992)\u003c/a\u003e\nwhich won an Academy Award in 1993. Reference works showed her as 62\nwhen she died though the family said she was 57. The family did not\ndisclose the type of cancer which caused her death.","knownFor":{"originalTitleText":"Bewitched","titleId":"tt0057733","titleText":"Bewitched","canHaveEpisodes":true,"yearRange":{"year":1964,"endYear":1972}},"nameId":"nm0000548","nameText":"Elizabeth Montgomery","professions":["Actress","Additional Crew","Soundtrack"],"primaryProfessions":["Actress","Additional Crew","Soundtrack"],"primaryImage":{"caption":"Elizabeth Montgomery in Bewitched (1964)","height":4817,"width":3600,"url":"https://m.media-amazon.com/images/M/MV5BNjM3ODRmODEtZTU3YS00Y2RmLWFhMTgtOGU2ZTM2ZWI4YWI5XkEyXkFqcGc@._V1_.jpg"}},{"bio":"The only child of Jozsef Barsi and Maria Benko, Judith Eva Barsi beat\n10,000-to-1 odds when she was discovered at a San Fernando Valley\nskating rink at age 5 1/2 in 1983 and mistaken for a three-year-old. Her\nfirst commercial was for Donald Duck Orange Juice and she went on\nto appear in anywhere between fifty and a hundred commercials, several episodes\nof various T.V. series, and three major motion pictures. Her mother Maria\nwas the main thrust of her career as a Hollywood starlet, but also took\ngreat pains to try to give her a normal, happy childhood; bringing her\nHungarian meals like duck for her school lunch. But this happy childhood\ndid not last long. Beginning in 1985, Jozsef would often be home drunk\ninstead of working as a plumber, and he refused to let Maria work. As a\nresult, the family briefly went on welfare until Judith\u0026#39;s career took off in\n1986 and 1987. By the time she entered fourth grade, she was pulling in\nan estimated $100,000 a year, which bought her family a nice four-bedroom\nhouse on a quiet street in West Hill. As her career soared, her father\nbecame an increasingly abusive recluse who constantly threatened to kill\nhis wife and daughter. In stressful moods Judith bit her nails and plucked\nout her eyebrows and eyelashes and her cats\u0026#39; whiskers. C.P.S. was called in\nnumerous times, but as Maria was reluctant to press charges and many of\nthe reports/accounts were emotional and not physical abuse, the case was\nnot pursued.\u003cbr/\u003e\u003cbr/\u003eOn Wednesday, July 27th, Eunice Daly, a next-door neighbor, heard a\nloud bang next door while watering her plants. The house had been set\non fire, and later the Barsis\u0026#39; bodies were discovered shot dead. All of Judith\u0026#39;s\ntoys that were not destroyed by the fire were given to the local Goodwill,\nand her best friend continued to feed her cats for months afterward.","knownFor":{"originalTitleText":"The Land Before Time","titleId":"tt0095489","titleText":"The Land Before Time","canHaveEpisodes":false,"yearRange":{"year":1988}},"nameId":"nm0058279","nameText":"Judith Barsi","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Judith Barsi","height":403,"width":299,"url":"https://m.media-amazon.com/images/M/MV5BMjE4NTc0NTY0MF5BMl5BanBnXkFtZTcwODU2NTcyMQ@@._V1_.jpg"}},{"bio":"Carrie Frances Fisher was born on October 21, 1956 in Burbank, California, to singers/actors \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0279472/?ref_=sr\"\u003eEddie Fisher\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001666/?ref_=sr\"\u003eDebbie Reynolds\u003c/a\u003e. She was an actress and writer known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076759/?ref_=sr\"\u003eStar Wars (1977)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080684/?ref_=sr\"\u003eStar Wars: Episode V - The Empire Strikes Back (1980)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086190/?ref_=sr\"\u003eStar Wars: Episode VI - Return of the Jedi (1983)\u003c/a\u003e. Fisher is also known for her book, \u0026quot;Postcards from the Edge\u0026quot;, and she wrote the screenplay for the movie based on her novel. Carrie Fisher and talent agent \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1469561/?ref_=sr\"\u003eBryan Lourd\u003c/a\u003e have a daughter, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm6609666/?ref_=sr\"\u003eBillie Lourd\u003c/a\u003e (Billie Catherine Lourd), born on July 17, 1992.","knownFor":{"originalTitleText":"Star Wars","titleId":"tt0076759","titleText":"Star Wars","canHaveEpisodes":false,"yearRange":{"year":1977}},"nameId":"nm0000402","nameText":"Carrie Fisher","professions":["Actress","Additional Crew","Writer"],"primaryProfessions":["Actress","Additional Crew","Writer"],"primaryImage":{"caption":"Carrie Fisher","height":1432,"width":928,"url":"https://m.media-amazon.com/images/M/MV5BMjM4ODU5MDY4MV5BMl5BanBnXkFtZTgwODY1MjQ5MDI@._V1_.jpg"}},{"bio":"Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0884388/?ref_=sr\"\u003eRudolph Valentino\u003c/a\u003e / \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0003895/?ref_=sr\"\u003eRamon Novarro\u003c/a\u003e \u0026quot;Latin Lover\u0026quot; style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.\u003cbr/\u003e\u003cbr/\u003eHe was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0598823/?ref_=sr\"\u003eCarlos Montalbán\u003c/a\u003e, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000845/?ref_=sr\"\u003eTallulah Bankhead\u003c/a\u003e stage vehicle \u0026quot;Her Cardboard Lover\u0026quot; in 1940, and won subsequent roles in the plays \u0026quot;Our Betters\u0026quot; and \u0026quot;Private Affair\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eReturning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0930565/?ref_=sr\"\u003eEsther Williams\u003c/a\u003e in the \u0026quot;B\u0026quot;-level musical \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039377/?ref_=sr\"\u003eFiesta (1947)\u003c/a\u003e, he attracted immediate attention. His second film with Williams, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040665/?ref_=sr\"\u003eOn an Island with You (1948)\u003c/a\u003e, led to a contract with the studio, where he routinely ignited \u0026quot;Latin Lover\u0026quot; sparks opposite such prime female stars as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001998/?ref_=sr\"\u003eCyd Charisse\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001859/?ref_=sr\"\u003eShelley Winters\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000843/?ref_=sr\"\u003eAnne Bancroft\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000765/?ref_=sr\"\u003ePier Angeli\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0206478/?ref_=sr\"\u003eLaraine Day\u003c/a\u003e and (once again) Esther Williams, this time in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041687/?ref_=sr\"\u003eNeptune\u0026#39;s Daughter (1949)\u003c/a\u003e (one of his MGM extravaganzas opposite gorgeous \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001805/?ref_=sr\"\u003eLana Turner\u003c/a\u003e was actually called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045988/?ref_=sr\"\u003eLatin Lovers (1953)\u003c/a\u003e). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0482881/?ref_=sr\"\u003eFernando Lamas\u003c/a\u003e, who wound up eventually marrying \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0930565/?ref_=sr\"\u003eEsther Williams\u003c/a\u003e after divorcing another MGM beauty, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006428/?ref_=sr\"\u003eArlene Dahl\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAlthough Montalban was the epitome of the \u0026quot;Latin lover\u0026quot; type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041198/?ref_=sr\"\u003eBorder Incident (1949)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042771/?ref_=sr\"\u003eMystery Street (1950)\u003c/a\u003e, the classic war film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041163/?ref_=sr\"\u003eBattleground (1949)\u003c/a\u003e and the hard-edged boxing drama \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042894/?ref_=sr\"\u003eRight Cross (1950)\u003c/a\u003e. Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043262/?ref_=sr\"\u003eAcross the Wide Missouri (1951)\u003c/a\u003e starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000022/?ref_=sr\"\u003eClark Gable\u003c/a\u003e, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049094/?ref_=sr\"\u003eLa cortigiana di Babilonia (1954)\u003c/a\u003e alongside \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0281766/?ref_=sr\"\u003eRhonda Fleming\u003c/a\u003e and his Japanese Kabuki actor in the Oscar-winning feature \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050933/?ref_=sr\"\u003eSayonara (1957)\u003c/a\u003e. It was during the filming of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043262/?ref_=sr\"\u003eAcross the Wide Missouri (1951)\u003c/a\u003e that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.\u003cbr/\u003e\u003cbr/\u003eWell established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as \u0026quot;Can-Can\u0026quot;, \u0026quot;The Inspector General\u0026quot;, \u0026quot;South Pacific\u0026quot; and \u0026quot;Accent on Youth\u0026quot;, before making his Broadway debut as Chico in the original musical \u0026quot;Seventh Heaven\u0026quot; (1955) with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002038/?ref_=sr\"\u003eGloria DeHaven\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0441069/?ref_=sr\"\u003eKurt Kasznar\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0037735/?ref_=sr\"\u003eBea Arthur\u003c/a\u003e. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical \u0026quot;Jamaica\u0026quot; (1957) co-starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0395043/?ref_=sr\"\u003eLena Horne\u003c/a\u003e. He also toured as the title role in \u0026quot;Don Juan in Hell\u0026quot; in the 1960s, returning to Broadway with it in 1973 with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001547/?ref_=sr\"\u003eAgnes Moorehead\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002134/?ref_=sr\"\u003ePaul Henreid\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0611811/?ref_=sr\"\u003eEdward Mulhare\u003c/a\u003e, and touring once again with the show in 1991.\u003cbr/\u003e\u003cbr/\u003eHis strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0949835/?ref_=sr\"\u003eLoretta Young\u003c/a\u003e\u0026#39;s half-sister \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0949567/?ref_=sr\"\u003eGeorgiana Young\u003c/a\u003e in 1944, and appeared on his sister-in-law\u0026#39;s television series (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055693/?ref_=sr\"\u003eThe New Loretta Young Show (1962)\u003c/a\u003e) several times. He also showed up in a number of television dramatic anthologies (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048893/?ref_=sr\"\u003ePlayhouse 90 (1956)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0453991/?ref_=sr\"\u003eColgate Theatre (1958)\u003c/a\u003e) and made guest appearances on the popular series of the day, such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044259/?ref_=sr\"\u003eDeath Valley Days (1952)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052451/?ref_=sr\"\u003eBonanza (1959)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056745/?ref_=sr\"\u003eBurke\u0026#39;s Law (1963)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054535/?ref_=sr\"\u003eDr. Kildare (1961)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054531/?ref_=sr\"\u003eThe Defenders (1961)\u003c/a\u003e and, more notably, a first-season episode of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060028/?ref_=sr\"\u003eStar Trek (1966)\u003c/a\u003e in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084726/?ref_=sr\"\u003eStar Trek II: The Wrath of Khan (1982)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eOver the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057262/?ref_=sr\"\u003eLove Is a Ball (1963)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060645/?ref_=sr\"\u003eMadame X (1966)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065054/?ref_=sr\"\u003eSweet Charity (1969)\u003c/a\u003e, but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005455/?ref_=sr\"\u003eAaron Spelling\u003c/a\u003e series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077008/?ref_=sr\"\u003eFantasy Island (1977)\u003c/a\u003e. He stayed with the series for six seasons, buoyed by his popular \u0026quot;odd couple\u0026quot; teaming with the late \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0898199/?ref_=sr\"\u003eHervé Villechaize\u003c/a\u003e, who played Mr. Roarke\u0026#39;s diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0381973/?ref_=sr\"\u003eChristopher Hewett\u003c/a\u003e, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.\u003cbr/\u003e\u003cbr/\u003eAn Emmy Award winner for his role in the miniseries \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077027/?ref_=sr\"\u003eHow the West Was Won (1976)\u003c/a\u003e and a noteworthy villain in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081856/?ref_=sr\"\u003eDynasty (1981)\u003c/a\u003e spin-off series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088496/?ref_=sr\"\u003eThe Colbys (1985)\u003c/a\u003e, Montalban was also famous for a series of television commercials in which he returned somewhat to his \u0026quot;Latin lover\u0026quot; persona, primarily in a series of slick commercials for Chrysler\u0026#39;s Cordoba automobile, pitching the elegant auto with its \u0026quot;rich, Corinthian leather\u0026quot; (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095705/?ref_=sr\"\u003eThe Naked Gun: From the Files of Police Squad! (1988)\u003c/a\u003e. Two of his final, larger-scaled film roles were as the grandfather in the two \u0026quot;Spy Kids\u0026quot; sequels: \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0287717/?ref_=sr\"\u003eSpy Kids 2: Island of Lost Dreams (2002)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0338459/?ref_=sr\"\u003eSpy Kids 3: Game Over (2003)\u003c/a\u003e. His deep, soothing, confident tones could also be heard in animated features and television series.\u003cbr/\u003e\u003cbr/\u003eFrustrated at Hollywood\u0026#39;s portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building \u0026quot;Nosotros\u0026quot; organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0858544/?ref_=sr\"\u003eBob Thomas\u003c/a\u003e, he published his memoir, entitled \u0026quot;Reflections: A Life in Two Worlds\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eA class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.","knownFor":{"originalTitleText":"Star Trek II: The Wrath of Khan","titleId":"tt0084726","titleText":"Star Trek II: The Wrath of Khan","canHaveEpisodes":false,"yearRange":{"year":1982}},"nameId":"nm0001544","nameText":"Ricardo Montalban","professions":["Actor","Director","Soundtrack"],"primaryProfessions":["Actor","Director","Soundtrack"],"primaryImage":{"caption":"Ricardo Montalban","height":400,"width":281,"url":"https://m.media-amazon.com/images/M/MV5BMzE2ODQ5MDkzOF5BMl5BanBnXkFtZTcwMzIyNTgxMw@@._V1_.jpg"}},{"bio":"Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922\nin Vancouver, British Columbia, Canada. She was three when her father\nabandoned the family. Her mother turned to waitressing in a restaurant\nto make ends meet--a rough beginning for an actress who would, one day,\nbe one of Hollywood\u0026#39;s elite. Yvonne\u0026#39;s mother wanted her to be in the\nentertainment field and enrolled her in a local dance school and also\nsaw that she studied dramatics. Yvonne was not shy in the least. She\nwas somewhat akin to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0601067/?ref_=sr\"\u003eColleen Moore\u003c/a\u003e\nwho, like herself, entertained the neighborhood with impromptu\nproductions. In 1937, when Yvonne was 15, her mother took her to\nHollywood to try for fame and fortune, but nothing came of it and they\nreturned to Canada. They came back to Hollywood in 1940, where Yvonne\nwould dance in chorus lines at night while she checked in at the\nstudios by day in search of film work. After appearing in unbilled\nparts in three short films, she finally got a part in a feature.\u003cbr/\u003e\u003cbr/\u003eAlthough the film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034831/?ref_=sr\"\u003eHarvard, Here I Come! (1941)\u003c/a\u003e\nwas quite lame, Yvonne glowed in her brief appearance as a bathing\nbeauty. The rest of 1942 and 1943 saw her in more uncredited roles in\nfilms that did not quite set Hollywood on fire. In\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0035791/?ref_=sr\"\u003eThe Deerslayer (1943)\u003c/a\u003e, she played\nWah-Tah. The role did not amount to much, but it was much better than\nthe ones she had been handed previously. The next year was about the\nsame as the previous two years. She played small parts as either\nsecretaries, someone\u0026#39;s girlfriend, native girls or office clerks. Most\naspiring young actresses would have given up and gone home in defeat,\nbut not Yvonne. She trudged on. The next year, started out the same,\nwith mostly bit parts, but later that year, she landed the title role\nin\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038046/?ref_=sr\"\u003eSalome, Where She Danced (1945)\u003c/a\u003e\nfor Universal Pictures. While critics were less than thrilled with the\nfilm, it was at long last her big break, and the film was a success for\nUniversal. Now she was rolling.\u003cbr/\u003e\u003cbr/\u003eHer next film was the western comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037721/?ref_=sr\"\u003eFrontier Gal (1945)\u003c/a\u003e as Lorena\nDumont. After a year off the screen in 1946, she returned in 1947 as\nCara de Talavera in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039852/?ref_=sr\"\u003eSong of Scheherazade (1947)\u003c/a\u003e,\nand many agreed that the only thing worth watching in the film was\nYvonne. Her next film was the highly regarded\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000044/?ref_=sr\"\u003eBurt Lancaster\u003c/a\u003e prison film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039224/?ref_=sr\"\u003eBrute Force (1947)\u003c/a\u003e. Time after time,\nYvonne continued to pick up leading roles, in such pictures as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039836/?ref_=sr\"\u003eSlave Girl (1947)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040167/?ref_=sr\"\u003eBlack Bart (1948)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040214/?ref_=sr\"\u003eCasbah (1948)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040738/?ref_=sr\"\u003eRiver Lady (1948)\u003c/a\u003e. She had a meaty\nrole in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041268/?ref_=sr\"\u003eCriss Cross (1949)\u003c/a\u003e, a\ngangster movie, as the ex-wife of a hoodlum. At the start of the 1950s,\nYvonne enjoyed continued success in lead roles. Her talents were again\nshowcased in movies such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042389/?ref_=sr\"\u003eThe Desert Hawk (1950)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044036/?ref_=sr\"\u003eSilver City (1951)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045126/?ref_=sr\"\u003eScarlet Angel (1952)\u003c/a\u003e. Her last film\nin 1952 was\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044729/?ref_=sr\"\u003eHurricane Smith (1952)\u003c/a\u003e, a picture\nmost fans and critics agree is best forgotten.\u003cbr/\u003e\u003cbr/\u003eIn 1956, she appeared in the film that would immortalize her best,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049833/?ref_=sr\"\u003eThe Ten Commandments (1956)\u003c/a\u003e.\nShe played Sephora, the wife of Moses\n(\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000032/?ref_=sr\"\u003eCharlton Heston\u003c/a\u003e). The film was,\nunquestionably, a super smash, and is still shown on television today.\nHer performance served as a springboard to another fine role, this time\nas Amantha Starr in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050166/?ref_=sr\"\u003eBand of Angels (1957)\u003c/a\u003e. In the late\n1950s and early 1960s, Yvonne appeared on such television series as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052451/?ref_=sr\"\u003eBonanza (1959)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055710/?ref_=sr\"\u003eThe Virginian (1962)\u003c/a\u003e. With film roles drying up, she took the role of Lily Munster in the smash\nseries \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057773/?ref_=sr\"\u003eThe Munsters (1964)\u003c/a\u003e.\nHowever, she still was not completely through with the big screen.\nAppearances in such films as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057298/?ref_=sr\"\u003eMcLintock! (1963)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063452/?ref_=sr\"\u003eThe Power (1968)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067736/?ref_=sr\"\u003eThe Seven Minutes (1971)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074649/?ref_=sr\"\u003eLa casa de las sombras (1976)\u003c/a\u003e\nkept her before the eyes of the movie-going public. Yvonne De Carlo died\nat age 84 of natural causes on January 8, 2007 in Woodland Hills,\nCalifornia.","knownFor":{"originalTitleText":"The Ten Commandments","titleId":"tt0049833","titleText":"The Ten Commandments","canHaveEpisodes":false,"yearRange":{"year":1956}},"nameId":"nm0001119","nameText":"Yvonne De Carlo","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Yvonne De Carlo in The Munsters (1964)","height":4961,"width":3681,"url":"https://m.media-amazon.com/images/M/MV5BYjNmNzgzNjctMzY0Zi00YTZhLWEzMGQtN2VmMjhhZjEyMzRmXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Angela Lansbury was born in 1925 into\na prominent family of the upper middle class living in the Regent\u0026#39;s Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury\u0026#39;s mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela\u0026#39;s life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.\u003cbr/\u003e\u003cbr/\u003eIn 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into \u0026quot;playing characters\u0026quot;, as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.\u003cbr/\u003e\u003cbr/\u003eFrom 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.\u003cbr/\u003e\u003cbr/\u003eIn 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school\u0026#39;s production of the play \u0026quot;Mary of Scotland\u0026quot; (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen\u0026#39;s ladies-in-waiting.\u003cbr/\u003e\u003cbr/\u003eAlso in 1940, Lansbury\u0026#39;s paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.\u003cbr/\u003e\u003cbr/\u003eMacgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith\u0026#39;s house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.\u003cbr/\u003e\u003cbr/\u003eIn 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.\u003cbr/\u003e\u003cbr/\u003eLansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.\u003cbr/\u003e\u003cbr/\u003eLansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of \u0026quot;Gaslight\u0026quot; (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film\u0026#39;s conniving cockney maid. This helped secure Lansbury\u0026#39;s first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.\u003cbr/\u003e\u003cbr/\u003eIn 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell\u0026#39;s death.\u003cbr/\u003e\u003cbr/\u003eIn 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba\u0026#39;s Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury\u0026#39;s home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.\u003cbr/\u003e\u003cbr/\u003eMeanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists\u0026#39; \u0026quot;The Private Affairs of Bel Ami\u0026quot; (1947), and Paramount Pictures\u0026#39; \u0026quot;Samson and Delilah\u0026quot; (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.\u003cbr/\u003e\u003cbr/\u003eIn 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.\u003cbr/\u003e\u003cbr/\u003eMeanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film \u0026quot;The Long, Hot Summer\u0026quot; (1958) and the comedy film \u0026quot;The Reluctant Debutante\u0026quot; (1958). She also appeared regularly in television roles, and became a regular on game show \u0026quot;Pantomime Quiz\u0026quot; (1947-1959).\u003cbr/\u003e\u003cbr/\u003eIn 1957, Lansbury made her Broadway debut in a performance of \u0026quot;Hotel Paradiso\u0026quot;. The play was an adaptation of the 1894 \u0026quot;L\u0026#39;Hôtel du libre échange\u0026quot; (\u0026quot;Free Exchange Hotel\u0026quot;), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury\u0026#39;s role as \u0026quot;Marcel Cat\u0026quot; was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in \u0026quot;A Taste of Honey\u0026quot;. She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.\u003cbr/\u003e\u003cbr/\u003eIn the early 1960s, Lansbury was cast as an overbearing mother in \u0026quot;Blue Hawaii\u0026quot; (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the \u0026quot;Variety\u0026quot; national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.\u003cbr/\u003e\u003cbr/\u003eLansbury gained critical praise for a sympathetic role in the drama film \u0026quot;The Dark at the Top of the Stairs\u0026quot; (1960), and the role of a manipulative mother in the drama film \u0026quot;All Fall Down\u0026quot; (1962). Based on her success in \u0026quot;All Fall Down\u0026quot;, she was cast in a similar role in the Cold War-themed thriller \u0026quot;The Manchurian Candidate\u0026quot; (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).\u003cbr/\u003e\u003cbr/\u003eLansbury made a comeback in the starring role of Mame Dennis in the musical \u0026quot;Mame\u0026quot; (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel \u0026quot;Auntie Mame: An Irreverent Escapade\u0026quot; (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a \u0026quot;superstar\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eHer newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her \u0026quot;Woman of the Year\u0026quot; in 1968.\u003cbr/\u003e\u003cbr/\u003eLansbury\u0026#39;s next theatrical success was in 1969 \u0026quot;The Madwoman of Chaillot\u0026quot; (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman\u0026#39;s struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.\u003cbr/\u003e\u003cbr/\u003eIn 1970, Lansbury\u0026#39;s Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.\u003cbr/\u003e\u003cbr/\u003eHer film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney\u0026#39;s fantasy film \u0026quot;Bedknobs and Broomsticks\u0026quot; (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.\u003cbr/\u003e\u003cbr/\u003eIn 1972, Lansbury returned to the British stage, performing in London\u0026#39;s West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical \u0026quot;Gypsy\u0026quot; (1959) by Arthur Laurents. It was quite successful. In 1974, \u0026quot;Gypsy\u0026quot; went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.\u003cbr/\u003e\u003cbr/\u003eTired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company\u0026#39;s production of Hamlet. In November 1975, Lansbury\u0026#39;s mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother\u0026#39;s remains to be cremated, and the ashes scattered near her own County Cork home.\u003cbr/\u003e\u003cbr/\u003eIn 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.\u003cbr/\u003e\u003cbr/\u003eIn 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film \u0026quot;Death on the Nile\u0026quot; (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).\u003cbr/\u003e\u003cbr/\u003eIn 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical \u0026quot;Sweeney Todd: The Demon Barber of Fleet Street\u0026quot; (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel \u0026quot;The String of Pearls: A Domestic Romance\u0026quot; (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.\u003cbr/\u003e\u003cbr/\u003eLansbury\u0026#39;s next prominent film role was that of Miss Froy in \u0026quot;The Lady Vanishes\u0026quot; (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film \u0026quot;The Mirror Crack\u0026#39;d\u0026quot; (1980), an adaptation of the novel \u0026quot;The Mirror Crack\u0026#39;d from Side to Side\u0026quot; (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.\u003cbr/\u003e\u003cbr/\u003eIn 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play \u0026quot;A Little Family Business\u0026quot; and a revival of \u0026quot;Mame\u0026quot;, but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film \u0026quot;The Last Unicorn\u0026quot; (1982). The film was critically well received, but was not a box-office hit.\u003cbr/\u003e\u003cbr/\u003eLansbury played Ruth in the musical comedy \u0026quot;The Pirates of Penzance\u0026quot; (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.\u003cbr/\u003e\u003cbr/\u003eLansbury\u0026#39;s next film role was that of Granny in the gothic fantasy film \u0026quot;The Company of Wolves\u0026quot; (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.\u003cbr/\u003e\u003cbr/\u003eAt about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series \u0026quot;Murder, She Wrote\u0026quot; (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the \u0026quot;whodunit\u0026quot; format and mostly avoided depictions of violence or gore.\u003cbr/\u003e\u003cbr/\u003eThe series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.\u003cbr/\u003e\u003cbr/\u003eIn 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original \u0026quot;Hawaii Five-O\u0026quot; (1968-1980) as the longest-running detective drama series in television history.\u003cbr/\u003e\u003cbr/\u003eHer popularity from \u0026quot;Murder, She Wrote\u0026quot; made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.\u003cbr/\u003e\u003cbr/\u003eLansbury\u0026#39;s highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney\u0026#39;s animated fantasy film \u0026quot;Beauty and the Beast\u0026quot; (1991). Lansbury performed the film\u0026#39;s title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.\u003cbr/\u003e\u003cbr/\u003eDuring the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.\u003cbr/\u003e\u003cbr/\u003eFollowing the end of \u0026quot;Murder, She Wrote\u0026quot;, Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple\u0026#39;s Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).\u003cbr/\u003e\u003cbr/\u003eLansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film \u0026quot;Nanny McPhee\u0026quot; (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband\u0026#39;s death.\u003cbr/\u003e\u003cbr/\u003eLansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.\u003cbr/\u003e\u003cbr/\u003eIn 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.\u003cbr/\u003e\u003cbr/\u003eIn 2017, she was cast as Aunt March in the mini-series \u0026quot;Little Women\u0026quot;. The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.\u003cbr/\u003e\u003cbr/\u003eIn 2018, Lansbury gained her next film role in Disney\u0026#39;s fantasy film \u0026quot;Mary Poppins Returns\u0026quot; (2018), a sequel to \u0026quot;Mary Poppins\u0026quot;. Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.\u003cbr/\u003e\u003cbr/\u003eIn 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde\u0026#39;s play \u0026quot;The Importance of Being Earnest\u0026quot; (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.\u003cbr/\u003e\u003cbr/\u003eBy 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.","knownFor":{"originalTitleText":"The Manchurian Candidate","titleId":"tt0056218","titleText":"The Manchurian Candidate","canHaveEpisodes":false,"yearRange":{"year":1962}},"nameId":"nm0001450","nameText":"Angela Lansbury","professions":["Actress","Producer","Executive"],"primaryProfessions":["Actress","Producer","Executive"],"primaryImage":{"caption":"Angela Lansbury","height":400,"width":329,"url":"https://m.media-amazon.com/images/M/MV5BMzEzOTk0OTYyOV5BMl5BanBnXkFtZTYwNzU1MTkz._V1_.jpg"}},{"bio":"Donna Reed was born in the midwestern town of Denison, Iowa, on January\n27, 1921, as Donna Belle Mullenger. A small town - a population of less\nthan 3,000 people - Denison was located by the Boyer River, and was the\ncounty seat of Crawford County. Donna grew up as a farm girl, much like\nmany young girls in western Iowa, except for one thing - Donna was very\nbeautiful. That wasn\u0026#39;t to say that others weren\u0026#39;t as pretty, it\u0026#39;s just\nthat Donna\u0026#39;s beauty stood out from all the other local girls, so much\nso that she won a beauty contest in Denison. Upon graduation from high\nschool Donna left for college in Los Angeles, in the hopes of\neventually entering movies. While at Los Angeles City College, she\npursued her dream by participating in several college stage\nproductions. In addition to the plays, she also won the title of Campus\nQueen. At one of those stage plays Donna was spotted by an MGM talent\nscout and was signed to a contract. Her first film was a minor role in\nMGM\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033577/?ref_=sr\"\u003eThe Get-Away (1941)\u003c/a\u003e. That was followed by a small part in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034485/?ref_=sr\"\u003eBabes on Broadway (1941)\u003c/a\u003e, with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001682/?ref_=sr\"\u003eMickey Rooney\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000023/?ref_=sr\"\u003eJudy Garland\u003c/a\u003e as a secretary. She then won her breakthrough role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034172/?ref_=sr\"\u003eShadow of the Thin Man (1941)\u003c/a\u003e. Afterwards, MGM began giving her\nbetter parts, in films such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033438/?ref_=sr\"\u003eThe Bugle Sounds (1942)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034618/?ref_=sr\"\u003eThe Courtship of Andy Hardy (1942)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031612/?ref_=sr\"\u003eThe Man from Down Under (1943)\u003c/a\u003e. In 1944\nshe received second billing playing Carol Halliday in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037256/?ref_=sr\"\u003eSee Here, Private Hargrove (1944)\u003c/a\u003e, a comedy\nabout a reporter drafted into the army who eventually meets up with\nDonna\u0026#39;s character as a worker in the canteen. The following year Donna\nstarred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037988/?ref_=sr\"\u003eThe Picture of Dorian Gray (1945)\u003c/a\u003e, her best role to date. It was a love story set in\nLondon in 1890. It got mixed critical reviews but did well at the\nbox-office. Donna was now one of the leading ladies of Hollywood. In\n1946 she starred in what is probably her best-known role, as the wife\nof \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000071/?ref_=sr\"\u003eJames Stewart\u003c/a\u003e in the classic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038650/?ref_=sr\"\u003eIt\u0026#39;s a Wonderful Life (1946)\u003c/a\u003e. This timeless story is a holiday\nstaple to this day. The film also starred \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000859/?ref_=sr\"\u003eLionel Barrymore\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0593775/?ref_=sr\"\u003eThomas Mitchell\u003c/a\u003e. The next\nyear Donna starred as Ann Daniels in Paramount\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040158/?ref_=sr\"\u003eBeyond Glory (1948)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000042/?ref_=sr\"\u003eAlan Ladd\u003c/a\u003e,\nwhich did well at the box-office. Her next role was the strongest she\nhad had yet--\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041243/?ref_=sr\"\u003eChicago Deadline (1949)\u003c/a\u003e, again with Ladd. It was one of the best mystery\ndramas to come out of Hollywood in a long time, and did very well at\nthe box office. As the 1940s faded out and the 1950s stormed in,\nDonna\u0026#39;s roles got bigger but were mainly of the wholesome,\ngirl-next-door type. In 1953, however, she starred as the hostess\nAlma in the widely acclaimed \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045793/?ref_=sr\"\u003eFrom Here to Eternity (1953)\u003c/a\u003e. She was so good in that film she\nwas nominated for and won the Academy Award for Best Supporting\nActress, beating out such veterans as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0728812/?ref_=sr\"\u003eThelma Ritter\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0708081/?ref_=sr\"\u003eMarjorie Rambeau\u003c/a\u003e. The film\nitself won for Best Picture and remains a classic to this day. Later\nthat year Donna starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045589/?ref_=sr\"\u003eThe Caddy (1953)\u003c/a\u003e, a comedy with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001471/?ref_=sr\"\u003eJerry Lewis\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001509/?ref_=sr\"\u003eDean Martin\u003c/a\u003e.\nThree years later she landed the role of Sacajawea in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048056/?ref_=sr\"\u003eThe Far Horizons (1955)\u003c/a\u003e, the\nstory of the Lewis and Clark Expedition, starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000032/?ref_=sr\"\u003eCharlton Heston\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0534045/?ref_=sr\"\u003eFred MacMurray\u003c/a\u003e.\nAfter finishing \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052391/?ref_=sr\"\u003eThe Whole Truth (1958)\u003c/a\u003e, Donna began her own TV series (produced by her\nhusband), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051267/?ref_=sr\"\u003eThe Donna Reed Show (1958)\u003c/a\u003e, a hit that ran for eight years. She was so effective\nin the show that she was nominated for TV\u0026#39;s prestigious Emmy Award as\nBest Actress every year from 1959-1962. She was far more popular in TV\nthan on the screen. After the run of the program, Donna took some time\naway from show business before coming back in a couple of made-for-TV\nmovies (in 1974, she had made a feature called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072392/?ref_=sr\"\u003eWelcome to Arrow Beach (1973)\u003c/a\u003e, but it was\nnever released). She did get the role of Ellie Ewing Farlow in the hit\nTV series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077000/?ref_=sr\"\u003eDallas (1978)\u003c/a\u003e during the 1984-85 season. It was to be her final\npublic performance. On January 14, 1986, less than two weeks before her\n65th birthday, she died of pancreatic cancer in Beverly Hills,\nCalifornia. Grover Asmus, her husband, created the Donna Reed\nFoundation for the Performing Arts in her hometown of Denison. The\nfoundation helps others who desire a career in the arts. Donna never\nforgot her roots. She was still a farm girl at heart.","knownFor":{"originalTitleText":"It's a Wonderful Life","titleId":"tt0038650","titleText":"It's a Wonderful Life","canHaveEpisodes":false,"yearRange":{"year":1946}},"nameId":"nm0001656","nameText":"Donna Reed","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Donna Reed","height":2800,"width":2266,"url":"https://m.media-amazon.com/images/M/MV5BMmE5MTNiYTktZWZhMy00MWNmLTlkYTQtNGI5ODRkNzk4ZGQxXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Bob Newhart was an American actor and stand-up comedian. His comedic style involved deadpan delivery of dialogue, a slight stammer when talking, and comedic monologues. He cited earlier comedians George Gobel (1919-1991), Ray Goulding (1922-1990), and Bob Elliott (1923-2016) as his main influences in developing his comedy style.\u003cbr/\u003e\u003cbr/\u003eIn 1929, Newhart was born in a hospital in Oak Park, Illinois to Roman Catholic parents, George David Newhart (1900-1985) and his wife, Julia Pauline Burns (1900-1994). George Newhart was the son of an American father and a Canadian mother, had both German and Irish ancestry, and claimed maternal descent from the O\u0026#39;Conor family of Connacht; his mother was an Irish-American. George had partial ownership in a plumbing and heating-supply business, which was the Newhart family\u0026#39;s main source of income. Bob Newhart and his sister, who became a nun (Sister M. Joan Newhart), were raised Catholic.\u003cbr/\u003e\u003cbr/\u003eNewhart was raised in the vicinity of Chicago and attended a number of local Roman Catholic schools: first the St. Catherine of Siena Grammar School in Oak Park, then St. Ignatius College Prep in Chicago. He graduated the prep school (equivalent to a high school) in 1947, then enrolled at the Loyola University Chicago. He graduated in 1952 with a Bachelor\u0026#39;s Degree in business management.\u003cbr/\u003e\u003cbr/\u003eShortly after graduating, Newhart was drafted into the the United States Army. He served as a personnel manager for the Army during the Korean War (1950-1953). He was honorably discharged in 1954, during the post-war demobilization of the American armed forces. He attempted to continue his studies, and enrolled into the Loyola University Chicago School of Law. However, he never completed his degree, quitting a required internship because his employer had allegedly demanded \u0026quot;unethical\u0026quot; behavior from him.\u003cbr/\u003e\u003cbr/\u003eNewhart briefly worked as an accountant for the USG Corporation (United States Gypsum Corporation), a Chicago-based company which manufactures construction materials. He quit after regularly facing trouble in \u0026quot;adjusting petty cash imbalances\u0026quot;. He then proceeded to work as a clerk for various employers, but found himself struggling financially.\u003cbr/\u003e\u003cbr/\u003eIn 1958, he was hired as an advertising copywriter for a Chicago-based production company. To entertain himself, he started exchanging \u0026quot;long telephone calls about absurd scenarios\u0026quot; with a friendly co-worker. The 29-year-old Newhart had the idea to try his hand as a comedian, and developed a comedy routine based on the telephone calls. He recorded his routine into audition tapes, and send them to radio stations. His routine was met favorably. In 1959, Newhart started performing as a stand-up-comedian in nightclubs, and signed a contract with a new record company which was seeking to recruit some talent. The company was Warner Bros. Records (established in 1958), a subsidiary of the film studio Warner Bros.\u003cbr/\u003e\u003cbr/\u003eNewhart became famous primarily through his audio releases. His comedy album \u0026quot;The Button-Down Mind of Bob Newhart\u0026quot; (1960) became the first comedy album to make number one on the Billboard charts, and earned him the 1961 Grammy Award for Best New Artist. This success opened to him new career opportunities, in television and film. NBC offered him his own variety television show, the short-lived \u0026quot;The Bob Newhart Show\u0026quot; (October, 1961-June 1962). The show won the 1962 Primetime Emmy Award for Outstanding Comedy Series, but was canceled anyway. It had won the award while facing four other candidates: \u0026quot;The Andy Griffith Show\u0026quot;, \u0026quot;Car 54, Where Are You?\u0026quot;, \u0026quot;Hazel\u0026quot;, and \u0026quot;The Red Skelton Show\u0026quot;, all of which outlasted Newhart\u0026#39;s award-winning show.\u003cbr/\u003e\u003cbr/\u003eIn 1962, Newhart made his film debut in the war film \u0026quot;Hell Is for Heroes\u0026quot;. Newhart played the character James Driscoll, an Army company clerk who broadcasts misleading radio messages to the enemy limes during World War II. He appeared frequently as a guest star in television over the subsequent years, but had relatively few big screen roles. He appeared in the caper story \u0026quot;Hot Millions\u0026quot; (1968), the reincarnation-themed fantasy film \u0026quot;On a Clear Day You Can See Forever\u0026quot; (1970), the war film \u0026quot;Catch-22\u0026quot; (1970), and the tobacco-smoking-themed satirical film \u0026quot;Cold Turkey\u0026quot; (1971).\u003cbr/\u003e\u003cbr/\u003eFrom 1972 to 1978, he starred in the hit sitcom \u0026quot;The Bob Newhart Show\u0026quot;. He played the character Robert \u0026quot;Bob\u0026quot; Hartley, Ph.D. (Newhart), a Chicago psychologist who is surrounded by eccentric patients, work colleagues, friends, and family members. Hartley was effectively the \u0026quot;straight man\u0026quot; to the wacky characters surrounding him.\u003cbr/\u003e\u003cbr/\u003eIn 1977, Newhart voiced Bernard, the male lead in the animated film \u0026quot;The Rescuers\u0026quot; (1977). The film features the Rescue Aid Society, an international mouse organization, with its headquarters located in New York City. Bernard is not initially one of its members, but works as their janitor. When Miss Bianca, Hungary\u0026#39;s representative in the organization, must choose a partner for her first field mission, she impulsively chooses Bernard over the the other available agents. Part of the success of the film is based on the contrast between the two partners, the adventurous, brave, but rather impulsive Bianca, and the overly cautious, shy, and reluctant hero Bernard. \u0026quot;The Rescuers\u0026quot; earned worldwide gross rentals of $48 million dollars at the box office during its initial release, and had a total lifetime worldwide gross of $169 million through subsequent re-releases.\u003cbr/\u003e\u003cbr/\u003eIn 1980, Newhart appeared in two live-action films, the comedy-drama \u0026quot;Little Miss Marker\u0026quot;, and the political comedy \u0026quot;First Family\u0026quot;. The first features Newhart as a member of a gangster-run gambling operation. The gangsters are surprised when a client uses his 6-year-old daughter as collateral for a bet. The other film featured Newheart as an inept President of the United States. The main plot deals with the President tolerating the kidnapping of American citizens by a fictional African country, because the country offers some valuable resources in exchange for their new American slaves.\u003cbr/\u003e\u003cbr/\u003eFrom 1982 to 1990, Newhart starred in a second hit sitcom, called simply \u0026quot;Newhart\u0026quot;. He played the character Dick Loudon, a Vermon-based innkeeper who finds himself surrounded by strange employees, neighbors, and competitors. The show had a famous ending where the entire series is \u0026quot;revealed\u0026quot; to be a dream of Robert Hartley, Newhart\u0026#39;s character from his hit CBS sitcom, \u0026quot;The Bob Newhart Show\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eIn 1990, Newhart returned to the role of Bernard, in the sequel film \u0026quot;The Rescuers Down Under\u0026quot;. Early in the film, Bernard is preparing a marriage proposal for Miss Bianca, but his plans are derailed when they are both send to Australia for an urgent mission. The duo are partnered with Australian agent Jake, and Bernard is frustrated with when Jake competes with him for Bianca\u0026#39;s affections. At the end of the mission, Berbard finally makes his marriage proposal, unwilling to let orders for further missions to interfere with his plans to marry the woman he loves. The film only earned 47.4 million dollars at the worldwide box office, and became Walt Disney Animation Studio\u0026#39;s least successful theatrical animated film of the 1990s.\u003cbr/\u003e\u003cbr/\u003eFrom 1992 to 1993, Newhart starred in his third sitcom, called simply \u0026quot;Bob\u0026quot;. He played the character Bob McKay, a veteran comic book writer and artist from the 1950s. Having long retired into obscurity, McKay is hired by a corporation to produce a revival of his classic character, the superhero \u0026quot;Mad-Dog\u0026quot;. The first season introduced a large cast of eccentric co-workers. The second season dismissed most of these characters, and had McKay serving as the President of a company producing greeting cards. The series suffered from low ratings, and was canceled at the end of its second season. Only 33 episodes were produced.\u003cbr/\u003e\u003cbr/\u003eFrom 1997 to 1998, Newhart starred in his fourth sitcom \u0026quot;George \u0026amp; Leo\u0026quot;. He played George Stoody, a bookstore owner who finds himself offering hospitality to a professional magician and part-time criminal (Judd Hirsch). The humor was based on the strong contrast between the two men, but the series failed to find an audience.\u003cbr/\u003e\u003cbr/\u003eNewhart returned to theatrical films with the romantic comedy \u0026quot;In \u0026amp; Out\u0026quot; (1997). He had roles in the animated film \u0026quot;Rudolph the Red-Nosed Reindeer: The Movie\u0026quot; (1998), the comedy \u0026quot;Legally Blonde 2: Red, White \u0026amp; Blonde\u0026quot; (2003), and the Christmas film \u0026quot;Elf\u0026quot; (2003) . From 2004 to 2008, Newhart played the major character Judson in three television films of \u0026quot;The Librarian\u0026quot; fantasy franchise. The franchise features a mystical library, which hides numerous magical and technological artifacts from various historical eras. A series of librarians have to guard the library and its contents from criminal organizations with sinister designs. Judson is the mentor who trains the current librarian, after the previous one was killed in action. The series hinted that Judson was older than he looked, and he was eventually revealed to be the original librarian. He was nearly immortal, and had trained succeeding librarians for centuries. In \u0026quot;Horrible Bosses\u0026quot; (2011), he made a surprise cameo at the end as Jason Bateman\u0026#39;s new boss, Lou Sherman, who has a notorious reputation of his own.\u003cbr/\u003e\u003cbr/\u003eIn 2013, Newhart started playing the recurring character Arthur Jeffries (stage name \u0026quot;Professor Proton\u0026quot;) in \u0026quot;The Big Bang Theory\u0026quot;. He was a scientist who decades ago served as the host of a science show aimed at children, inspiring series co-protagonists Leonard Hofstadter and Sheldon Cooper to start science careers of their own. Leonard and Sheldon, now professional physicists with academic careers, eventually get to meet their childhood idol. Jeffries\u0026#39;s scientific career ended in disgrace, his television days are long over, and he has been reduced to earning a meager living as a party entertainer. This role won Newhart his first Primetime Emmy Award. The character dynamic between the two was popular, as Sheldon continued to idolize Jeffries who found his \u0026quot;student\u0026quot; to be insufferable. Following Jeffries\u0026#39; death, Newhart continued to appear in the series as Jeffries\u0026#39; ghost, appearing at various points to offer Sheldon advice and serving as a reluctant mentor. Sheldon viewed Jeffries as his version of Obi-Wan Kenobi.\u003cbr/\u003e\u003cbr/\u003eBob Newhart died in 2024, aged 94.","knownFor":{"originalTitleText":"Elf","titleId":"tt0319343","titleText":"Elf","canHaveEpisodes":false,"yearRange":{"year":2003}},"nameId":"nm0627878","nameText":"Bob Newhart","professions":["Actor","Writer","Soundtrack"],"primaryProfessions":["Actor","Writer","Soundtrack"],"primaryImage":{"caption":"Bob Newhart in The Librarian: The Curse of the Judas Chalice (2008)","height":639,"width":480,"url":"https://m.media-amazon.com/images/M/MV5BMTk5MDE5NDcxOV5BMl5BanBnXkFtZTcwNTAxOTkwMg@@._V1_.jpg"}},{"bio":"An old-fashioned comedian, who, by recommendation by his son \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0943978/?ref_=sr\"\u003eKeenan Wynn\u003c/a\u003e,\nbecame one of the world\u0026#39;s most beloved clowns, and one of the best\nactors of his time. He was born on November 9, 1886. He performed in\nthe Ziegfeld Follies, and later had a son Keenan in 1916. He later\nwrote his own shows, then known as the Perfect Fool. In 1941 at age 54,\nhe became a grandfather. He became popular for roles throughout the\n1950s and 1960s, best remembered for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041021/?ref_=sr\"\u003eThe Ed Wynn Show (1949)\u003c/a\u003e, and for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058331/?ref_=sr\"\u003eMary Poppins (1964)\u003c/a\u003e as Uncle\nAlbert, who reflects his old style charm. He continued to perform,\nuntil he died in 1966 at age 79.","knownFor":{"originalTitleText":"Alice in Wonderland","titleId":"tt0043274","titleText":"Alice in Wonderland","canHaveEpisodes":false,"yearRange":{"year":1951}},"nameId":"nm0943956","nameText":"Ed Wynn","professions":["Actor","Additional Crew","Soundtrack"],"primaryProfessions":["Actor","Additional Crew","Soundtrack"],"primaryImage":{"caption":"Ed Wynn in \"The Perfect Fool,\" 1959.","height":450,"width":413,"url":"https://m.media-amazon.com/images/M/MV5BMTI1NzIyMjIyOF5BMl5BanBnXkFtZTYwMTIxMDI2._V1_.jpg"}},{"bio":"She was the daughter of Andrew and Frances Clooney and grew up in Maysville, Kentucky, where she and her sister \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0167038/?ref_=sr\"\u003eBetty Clooney\u003c/a\u003e used to sing in her grandfather\u0026#39;s mayoral election campaigns, which he won three times. She made her singing debut on Cincinnati radio station WLW in 1941 at 13. On WLW she worked with band leader Barney Rapp, who had also worked with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000013/?ref_=sr\"\u003eDoris Day\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0930023/?ref_=sr\"\u003eAndy Williams\u003c/a\u003e at the same station. She attended high school at Our Lady of Mercy in Cincinnati. In 1946 she appeared with her sister in Atlantic City, New Jersey, at the Steel Pier with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0665088/?ref_=sr\"\u003eTony Pastor\u003c/a\u003e\u0026#39;s band. In 1949 she went solo and later appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047673/?ref_=sr\"\u003eWhite Christmas (1954)\u003c/a\u003e, co-starring opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001078/?ref_=sr\"\u003eBing Crosby\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001414/?ref_=sr\"\u003eDanny Kaye\u003c/a\u003e. Her first big hit was \u0026quot;Come On A My House\u0026quot; in 1951. She married \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001207/?ref_=sr\"\u003eJosé Ferrer\u003c/a\u003e in 1953 and they had five children between 1955 and 1960. Her marriage to Ferrer was a tempestuous one and she had a nervous breakdown in 1968, but went on to resume her career in 1976. Her life was dramatized in a 1982 made-for-television movie starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0516800/?ref_=sr\"\u003eSondra Locke\u003c/a\u003e, who was actually just 16 years Rosemary\u0026#39;s junior but constantly lied about her age.\u003cbr/\u003e\u003cbr/\u003eHer son Gabriel is married to singer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0095501/?ref_=sr\"\u003eDebby Boone\u003c/a\u003e, daughter of 1950s pop singer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0004769/?ref_=sr\"\u003ePat Boone\u003c/a\u003e. Her brother, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0167040/?ref_=sr\"\u003eNick Clooney\u003c/a\u003e, was an ABC news anchor in Cincinnati, and her nephew \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000123/?ref_=sr\"\u003eGeorge Clooney\u003c/a\u003e has developed into one of the biggest movie stars of the 21st century. In 1968 she was standing in the Ambassdor Hotel in Los Angeles with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0340952/?ref_=sr\"\u003eRoosevelt Grier\u003c/a\u003e when \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0448305/?ref_=sr\"\u003eRobert F. Kennedy\u003c/a\u003e was assassinated in the hotel kitchen after she had participated in his campaign rally. Her top hits include \u0026quot;Hey There\u0026quot; in 1954, \u0026quot;Tenderly\u0026quot;, \u0026quot;This Ole House\u0026quot; and \u0026quot;Half As Much\u0026quot; in 1952.","knownFor":{"originalTitleText":"White Christmas","titleId":"tt0047673","titleText":"White Christmas","canHaveEpisodes":false,"yearRange":{"year":1954}},"nameId":"nm0167041","nameText":"Rosemary Clooney","professions":["Actress","Writer","Music Department"],"primaryProfessions":["Actress","Writer","Music Department"],"primaryImage":{"caption":"Rosemary Clooney","height":3733,"width":3005,"url":"https://m.media-amazon.com/images/M/MV5BZjY0NDA3MjItNjRhNy00YTRiLTk4N2EtZTk5MmU1MDM3YmYyXkEyXkFqcGc@._V1_.jpg"}},{"bio":"The archetypal screen tough guy with weatherbeaten features--one film\ncritic described his rugged looks as \u0026quot;a\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000022/?ref_=sr\"\u003eClark Gable\u003c/a\u003e who had been left out in\nthe sun too long\u0026quot;--Charles Bronson was born Charles Buchinsky, one of\n15 children of struggling parents in Pennsylvania. His mother, Mary\n(Valinsky), was born in Pennsylvania, to Lithuanian parents, and his\nfather, Walter Buchinsky, was a Lithuanian immigrant coal miner.\u003cbr/\u003e\u003cbr/\u003eHe completed high school and joined his father in the mines (an\nexperience that resulted in a lifetime fear of being in enclosed\nspaces) and then served in WW II. After his return from the war,\nBronson used the GI Bill to study art (a passion he had for the rest of\nhis life), then enrolled at the Pasadena Playhouse in California. One\nof his teachers was impressed with the young man and recommended him to\ndirector \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0368871/?ref_=sr\"\u003eHenry Hathaway\u003c/a\u003e, resulting in\nBronson making his film debut in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044224/?ref_=sr\"\u003eYou\u0026#39;re in the Navy Now (1951)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHe appeared on screen often early in his career, though usually\nuncredited. However, he made an impact on audiences as the evil\nassistant to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001637/?ref_=sr\"\u003eVincent Price\u003c/a\u003e in the\n3-D thriller \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045888/?ref_=sr\"\u003eHouse of Wax (1953)\u003c/a\u003e.\nHis sinewy yet muscular physique got him cast in action-type roles,\noften without a shirt to highlight his manly frame. He received\npositive notices from critics for his performances in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047647/?ref_=sr\"\u003eVera Cruz (1954)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048698/?ref_=sr\"\u003eTarget Zero (1955)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050915/?ref_=sr\"\u003eRun of the Arrow (1957)\u003c/a\u003e. Indie\ndirector \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000339/?ref_=sr\"\u003eRoger Corman\u003c/a\u003e cast him as the lead\nin his well-received low-budget gangster flick\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051887/?ref_=sr\"\u003eMachine-Gun Kelly (1958)\u003c/a\u003e, then\nBronson scored the lead in his own TV series,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051293/?ref_=sr\"\u003eMan with a Camera (1958)\u003c/a\u003e.\nThe 1960s proved to be the era in which Bronson made his reputation as\na man of few words but much action.\u003cbr/\u003e\u003cbr/\u003eDirector \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0836328/?ref_=sr\"\u003eJohn Sturges\u003c/a\u003e cast him as half\nIrish/half Mexican gunslinger Bernardo O\u0026#39;Reilly in the smash hit\nwestern\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054047/?ref_=sr\"\u003eThe Magnificent Seven (1960)\u003c/a\u003e,\nand hired him again as tunnel rat Danny Velinski for the WWII POW\nbig-budget epic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057115/?ref_=sr\"\u003eThe Great Escape (1963)\u003c/a\u003e. Several\nmore strong roles followed, then once again he was back in military\nuniform, alongside \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001511/?ref_=sr\"\u003eLee Marvin\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000308/?ref_=sr\"\u003eErnest Borgnine\u003c/a\u003e in the\ntestosterone-filled\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061578/?ref_=sr\"\u003eThe Dirty Dozen (1967)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eEuropean audiences had taken a shine to his minimalist acting style,\nand he headed to the Continent to star in several action-oriented\nfilms, including\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062713/?ref_=sr\"\u003eLa bataille de San Sebastian (1968)\u003c/a\u003e\n(aka \u0026quot;Guns for San Sebastian\u0026quot;), the cult western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064116/?ref_=sr\"\u003eOnce Upon a Time in the West (1968)\u003c/a\u003e\n(aka \u0026quot;Once Upon a Time in The West\u0026quot;),\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064791/?ref_=sr\"\u003eLe passager de la pluie (1970)\u003c/a\u003e\n(aka \u0026quot;Rider On The Rain\u0026quot;) and, in one of the quirkier examples of\ninternational casting, alongside Japansese screen legend\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001536/?ref_=sr\"\u003eToshirô Mifune\u003c/a\u003e in the western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067770/?ref_=sr\"\u003eSoleil rouge (1971)\u003c/a\u003e (aka \u0026quot;Red Sun\u0026quot;).\u003cbr/\u003e\u003cbr/\u003eAmerican audiences were by now keen to see Bronson back on US soil, and\nhe returned triumphantly in the early 1970s to take the lead in more\nhard-edged crime and western dramas, including\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068341/?ref_=sr\"\u003eThe Valachi Papers (1972)\u003c/a\u003e and\nthe revenge western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066907/?ref_=sr\"\u003eChato\u0026#39;s Land (1972)\u003c/a\u003e. After nearly 25\nyears as a working actor, he became an\n\u0026#39;overnight\u0026quot; sensation. Bronson\nthen hooked up with British director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0935382/?ref_=sr\"\u003eMichael Winner\u003c/a\u003e\nto star in several highly successful urban crime thrillers, including\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068931/?ref_=sr\"\u003eThe Mechanic (1972)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070736/?ref_=sr\"\u003eThe Stone Killer (1973)\u003c/a\u003e. He then\nscored a solid hit as a Colorado melon farmer-done-wrong in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0281507/?ref_=sr\"\u003eRichard Fleischer\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071866/?ref_=sr\"\u003eMr. Majestyk (1974)\u003c/a\u003e. However, the\nfilm that proved to be a breakthrough for both Bronson and Winner came\nin 1974 with the release of the controversial\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071402/?ref_=sr\"\u003eDeath Wish (1974)\u003c/a\u003e (written with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000020/?ref_=sr\"\u003eHenry Fonda\u003c/a\u003e in mind, who turned it down\nbecause he was disgusted by the script).\u003cbr/\u003e\u003cbr/\u003eThe US was at the time in the midst of rising street crime, and\naudiences flocked to see a story about a mild-mannered architect who\nseeks revenge for the murder of his wife and rape of his daughter by\ngunning down hoods, rapists and killers on the streets of New York\nCity. So popular was the film that it spawned four sequels over the\nnext 20 years.\u003cbr/\u003e\u003cbr/\u003eAction fans could not get enough of tough guy Bronson, and he appeared\nin what many fans--and critics--consider his best role: Depression-era\nstreet fighter Chaney alongside\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000336/?ref_=sr\"\u003eJames Coburn\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073092/?ref_=sr\"\u003eHard Times (1975)\u003c/a\u003e. That was followed\nby the somewhat slow-paced western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072735/?ref_=sr\"\u003eBreakheart Pass (1975)\u003c/a\u003e (with wife\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0409866/?ref_=sr\"\u003eJill Ireland\u003c/a\u003e), the light-hearted romp (a\nflop)\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074553/?ref_=sr\"\u003eFrom Noon Till Three (1976)\u003c/a\u003e\nand as Soviet agent Grigori Borsov in director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0796923/?ref_=sr\"\u003eDon Siegel\u003c/a\u003e\u0026#39;s Cold War thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076804/?ref_=sr\"\u003eTelefon (1977)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eBronson remained busy throughout the 1980s, with most of his films\ntaking a more violent tone, and he was pitched as an avenging angel\neradicating evildoers in films like the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085121/?ref_=sr\"\u003e10 to Midnight (1983)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087222/?ref_=sr\"\u003eThe Evil That Men Do (1984)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092585/?ref_=sr\"\u003eAssassination (1987)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097670/?ref_=sr\"\u003eKinjite: Forbidden Subjects (1989)\u003c/a\u003e.\nBronson jolted many critics with his forceful work as murdered United\nMine Workers leader Jock Yablonski in the TV movie\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090588/?ref_=sr\"\u003eAct of Vengeance (1986)\u003c/a\u003e,\ngave a very interesting performance in the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000576/?ref_=sr\"\u003eSean Penn\u003c/a\u003e-directed\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102116/?ref_=sr\"\u003eThe Indian Runner (1991)\u003c/a\u003e and\nsurprised everyone with his appearance as compassionate newspaper\neditor Francis Church in the family film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103305/?ref_=sr\"\u003eYes Virginia, There Is a Santa Claus (1991)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eBronson\u0026#39;s final film roles were as police commissioner Paul Fein in a\nwell-received trio of crime/drama TV movies\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0113024/?ref_=sr\"\u003eFamily of Cops (1995)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118770/?ref_=sr\"\u003eBreach of Faith: A Family of Cops II (1997)\u003c/a\u003e\nand\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0184456/?ref_=sr\"\u003eFamily of Cops III: Under Suspicion (1999)\u003c/a\u003e.\nUnfortunately, ill health began to take its toll; he suffered from\nAlzheimer\u0026#39;s disease for the last few years of his life, and finally\npassed away from pneumonia at Los Angeles\u0026#39; Cedars-Sinai Medical Center\nin August 2003.\u003cbr/\u003e\u003cbr/\u003eBronson was a true icon of international cinema; critics had few good\nthings to say about his films, but he remained a fan favorite in both\nthe US and abroad for 50 years, a claim few other film legends can\nmake.","knownFor":{"originalTitleText":"Death Wish","titleId":"tt0071402","titleText":"Death Wish","canHaveEpisodes":false,"yearRange":{"year":1974}},"nameId":"nm0000314","nameText":"Charles Bronson","professions":["Actor"],"primaryProfessions":["Actor"],"primaryImage":{"caption":"Charles Bronson","height":4080,"width":3063,"url":"https://m.media-amazon.com/images/M/MV5BYWVjNDExMTgtMGE2OS00ZWNiLWIwNjYtMmI1ZDYwMTg1OWE2XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Ann Prentiss was born on 27 November 1939 in San Antonio, Texas, USA. She was an actress, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095687/?ref_=sr\"\u003eMy Stepmother Is an Alien (1988)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066193/?ref_=sr\"\u003eThe Out of Towners (1970)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071269/?ref_=sr\"\u003eCalifornia Split (1974)\u003c/a\u003e. She died on 12 January 2010 in Los Angeles, California, USA.","knownFor":{"originalTitleText":"My Stepmother Is an Alien","titleId":"tt0095687","titleText":"My Stepmother Is an Alien","canHaveEpisodes":false,"yearRange":{"year":1988}},"nameId":"nm0696031","nameText":"Ann Prentiss","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Ann Prentiss in California Split (1974)","height":833,"width":1150,"url":"https://m.media-amazon.com/images/M/MV5BMDIzYjRkMDYtMDQ0YS00ZmUxLWIxZmMtMTkzYjJmMDIzNDk4XkEyXkFqcGc@._V1_.jpg"}},{"bio":"A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060782/?ref_=sr\"\u003eOne Million Years B.C. (1966)\u003c/a\u003e, if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.\u003cbr/\u003e\u003cbr/\u003eShe was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles (\u0026quot;Miss Photogenic,\u0026quot; \u0026quot;Miss La Jolla,\u0026quot; \u0026quot;Miss Contour,\u0026quot; \u0026quot;Miss Fairest of the Fair\u0026quot; and \u0026quot;Miss San Diego\u0026quot;).\u003cbr/\u003e\u003cbr/\u003eWith her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193302/?ref_=sr\"\u003eDamon Welch\u003c/a\u003e (born 1959), who later became an actor/production assistant, and actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193520/?ref_=sr\"\u003eTahnee Welch\u003c/a\u003e (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088933/?ref_=sr\"\u003eCocoon (1985)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eOff campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn\u0026#39;t divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.\u003cbr/\u003e\u003cbr/\u003eRegrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057733/?ref_=sr\"\u003eBewitched (1964)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055689/?ref_=sr\"\u003eMcHale\u0026#39;s Navy (1962)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055710/?ref_=sr\"\u003eThe Virginian (1962)\u003c/a\u003e) as well as the large screen (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000062/?ref_=sr\"\u003eElvis Presley\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058534/?ref_=sr\"\u003eRoustabout (1964)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000013/?ref_=sr\"\u003eDoris Day\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059112/?ref_=sr\"\u003eDo Not Disturb (1965)\u003c/a\u003e). Caught in the midst of the \u0026quot;beach party\u0026quot; craze, it\u0026#39;s not surprising to find out that her first major film role was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059771/?ref_=sr\"\u003eA Swingin\u0026#39; Summer (1965)\u003c/a\u003e, which concentrated more on musical guests \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1335503/?ref_=sr\"\u003eThe Righteous Brothers\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1890442/?ref_=sr\"\u003eGary Lewis \u0026amp; The Playboys\u003c/a\u003e than on Welch\u0026#39;s outstanding assets. But 20th Century-Fox certainly took notice and signed her up.\u003cbr/\u003e\u003cbr/\u003eWith her very first film under contract (actually, she was on loan out to Britain\u0026#39;s Hammer Studios at the time), she took on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060782/?ref_=sr\"\u003eOne Million Years B.C. (1966)\u003c/a\u003e (the remake of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032871/?ref_=sr\"\u003eOne Million B.C. (1940)\u003c/a\u003e, in the role originated by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0484808/?ref_=sr\"\u003eCarole Landis\u003c/a\u003e), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing \u0026quot;lust\u0026quot; for the comedy team of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0177228/?ref_=sr\"\u003ePeter Cook\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001545/?ref_=sr\"\u003eDudley Moore\u003c/a\u003e in their vehicle \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061391/?ref_=sr\"\u003eBedazzled (1967)\u003c/a\u003e, and as the title secret agent in the spy spoof \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061653/?ref_=sr\"\u003eFathom (1967)\u003c/a\u003e. In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000052/?ref_=sr\"\u003eMarcello Mastroianni\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eBack in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000987/?ref_=sr\"\u003eJim Brown\u003c/a\u003e in the \u0026quot;spaghetti western\u0026quot; \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063970/?ref_=sr\"\u003e100 Rifles (1969)\u003c/a\u003e, and as the transgender title role in the unfathomable \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066115/?ref_=sr\"\u003eMyra Breckinridge (1970)\u003c/a\u003e. Adapted from \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000683/?ref_=sr\"\u003eGore Vidal\u003c/a\u003e\u0026#39;s novel, she created some unwelcome notoriety by locking horns with septuagenarian diva \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0922213/?ref_=sr\"\u003eMae West\u003c/a\u003e on the set. The instant cult movie certainly didn\u0026#39;t help Welch\u0026#39;s attempt at being taking seriously as an actress.\u003cbr/\u003e\u003cbr/\u003eBox office bombs abounded. Try as she might in such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068795/?ref_=sr\"\u003eKansas City Bomber (1972)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073903/?ref_=sr\"\u003eThe Wild Party (1975)\u003c/a\u003e, which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072281/?ref_=sr\"\u003eThe Three Musketeers (1973)\u003c/a\u003e, and appeared in the mystery thriller \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070291/?ref_=sr\"\u003eThe Last of Sheila (1973)\u003c/a\u003e. She planned on making a comeback in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083717/?ref_=sr\"\u003eCannery Row (1982)\u003c/a\u003e, even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn\u0026#39;t help her film career and only helped to label her as trouble on a set.\u003cbr/\u003e\u003cbr/\u003eTV movies became a positive milieu for Welch as she developed sound vehicles for herself such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084239/?ref_=sr\"\u003eThe Legend of Walks Far Woman (1980)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093862/?ref_=sr\"\u003eRight to Die (1987)\u003c/a\u003e, earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000404/?ref_=sr\"\u003eJane Fonda\u003c/a\u003e).\u003cbr/\u003e\u003cbr/\u003eWelch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as \u0026quot;Woman of the Year\u0026quot; and \u0026quot;Victor/Victoria\u0026quot;. She spoofed her own image on occasion, most memorably on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098904/?ref_=sr\"\u003eSeinfeld (1989)\u003c/a\u003e. Into the millennium, she co-starred in the Hispanic-oriented TV series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0303635/?ref_=sr\"\u003eAmerican Family (2002)\u003c/a\u003e and the short-lived comedies \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0947799/?ref_=sr\"\u003eWelcome to the Captain (2008)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt5012346/?ref_=sr\"\u003eDate My Dad (2017)\u003c/a\u003e, along with the movies \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0255653/?ref_=sr\"\u003eTortilla Soup (2001)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0250494/?ref_=sr\"\u003eLegally Blonde (2001)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0393297/?ref_=sr\"\u003eForget About It (2006)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4795124/?ref_=sr\"\u003eHow to Be a Latin Lover (2017)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHer three subsequent marriages were to producer/agent \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193474/?ref_=sr\"\u003ePatrick Curtis\u003c/a\u003e (who produced her TV special, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0174154/?ref_=sr\"\u003eRaquel (1970)\u003c/a\u003e), director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0918301/?ref_=sr\"\u003eAndré Weinfeld\u003c/a\u003e (who directed her in several fitness videos), and pizza parlor owner \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0658429/?ref_=sr\"\u003eRichie Palmer\u003c/a\u003e, who was 14 years her junior. All these unions ended in divorce.\u003cbr/\u003e\u003cbr/\u003eShe died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer\u0026#39;s disease.","knownFor":{"originalTitleText":"The Three Musketeers","titleId":"tt0072281","titleText":"The Three Musketeers","canHaveEpisodes":false,"yearRange":{"year":1973}},"nameId":"nm0000079","nameText":"Raquel Welch","professions":["Actress","Producer","Writer"],"primaryProfessions":["Actress","Producer","Writer"],"primaryImage":{"caption":"Raquel Welch","height":3000,"width":2400,"url":"https://m.media-amazon.com/images/M/MV5BOTkyOTQwZmYtODdlOS00ZTI3LTg1MjgtNWU0N2E1OTgzMjViXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.\u003cbr/\u003e\u003cbr/\u003eTaylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1192416/?ref_=sr\"\u003eSara Taylor\u003c/a\u003e (née Sara Viola Warmbrodt) and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1259816/?ref_=sr\"\u003eFrancis Taylor\u003c/a\u003e, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth\u0026#39;s birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.\u003cbr/\u003e\u003cbr/\u003eThe family relocated to Los Angeles, where Mrs. Taylor\u0026#39;s own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0035427/?ref_=sr\"\u003eThere\u0026#39;s One Born Every Minute (1942)\u003c/a\u003e, released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.\u003cbr/\u003e\u003cbr/\u003eThe first production she made with that studio was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036098/?ref_=sr\"\u003eLassie Come Home (1943)\u003c/a\u003e, and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037462/?ref_=sr\"\u003eThe White Cliffs of Dover (1944)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036969/?ref_=sr\"\u003eJane Eyre (1943)\u003c/a\u003e (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037120/?ref_=sr\"\u003eNational Velvet (1944)\u003c/a\u003e. She played Velvet Brown opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001682/?ref_=sr\"\u003eMickey Rooney\u003c/a\u003e. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038427/?ref_=sr\"\u003eCourage of Lassie (1946)\u003c/a\u003e, another success. In 1947, when she was 15, she starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039566/?ref_=sr\"\u003eLife with Father (1947)\u003c/a\u003e with such heavyweights as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001635/?ref_=sr\"\u003eWilliam Powell\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002050/?ref_=sr\"\u003eIrene Dunne\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0686032/?ref_=sr\"\u003eZasu Pitts\u003c/a\u003e, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041594/?ref_=sr\"\u003eLittle Women (1949)\u003c/a\u003e, which was also a box office huge success.\u003cbr/\u003e\u003cbr/\u003eThroughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0828419/?ref_=sr\"\u003eGeorge Stevens\u003c/a\u003e film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043924/?ref_=sr\"\u003eA Place in the Sun (1951)\u003c/a\u003e, co-starring her good friend \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001050/?ref_=sr\"\u003eMontgomery Clift\u003c/a\u003e. The following year, she co-starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044760/?ref_=sr\"\u003eIvanhoe (1952)\u003c/a\u003e, one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046759/?ref_=sr\"\u003eBeau Brummell (1954)\u003c/a\u003e, but later that year starred in the hits \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047162/?ref_=sr\"\u003eThe Last Time I Saw Paris (1954)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046951/?ref_=sr\"\u003eElephant Walk (1954)\u003c/a\u003e. She was 22 now, and even at that young age was considered one of the world\u0026#39;s great beauties. In 1955 she appeared in the hit \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049261/?ref_=sr\"\u003eGiant (1956)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000015/?ref_=sr\"\u003eJames Dean\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eSadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001050/?ref_=sr\"\u003eMontgomery Clift\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050882/?ref_=sr\"\u003eRaintree County (1957)\u003c/a\u003e, an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film\u0026#39;s shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0940946/?ref_=sr\"\u003eJoanne Woodward\u003c/a\u003e for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051077/?ref_=sr\"\u003eThe Three Faces of Eve (1957)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eIn 1958 Elizabeth starred as Maggie Pollitt in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051459/?ref_=sr\"\u003eCat on a Hot Tin Roof (1958)\u003c/a\u003e. The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001333/?ref_=sr\"\u003eSusan Hayward\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051758/?ref_=sr\"\u003eI Want to Live! (1958)\u003c/a\u003e. She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053318/?ref_=sr\"\u003eSuddenly, Last Summer (1959)\u003c/a\u003e. Once again, however, she lost out, this time to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0797531/?ref_=sr\"\u003eSimone Signoret\u003c/a\u003e for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053226/?ref_=sr\"\u003eRoom at the Top (1958)\u003c/a\u003e. Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053622/?ref_=sr\"\u003eBUtterfield 8 (1960)\u003c/a\u003e as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn\u0026#39;t ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056937/?ref_=sr\"\u003eCleopatra (1963)\u003c/a\u003e, which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.\u003cbr/\u003e\u003cbr/\u003eThis was the film where she met her future and fifth husband, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000009/?ref_=sr\"\u003eRichard Burton\u003c/a\u003e (the previous four were Conrad Hilton, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0928697/?ref_=sr\"\u003eMichael Wilding\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0865239/?ref_=sr\"\u003eMike Todd\u003c/a\u003e--who died in a plane crash--and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0279472/?ref_=sr\"\u003eEddie Fisher\u003c/a\u003e). Her next films, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057634/?ref_=sr\"\u003eThe V.I.P.s (1963)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059674/?ref_=sr\"\u003eThe Sandpiper (1965)\u003c/a\u003e, were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061184/?ref_=sr\"\u003eWho\u0026#39;s Afraid of Virginia Woolf? (1966)\u003c/a\u003e. Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061407/?ref_=sr\"\u003eThe Taming of the Shrew (1967)\u003c/a\u003e, again giving winning performances. However, her films afterward were box office failures, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062185/?ref_=sr\"\u003eReflections in a Golden Eye (1967)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061502/?ref_=sr\"\u003eThe Comedians (1967)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062751/?ref_=sr\"\u003eBoom (1968)\u003c/a\u003e (again co-starring with Burton), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063571/?ref_=sr\"\u003eSecret Ceremony (1968)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066184/?ref_=sr\"\u003eThe Only Game in Town (1970)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069516/?ref_=sr\"\u003eZee and Co. (1972)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068674/?ref_=sr\"\u003eHammersmith Is Out (1972)\u003c/a\u003e (with Burton again), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069736/?ref_=sr\"\u003eAsh Wednesday (1973)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070444/?ref_=sr\"\u003eNight Watch (1973)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071442/?ref_=sr\"\u003eIdentikit (1974)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074225/?ref_=sr\"\u003eThe Blue Bird (1976)\u003c/a\u003e (considered by many to be her worst), \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076319/?ref_=sr\"\u003eA Little Night Music (1977)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080139/?ref_=sr\"\u003eWinter Kills (1979)\u003c/a\u003e (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0992825/?ref_=sr\"\u003eJohn Warner\u003c/a\u003e and construction worker \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1654794/?ref_=sr\"\u003eLarry Fortensky\u003c/a\u003e, whom she met in rehab.\u003cbr/\u003e\u003cbr/\u003eIn 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001369/?ref_=sr\"\u003eRock Hudson\u003c/a\u003e, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.\u003cbr/\u003e\u003cbr/\u003eElizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.","knownFor":{"originalTitleText":"Who's Afraid of Virginia Woolf?","titleId":"tt0061184","titleText":"Who's Afraid of Virginia Woolf?","canHaveEpisodes":false,"yearRange":{"year":1966}},"nameId":"nm0000072","nameText":"Elizabeth Taylor","professions":["Actress","Producer","Soundtrack"],"primaryProfessions":["Actress","Producer","Soundtrack"],"primaryImage":{"caption":"Elizabeth Taylor in Cleopatra (1963)","height":949,"width":768,"url":"https://m.media-amazon.com/images/M/MV5BMTQzMTc5MDg0OF5BMl5BanBnXkFtZTgwODE4NjMzNDE@._V1_.jpg"}},{"bio":"Amiable and handsome James Garner had obtained success in both films\nand television, often playing variations of the charming\nanti-hero/con-man persona he first developed in Maverick, the offbeat\nwestern TV series that shot him to stardom in the late 1950s.\u003cbr/\u003e\u003cbr/\u003eJames Garner was born James Scott Bumgarner in Norman, Oklahoma, to\nMildred Scott (Meek) and Weldon Warren Bumgarner, a carpet layer. He\ndropped out of high school at 16 to join the Merchant Marines. He\nworked in a variety of jobs and received 2 Purple Hearts when he was\nwounded twice during the Korean War. He had his first chance to act\nwhen a friend got him a non-speaking role in the Broadway stage play\n\u0026quot;The Caine Mutiny Court Martial (1954)\u0026quot;. Part of his work was to read\nlines to the lead actors and he began to learn the craft of acting.\nThis play led to small television roles, television commercials and\neventually a contract with Warner Brothers. Director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0124877/?ref_=sr\"\u003eDavid Butler\u003c/a\u003e saw something in\nGarner and gave him all the attention he needed when he appeared in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049264/?ref_=sr\"\u003eThe Girl He Left Behind (1956)\u003c/a\u003e.\nAfter co-starring in a handful of films during 1956-57, Warner Brothers\ngave Garner a co-starring role in the the western series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050037/?ref_=sr\"\u003eMaverick (1957)\u003c/a\u003e. Originally planned\nto alternate between Bart Maverick\n(\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0446438/?ref_=sr\"\u003eJack Kelly\u003c/a\u003e) and Bret Maverick\n(Garner), the show quickly turned into the Bret Maverick Show. As\nMaverick, Garner was cool, good-natured, likable and always ready to\nuse his wits to get him in or out of trouble. The series was highly\nsuccessful, and Garner continued in it into 1960 when he left the\nseries in a dispute over money.\u003cbr/\u003e\u003cbr/\u003eIn the early 1960s Garner returned to films, often playing the same\ntype of character he had played on \u0026quot;Maverick\u0026quot;. His successful films\nincluded\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057581/?ref_=sr\"\u003eThe Thrill of It All (1963)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057329/?ref_=sr\"\u003eMove Over, Darling (1963)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057115/?ref_=sr\"\u003eThe Great Escape (1963)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057840/?ref_=sr\"\u003eThe Americanization of Emily (1964)\u003c/a\u003e.\nAfter that, his career wandered and when he appeared in the automobile\nracing movie \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060472/?ref_=sr\"\u003eGrand Prix (1966)\u003c/a\u003e, he got\nthe bug to race professionally. Soon, this ambition turned to\nsupporting a racing team, not unlike what\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e would do in later years.\u003cbr/\u003e\u003cbr/\u003eGarner found great success in the western comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065051/?ref_=sr\"\u003eSupport Your Local Sheriff! (1969)\u003c/a\u003e.\nHe tried to repeat his success with a sequel,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067809/?ref_=sr\"\u003eSupport Your Local Gunfighter (1971)\u003c/a\u003e,\nbut it wasn\u0026#39;t up to the standards of the first one. After 11 years off\nthe small screen, Garner returned to television in a role not unlike\nthat in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065051/?ref_=sr\"\u003eSupport Your Local Sheriff! (1969)\u003c/a\u003e.\nThe show was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066690/?ref_=sr\"\u003eNichols (1971)\u003c/a\u003e and he\nplayed the sheriff who would try to solve all problems with his wits\nand without gun play. When the show was canceled, Garner took the news\nby having Nichols shot dead, never to return in a sequel. In 1974 he\ngot the role for which he will probably be best remembered, as wry\nprivate eye Jim Rockford in the classic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071042/?ref_=sr\"\u003eThe Rockford Files (1974)\u003c/a\u003e.\nThis became his second major television hit, with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000890/?ref_=sr\"\u003eNoah Beery Jr.\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0546765/?ref_=sr\"\u003eStuart Margolin\u003c/a\u003e, and in 1977 he won an\nEmmy for his portrayal. However, a combination of injuries and the\ndiscovery that Universal Pictures\u0026#39; \u0026quot;creative bookkeeping\u0026quot; would not\ngive him any of the huge profits the show generated soon soured him and\nthe show ended in 1980. In the 1980s Garner appeared in few movies, but\nthe ones he did make were darker than the likable Garner of old. These\nincluded \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088224/?ref_=sr\"\u003eTank (1984)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0089643/?ref_=sr\"\u003eMurphy\u0026#39;s Romance (1985)\u003c/a\u003e. For the\nlatter, he was nominated for both the Academy Award and a Golden Globe.\nReturning to the western mode, he co-starred with the young\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000246/?ref_=sr\"\u003eBruce Willis\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0096193/?ref_=sr\"\u003eSunset (1988)\u003c/a\u003e, a mythical story of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0247449/?ref_=sr\"\u003eWyatt Earp\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0594291/?ref_=sr\"\u003eTom Mix\u003c/a\u003e and 1920s Hollywood.\u003cbr/\u003e\u003cbr/\u003eIn the 1990s Garner received rave reviews for his role in the acclaimed\ntelevision movie about corporate greed,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0106356/?ref_=sr\"\u003eBarbarians at the Gate (1993)\u003c/a\u003e.\nAfter that he appeared in the theatrical remake of his old television\nseries, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0110478/?ref_=sr\"\u003eMaverick (1994)\u003c/a\u003e, opposite\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000154/?ref_=sr\"\u003eMel Gibson\u003c/a\u003e. Most of his appearances\nafter that were in numerous TV movies based upon\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071042/?ref_=sr\"\u003eThe Rockford Files (1974)\u003c/a\u003e.\nHis most recent films were\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0117119/?ref_=sr\"\u003eMy Fellow Americans (1996)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0186566/?ref_=sr\"\u003eSpace Cowboys (2000)\u003c/a\u003e .","knownFor":{"originalTitleText":"The Notebook","titleId":"tt0332280","titleText":"The Notebook","canHaveEpisodes":false,"yearRange":{"year":2004}},"nameId":"nm0001258","nameText":"James Garner","professions":["Actor","Producer","Director"],"primaryProfessions":["Actor","Producer","Director"],"primaryImage":{"caption":"James Garner in The Rockford Files (1974)","height":4264,"width":2869,"url":"https://m.media-amazon.com/images/M/MV5BMDYzMTQyYjItYTI1NS00YzgyLTk3YmEtMTMzNWE4NmY2MzE0XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Markie Post grew up in Walnut Creek, California and started her career\non films and TV shows, such as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0127991/?ref_=sr\"\u003eCard Sharks (1978)\u003c/a\u003e and \u0026quot;The New\nCard Sharks\u0026quot; (1986) and went on to even produce such projects as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0179566/?ref_=sr\"\u003eDouble Dare (1976)\u003c/a\u003e and has made\nappearances on such television projects as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0252133/?ref_=sr\"\u003e1st to Die (2003)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0463399/?ref_=sr\"\u003eE! True Hollywood Story (1996)\u003c/a\u003e\nand\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0283727/?ref_=sr\"\u003eElectra Woman and Dyna Girl (2001)\u003c/a\u003e.\nPerhaps her biggest TV role was as \u0026quot;Christine Sullivan\u0026quot; on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086770/?ref_=sr\"\u003eNight Court (1984)\u003c/a\u003e. She appeared\nin 156 episodes of this comedy, from 1984 to 1992.","knownFor":{"originalTitleText":"There's Something About Mary","titleId":"tt0129387","titleText":"There's Something About Mary","canHaveEpisodes":false,"yearRange":{"year":1998}},"nameId":"nm0692850","nameText":"Markie Post","professions":["Actress","Producer","Editorial Department"],"primaryProfessions":["Actress","Producer","Editorial Department"],"primaryImage":{"caption":"Markie Post","height":3000,"width":2223,"url":"https://m.media-amazon.com/images/M/MV5BYTEzZmRiM2EtZTFiNi00ZjhiLTllYjAtN2ZmOGIzNzY3YTZmXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Robert Gerard Goulet was born in Lawrence, Massachusetts, to a family\nof French-Canadian origin. He was the son of Jeanette (Gauthier) and\nJoseph Georges André Goulet. After hearing his son sing \u0026quot;Lead Kindly\nLight\u0026quot;, in their church hall, his father told him, \u0026quot;I\u0026#39;m proud of you,\nson\u0026quot;. A few weeks later, his father, lying on his death bed, called\nRobert to his side and told him the Lord had given him a beautiful\nvoice and he must go and sing. His father died when Robert was 13 and\nhe moved to Edmonton, Canada, a year later. Goulet won a singing\nscholarship to the Royal Conservatory of music in Toronto and, in 1951,\nmade his concert debut at Edmonton in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005594/?ref_=sr\"\u003eGeorge Frideric Handel\u003c/a\u003e\u0026#39;s\n\u0026quot;Messiah\u0026quot;. Goulet was also a DJ on Canada\u0026#39;s CKUA in Edmonton for two\nyears. In 1960, he landed one of his biggest roles as \u0026quot;Lancelot\u0026quot; in\nBroadway\u0026#39;s \u0026quot;Camelot\u0026quot;, opposite\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000009/?ref_=sr\"\u003eRichard Burton\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000267/?ref_=sr\"\u003eJulie Andrews\u003c/a\u003e. He received a Tony\naward in 1968 for his role in \u0026quot;Happy Time\u0026quot;. He and his first wife,\nLouise Longmore, had one daughter,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0332582/?ref_=sr\"\u003eNicolette Goulet\u003c/a\u003e (aka Nikki). His\nsecond wife, actress and singer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0492655/?ref_=sr\"\u003eCarol Lawrence\u003c/a\u003e, produced two\nsons, Christopher and Michael. In 1982, with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001229/?ref_=sr\"\u003eGlenn Ford\u003c/a\u003e giving the bride away, he\nwas married in Las Vegas to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2173379/?ref_=sr\"\u003eVera Goulet\u003c/a\u003e (aka\nVera Novak), a Yugoslavian-born writer, photographer and artist. When\nnot living at their home in Las Vegas, they reside on their yacht,\n\u0026quot;Rogo\u0026quot;, in Los Angeles. Goulet has performed at the White House for\nthree presidents, as well as a command performance for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0703070/?ref_=sr\"\u003eQueen Elizabeth II\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eOn September 30, 2007, he was hospitalized in Las Vegas, where he was\ndiagnosed with Idiopathic Pulmonary Fibrosis, \u0026quot;a rare but rapidly\nprogressive and potentially fatal condition\u0026quot;. On October 13, he was\ntransferred to Cedars-Sinai Medical Center in Los Angeles after it was\ndetermined that he \u0026quot;would not survive without an emergency lung\ntransplant\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eGoulet died on October 30, 2007 at Cedars-Sinai Medical Center, while\nawaiting a transplant.\u003cbr/\u003e\u003cbr/\u003eHe is survived by his wife, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2173379/?ref_=sr\"\u003eVera Goulet\u003c/a\u003e, and\nthree children, sons Christopher and Michael, and daughter\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0332582/?ref_=sr\"\u003eNicolette Goulet\u003c/a\u003e, who is the mother of\nhis grandchildren, Jordan Gerard and Solange.","knownFor":{"originalTitleText":"The Naked Gun 2½: The Smell of Fear","titleId":"tt0102510","titleText":"The Naked Gun 2½: The Smell of Fear","canHaveEpisodes":false,"yearRange":{"year":1991}},"nameId":"nm0332587","nameText":"Robert Goulet","professions":["Actor","Music Department","Soundtrack"],"primaryProfessions":["Actor","Music Department","Soundtrack"],"primaryImage":{"caption":"Robert Goulet","height":3558,"width":2446,"url":"https://m.media-amazon.com/images/M/MV5BMTE0MzY4MmMtMzA0NS00YzZjLWI4ZGEtZjg4NzVlNGE2YTI4XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Stanton was born in West Irvine, Kentucky, to Ersel (Moberly), a cook, and Sheridan Harry Stanton, a barber and tobacco farmer. He lived in Lexington, Kentucky and graduated from Lafayette Senior High School with the class of 1944. Drafted into the Navy, he served as a cook in the U.S. Navy during World War II, and was on board an LST during the Battle of Okinawa. He then returned to the University of Kentucky to appear in a production of \u0026quot;Pygmalion\u0026quot;, before heading out to California and honing his craft at the prestigious Pasadena Playhouse. Stanton then toured around the United States with a male choir, worked in children\u0026#39;s theater, and then headed back to California.\u003cbr/\u003e\u003cbr/\u003eHis first role on screen was in the tepid movie \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0165990/?ref_=sr\"\u003eTomahawk Trail (1957)\u003c/a\u003e, but he was quickly noticed and appeared regularly in minor roles as cowboys and soldiers through the late 1950s and early 1960s. His star continued to rise and he received better roles in which he could showcase his laid-back style, such as in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061512/?ref_=sr\"\u003eCool Hand Luke (1967)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065938/?ref_=sr\"\u003eKelly\u0026#39;s Heroes (1970)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069976/?ref_=sr\"\u003eDillinger (1973)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071562/?ref_=sr\"\u003eThe Godfather: Part II (1974)\u003c/a\u003e, and in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078748/?ref_=sr\"\u003eAlien (1979)\u003c/a\u003e. It was around this time that Stanton came to the attention of director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000694/?ref_=sr\"\u003eWim Wenders\u003c/a\u003e, who cast him in his finest role yet as Travis in the moving \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087884/?ref_=sr\"\u003eParis, Texas (1984)\u003c/a\u003e. Next indie director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0007182/?ref_=sr\"\u003eAlex Cox\u003c/a\u003e gave Stanton a role that brought him to the forefront, in the quirky cult film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087995/?ref_=sr\"\u003eRepo Man (1984)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eStanton was now heavily in demand, and his unique look got him cast as everything from a suburban father in the mainstream \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091790/?ref_=sr\"\u003ePretty in Pink (1986)\u003c/a\u003e to a soft-hearted, but ill-fated, private investigator in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100935/?ref_=sr\"\u003eWild at Heart (1990)\u003c/a\u003e and a crazy yet cunning scientist in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0082340/?ref_=sr\"\u003eEscape from New York (1981)\u003c/a\u003e. Apart from his film performances, he was also an accomplished musician, and \u0026quot;The Harry Dean Stanton Band\u0026quot; and their unique spin on mariachi music played together for well over a decade. They toured internationally. He became a cult figure of cinema and music and when \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001323/?ref_=sr\"\u003eDebbie Harry\u003c/a\u003e sang the lyric, \u0026quot;I want to dance with Harry Dean...\u0026quot; in her 1990s hit \u0026quot;I Want That Man\u0026quot;, she was talking about him. Stanton remained consistently active on screen, lastly appearing in films including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120669/?ref_=sr\"\u003eFear and Loathing in Las Vegas (1998)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120689/?ref_=sr\"\u003eThe Green Mile (1999)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0206917/?ref_=sr\"\u003eThe Man Who Cried (2000)\u003c/a\u003e.","knownFor":{"originalTitleText":"Lucky","titleId":"tt5859238","titleText":"Lucky","canHaveEpisodes":false,"yearRange":{"year":2017}},"nameId":"nm0001765","nameText":"Harry Dean Stanton","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Harry Dean Stanton at an event for Two for the Money (2005)","height":400,"width":289,"url":"https://m.media-amazon.com/images/M/MV5BMTkyMDYyMTQ2Ml5BMl5BanBnXkFtZTYwMjU2NjE0._V1_.jpg"}},{"bio":"Michael Clarke Duncan was born on December 10, 1957 in Chicago,\nIllinois. Raised on Chicago\u0026#39;s South Side by his single mother, Jean,\na house cleaner, Duncan grew up resisting drugs and alcohol, instead\nconcentrating on school. He wanted to play football in high school, but\nhis mother wouldn\u0026#39;t let him, afraid that he would get hurt. He then\nturned to acting and dreamed of becoming a famous actor.\u003cbr/\u003e\u003cbr/\u003eAfter graduating from high school and attending community college, he\nworked digging ditches at People\u0026#39;s Gas Company in Chicago. When he quit\nhis job and headed to Hollywood, he landed small roles while working as\na bodyguard. Duncan\u0026#39;s role in the movie\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120591/?ref_=sr\"\u003eArmageddon (1998)\u003c/a\u003e led to his\nbreakthrough performance in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120689/?ref_=sr\"\u003eThe Green Mile (1999)\u003c/a\u003e, when his\nArmageddon co-star \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000246/?ref_=sr\"\u003eBruce Willis\u003c/a\u003e called\ndirector \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001104/?ref_=sr\"\u003eFrank Darabont\u003c/a\u003e, suggesting\nDuncan for the part of convict John Coffey. He landed the role and won\ncritical acclaim as well as many other Awards and Nominations,\nincluding an Academy Award Nomination for Best Actor in a Supporting\nRole.\u003cbr/\u003e\u003cbr/\u003eAfter suffering a heart attack on July 13, 2012, he was taken to a Los\nAngeles hospital, in which his girlfriend Omarosa Manigault-Stallworth\ntried to save his life with CPR. Unfortunately, on September 3, 2012,\nMichael Clarke Duncan died at age 54 from respiratory failure.","knownFor":{"originalTitleText":"The Green Mile","titleId":"tt0120689","titleText":"The Green Mile","canHaveEpisodes":false,"yearRange":{"year":1999}},"nameId":"nm0003817","nameText":"Michael Clarke Duncan","professions":["Actor","Producer","Soundtrack"],"primaryProfessions":["Actor","Producer","Soundtrack"],"primaryImage":{"caption":"Michael Clarke Duncan at an event for The Island (2005)","height":400,"width":340,"url":"https://m.media-amazon.com/images/M/MV5BMTI3NDY2ODk5OV5BMl5BanBnXkFtZTYwMjQ0NzE0._V1_.jpg"}},{"bio":"\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005368/?ref_=sr\"\u003eDoris Roberts\u003c/a\u003e was born in St. Louis, Missouri, to Ann (Meltzer) and Larry Green. She was raised in New York, and took her stepfather\u0026#39;s surname. Roberts was a 20-year veteran of the Broadway stage before she\nbegan appearing steadily in character roles in film and on television\nduring the 1970s. A versatile player with an inescapably \u0026quot;mom-like\u0026quot;\npresence, she was adept at playing sympathetic roles but made her most\nmemorable mark as hard-boiled dames, gossips, and nags who were often\ntoo savvy of the ways of the world to be fooled by anyone. Roberts\nbuilt up some face recognition with regular appearances in the sitcoms\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074021/?ref_=sr\"\u003eMary Hartman, Mary Hartman (1976)\u003c/a\u003e (syndicated) and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078561/?ref_=sr\"\u003eAngie (1979)\u003c/a\u003e (ABC), but truly came into her own as a widely known comedienne when she was cast as the meddling, strong-willed family matriarch\non \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115167/?ref_=sr\"\u003eEverybody Loves Raymond (1996)\u003c/a\u003e (CBS). The show became of the\nbest-loved sitcoms in history, and Roberts earned seven Emmy\nnominations and four wins for her colorful characterization. Well past\nthe common age of retirement and well past the show\u0026#39;s celebrated end,\nRoberts maintained a reputation as one of the big and small screen\u0026#39;s\nmost iconic mothers, and she continued to be a welcome sight as a\ntelevision guest star and film player.","knownFor":{"originalTitleText":"Everybody Loves Raymond","titleId":"tt0115167","titleText":"Everybody Loves Raymond","canHaveEpisodes":true,"yearRange":{"year":1996,"endYear":2005}},"nameId":"nm0005368","nameText":"Doris Roberts","professions":["Actress","Director","Additional Crew"],"primaryProfessions":["Actress","Director","Additional Crew"],"primaryImage":{"caption":"Doris Roberts","height":400,"width":265,"url":"https://m.media-amazon.com/images/M/MV5BMTMxMDgxMDYyM15BMl5BanBnXkFtZTYwMDUxNzc0._V1_.jpg"}},{"bio":"Matthew Perry was born in Williamstown, Massachusetts, to Suzanne Marie\n(Langford), a Canadian journalist, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0675134/?ref_=sr\"\u003eJohn Bennett Perry\u003c/a\u003e, an American\nactor. His ancestry includes English, Irish, German, Swiss-German, and\nFrench-Canadian.\u003cbr/\u003e\u003cbr/\u003ePerry was raised in Ottawa, Ontario, where he became a top-ranked\njunior tennis player in Canada. However, after moving to Los Angeles at\nthe age of 15 to live with his father, he became more interested in\nacting. In addition to performing in several high school stage\nproductions, he remained an avid tennis player. Perry ranked 17th\nnationally in the junior singles category and third in the doubles\ncategory. Upon graduating from high school, Perry intended to enroll at\nthe University of Southern California. However, when he was offered a\nleading role on the television series,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092447/?ref_=sr\"\u003eSecond Chance (1987)\u003c/a\u003e, he seized\nthe opportunity to begin his acting career.\u003cbr/\u003e\u003cbr/\u003ePerry appeared in the hit comedy film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0190138/?ref_=sr\"\u003eThe Whole Nine Yards (2000)\u003c/a\u003e,\nas the neighbor of a hit man, played by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000246/?ref_=sr\"\u003eBruce Willis\u003c/a\u003e. His other feature film\ncredits included\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119141/?ref_=sr\"\u003eFools Rush In (1997)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095736/?ref_=sr\"\u003eA Night in the Life of Jimmy Reardon (1988)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098308/?ref_=sr\"\u003eShe\u0026#39;s Out of Control (1989)\u003c/a\u003e\nand\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0110774/?ref_=sr\"\u003eParallel Lives (1994)\u003c/a\u003e.\nHe also co-starred with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000394/?ref_=sr\"\u003eChris Farley\u003c/a\u003e in the buddy comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119053/?ref_=sr\"\u003eAlmost Heroes (1998)\u003c/a\u003e and in the\nromantic comedy,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0144640/?ref_=sr\"\u003eThree to Tango (1999)\u003c/a\u003e, opposite\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000117/?ref_=sr\"\u003eNeve Campbell\u003c/a\u003e. Perry resided in Los\nAngeles. He enjoyed playing ice hockey and softball in his spare time.","knownFor":{"originalTitleText":"Friends","titleId":"tt0108778","titleText":"Friends","canHaveEpisodes":true,"yearRange":{"year":1994,"endYear":2004}},"nameId":"nm0001612","nameText":"Matthew Perry","professions":["Actor","Producer","Writer"],"primaryProfessions":["Actor","Producer","Writer"],"primaryImage":{"caption":"Matthew Perry","height":400,"width":314,"url":"https://m.media-amazon.com/images/M/MV5BMTMwODc5NjI3N15BMl5BanBnXkFtZTcwNDEyMTE3Mw@@._V1_.jpg"}},{"bio":"Sharon\u0026#39;s early life was one of constant moving as her father served in the military. When she lived in Italy, she was voted \u0026quot;Homecoming Queen\u0026quot; of her high school. After being an extra in a few Italian films, Sharon headed to Hollywood where she would again start as an extra. Her first big break came when she was cast as the shapely bank secretary, \u0026quot;Janet Trego\u0026quot;, in the television series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055662/?ref_=sr\"\u003eThe Beverly Hillbillies (1962)\u003c/a\u003e (1963-1965). In 1967, she would meet her future husband, director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000591/?ref_=sr\"\u003eRoman Polanski\u003c/a\u003e, on the set of the English film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061655/?ref_=sr\"\u003eDance of the Vampires (1967)\u003c/a\u003e. Sharon\u0026#39;s big role would be that same year when she was the starlet in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0062430/?ref_=sr\"\u003eValley of the Dolls (1967)\u003c/a\u003e. With her marriage to Roman, her life became one of parties, travel and meeting influential movie people. She would appear as a red-haired beauty in the spy spoof \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065225/?ref_=sr\"\u003eThe Wrecking Crew (1968)\u003c/a\u003e working with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001509/?ref_=sr\"\u003eDean Martin\u003c/a\u003e and the equally beautiful \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0813961/?ref_=sr\"\u003eElke Sommer\u003c/a\u003e. Sharon was 2 months pregnant of her first child while filming in Italy and France a funny Italian comedy movie \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065361/?ref_=sr\"\u003e12 + 1 (1969)\u003c/a\u003e in February 1969. On August 9, 1969 Sharon Tate, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1389367/?ref_=sr\"\u003eAbigail Folger\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0781085/?ref_=sr\"\u003eJay Sebring\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1391031/?ref_=sr\"\u003eSteve Parent\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1389429/?ref_=sr\"\u003eVoytek Frykowski\u003c/a\u003e were murdered by 3 of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0543909/?ref_=sr\"\u003eCharles Manson\u003c/a\u003e\u0026#39;s followers: \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1366003/?ref_=sr\"\u003eCharles \u0026#39;Tex\u0026#39; Watson\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1366013/?ref_=sr\"\u003eSusan Atkins\u003c/a\u003e (died in prison in 2009), and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1355569/?ref_=sr\"\u003ePatricia Krenwinkel\u003c/a\u003e. 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